Who are the members of the Venice Biennale jury?

Qui sont les membres du jury de la Biennale de Venise ?

The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.

Ces 5 créatrices « inoubliables » à découvrir absolument à Gand

The Museum of Fine Arts (MSK) in Ghent is hosting the exhibition "Inoubliables" (Unforgettables), on view until May 31, which highlights the work of women artists from the 17th and 18th centuries in the former Netherlands region. The show features about 40 female creators active between 1600 and 1750, including painters like Michaelina Wautier, Judith Leyster, and Rachel Ruysch, working in genres from portraiture and still life to engraving, lacemaking, and paper cutting. The exhibition aims to restore these women to their rightful place in art history.

Rothko Sells for $85.8 Million, Almost Surpasses Auction Record

Sotheby’s New York sold Mark Rothko’s painting *Brown and Blacks in Reds* (1957) for $85.8 million on Thursday, making it the second-highest price ever achieved for the artist at auction. The work, part of Rothko’s postwar Color Field series, was offered from the private collection of the late art dealer Robert Mnuchin, whose estate also included works by Willem de Kooning. The Mnuchin sale totaled $166.3 million, with de Kooning’s *Untitled* (1970) fetching $8.8 million and *Untitled XLII* (1983) reaching $10.2 million. Bidding lasted about four minutes, with the winning bid placed via phone with Helena Newman, chairman of Sotheby’s Europe.

JR to cover Paris’s Pont Neuf in homage to Christo and Jeanne-Claude.

French artist JR has begun installing a monumental trompe-l’oeil work titled *La Caverne du Pont Neuf* (2026) on Paris’s Pont Neuf, transforming the city’s oldest bridge into an immersive cave. The project reimagines the bridge as a limestone quarry cave, referencing the stone from which the bridge and many Parisian buildings were constructed. The work pays homage to Christo and Jeanne-Claude’s iconic *The Pont Neuf Wrapped* (1985) and will be visible both day and night throughout the summer.

National Portrait Gallery to stage landmark Marilyn Monroe exhibition.

The National Portrait Gallery in London will open a landmark exhibition this June celebrating Marilyn Monroe's 100th birthday. The show features portraits by artists including Andy Warhol, Pauline Boty, and Marlene Dumas, alongside works by over twenty major 20th-century photographers such as Cecil Beaton, Richard Avedon, and Eve Arnold. Monroe's personal effects, including books, scripts, and clothing, will also be displayed.

The Story Behind Tschabalala Self’s Met Gala Dress by Brandon Blackwood

Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.

Christo and Jeanne-Claude artwork to be presented for the first time ever at Gagosian.

An unrealized work by Christo and Jeanne-Claude, recently discovered in Christo's atelier, will be presented for the first time at Gagosian in London. Titled *Air Package on a Ceiling*, the installation features a 52-foot-long, 33-foot-wide inflated form wrapped in rope, softly illuminated from within to resemble half a cloud protruding from the ceiling. The piece is realized from the original 1968 model and preparatory drawings and collages.

Chanel to open major Lina Lapelytė commission at Berlin’s Hamburger Bahnhof.

Lithuanian interdisciplinary artist Lina Lapelytė will present a large-scale sonic installation and performance titled "We Make Years Out of Hours (2026)" at Berlin's Hamburger Bahnhof — Nationalgalerie der Gegenwart, opening May 1st during Berlin Gallery Weekend 2026. The work is the second iteration of the Chanel Commission, with performances scheduled on Tuesdays, Thursdays, and Saturdays through January 10, 2027, and a public preview on April 30th.

Massive Buddha sculpture by Tuan Andrew Nguyen opens on New York’s High Line Plinth.

Vietnamese sculptor and visual artist Tuan Andrew Nguyen has unveiled a 27-foot-tall sandstone Buddha sculpture titled *The Light That Shines Through the Universe* (2026) on New York's High Line Plinth, at the intersection of 10th Avenue and 30th Street. The monumental work is the newest commission for the elevated park's public art program and will remain on view for the next 18 months.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Raque Ford ”The only one willing to to the hard part” at Fridericianum, Kassel

The article reviews Raque Ford's exhibition "The only one willing to do the hard part" at Fridericianum in Kassel. Ford, born in 1986 in Columbia, Maryland, and based in New York, presents works that blend artistically formed shapes with bold color contrasts and slogan-like text. Using plastic and industrial materials, she creates an aesthetic that oscillates between abstraction and simple visual codes, with layered compositions that challenge conventional boundaries.

Julia Heyward “Miracles in Reverse” at Kunstverein Nürnberg

Kunstverein Nürnberg – Albrecht Dürer Gesellschaft is presenting "Miracles in Reverse," the first institutional solo exhibition in Europe by American artist Julia Heyward (born 1949). Heyward was a central figure in New York's downtown art scene during the 1970s and 1980s, and her work anticipated major developments in art history. The exhibition showcases her distinctive practice developed over five decades.

Beatriz González at Barbican Art Gallery, London

The Barbican Art Gallery in London is presenting a major retrospective of Colombian artist Beatriz González, marking her first solo show in the UK and her largest-ever exhibition in Europe. The exhibition spans six decades of her work, from the 1960s to the present, showcasing her roles as an artist, curator, art historian, and educator.

KOO JEONG A “KANGSE X” at Hauser & Wirth, Zurich

Koo Jeong A presents "KANGSE X" at Hauser & Wirth in Zurich, an exhibition that extends from her previous show "ODORAMA CITIES" at the Korean Pavilion of the 60th Venice Biennale. The title derives from the Korean term "KANGSE," meaning spatial strength, and the show encompasses her multifaceted practice across drawing, painting, sculpture, installation, film, and animation, including her earlier work "MYSTERIOUSSS" (2017).

“Grammars of Light” at Astrup Fearnley Museet, Oslo

Astrup Fearnley Museet in Oslo presents "Grammars of Light," a major exhibition featuring immersive works by Cerith Wyn Evans, Ann Lislegaard, and P. Staff. The show includes architecturally scaled video projections and luminous sculptures made from repurposed consumer, medical, and industrial lighting, transforming the museum's galleries into sensory environments that challenge perception.

“Marina Abramović: Balkan Erotic Epic. The Exhibition” at Gropius Bau, Berlin

Marina Abramović presents her first major exhibition in Berlin since the 1990s at Gropius Bau, titled "Balkan Erotic Epic. The Exhibition." The show juxtaposes historic works from the 1970s with new video installations, exploring how the artist uses the body as a vital force to confront political systems, histories, and mythologies of the Balkan countries.

Robot dogs with Musk and Zuckerberg heads roam around Berlin gallery in Beeple's new exhibit

American artist Beeple (Mike Winkelmann) has installed an interactive piece titled "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads modeled after Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and "poo" printed AI-transformed images of their surroundings, with each dog's output reflecting the worldview of its human figure—for example, the Picasso dog produces Cubist-style images. The work, first shown at Art Basel Miami Beach 2025, includes QR codes on prints that grant access to free NFTs.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Berlin in Art Spring

Berlin im Kunstfrühling

The Monopol podcast "Kunst und Leben" previews the upcoming Gallery Weekend Berlin, taking place from May 1 to 3. Editors Elke Buhr and Silke Hohmann share their personal watchlist of must-see exhibitions, including shows by Daniel Buren and Lawrence Weiner at Konrad Fischer, Candice Breitz at KOW, Heimo Zobernig at Nagel Draxler, and Jorinde Voigt at Mercator Höfe. The episode also covers performances, tattoo art on moving cars, tapestries, robot dogs, and tips for navigating the weekend.

Rediscovered Old Master Painting Eclipses Estimate at Auction

A rediscovered portrait of Prince Rupert, long attributed to the studio of Anthony van Dyck and later to Jacob Huysmans, sold for CA$217,250 ($153,000) at Heffel Fine Art Auction House’s Spring Sale on May 21, more than double its low estimate. New research identified the work as by Peter Lely, court painter to King Charles II. The painting had belonged to the Hudson Bay Company for centuries and was part of a court-approved sale of the company’s collection following its 2024 bankruptcy. The 80-lot sale also saw a record for E.J. Hughes’s "Coastal Boats Near Sidney, BC" (1948), which sold for CA$5.7 million ($4.1 million), and strong results for Group of Seven artists Arthur Lismer, A.J. Casson, and Lawren Harris.

Muriel Hasbun, Artist Whose Work Poignantly Recounted the Salvadoran Diaspora and the Fraughtness of Memory, Dies at 64

Muriel Hasbun, a multidisciplinary artist known for exploring themes of memory, migration, and the Salvadoran diaspora through photography, video, and installation, died on May 13 from ovarian cancer in Silver Springs, Maryland, at age 64. Born in El Salvador in 1961, she left during the country's civil war in 1979 and settled in Washington, D.C. Her work, including series like "Santos y sombras / Saints and Shadows" (1990–97) and the 2023 survey "Tracing Terruño" at the International Center of Photography, poignantly combined archival family photos with new imagery to examine loss, exile, and the complexities of identity.

Museums in England largely oppose proposal to charge admission for foreign tourists

The UK government is exploring a proposal to charge admission fees for foreign tourists at national museums in England, sparking widespread opposition from cultural institutions. The idea was raised in a review of Arts Council England by Labour peer Margaret Hodge, who suggested digital ID checks could enable such a system, though she noted it would bring in less than £10 million and may not be worth the hassle. Museums like the Royal Armouries have condemned the plan as undermining universal access and projecting a lack of generosity, while the Cultural Policy Unit warns it would be logistically complex and ideologically problematic given the colonial origins of many collections.

Venice show brings together two leading figures from the Polish avant-garde

A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

Es Devlin Is Creating a Living Portrait of the Entire U.K.

British artist Es Devlin has launched a participatory public artwork titled "A National Portrait for the National Portrait Gallery," inviting all 69 million U.K. residents to upload selfies that are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin’s drawings. The portraits appear on a framed screen in the museum’s History Makers gallery, and the project runs through October 27, accompanied by online and onsite drawing classes.

A Rare Blue-Green Diamond Ring Sold for Over $17 M. At Christie’s Geneva

A rare 5.5-carat blue-green diamond ring, named Ocean Dream, sold for over $17 million at Christie’s Magnificent Jewels auction in Zurich on May 13, 2026. The triangular-cut stone, estimated at $9–12 million, is set in an 18-karat white gold band with pink and white diamonds. The buyer was an unnamed private client, and the ring took 20 minutes to sell. It had previously fetched nearly $10 million at Christie’s Geneva in 2014.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Artist Es Devlin has created a new installation at the National Portrait Gallery in London titled 'A National Portrait for the National Portrait Gallery,' made in collaboration with Google Arts & Culture Lab. The work invites people across the UK to upload selfies, which are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin's own hand-drawn works. These portraits then appear on a constantly evolving projected carousel, blending and dissolving into one another. Devlin, known for designing visual worlds for Beyoncé, Adele, and the London Olympics closing ceremony, describes the piece as a non-verbal space for coexistence amid national division.

Most famous image of JMW Turner not a self-portrait, says expert

Dr James Hamilton, a leading Turner expert, has claimed that the most famous portrait of JMW Turner—long believed to be a self-portrait and featured on the UK £20 banknote—is actually by the painter John Opie. Hamilton argues that the work, dated around 1799, was mistakenly included in the Turner Bequest after the artist's death in 1851, when his studio was in disarray and the attribution was never properly verified. He points to stylistic evidence, including Opie's characteristic use of dramatic light and shadow, and calls on Tate Britain to reattribute the painting.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.