Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.
Palazzo Venezia in Rome is opening its monumental Renaissance halls to the public for free guided tours on three dates in 2026—May 23, June 6, and June 20—as part of the "VIVE Cantiere Aperto" project. Visitors will be led by restorers and art historians onto scaffolding to observe the restoration of the Loggia Grande, Sala del Mappamondo, and Sala delle Battaglie, including their wooden ceilings, sculptural decorations, and wall paintings. The halls have served as Venetian embassy, Austro-Hungarian imperial seat, and Mussolini's government headquarters before becoming a museum space.
Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.
The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.
Andrew Durbin reviews national pavilions at a major biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful content in the US pavilion while praising the depth and emotional resonance of the British and German contributions.
Sung Tieu, a Vietnamese-born German artist, is the subject of a critical feature in Frieze that examines her work's engagement with difficulty—both in terms of the complex political and historical themes she tackles and the challenging formal qualities of her installations. The article highlights her recent projects, including works shown at the Venice Biennale, which address issues of surveillance, migration, and Cold War legacies through meticulous research and unconventional materials.
Mumbai-based contemporary artist Pooja Bhansali is making her debut solo exhibition, "Grid & Garden," at Jehangir Art Gallery in Kala Ghoda. The show features works that blend painting, textile, and sculpture, using materials like herringbone tweed, silk brocade, and wool felt on custom wooden structures. Series include "Wave Grid," "The Golden Realm," "The Beehive Series," and "Water Garden Triptych," exploring themes of structure, fluidity, nature, and luxury.
Ten artists serving life sentences at SCI-Phoenix, a Pennsylvania state prison, have their work on display at Morton Contemporary Art Gallery in Philadelphia in an exhibition titled "The Weight of Time." The show is co-curated by artist Keith Andrews, who has been incarcerated for nearly 30 years, and gallerist Debbie Morton. Andrews' painting "Defiant Mercy" explores themes of time, isolation, and confinement, reflecting his own experience. The exhibition includes nearly 50 works by ten artists, each accompanied by biographies detailing their lives inside and outside the carceral system.
The 2026 BFA Exhibition at the Krannert Art Museum, featuring work from University of Illinois School of Art & Design students, emphasizes interactivity, inviting visitors to physically engage with the displays. Highlights include Dhanvi Puttur's "The Third Showing," which explores film communities through an interactive prompt, and Venya Naidu's "The Last Maharaja of Mysore," a vibrant piece blending history and vintage advertising aesthetics. The exhibition runs through May 16, 2026, and is free to the public.
The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.
Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.
The Metropolitan Museum of Art's 2025 Costume Institute exhibition, "Costume Art," features 25 mannequins modeled after nine real people with diverse body types and mobilities. Curator Andrew Bolton collaborated with artist Samar Hejazi, who created mirrored faceless heads for the mannequins, and artist Tanda Francis, who modeled features after historical figures like André Grenard Matswa. The mannequins are distributed across two thematic sections: "Disabled Body," featuring individuals such as writer Sinéad Burke, athlete Aimee Mullins, and models Aariana Rose Philip, Antwan Tolliver, and Sonia Vera, along with imagery of the late drag performer Goddess Bunny; and "Corpulent Body," featuring models Jade O'Belle, Charlie Reynolds, artist Michaela Stark, and singer Yseult. The living subjects underwent 3D photogrammetry scanning to recreate their likenesses.
The Art Gallery of Nova Scotia (AGNS) has opened "On the Matter of Memory: The Drawings of Harold Cromwell," the first solo exhibition dedicated to the late African Nova Scotian folk artist. Cromwell (1919–2008) created intricate ballpoint-pen drawings on everyday surfaces like cupboard doors and paper plates, chronicling working-class rural life. His works were sold for a few dollars at the Annapolis Farmer’s Market and were largely overlooked during his lifetime, despite his regional popularity. The exhibition runs until September 13, 2026, and aims to elevate his legacy alongside better-known Nova Scotian folk artists like Maud Lewis.
The Saatchi Gallery in London is hosting "Textile Art Redefined," a group exhibition featuring 15 artists from the UK and around the world, including Ian Berry, Kaffe Fassett, Magda Sayeg, and Jakkai Siributr. Curated by Helen Adams based on her book "Textile Fine Art," the show presents a wide range of techniques such as embroidery, quilting, weaving, knitting, and crochet, with works like Fassett's "Geometric Sampler" and Berry's "Secret Garden" made from recycled denim. The exhibition runs from April 10 to May 10, 2026.
British artist Ian Berry, known for creating photorealistic works from recycled denim, is participating in the group exhibition "Textile Art Redefined" at the Saatchi Gallery in London. The show, curated by Helen Adams and inspired by her book "Fine Art Textiles," features 15 visionary textile artists from the U.K. and around the world, running through May 10. Berry's installation "Secret Garden" is made entirely from denim scraps, and he discusses the significance of showing in his hometown and alongside peers he admires.
Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.
A Nazi-looted painting, *Portrait of a Young Girl* by Dutch artist Toon Kelder, has been discovered in the home of descendants of Hendrik Seyffardt, a Dutch SS collaborator who aided the Nazis during World War II. The work, stolen from the renowned Goudstikker collection, was allegedly displayed for decades by Seyffardt's family. An anonymous descendant contacted art detective Arthur Brand after learning of his family's past and seeing the painting in the hallway of Seyffardt's granddaughter. The family member told Dutch newspaper *De Telegraaf* that he feels "deep shame" and insists the painting must be returned to the Jewish rightful heirs.
After 36 years and over 400 exhibitions, the radical Parisian gallery Air de Paris is closing due to bankruptcy. Co-founders Florence Bonnefous and Edouard Merino decided to shutter the gallery after its financial situation became fragile, compounded by Bonnefous's health issues (Chronic Obstructive Pulmonary Disease) and their refusal to adapt to the increasingly profit-driven, corporatist art market. The gallery's final show, titled “Oh What a Time,” in Romainville featured works by artists including Joseph Grigely, Amy Vogel, Allen Ruppersberg, Pierre Joseph, Mona Varichon, Pati Hill, Lily van der Stokker, and Trisha Donnelly.
Paola Siri Renard presents "Double Star" at nouveaux deuxdeux in Munich, featuring sculptures assembled from fragments of architectural ornaments, equestrian monuments, industrial display systems, and skeletal forms. Her work extracts elements from historical structures—spanning Gothic, Greco-Roman, and Art Nouveau styles—and reconfigures them into unstable, evocative constellations.
Ittai Gradel, a Danish classical gems specialist, has died at age 61. His investigations revealed that hundreds of objects had been stolen from the British Museum, leading to the resignation of director Hartwig Fischer in 2023. Gradel first alerted the museum in 2021 after finding proof that precious objects were being sold on eBay, naming senior curator Peter Higgs as the suspected seller. After initial concerns were ignored, Gradel wrote again in 2022, eventually prompting a police investigation. Higgs was dismissed in July 2023, and Fischer resigned the following month. Of the 2,000 items affected, 626 have been recovered, many bought in good faith by Gradel and returned. Earlier this month, Gradel received a special British Museum award from current director Nicholas Cullinan.
Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.
Four Sámi artists, representing the Indigenous people of Northern Europe, are being highlighted in Finnish museums as Oulu, the European Capital of Culture, hosts exhibitions showcasing their work. The article introduces these artists and their practices, emphasizing their unique perspectives rooted in Sámi culture and traditions.
Cartwright Hall in Bradford, UK, is hosting a South Asian-themed exhibition titled (Un)Layering, co-curated by Walia and Salima Hashmi. The show has drawn new, diverse audiences to the museum, with a 40% increase in visitors compared to the previous year, driven by the exhibition's cultural resonance and community outreach efforts.
Artist Widline Cadet, who was separated from her mother for six years as a child during her family's migration from Haiti to New York, has spent nearly a decade creating a multimedia "living archive" of photographs, video, sound, and sculpture. Her largest solo exhibition to date, "Currents 40: Widline Cadet," is now on view at the Milwaukee Art Museum, exploring themes of diaspora, memory, and familial connection through dreamlike, often fragmented imagery.
Oshorenoya David Francis presents a solo exhibition titled *In Solitude, Fantasies & Becoming* at 1853 Studios in Manchester, running from 15 to 17 May 2026. Co-curated by Obi Nwaegbe and Natasha Virli, the show features new acrylic paintings on canvas and paper that explore themes of solitude, identity, and emotional transformation through expressive figurative compositions. Key works include *Hug*, *Thoughts in Blue*, *Chapters in Atomic Habits*, and *Thy Wish*, each employing bold color, intimate perspectives, and narrative ambiguity to evoke psychological depth.
Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano
Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.
The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.
Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.
BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.
An exhibition titled "Vernet meets Piranesi" opens on May 14, 2026, at Antonacci Lapiccirella Fine Art in Rome, featuring a photographic project by New York-based artist Marshall Vernet. The show presents a dialogue between Vernet's photographs and the Vedute of Giovanni Battista Piranesi, the 18th-century Italian etcher known for his architectural views.