Two Louvre employees and several tour guides have been arrested in connection with a decade-long, large-scale ticket fraud scheme targeting Chinese tour groups. French prosecutors allege the operation involved counterfeit tickets and overbooking, costing the museum an estimated €10 million in lost revenue, with proceeds allegedly invested in real estate in France and Dubai.
The article explores how Emily Brontë's novel *Wuthering Heights* has inspired visual artists across different eras. It details specific works by English artist Edna Clarke Hall, who created hundreds of sketches and watercolors reflecting her personal connection to the story's themes of isolation and turmoil, and by Polish-French modernist Balthus, who produced a series of ink illustrations focusing on the childhood trauma of the protagonists.
Artist Ryan McGinness has published a new art book titled 'Trip Advisor: Notes From over 25 Years of Psychedelic Voyages.' The book combines images of his paintings, studio photos, and personal diaries chronicling his experiences with psilocybin mushrooms since 1999, alongside essays reflecting on their significance.
Bonhams has opened its new U.S. headquarters at 111 West 57th Street in New York, moving from its longtime Madison Avenue location into a 42,000-square-foot space within the restored Steinway Hall. The design features an 80-foot glass atrium, a grand staircase, and restored historic elements, aiming to create a transparent, cultural-center-like atmosphere rather than a traditional salesroom.
High Line Art has announced its 2026 season of public art commissions for New York's elevated park. The program includes a billboard work by Katherine Bernhardt and three major installations by Patricia Ayres, Ximena Garrido-Lecca, and Derek Fordjour, alongside video works for the High Line Channel by Saba Khan and a film grouping by Marianna Simnett, Filip Kostic, and Ana Hušman.
The Art Institute of Chicago has acquired a preparatory oil study for Norman Rockwell's 1948 painting *The Dugout*, donated by former Illinois Governor Bruce Rauner and his wife Diana Rauner. This marks the first work by the iconic American illustrator to enter the museum's collection, where it now hangs alongside Grant Wood's *American Gothic*.
Four major paintings by Claude Monet, Paul Signac, Edgar Degas, and Fernand Léger will be offered at Sotheby's Modern and Contemporary evening sale in London on March 4. The works have a combined high estimate of £24 million, led by Monet's rare Italian Riviera scene 'Maison de Jardinier' (1884) with an £8.5 million high estimate.
MoMA PS1 has announced the 53 artists selected for the 2026 edition of its quinquennial exhibition, Greater New York. The show, opening April 16, is organized by the museum's in-house curatorial staff and focuses on artists living and working in New York City, with a strong emphasis on early and mid-career practitioners. It notably features only one deceased artist, painter Jay Carrier.
Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.
A major painting by the 18th-century Venetian master Canaletto, titled 'Venice, the Bucintoro at the Molo on Ascension Day' (c. 1754), sold for $30.5 million at Christie's New York during its Old Master week. The work, which had been backed by a guarantee, hammered at $26 million, meeting its pre-sale estimate and marking its fourth appearance at auction.
The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
A trio of Bob Ross paintings sold for over $1 million at Bonhams' “Americana” auction on January 27, 2026, with proceeds benefiting American Public Television (APT). The top lot, *Change of Seasons* (1990), fetched $787,900—more than 13 times its high estimate—followed by *Babbling Brook* (1993) at $279,900 and *Valley View* (1990) at $203,700. The sale follows APT's record-breaking November auction and is part of a series of 24 Ross paintings to be offered throughout the year.
Saudi Arabia's Royal Commission for AlUla (RCU) and the Centre Pompidou have revealed new details about the planned AlUla Contemporary Art Museum, designed by architect Lina Ghotmeh. The announcement was made at the opening of the "Arduna" exhibition, a collaborative preview show featuring over 80 works by regional and international artists.
The Metropolitan Opera is considering selling its two iconic Marc Chagall murals, 'The Sources of Music' and 'The Triumph of Music,' which have been appraised at $55 million. The institution's general manager, Peter Gelb, has proposed a sale with the condition that the buyer agrees to leave the works in place at Lincoln Center, with a donation plaque.
The Hammer Museum in Los Angeles has appointed Michael Wellen as its new chief curator and Regan Pro as chief of learning, engagement, and research. Wellen joins from Tate Modern, while Pro was previously at the Lucas Museum of Narrative Art. The appointments fill key leadership roles that had been vacant, with the chief curator position open since 2023.
Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.
The Rijksmuseum in Amsterdam has secured a major loan of the ancient marble sculpture *Sleeping Hermaphroditus* from the Louvre in Paris. The work will be a centerpiece of the museum's upcoming exhibition "Metamorphoses," which opens on February 6, 2026, and explores themes of transformation drawn from Ovid's epic poem.
On International Lego Day, the article ranks Lego Art sets inspired by famous artworks, including Vincent van Gogh's *Sunflowers* and *Starry Night*, Hokusai's *The Great Wave*, and others. The ranking is done by the author and their brother, an Adult Fan of Lego, who rate each set from both an art critic and a Lego builder perspective.
The Musée Marmottan Monet in Paris has opened a new exhibition titled "The Empire of Sleep," curated by neurologist Laura Bossi and museum director Sylvie Carlier. The show gathers 130 artworks from the 19th and 20th centuries, exploring how artists have depicted sleep, dreams, nightmares, and the bed as a site of birth, love, illness, and death. Featured artists include John Everett Millais, Eugène Delacroix, Jean Cocteau, Giovanni Bellini, Gabriel von Max, Evelyn De Morgan, Odilon Redon, Gustave Courbet, Francisco de Goya, and Claude Monet, whose painting *Camille on Her Deathbed* is a centerpiece.
A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
The Louvre closed on Monday due to a strike by employees demanding improved working conditions and pay equity, marking the fourth closure since mid-December. Roughly 300 workers voted to extend the strike, which began December 15, after fruitless negotiations with the Ministry of Culture and Louvre management. The dispute has been intensified by an October 19 burglary that exposed systemic security failures, and workers have also protested the museum's long-term redevelopment plans, including a proposed standalone gallery for the Mona Lisa, calling them unrealistic given staffing shortages and maintenance issues.
A growing number of art fairs and galleries are publicly announcing a 'strategic pause'—a hiatus from their regular exhibition schedules to reassess their models. This week, Vienna's Spark Art Fair invoked the phrase to take a year off, following Berlin dealer Mehdi Chouakri's decision to suspend his gallery's exhibition program after 30 years. Last July, ADAA's Art Show coined the term when it announced a year-long break to reimagine the New York fair, and Taipei Dangdai in Taiwan followed suit days later. In December, an unprecedented number of galleries skipped Art Basel Miami Beach. The trend reflects a broader shift in the art world's willingness to openly acknowledge the need for rest and reinvention.
Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.
Christie’s has secured the estate of Belgian collectors Roger and Josette Vanthournout, with over 200 works to be sold in its March sales in London, including a René Magritte painting estimated at $4.7 million. Meanwhile, South Africa blames Qatar for the cancellation of its Venice Biennale pavilion featuring a work about Gaza violence by Gabrielle Goliath, claiming Qatar sought to use the pavilion for "proxy power." Art Cologne has announced 88 exhibitors for its revived Palma, Mallorca edition launching April 9.
Artnet News columnist reflects on the fragile state of the art market as 2025 ends, noting that global instability and troubling news have dampened buyer psychology. Despite this, major auction houses reported strong annual sales—Sotheby's at $7 billion (up 17%) and Christie's at $6.2 billion (up 6%)—and a series of high-profile sales, including the Pauline Karpidas collection auction and Leonard Lauder's Gustav Klimt portrait fetching $236.4 million, have sparked renewed momentum. The article quotes advisors and dealers who sense a market bottom has passed, with buyers returning to auctions and fairs like Art Basel Miami Beach.
The New Museum in New York has announced that its OMA-designed expansion will open to the public on March 21, following nearly a decade of planning and a two-year closure. The 60,000-square-foot addition, located next to the original flagship on Bowery Street, doubles the institution's footprint and features new residency studios, exhibition spaces, a restaurant, a forum, and a Sky Room. The inaugural exhibition, "New Humans: Memories of the Future," will showcase 150 artists including Sophia Al-Maria, Meriem Bennani, Hito Steyerl, Tau Lewis, and Jamian Juliano-Villani, alongside permanent commissions by Tschabalala Self and Sarah Lucas. The building, designed by Shohei Shigematsu and Rem Koolhaas of OMA with executive architect Cooper Robertson, is one of the few museums worldwide designed by two Pritzker Prize winners.
The New Museum in New York will reopen on March 21, 2026, after a two-year closure for a major expansion. Designed by OMA / Shohei Shigematsu and Rem Koolhaas, the project adds 60,000 square feet to the existing SANAA-designed building, bringing the total footprint to nearly 120,000 square feet. New features include expanded exhibition space, a 74-seat Forum, an enlarged Sky Room, artist commissions by Tschabalala Self, Klára Hosnedlová, and Sarah Lucas, a larger bookstore, and a restaurant by Henry Rich with executive chef Julia Sherman. The reopening weekend will offer free admission funded by trustee Charlotte Feng Ford, and the museum will debut the exhibition “New Humans: Memories of the Future,” featuring over 200 artists including Francis Bacon, Salvador Dalí, and contemporary figures like Meriem Bennani and Hito Steyerl.
Rabindranath Tagore's 1937 painting *From Across the Dark* sold for 107 million rupees ($1.2 million) at AstaGuru's "Historic Masterpieces" online auction, setting a new auction record for the artist. The work, executed in ink, poster color, and crayon, far exceeded its presale low estimate of 20 million rupees. Tagore's previous record was set at Sotheby's London in October 2023 for *Untitled (Three Bauls)*.
South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.