Gallery Dotwalk in New Delhi has opened its second exhibition, 'The Architecture of the Void: Lines on a Postcolonial Skeleton,' featuring works on paper by leading modern Indian artists. The show, which runs until May 30, 2026, highlights drawings, watercolors, and etchings from a generation of artists processing India's post-Independence and Partition era.
The Boston Public Library in Copley Square has opened "Revolution! 250 Years of Art and Activism in Boston," its first major exhibition in nearly a decade. The show uses a deliberately unfinished design of plywood and scaffolding to symbolize democracy as a work in progress, moving chronologically from the American Revolution through the 21st century. It features engravings by Paul Revere, portraits of George Washington and Benjamin Franklin, works addressing Toussaint L’Ouverture and Haitian revolution, Boston abolitionists, the Civil War, civil rights leaders Martin Luther King Jr. and Malcolm X, and contemporary activism including Indigenous, LGBTQ+, climate, and anti-police brutality movements.
The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, opened "Road movie: Art between Korea and Japan since 1945" on May 14, 2026. This exhibition is a touring version of the collaborative show "Always by Your Side: 80 Years of Art between Japan and Korea," which was held at the Yokohama Museum of Art from December 6, 2025, to March 22, 2026. Marking the 60th anniversary of the normalization of diplomatic relations between Japan and South Korea in 1965, the exhibition traces eight decades of artistic exchange from 1945 to the present. It features around 200 works by 43 artists, including Cho Yang-gyu, Kwak In-sik, Nam Hwa-yeon, Nam June Paik, Lee Ufan, Lee Bul, Takashi Murakami, and others, organized into five sections. The show also incorporates six outdoor sculptures installed at the museum's opening in 1986 and 1987, highlighting how the institution itself fostered cross-border artistic dialogue.
The California African American Museum (CAAM) has launched 'A New Song: Langston Hughes in the West,' an exhibition that reframes the legendary Harlem Renaissance poet through his travels and political work in California and Nevada during the 1930s. By blending archival materials with contemporary artistic responses, the show moves beyond the traditional East Coast narrative to highlight Hughes as a diasporic thinker shaped by movement, labor, and the diverse landscapes of the American West.
The California African American Museum has launched 'Free and Queer: Black Californian Roots of Gay Liberation,' an exhibition dedicated to the often-overlooked history of Black LGBTQ resistance and culture in California. Curated by Susan D. Anderson in collaboration with ONE Archives at the USC Libraries, the show utilizes a vast array of archival materials, photographs, and film to trace a lineage of activism and artistic expression that predates the Stonewall riots. It specifically highlights how Black queer Californians navigated McCarthy-era repression, the civil rights movement, and the AIDS crisis.
Architect and Interiors India has published an article promoting a solo exhibition in Kolkata that explores the poetry of body and gesture. The exhibition features works that focus on the expressive potential of the human form and movement, presented as a visual meditation on physicality and emotion.
Chawla Art Gallery in New Delhi hosted an artist-led walkthrough for the exhibition “Once Upon a Sculptor,” featuring the renowned Indian sculptor K. S. Radhakrishnan. The event allowed visitors to engage directly with the artist as he discussed his creative evolution, the development of his visual language, and the philosophical layers behind his iconic bronze figures, Musui and Maiya.
Artist Todd Gray’s solo exhibition, "Portals," at Perrotin Los Angeles features a series of complex photographic assemblages that challenge the historical relationship between Blackness and European colonialism. By stacking framed images of West African landscapes, slave forts, and Renaissance interiors, Gray creates textured collages that collapse geographic and temporal boundaries. Notable works like "Paradox of Liberty" confront the hypocrisy of Enlightenment figures like Thomas Jefferson by physically obscuring his image with the architecture of the slave trade.
South Korean artist Lee Chae will present a solo exhibition titled "Imbued, Between Flower and Wind" at Whitestone Gallery Taipei from April 11 to May 16, 2026. The show features new series including "Afterimage of Wind" and "Wind-Infused," which utilize metaphors of flora and wind to explore the relationship between external stimuli and the human inner soul. Lee’s technique involves layering translucent pigments and then wiping them away to create poetic afterimages that visualize the transformation of emotions over time.
A wide array of cultural events are scheduled across Cyprus for Wednesday, February 18. These include the opening of a curated showcase of publications from the late archaeologist Vassos Karageorghis in Nicosia, a contemporary art auction featuring 82 works, a presentation by underwater photographer Sakis Lazaridis, a sold-out theatre performance in Limassol, and numerous ongoing exhibitions in Nicosia, Limassol, and Larnaca featuring both historic and contemporary Cypriot artists.
Art Basel has unveiled its lineup of newcomer galleries for the upcoming fair, featuring seven emerging and rediscovered artists from around the world. The debutants include Kyiv-based Sana Shahmuradova Tanska, whose monumental painting addresses the war in Ukraine; Japanese textile artist Junko Oki, showing embroidered vintage garments; and Italian feminist poet Mirella Bentivoglio, represented by a participatory tree sculpture. Other highlights include Parisian Ndayé Kouagou's video work on mass media, conceptual feminist Tina Girouard's wallpaper pieces from the 1970s, London-based Alexandra Metcalf's deconstructed grandfather clocks, and Georgian artist Nika Kutateladze's installation about rural depopulation. The galleries presenting these artists are Gunia Nowik Gallery (Warsaw), Kosaku Kanechika (Tokyo), Repetto Gallery (Lugano), Nir Altman (Munich), Anat Ebgi (Los Angeles), Ginny on Frederick (London), and Gallery Artbeat (Tbilisi).
Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.
Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.
ArtPhilly has announced the inaugural edition of its city-wide festival, "What Now: 2026," scheduled to open on May 27, 2026, coinciding with the 250th anniversary of the United States. The five-week event will feature over 30 newly commissioned projects by Philadelphia-based artists, including performances, installations, and podcasts, staged across festival districts in public spaces and institutions. The festival is led by Creative and Executive Director Bill Adair and Curatorial and Deputy Director Tania Isaac, with a curatorial committee of 17 local curators selecting works that explore the nation's past, present, and future.
Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.
The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.
Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.
The Trump administration removed the Pride flag from the flagpole at the Stonewall National Monument in New York City, a site commemorating the birth of the modern LGBTQ+ rights movement. The action, reportedly carried out by the National Park Service, followed a memo restricting "non-agency" flags at federal sites.
The face of an angel in a fresco at Rome's Basilica of St. Lawrence in Lucina, which bore a resemblance to Italian Prime Minister Giorgia Meloni, has been erased. Artist Bruno Valentinetti, who restored his own 2000 fresco, removed the image last week following an inquiry by Italy's culture ministry and the diocese of Rome, stating he acted at the Vatican's request.
church fresco giorgia meloni
A volunteer restorer in Rome, Bruno Valentinetti, has been accused of altering a church fresco to make an angel bear the likeness of Italy's Prime Minister Giorgia Meloni. The fresco, in the Basilica of San Lorenzo in Lucina, was restored after water damage, and the angel holding a map of Italy now appears to resemble the political leader. Valentinetti denies the likeness, claiming he faithfully followed the original design.
At least four Iranian artists have been killed by police and militias during anti-government protests that began in December, according to Artists at Risk Connection (ARC). The victims include sculptor Mehdi Salahshour, filmmaker Javad Ganji, fashion designer Rubina Aminian, and hip-hop artist Soroush Soleimani. ARC condemned the extrajudicial killings, internet blackouts, and suppression of dissent, while the Iranian Independent Filmmakers Association (IIFMA) reported over 2,000 civilian deaths and called for international intervention.
Belgian police are investigating the theft of the infant Jesus figure from a controversial Nativity scene at a Brussels Christmas market. The installation, created by German artist Victoria-Maria Geyer, features faceless cloth figures intended to allow all Catholics to identify with the biblical story, but it sparked a national scandal and political backlash, with critics calling the design zombie-like and the €65,000 cost exorbitant. The figure was stolen from its manger in the early hours of November 29, and authorities have since replaced it with a new model.
Three Just Stop Oil activists—Luke Watson, Rajan Naidu, and Niamh Lynch—were found not guilty of criminal damage by a Salisbury Crown Court jury on October 31, after dyeing Stonehenge bright orange with a cornflour, talcum powder, and orange dye mixture in June 2024. The defendants argued their actions were protected under freedom of speech and protest rights (Articles 10 and 11 of the European Convention on Human Rights), and noted no lasting damage occurred. English Heritage CEO Nick Merriman acknowledged the distress caused but confirmed no visible damage, while the cleanup cost £620.
Milton Esterow, the award-winning journalist who owned and edited ARTnews for 42 years, died on Friday at age 97. His death was confirmed by his daughter Judith Esterow, a former associate publisher of the magazine. Esterow purchased ARTnews in 1972 from Newsweek and transformed it into a news-focused powerhouse, winning a National Magazine Award and two George Polk Awards. He introduced the influential ARTnews Top 200 Collectors list in 1990 and was known for his relentless investigative journalism, particularly on Holocaust art restitution. He continued writing into his 90s, using his 1950 Royal typewriter.
France has returned three colonial-era human skulls to Madagascar, including one believed to belong to King Toera, a Malagasy king executed by French troops in 1897. The skulls were handed over to Malagasy representatives at the French Culture Ministry on Monday, after being held in Paris’s National Museum of Natural History. French Culture Minister Rachida Dati called the return “historic,” while her Malagasy counterpart Volamiranty Donna Mara described it as healing an “open wound” after 128 years.
The National Park Service announced it will reinstall a statue of Confederate General Albert Pike in Washington, D.C., after it was toppled and burned by protesters during the 2020 Black Lives Matter demonstrations. The agency shared an image of the bronze work being cleaned of corrosion and graffiti, citing federal historic preservation law and recent executive orders to restore pre-existing statues in the nation's capital. The statue is expected to return to public view in October, with site preparation beginning soon to repair its damaged masonry plinth.
The article reviews "A World in the Making: The Shakers," an exhibition at the Institute of Contemporary Art, Philadelphia, running through August 9, 2026. It pairs Shaker material culture with works by seven contemporary artists, including Kameelah Janan Rasheed, who responds to the archive of Rebecca Cox Jackson, a Black Shaker leader. The exhibition explores how Shaker communal practices, craft traditions, and devotional art resonate in today's digital age, where handmade aesthetics often become lifestyle signals rather than shared experiences.
The Museum of Contemporary Art Chicago has organized a summer exhibition titled 'To Share a Garden,' bringing together over 30 artists in a decade-spanning review of queer art and activism. The show draws its theme from Chicago's historic motto 'urbs in horto' (city in a garden) and features works from the 1980s to the present, including pieces by Brendan Fernandes, Nick Cave, Mary Patten, and Doug Ischar. The exhibition acts as a visual archive of queer artistic expression, spanning from the AIDS crisis protests to contemporary movements.
Die vielen Häutungen der Valie Export
Valie Export, the Austrian media and performance artist known for using her body as a site of social critique, has died at age 85 in Vienna. Her final works include a black-and-white photo series of her forearm resting on a stone snake sculpture at the University of Vienna, exploring themes of skin, transformation, and mimesis. From the 1970s onward, she created iconic "Body Configurations" in which she placed her body on streets and against buildings along Vienna's Ringstrasse, tracing architectural forms to expose institutional power and patriarchal authority.
Denkmäler in Bewegung
Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.