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Explore 6 World Cup-inspired exhibits coming to Kansas City museums

Kansas City museums are launching six soccer-themed and World Cup-inspired exhibitions ahead of the world's largest soccer tournament arriving in the city this summer. Highlights include “The Beautiful Game” at the National World War I Museum and Memorial, which explores soccer's role during World War I; “The World in Kansas City” at the Kemper Museum of Contemporary Art, featuring works by over 16 local international artists; “United We Play: Kicking It With The Trumans” at the Harry S. Truman Presidential Library & Museum, celebrating sports unity through artifacts from Kansas City teams; and “Homeland: The Osage in Missouri” at The Museum of Kansas City, tracing Osage Nation history.

Native Arts Artists-in-Residence Gallery Talks

On August 1, 2026, the Denver Art Museum will host gallery talks featuring its 2026 Native Arts Artists-in-Residence: CooXooEii Black, Adrian Stevens, Sean Snyder, and Benjamin West. The artists will celebrate new installations in the Indigenous Arts of North America galleries, specifically reimagining the Home/Land section, which honors the Native Nations whose ancestral homelands include Denver and the surrounding Colorado region. The event coincides with the 150th anniversary of Colorado statehood and runs from 2-4 pm, with the artists present to discuss their work.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

A new, monochromatic perspective on Alexander Calder at SAM

The Seattle Art Museum (SAM) has opened "Monochrome: Calder and Tara Donovan," a new exhibition in its Calder at SAM series that pairs two matte-black Alexander Calder sculptures with works by Brooklyn-based artist Tara Donovan. Curated by Donovan alongside SAM curator Catharina Manchanda, the show uses black as its sole color to highlight materials, texture, and form. Highlights include Calder's 1949 mobile "Jacaranda" and 1976 maquette "Mountains (1:5 intermediate maquette)," juxtaposed with Donovan's sculptures made from industrial materials like plastic stir sticks, slinkys, tar paper, and mylar. The exhibition runs through January 17, 2027.

Phillips Collection’s new ‘Miró and the United States’ exhibit focuses on transatlantic cultural exchange rather than conflict

The Phillips Collection in Washington, D.C., has opened a new exhibition titled 'Miró and the United States,' curated by Elsa Smithgall. The show features 75 works by Joan Miró alongside pieces by more than 30 other artists, including Alexander Calder, Rufino Tamayo, and Arshile Gorky. Rather than framing the relationship as a cultural clash between European modernism and American art, the exhibition emphasizes transatlantic artistic exchange during the mid-20th century, particularly in the shadow of World War II and the Spanish Civil War. Key works include Miró's 'Constellations' series and 'Still Life with Old Shoe' (1937), which are presented in dialogue with American contemporaries who responded to his visual language.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

Holly Herndon and Mat Dryhurst on AI Optimism and Bringing Two-Headed Worms to Venice

Holly Herndon and Mat Dryhurst, known for their work in digital art and experimental music, have curated a group exhibition titled "Strange Rules" at Palazzo Diedo in Venice alongside Hans-Ulrich Obrist. Their contribution includes a collaboration with Tufts University biologist Michael Levin, featuring live planarian worms modified to grow two heads through bioelectric manipulation. The interview discusses their concept of "protocol art," which seeks to expose and reclaim the underlying systems—from algorithms to biological protocols—that shape artistic production.

New Exhibition Explores Victor Vasarely’s Influence on Hungarian Neo-Avant-Garde Art

A major exhibition titled "Vasarely Don't Go Home!" opens at NEO Contemporary Art Space in Budapest, marking the 120th anniversary of Victor Vasarely's birth. Curated by Zsolt Petrányi, the show runs until 19 September and examines Vasarely's influence on Hungarian experimental and neo-avant-garde art of the 1960s and 1970s. Featuring over 60 works, the exhibition is organized around three themes—construction, grid structures, and illusion—and connects to parallel Vasarely shows at the Museum of Fine Arts and the Hungarian National Gallery. The title references a 1969 protest where artist János Major carried a sign reading 'Vasarely go home!' during Vasarely's exhibition at Műcsarnok.

Beauty by Volume: On the Art-Book Trail of Chicago

This article is a guide to finding art books in Chicago, tracing a walking trail that begins at the Chicago History Museum and continues to the Graham Foundation and the Newberry Library. The author reflects on beloved but now-closed art bookstores like Rizzoli's Water Tower Place, Prairie Avenue Bookshop, and Golden Age, then proposes a contemporary route for discovering art, architecture, and design books in the city's remaining cultural institutions and museum shops.

Michael Garner Explores Truth, Systems & Constructed Reality

Michael Garner, an artist with a background spanning social science and intelligence work, creates immersive works that blend science, espionage, philosophy, and absurdity. His recent exhibitions include a show at the Bomb Factory Art Foundation featuring a vending machine dispensing mock classified information, and a presentation at the Austrian Cultural Forum London exploring his newly acquired Austrian citizenship through neural pathway paintings in the colors of the Austrian flag.

Metropolitan Museum of Art: Spring Exhibitions in New York

The Metropolitan Museum of Art in New York is unveiling renewed galleries and special exhibitions for spring 2026, including a reinstallation of its American Wing and exhibitions focused on Renaissance portraiture and contemporary responses to classical themes. The museum, which houses over 1.6 million artworks spanning five thousand years, is highlighted as a key destination for US travelers planning summer visits, with May weather ideal for exploring both the museum and nearby Central Park.

With mysterious Magic Show, artist Rosamunde Bordo blurs line between real and fictional worlds

Vancouver-based artist Rosamunde Bordo presents *Magic Show*, a multilayered exhibition at Western Front that blends video, glassblowing, and found objects to weave a detective-style narrative around a mysterious woman named Denise. The show, on view until July 25, features works like *Karmic Cleanse* and *Communicating Vessels*, combining esoteric rituals and handcrafted materials to create an immersive, genre-defying storytelling experience.

Marc Chagall | Île Saint-Louis (1959) (1959) | For Sale

Marc Chagall's lithograph *Île Saint-Louis (1959)*, a limited-edition print in colors on Arches paper signed and numbered by the artist, is being offered for sale through an online auction hosted by LLB Auction on Artsy. The work, estimated at €10,000–€15,000, is part of a Contemporary Art Spring 2026 sale and carries a starting bid of €9,000. The listing includes provenance details, a condition report option, and a buyer's premium.

Multi-Museum Exhibition Spotlights Legacy of Betsy James Wyeth

A major multi-museum exhibition titled *By Design: The Worlds of Betsy James Wyeth* will open across three U.S. institutions in 2026, re-examining the life and legacy of Betsy James Wyeth. The collaborative project—organized by the Farnsworth Art Museum, Colby College Museum of Art, and Brandywine Museum of Art—is the first to fully explore her role as an innovative designer of immersive spaces and key creative collaborator to her husband, Andrew Wyeth. Each venue highlights a different aspect of her work: the Farnsworth focuses on her built environments in Maine; Colby examines Allen and Benner Islands with new commissions by contemporary artists; and Brandywine centers on Brinton’s Mill and the Wyeths’ creative partnership, drawing from the Wyeth Foundation for American Art.

Australian Sculptor Ron Mueck Returns to Tokyo

A major retrospective of Australian sculptor Ron Mueck has opened at the Mori Art Museum in Tokyo, featuring eleven of his meticulously crafted figurative works, including the Japan premiere of 'Mass' (100 giant human skulls). The exhibition, co-organized by the Fondation Cartier pour l’art contemporain, travels to Tokyo after stops in Paris, Milan, and Seoul, and includes iconic pieces such as 'Woman with Sticks' and 'Angel', the latter installed on the museum's 53rd floor overlooking the city.

Summer 2026 Midnight Moment Program

Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.

렘브란트 등 거장들의 뉴암스테르담(구 뉴욕) 풍경전 'Old Masters, New Amsterdam" 뉴욕역사협회(5/1-8/30)

The New York Historical will present 'Old Masters, New Amsterdam' from May 1 to August 30, 2026, a first-of-its-kind exhibition using 17th-century Dutch paintings by Rembrandt van Rijn, Frans Hals, Jan Steen, and their contemporaries to envision life in the Dutch settlement that became New York. Featuring over 60 paintings, including works from the Leiden Collection and loans from institutions such as the Museum of Fine Arts Boston, National Gallery of Art, and Virginia Museum of Fine Arts, the exhibition marks the 400th anniversary of New Amsterdam's founding and the U.S. 250th anniversary.

Exhibition | RonNAGLE, 'Phantom Banter' at Gio Marconi, Milan, Italy

Gió Marconi Gallery in Milan, Italy, is presenting 'Ron Nagle. Phantom Banter,' the first solo exhibition in Italy dedicated to West Coast sculptor Ron Nagle. The show features eleven ceramic sculptures produced between 2024 and 2026, along with recent drawings, highlighting Nagle's refined small-scale works and his process of translating drawings into three-dimensional objects. Nagle, born in 1939 in San Francisco, apprenticed with Peter Voulkos in the 1960s and became a key figure in the California Clay Movement, influenced by artists like Ken Price.

The mysterious case of one of the most important British artists of the 1990s who is back with a bang after more than 25 years

Cathy de Monchaux, a prominent British artist from the 1990s known for her erotic and dystopic sculptures, has opened a major survey exhibition at the Palais de Tokyo in Paris titled 'Studio, Wounds and Battles, Desire is the Reiteration of Hope'. The show comes 26 years after her last major solo exhibition at the Hirshhorn Museum in Washington DC, and includes a facsimile of her Hoxton studio, featuring intimate sketchbooks, maquettes, and early works. De Monchaux, who graduated from Goldsmiths in 1987 and was nominated for the Turner Prize, largely stepped away from the public exhibition circuit to raise her son, focusing instead on private commissions.

Meet Vanessa Liem, The Singaporean Artist Exploring The Surreal And Dreamlike

Singaporean artist Vanessa Liem, a 23-year-old recent graduate of the University of the Arts, London, creates surreal, dreamlike paintings that explore themes of performance, vulnerability, and the impact of the outside gaze on the human body. Her works, characterized by humanoid figures with smooth faces and unusual light effects, have been exhibited at the ArtScience Museum and won the top prize in the Emerging Category for UOB's 2019 Painting of the Year. She is preparing for a solo exhibition titled 'The Third Person in the Room' at Cuturi Gallery in Singapore, her first show in the city in three years, marking a homecoming and artistic maturation.

Gibraltarian artists exhibit in Margate in collaborative exhibition

A collaborative exhibition titled 'Traces of Humanity' has opened in Margate, England, organized by Gibraltar Cultural Services on behalf of the Ministry for Culture, in partnership with the Lloyds Group of London. The show features works by Gibraltarian artists, members of the Lloyds Art Group, and internationally renowned artists, drawing inspiration from the Gorham’s Cave complex, a UNESCO World Heritage Site. The launch was hosted by the Mayor of Margate, Councillor Katie Pope, and attended by local dignitaries and visiting Gibraltarian artists. Curated by Philippa Beale, the exhibition will travel to the Noho Gallery in London's West End from 20th to 29th May before arriving in Gibraltar in June.

Hunterdon Art Museum presents three new exhibitions: Claybash, Emily Strong, and Bascha Mon

The Hunterdon Art Museum in Clinton, New Jersey, will open three new exhibitions on May 17, 2026: 'Claybash,' a triennial juried ceramics exhibition; a solo show of figurative paintings by Emily Strong; and 'Mindscapes,' a solo exhibition of works by 93-year-old artist Bascha Mon. Emily Strong's show features large-scale realist oil paintings that explore themes of cultural identity, gender, and human relationships, with QR codes linking to interviews with her models. 'Claybash' includes 40 artists selected by curator Angelik Vizcarrondo-Laboy, with cash prizes awarded. Bascha Mon's exhibition highlights her six-decade career of imaginative, color-driven work.

Ed Ruscha | Ed Ruscha Records 1971 (1st edition) (1971) | Art & Prints

This article presents Ed Ruscha's artist book "Records" (1971), a photographic survey of thirty vinyl records from his personal collection, offered by Lot 180 Gallery New York. It describes the work as a first edition offset printed book in good vintage condition, measuring 7 x 5.5 inches, from an edition of approximately 2,000 unsigned copies published by Heavy Industries Publications in Los Angeles.

'Echoes of Movement' Sets Crain Art Gallery in Motion

Alejandra Phelts presents her new exhibition 'Echoes of Movement' at the Crain Art Gallery in Crowell Public Library, opening with a free public reception on May 9, 2026. The show features paintings that explore the body as a space of transformation, drawing on Phelts' background in music, philosophy, and sewing. Phelts, a Mexican border artist, shifted from studying philosophy in France to fine arts after realizing art was a necessity, and her work has been shown internationally, including at the Venice Biennale and the Louvre.

A Tribute to Asher Remy-Toledo

Asher Remy-Toledo, a visionary gallerist, curator, and collector, has passed away after a career spanning over three decades. He founded influential initiatives including Remy Toledo Gallery in Chelsea (2004), Hyphen Hub (2013), No Longer Empty (2009), and Yuanfen Gallery in Beijing, the first new media gallery in mainland China. Remy-Toledo was a tireless champion of women artists, supporting figures such as Carolee Schneemann, Judy Chicago, Mary Beth Edelson, and Ana Mendieta, as well as emerging international artists. He also amassed significant private collections, including works by the article's author and Schneemann's Infinity Kisses series.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

'Art is just about making trouble': Inside Auckland Art Gallery's bold new show

Auckland Art Gallery is preparing to open "Forever Tomorrow: Chinese Art Now," a major exhibition of contemporary Chinese art curated by Hutch Wilco. The show features works from the White Rabbit Collection in Sydney, including a massive 7-meter-high stone sculpture by Xu Zhen, paintings by Shang Liang, and photography by Pixy Liao, who recently won a 2026 Guggenheim Fellowship. Wilco spent three years organizing the exhibition, which includes playful sculptures, paintings, and multimedia works, with significant logistical challenges in transporting large pieces from China.

Exhibition | Haegue Yang, 'Leap Year' at Hayward Gallery, London, United Kingdom

The Hayward Gallery in London is presenting 'Leap Year', the first major UK survey of internationally celebrated artist Haegue Yang. The exhibition spans Yang's career from the early 2000s to the present, featuring key works from her Light Sculptures and Sonic Sculptures series alongside three new commissions. Yang's practice incorporates a vast range of media—from paper collage and performative sculpture to immersive sensory installations—using household and industrial objects such as drying racks, light bulbs, metal-plated bells, and hanji (Korean paper) to explore themes of labour, migration, and displacement.

Recommissioned Rebels

The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.

MOCAD Reopens with New Exhibitions from Detroit Artists

Detroit's Museum of Contemporary Art (MOCAD) has reopened after an eight-month closure for construction, unveiling four new exhibitions as part of its 2026 Spring Exhibition and 20th anniversary. The renovations include a new HVAC system, educational space, and windows that allow passersby to see inside. The building has been renamed the Julia Reyes Taubman Building in honor of the late co-founder, whose family contributed $1.8 million toward the $3 million first phase. Mayor Mary Sheffield toured the exhibitions at an April 23 media preview, praising the museum's role in community healing and access. Featured exhibitions include "Olayami Dabls: Detroit Cosmologies," the first retrospective of the artist's nearly 50-year career, showcasing his evolution from figurative acrylics to abstract collage.