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NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Dallas Museum of Art to Host “International Surrealism” Exhibition

The Dallas Museum of Art (DMA) will present "International Surrealism," a major exhibition in collaboration with Tate London, opening November 2, 2025, and running through March 22, 2026. Marking the centenary of the first Surrealist exhibition in 1925, the show features over 100 works from Tate’s collection, including pieces by René Magritte, Salvador Dalí, Lenora Carrington, Wifredo Lam, Malangatana Ngwenya, Alberto Giacometti, Dorothea Tanning, and Jackson Pollock. The exhibition aims to decentralize Surrealism by presenting works from around the world, alongside printed ephemera and publications from the early 1900s. Tickets go on sale October 7, 2025, with early access for DMA members on October 6.

Jamea Richmond-Edwards: Another World and Yet the Same September 13, 2025 — June 14, 2026 - Wellin Museum

The Ruth and Elmer Wellin Museum of Art at Hamilton College will present "Jamea Richmond-Edwards: Another World and Yet the Same" from September 13, 2025, to June 14, 2026. Curated by Alexander Jarman, the exhibition features a large body of newly created work alongside mixed-media paintings from the past seven years, exploring race, class, and identity. Richmond-Edwards draws on her Detroit roots, incorporating music genres like jazz, soul, Motown, techno, and hip hop, as well as imagery from school marching bands. The title references a 17th-century dystopian novel by Joseph Hall, and the artist adapts its narrative through a fictional character, Iceberg, who leads a voyage to Antarctica to establish an egalitarian society, addressing themes of climate change and self-determination.

Nicholas Galanin pulls out of Smithsonian event, claiming censorship

Nicholas Galanin, a multidisciplinary artist and member of the Sitka Tribe of Alaska, withdrew from a symposium hosted by the Smithsonian American Art Museum (SAAM), citing government censorship. The symposium accompanies the exhibition *The Shape of Power: Stories of Race and American Sculpture*, which President Donald Trump labeled as “divisive” and “race-centred” in a March 27 executive order. Galanin alleged that the event was made private with a curated guest list and that he was asked not to record or share it on social media. SAAM denied the censorship claims, stating the event was never publicly listed and that participants were encouraged to share with their networks. Galanin’s 2016 work *The Imaginary Indian (Totem Pole)* is featured in the exhibition.

Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Shaped By Histories: “Iñigo Manglano-Ovalle: A Want for Nothing” at the DePaul Art Museum

The article reviews the exhibition "Iñigo Manglano-Ovalle: A Want for Nothing" at the DePaul Art Museum, which presents the artist's multimedia works that explore themes of history, migration, and identity. Manglano-Ovalle's pieces, including video installations and sculptures, engage with personal and collective narratives, drawing on archival materials and contemporary issues.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

New exhibition at the Spencer Museum of Art examines the relationship between art and the sea

The Spencer Museum of Art at the University of Kansas has opened a new exhibition that explores the relationship between art and the sea. The show brings together works from the museum's collection and loans to examine how artists have depicted, interpreted, and engaged with oceanic themes across different periods and cultures.

Fall and Winter 2025 Programming at the National Museum of Women in the Arts

The National Museum of Women in the Arts (NMWA) in Washington, D.C., has announced its fall and winter 2025 programming lineup. Highlights include the monthly after-hours series NMWA Nights, the landmark exhibition "Women Artists from Antwerp to Amsterdam, 1600–1750" opening September 26, and a mixed-media photography show by Baltimore-based artist Tawny Chatmon. The season also features hands-on workshops in paper-cutting with Janelle Washington, Pilates sessions in the museum's Great Hall, Fresh Talk discussions on fashion and the gender pay gap, Free Community Days, and a holiday Makers' Market.

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Petala Ironcloud

Petala Ironcloud, a contemporary artist known for her multimedia works exploring Indigenous identity and environmental themes, has been announced as the subject of a major solo exhibition at a prominent museum. The show, scheduled to open next year, will feature a new series of sculptures and installations that draw on her Native American heritage and address issues of land rights and cultural preservation.

Rediscovered David Wojnarowicz mural could disappear from view again

A large mural by David Wojnarowicz (1954-92), rediscovered in a Louisville, Kentucky building in 2022, is at risk of being concealed again behind drywall as the building is redeveloped into high-end residences. The site-specific work was created in 1985 for the group exhibition *The Missing Children Show: Six Artists from the East Village on Main Street*, organized by dealer Potter Coe to benefit the Kentucky Child Victims’ Trust Fund. The building's current developers plan to turn the mural's floor into a waiting room for a boxing gym, covering it with sheetrock, though they have guaranteed no damage. The artist's foundation and gallery, PPOW, have proposed covering it with transparent plexiglass instead, but the mural's removal is unlikely due to its size and brick surface.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Yale University Art Gallery withdraws federal funding applications over anti-diversity regulations

The Yale University Art Gallery has withdrawn two federal grant applications submitted to the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) for an upcoming exhibition on African art exploring the migration of Nguni peoples, scheduled for 2026. The gallery objected to new anti-DEI (Diversity, Equity, and Inclusion) restrictions imposed by the Trump administration, which require that funded projects do not promote certain ideologies based on race or gender. The gallery will instead use Yale University's $46 billion endowment to cover the $200,000 exhibition costs. This follows a previous instance where the gallery opted out of NEA funding, and a separate $30,000 NEA grant for the exhibition "Nusantara: Six Centuries of Indonesian Textile" was rescinded, though that show will proceed with support from the Robert Lehman Endowment Fund.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

Can you mount an art exhibition about race in the age of Trump?

The article reports on the exhibition "The Shape of Power: Stories of Race and American Sculpture" at the Smithsonian American Art Museum in Washington, DC, which challenges visitors to reconsider how American sculpture has reinforced racist social orders. The show features 82 works from 1792 to 2023, including John Rogers’ 1864 sculpture "The Wounded Scout, a Friend in the Swamp," and includes interpretive prompts about race as a human invention and a tool of power. President Donald Trump issued an executive order condemning the exhibition for promoting "divisive narratives," and Vice President JD Vance, who sits on the Smithsonian’s Board of Regents, has been tasked with stopping government funding for exhibits that do not align with a celebratory national agenda. The Smithsonian has begun a review of content across its museums, raising concerns about future candid discussions of race and history.

Phillips Sues Wealthy Scion for Failure to Come Through on Pollock Purchase

Phillips auction house has filed a lawsuit against film producer David Mimran, alleging he failed to pay $14.5 million for a Jackson Pollock painting after serving as a third-party guarantor. The untitled ca. 1948 white-on-black drip painting, which had appeared in a 1998 retrospective at the Museum of Modern Art, received no bids at a November auction in New York, leaving Mimran legally obligated to purchase it. Mimran missed two payment deadlines and later claimed he could not meet a third, prompting Phillips to file a complaint with the Supreme Court of New York.

Capitalism, cityscapes and the climate crisis take centre stage at Luma Arles

Peter Fischli's exhibition "People Planet Profit" at Luma Arles presents hundreds of cheap, poorly designed business books he photographed over seven years, exploring the tension between capitalism, climate crisis, and social wellbeing. The show includes sculptures and screen prints that critique late-stage capitalism and mass tourism. Alongside it, landscape architect Bas Smets presents "Climates of Landscape," a practical exhibition proposing urban ecological solutions to rising temperatures and tides, featuring a microclimate installation within the former industrial building.

‘Why don’t you talk about the hostages?’: Nan Goldin interrupted by protester during Gaza-focused speech at Rencontres d’Arles

American photographer Nan Goldin was confronted by a protester during her acceptance of the 2025 Women In Motion Award at the Rencontres d'Arles photography festival. Goldin used the occasion to speak about the humanitarian crisis in Gaza, describing the conflict as "the first live-streamed genocide" and projecting images of Gaza before and after the Israeli military campaign. A woman in the audience repeatedly shouted, "Why don't you talk about the hostages?" while other audience members chanted "Free Palestine." Goldin responded by acknowledging the 7 October attacks but emphasizing the scale of Palestinian casualties. She also accused the Israeli government of conflating anti-Zionism with antisemitism and of putting drugs in flour delivered to Gaza, a claim not independently verified.

One Fine Show: “Ai, Rebel – The Art and Activism of Ai Weiwei” at the Seattle Art Museum

The Seattle Art Museum has opened "Ai, Rebel: The Art and Activism of Ai Weiwei," the largest-ever U.S. survey of the Chinese artist and activist. Featuring over 130 works spanning performance, photography, sculpture, video, and installation from the 1980s to the present, the exhibition includes iconic pieces like *Sunflower Seeds* (2010) and *Circle of Animals/Zodiac Heads (Gold)* (2010), as well as international debuts such as a LEGO recreation of the Mueller Report. The show runs through September 7, 2025.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

Guest Artists Space Foundation announces ambitious 2025–26 programme exploring African art archives

Guest Artists Space (G.A.S.) Foundation and Yinka Shonibare Foundation have announced the 2025–26 edition of 'Re:assemblages', a programme focused on African and Afro-diasporic archives as sites for artistic inquiry and decolonial practice. Curated by Naima Hassan with contributions from Maryam Kazeem, Ann Marie Peña, and Jonn Gale, the initiative includes international convenings, symposia, fellowships, and micro-publications, anchored by a two-day symposium in Lagos during Lagos Art Week (4–5 November 2025). The programme draws on the Picton Archive at G.A.S.'s Lagos campus and is supported by the Terra Foundation for American Art, featuring four curatorial themes: Ecotones, The Short Century, Annotations, and The Living Archive. It also launches the African Arts Libraries Lab (AAL Lab), a pan-African network of libraries and publishers across Lagos, Dakar, Marrakesh, Cairo, Nairobi, Cape Town, and Limbe.

New CAM Exhibition Shows Food’s Role in French Art

The Cincinnati Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," organized by the American Federation of Arts and the Chrysler Museum of Art. Featuring works by Claude Monet, Vincent van Gogh, Paul Gauguin, and others, the show explores the role of food in French art and society from the 1870s onward, juxtaposing scenes of peasant labor with depictions of upper-class abundance. Curator Andrew Eschelbacher highlights how food was central to French identity during a period marked by war, famine, and social upheaval, with Impressionist brushstrokes often veiling deeper sociopolitical realities.

In pictures: Art Basel's Unlimited section offers visions of utopia

Art Basel's Unlimited section, curated by Giovanni Carmine, features monumental works and performances with themes of utopia, community, and being in sync. Highlights include Oscar Murillo's participatory drawing installation, David Owens' film on Lonnie Holley, Alia Farid's tapestries on Middle Eastern-Cuban migration, Taloi Havini's shell money piece, Atelier Van Lieshout's 160-sculpture march to utopia, Andrea Büttner's shame punishment prints, and Mario Merz's inhabitable igloo.

Whitney Museum pauses Independent Study Program amid accusations of censorship

The Whitney Museum of American Art has suspended its prestigious Independent Study Program (ISP) for the 2025-2026 academic year, citing a leadership gap following the 2023 retirement of longtime director Ron Clark. The decision follows accusations of censorship after the museum canceled a performance titled "No Aesthetics Outside my Freedom: Mourning, Militancy and Performance" by Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, which addressed the war and humanitarian crisis in Gaza. An open letter signed by over 360 alumni, faculty, and supporters, including philosopher Judith Butler and artists Andrea Fraser and Walid Raad, condemned the cancellation as an act of censorship and expressed solidarity with the current cohort.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Kimbell Art Museum acquires Chardin still life after record-breaking auction sale falls through

The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's still life *The Cut Melon* (1760) from the Rothschild family after a record-breaking auction sale at Christie's Paris in June 2024 fell through. The winning bidder, Italian real estate promoter Nanni Bassani Antivari, never paid, leading Christie's to sue him for compensation. The Rothschilds then sold the painting directly to the Kimbell, which had been the underbidder at auction. The work, which retains its original frame from its 1761 Salon debut, went on view at the museum on 22 May in the French still life gallery.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.