León Gallery's The Kingly Treasures Auction 2025, taking place on December 6 at 2 p.m., features works by leading Filipino contemporary artists. The sale highlights Bernardo Pacquing's experimental abstractions, Leo Valledor's geometric explorations, Jigger Cruz's layered and destructive techniques, and Manuel Ocampo's provocative social commentaries, among others.
El Paso Community College (EPCC) hosted the grand opening of its 49th Annual Juried Student Art Exhibition at the Transmountain campus Gallery of Fine Art. The event featured a wide range of visual art created by students across various disciplines and levels within the college district. Highlighting the evening was an awards ceremony judged by Michael Reyes, an EPCC alumnus and Senior Curator at the El Paso Museum of Art, who recognized top works including Camila Galindo’s "Medieval Sadness," which took home the Best of Show honors.
A new contemporary art gallery called Connelly Martin is opening with two locations: one in Austin, Texas, and another in Ketchum, Idaho, near the Sun Valley ski resort. Founded by Bailey Connelly and Lily Martin, the gallery will feature emerging and mid-career artists, with each location hosting five exhibitions annually. The Austin space opens February 13, followed by the Sun Valley location on July 11, and the gallery plans two pop-ups each year in different towns. The inaugural show in both spaces will be a group exhibition, including work by Austin textile artist Elizabeth Hohimer.
The University of Alberta (U of A) is renovating the Telus Centre on its campus to create a new gallery space called The Kenneth and Sandra Wong Gallery, with an estimated opening in 2027. The gallery will display works from the university's 30 registered collections, which include art, scientific specimens, and historical artifacts, such as the Southern Inspection Scroll from the MacTaggart Art Collection—a 100-foot-long survey of the Grand Canal from 1770 that will be shown for the first time in Canada.
The University of North Texas recently shuttered an on-campus art exhibition shortly after its opening, marking a significant escalation in campus censorship. This incident follows a pattern of administrative interference, including the removal of pro-Palestinian student work and the resignation of a museum director at Pepperdine University over the alteration of politically sensitive artworks. These actions are part of a broader national trend where university administrations are increasingly intervening in artistic expression to avoid political controversy.
Temple Contemporary, the exhibition space at Tyler School of Art and Architecture on Temple University's campus, has opened "Pyramid Club: 1937-2035," its first show under new curator and director Matthew Jordan-Miller Kenyatta. The exhibition explores the history of the Pyramid Club, a social club for Philadelphia's Black elite founded in 1937, highlighting its prestigious art shows organized by Humbert Howard from 1941 to 1957. It features works from the collection of Dr. William Dodd, photographs by John W. Mosley curated by Leslie Willis Lowry and artist Shawn Theodore, and contemporary multimedia installations by Theodore.
An art exhibit at Florida International University's Graham Center piano lounge features 22 paintings that insert FIU's mascot Roary and campus landmarks into iconic works of art, such as Vermeer's "Girl with a Pearl Earring" and van Gogh's "Starry Night." Created by alumni and staff members Wendy X. Ordóñez and Oscar D. Hernandez using the Procreate software, the exhibit aims to blend campus pride with historic art while promoting student health and wellness services. The show, now in its second year, attracted 560 attendees at its opening and includes free merchandise featuring the designs.
The Sainsbury Centre, an art museum in Norwich, England, has received a £91.2 million donation from British politician and businessman David Sainsbury through his charitable foundation, Gatsby. The funds will be used to renovate the grade II* listed building, originally designed by Norman Foster and completed in 1978. The renovation, led by Foster + Partners, includes improvements to the building envelope, photovoltaic panels, and upgraded visitor facilities, aiming to halve the museum's energy use and support the University of East Anglia's net zero campus goal by 2045.
Photographer Alexander Meininger, inspired by his children and the war in Ukraine, has launched the charity Playrise. The organization designs and produces flatpack, modular playground equipment made from iroko hardwood for children living in refugee camps and disaster zones. Its first set will be sent to the Aysaita refugee camp in Ethiopia next month.
The High Desert Museum will host its annual Art in the West exhibition and online auction starting July 18, featuring nearly 130 works by painters, sculptors, photographers, and basket weavers inspired by the High Desert region. The 2026 edition highlights Jury's Choice winner Peter Dawson's photograph "Infinity #3363, Eastern Oregon" and Curator's Choice winner Natalie Kirk's basket "Yamash in Thunderbird of Nch’I Wana," alongside works by artists such as Arturo Garcia, Frank Buffalo Hyde, and Miguel Almeida.
The Museum of Fine Arts Boston has launched a playful social media campaign inserting hot dogs into famous historical paintings from its collection. The initiative aims to engage younger audiences by juxtaposing a modern, everyday food item with classic artworks, creating humorous and shareable content.
Ronald Rose-Antoinette has been appointed the new Max Stern Curator at Concordia University’s Leonard & Bina Ellen Art Gallery. A Concordia graduate with a BFA, MA in film studies, and PhD in humanities, Rose-Antoinette has over 20 years of experience studying, working, and collaborating at the university. His role includes curating the SIGHTINGS exhibition series, developing public programming, and overseeing the gallery’s permanent collection of more than 1,800 works, primarily by Canadian artists. He describes his return as a "homecoming" and emphasizes a curatorial vision focused on decolonial practices, cross-cultural work, and intersectional approaches.
The Fine Arts Museums of San Francisco have opened "The Etruscans: From the Heart of Ancient Italy" at the Legion of Honor, the largest U.S. exhibition dedicated to the ancient Etruscan civilization. Curated by Renée Dreyfus, the show brings together approximately 150 objects borrowed from 28 institutions, including the Vatican, the British Museum, and the Metropolitan Museum of Art. It explores Etruscan engineering, architecture, art, and social customs, including the elevated status of women, and features highlights such as a granulated gold drinking bowl and the bronze Liver of Piacenza.
Columnist Philip Kennicott reports that the Smithsonian's most contested exhibition has returned to public view, largely intact, despite ongoing culture war attacks from the Trump administration. Since Donald Trump returned to office in January 2025, the Smithsonian has been a primary target for the administration's campaign against diversity and inclusion initiatives, as well as historical narratives that address slavery, Native American genocide, and the struggles of marginalized communities.
The Pearl Fincher Museum of Fine Arts announces its 2026 summer programming, including Summer Art Camps for ages 5 to 13 running June 16 through July 31, with weekly themes such as "Color World" and "Kinetic Canvas." The museum will also open two exhibitions on June 13: "Chromatica: A World in Color" in the Main Gallery, organized like a color wheel with works from Texas and beyond, and "Fragments, Remnants, and Remains" by artist Curtis Gannon in the Cole Gallery. Additional activities include a Maker Space, Wild Art Wednesdays, and a free artist talk by children's author and illustrator Steven Weinberg on June 19.
Double Six Gallery, operated by the Cibola Arts Council in Grants, New Mexico, is showcasing southwestern art on Route 66 ahead of the Mother Road's centennial celebration. Gallery director Debbie Doggett notes that visitors are often surprised to find such high-quality local artists in Grants. The gallery rotates artists every few months and currently features Gary Yazzie, John Boomer, Jonnie Head, and Joan Sheski.
Laura Pass Barry has been appointed the Carlisle H. Humelsine chief curator at Colonial Williamsburg, a role that expands her responsibilities to include leadership of Collections, Conservation and Museums as vice president. Barry began her career at Colonial Williamsburg over 30 years ago as a curatorial intern in folk art, later working as assistant curator to Margaret Pritchard and eventually overseeing the graphics, paintings, and folk art collections. She holds degrees from the College of Wooster and the College of William & Mary.
The Attleboro Arts Museum held an exhibition titled “Staging a Comeback” that raised over $1,000 to support the revival of the historic Union Theatre in Attleboro, Massachusetts. The theater, which opened in 1928 as a vaudeville house and later became a movie theater, has been closed since 2002 and is owned by the Friedman family. The exhibit featured items on loan from the theater, including vintage Gold Metal brand popcorn boxes, and a popcorn-themed artwork by local artist Billie Klegraefe.
This article is a regional arts calendar for Grey Bruce, Ontario, detailing exhibitions and events taking place in May 2026. Highlights include Liz Zetlin's immersive video installation "More Than Human — a year in my garden" at the Tom, John Laughlin's "Lovers and Losers" at Grey Gallery, Tanya Zaryski's mixed-media show at Deep Water Gallery, and a stained-glass exhibition by Chris Malleck at the MAD Gallery. The Durham Art Gallery features Breanne Jeethan's "The System is Broken," and the Southampton Arts Centre presents complementary shows by Brian Hanley and Nancy Cornforth. The article also promotes the BiblioArts print and book arts fair, studio classes at Georgian Bay School for the Arts, and makers markets.
DePaul University senior Christa Baclia-an has created a micro-art gallery inside a rented commuter locker (No. 121) in the Schmitt Academic Center, called “Locker Room.” The project rotates exhibitions every two weeks and is open to students and passersby. It was launched in response to the planned closure of the DePaul Art Museum (DPAM) due to budget cuts, and features work from both DePaul students and international artists, such as London-based Lee Tzur. The initiative is part of a growing DIY art scene on campus, with students curating shows and fostering community engagement in unconventional spaces.
Boston College has unveiled the programming for its 2026 Arts Festival, themed "Artchella," scheduled for April 23–25. The 28th annual event will feature over 50 activities across the campus, including visual art exhibitions, theatrical performances, and musical concerts. A centerpiece of the festival is the Arts Awards Ceremony, which will honor alumni brothers Will and Anthony Nunziata for their professional achievements in the arts, alongside faculty and student awardees.
The Michener Art Museum is hosting "Pieces of a Life," a retrospective exhibition dedicated to the 60-year photography career of Bruce Katsiff. Running from April 11 to August 12, the show features 60 works including his 1970s "River Town Portraits," the "Nature Morte" series exploring mortality through animal remains, and his recent digital "Face Maps." The exhibition is guest-curated by art historian Dorothy Fisher and highlights Katsiff's technical mastery ranging from platinum prints to modern digital composites.
Ashland University is set to host its annual Senior Art and Design Exhibition at the Coburn Gallery, running from April 9 through May 9, 2026. The showcase features the capstone projects of graduating seniors and kicks off with an opening reception where student awards will be officially announced.
The Brown Arts Institute has launched the 46th Annual Student Exhibition at the Granoff Center for the Creative Arts, featuring a diverse array of multimedia works, sculptures, and installations. Juried by artists Tarik Bartel and Jinghong Chen, the exhibition showcases student talent across various disciplines, with Alex Schupak taking first place for his multimedia sculpture "Impression/Expression." The show highlights themes ranging from the reliability of photographic truth to explorations of gender dysmorphia and childhood.
The Tar River Art Gallery in Rocky Mount, North Carolina, is hosting a winter exhibit opening and public reception on February 22, from 2:00 to 4:00 PM at the Dunn Center on the campus of North Carolina Wesleyan University. The exhibition features works from over 40 regional artists, including paintings, watercolors, pen-and-ink works, collages, assemblages, ceramic sculpture, metal art, fused glass, and handcrafted jewelry. The event is free and open to the public, with light refreshments and opportunities to meet the artists. The gallery builds on the legacy of the former Gravely Gallery, honoring Janice Gravely, and now offers expanded space for a broader range of mediums.
The Denver Art Museum is hosting the opening gala for "DIVA," a touring exhibition originally created by the Victoria and Albert Museum (V&A) in London. The event is supported by premier sponsors Joy and Chris Dinsdale, with additional funding from several prominent donors and organizations including U.S. Bank and the Scientific and Cultural Facilities District (SCFD).
The Denver Art Museum has announced a major touring exhibition of Australian Indigenous Art, set to open in April 2026. The show is a collaborative effort organized by the National Gallery of Victoria and the National Gallery of Art in Washington, D.C., and will also travel to the Portland Art Museum and the Peabody Essex Museum.
Dean McCrillis, an emerging painter from Rumford, Maine, is the subject of a solo exhibition titled "Dog Years" at Cove Street Arts in Portland, running through January 17. The show features oil paintings that depict distinctly Maine activities—hunting, fishing, camping—while employing layered, translucent brushstrokes to evoke the ephemerality of time and experience. McCrillis, who also works as a framer at Greenhut Galleries, uses a bright, saturated palette and techniques that make his images appear to simultaneously emerge and dissolve, capturing fleeting moments in the state's rugged landscape.
Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.
A public poll with over 8,500 votes has determined the top ten exhibitions of 2025 in Brazil. The number one spot went to conceptual artist Ana Amorim's show at MAC USP, followed by Goya Lopes' exhibition at MAM Bahia in second place. Other notable entries include a group show "Floresta de Espíritos" in Salvador, Thiago Martins de Melo's first solo exhibition in his hometown São Luís, and the Monet exhibition at Masp, which broke visitation records with 502,642 visitors. A special highlight is "Memórias do Inconsciente" by Jhonyson Nobre at Sesc Arapiraca, the only exhibition outside the initial shortlist to make the top ten. Maria Bonomi at Paço Imperial received the most votes according to public comments as a bonus.