The Metropolitan Museum of Art is hosting a new exhibition titled "Costume Art," timed to coincide with the 2026 Met Gala. The article provides a first look at the exhibit, featuring images credited to photographer Masato Onoda of WWD, showcasing the intersection of fashion and visual art within the museum's galleries.
Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.
A series of 20 photographic portraits depicting members of the Windrush Generation, displayed in Windrush Square in Brixton, south London, were vandalized on 3 July when they were slashed and daubed with green paint. The Metropolitan Police arrested a 24-year-old man on 5 July on suspicion of vandalism, stating the incident was not a hate crime. The portraits, part of the Windrush Untold Stories exhibition by photographer Amit Lennon, have since been restored with new prints produced by Photofusion and reinstalled in the square. A crowdfunding campaign has raised £7,625 of a £15,000 goal to cover costs, and the UK Home Office is in talks to display the work later.
Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.
The article reports on the 2026 Met Gala, where celebrities embraced art-inspired fashion on the red carpet. The event, known for its extravagant themed dress code, featured stars wearing outfits that referenced famous artworks, artistic movements, or museum collections.
This article offers ten practical tips for enhancing museum visits, emphasizing preparation, physical comfort, and mindful engagement. It advises planning around specific artworks using online databases, addressing bodily needs like food and hydration, and timing visits to avoid crowds. The piece also recommends slowing down to spend ten minutes per work, using techniques like slow looking to deepen appreciation.
The Metropolitan Museum of Art will present "Creatures of Myth and Imagination: Europe and the Americas" at the Met Cloisters from May 18 to October 18, 2026. The exhibition explores hybrid mythical beings in visual arts from 500 to 1500 CE, featuring over 50 objects including paintings, sculpture, ceramics, ivories, textiles, and metalwork drawn mainly from the Met collection. It marks the first time ancient American art will be shown at the Met Cloisters, with key loans from the Museo del Templo Mayor in Mexico City, including a never-before-seen-in-New-York sculpture of the Zapotec "bat lord."
The Michigan History Museum has opened a new exhibition titled “Black Velvet: A Rasquache Aesthetic,” which explores the cultural and historical significance of black velvet paintings within Latino and Chicano communities. The exhibit was developed by the museum's team in collaboration with three guest curators, who contributed works from their personal collections.
Three artworks by Eric Gill, a sculptor and artist who sexually abused his daughters, have been withdrawn from the exhibition 'It Takes A Village' at the Ditchling Museum of Art and Craft in the UK, opening on 5 July. The works—two depicting his daughter Petra naked in a bath and one of a nude Elizabeth—were removed after the museum consulted with the Methodist Survivors Advisory Group, a group of abuse survivors. The survivors found the pieces offensive and potentially upsetting to visitors. The exhibition will still include Gill's watercolor 'Annunciation' in a separate room, and the museum's director, Stephanie Fuller, emphasized that the decision was led by the survivors' input.
The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.
In Trentino una mostra immersiva affronta i temi della sicurezza sul lavoro per coinvolgere su questioni urgenti
The METS – Museo etnografico trentino San Michele is set to launch an immersive exhibition titled "Un lavoro a regola d’Arte" on April 17, 2026. Created by artists Paola Samoggia and Carlo Magrì, the project utilizes seven rooms featuring short films, video art, and multisensorial elements to explore themes of workplace dignity, health, and safety. The exhibition moves beyond mere statistics to address the human reality of labor, incorporating music, dance, and performance to create a reflective space on the risks and rights of workers.
Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.
The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.
The article reviews 'Costume Art,' an exhibition at the Metropolitan Museum of Art that explores the intersection of fashion and the human form. It examines how garments and accessories are presented as sculptural objects, highlighting the dialogue between clothing and the body through historical and contemporary pieces.
The Metropolitan Museum of Art has opened a new exhibition titled 'Costume Art' that showcases a diverse range of body types through fashion and costume design. The display features garments and ensembles designed to celebrate inclusivity, with mannequins and presentations representing various shapes, sizes, and abilities, challenging traditional fashion norms.
The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a new exhibition space within the museum. The galleries are named after the late publishing magnate Condé Montrose Nast, founder of Condé Nast Publications.
The New York Times examines whether the Costume Institute at the Metropolitan Museum of Art can sustain its operations and influence without the Met Gala, its annual fundraising gala that generates millions of dollars and global media attention. The article explores the financial and cultural dependency of the institute on the star-studded event, which has become a major pop culture phenomenon, and considers alternative funding models and programming strategies that could ensure its future.
The Cincinnati Art Museum will host "Elizabeth Hawes: Radical American Fashion," the first major museum exhibition dedicated to the early 20th-century designer, running from April 24 to August 2. Curated by Cynthia Amnéus, the show features over 50 garments from the 1920s through the 1960s, drawn largely from the museum's collection of 23 Hawes pieces—the second-largest after the Met's Costume Institute. Hawes, a Vassar graduate who worked as a Paris copyist before becoming disillusioned with the fashion industry, advocated for comfort, personal identity, and gender-fluid clothing, and wrote nine books critiquing fashion's commercial cycle.
The Metropolitan Museum of Art's Costume Institute has sent approximately 200 pieces from its jewellery collection to Hong Kong for a major exhibition titled 'Jewels, Gems, and Treasures: Adornment in World Cultures'. The show, hosted at the Hong Kong Palace Museum, spans 5,000 years and includes items from ancient Egypt, Imperial China, Renaissance Europe, and modern designers, highlighting the universal human impulse for adornment.
The Metropolitan Museum of Art is hosting "Household Gods: Hindu Devotional Prints, 1860–1930," an exhibition exploring the evolution of Hindu visual culture through the rise of chromolithography. The show traces how mass-produced prints transitioned sacred imagery from exclusive temple environments into the intimate, everyday spaces of domestic shrines.
The Kemper Museum of Contemporary Art has launched "The World in Kansas City," a new exhibition timed to coincide with the city's role as a host for the upcoming World Cup. Featuring a diverse array of textiles, ceramics, photography, and mixed-media works, the show highlights international artists who have established deep roots within the Midwestern United States.
Multidisciplinary artist Jamie Wineman, also known as Wolfganggang, has debuted a new solo exhibition titled "Neuroplasticity IV: Fragmented Reality" at the Metropolitan Museum of Design Detroit. The interactive installation combines design, sound, and physical elements to create a terrain that mimics the human brain's structure. Visitors are encouraged to navigate the space as active participants, exploring how life experiences can rewire cognitive pathways and reshape our perception of reality.
The Metropolitan Museum of Art in New York is presenting "The Infinite Artistry of Japanese Ceramics," an exhibition featuring approximately 350 works that trace Japan's ceramic history from 12,000-year-old pottery to contemporary pieces. The show draws primarily from the museum's Harry G. C. Packard Collection, marking the 50th anniversary of that landmark acquisition, and includes five rotations of artworks running from January 2026 through August 2027. The exhibition places ceramics in dialogue with lacquers, textiles, paintings, and prints to explore broader cultural contexts.
The Metropolitan Museum of Art has opened "The Brooklyn Bridge Up Close," a special installation featuring seven original drawings of the Brooklyn Bridge from the New York City Municipal Archives, many unseen for forty years. The drawings, created by engineer John A. Roebling and his successors, were examined through The Met’s Scientific Research Partnerships program, a grant-funded initiative providing free scientific support to art institutions nationwide. The installation highlights the multiyear collaboration between The Met and the Municipal Archives.
The Metropolitan Museum of Art has launched a new immersive virtual reality and online feature that showcases iconic works from its collection. This digital initiative allows users to explore selected artworks in a virtual environment, enhancing accessibility and engagement with the museum's holdings.
Friedrich I of Baden-Württemberg upgraded his summer residence, Ludwigsburg Palace in Germany, after allying with Napoleon and becoming king. Four prized rooms, including the unusually complete drapery bedchamber, are set to reopen in 2026 after substantial restoration. The bedchamber features original turquoise silks, now faded blue-green, and over 6,000 tassels, presenting a major conservation challenge. Textile conservator Anu-Susanna Ventelä notes it is likely the only palace in Europe with such an intact drapery room. The project is part of a larger revamp of 35 rooms funded by the State of Baden-Württemberg, with conservators consulting historical inventories to restore furnishings to their original layout.
The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.
Visual artist and faculty member Anthony Ryan debuted his solo exhibition, "Imperfect Pixels," at the City College Art Gallery with an opening reception that highlighted his unique printmaking process. The collection features screen prints and woodcuts developed from digital illustrations created using a MacPaint simulator, embracing the aesthetic limitations of early 1980s software. During the event, Ryan’s students demonstrated printmaking techniques, showcasing the practical application of the methods seen in the gallery.
Artist Emily Drew Miller has created a series of collograph prints titled "Matzot" by running sheets of matzah through a printing press. The resulting black-and-white impressions capture the intricate textures and cracks of the unleavened bread, transforming the traditional Passover food into a medium for her grid-based painting practice. The series began as a personal ritual around the holiday and has evolved into a decade-long exploration.
MoMA PS1's exhibition "Greater New York" presents a sprawling, humorous, and messy celebration of New York City's artistic life, reflecting the city's complexity and instability. The show features a wide range of local artists and works, embracing an amiable chaos that mirrors the metropolis itself.