art diya vij commissioner zohran mamdani new york

Diya Vij has been appointed as the new commissioner of New York City's Department of Cultural Affairs, the largest municipal funder of culture in the United States. Vij, a 40-year-old arts administrator with experience at Powerhouse Arts, the High Line, Creative Time, and the Queens Museum, previously worked for the department from 2014 to 2018 under former commissioner Tom Finkelpearl. She now oversees a $300 million annual budget and a 50-person staff, tasked with sustaining artistic communities across the five boroughs amid federal funding cuts to the NEA and NEH.

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On Friday night, Bobbi Salvör Menuez, Whitney Mallett, and quori Theodor hosted a fundraiser vintage sale above Chinatown at lighting design studio Blue Green Works, benefiting the Trans Justice Funding Project. The event featured poetry and literary readings, with designer donations from Lena Waithe, Pedro Pascal, Chloë Sevigny, Julia Fox, Tommy Dorfman, Conner Ives, and Eckhaus Latta, plus archival pieces from co-organizer John Mollet's personal collection including Hermès and a Jean Paul Gaultier ballet costume. Guests included artists, writers, and photographers such as Collier Schorr, K8 Hardy, and Erin Markey.

parties ifpda 2026 benefit gala

The 2026 IFPDA Foundation Benefit Gala took place on the Upper East Side, honoring Christophe Cherix, Director of The Museum of Modern Art. Held in the historic Veterans Room at the Park Avenue Armory, the event gathered notable figures including artists Hank Willis Thomas and Yashua Klos, collectors Sharon Coplan, Stewart Gross, and Jordan Schnitzer, dealers Carolina Nitsch, Jill Newhouse, and Joni Moisant Weyl, and curators Nadine Orenstein, Freyda Spira, and Andrew Weislogel. A new print edition by Stanley Whitney, produced with Universal Limited Art Editions, was released to support the IFPDA Foundation’s grantmaking initiatives.

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Cultured magazine surveyed 30 New York-based artists to find out where they hang out in 2026, as affordable and easy gathering places have become scarce. The responses range from iconic spots like the Rose Reading Room at the New York Public Library and the Metropolitan Museum of Art to more offbeat locales such as a karaoke bar on Bowery, a Cantonese noodle house in Chinatown, and a church hosting vogue sessions. Artists including Coco Klockner, Jamian Juliano-Villani, Tiffany Sia, Amanda Ba, Lucy Bull, and others share their personal favorites, highlighting a diverse mix of libraries, restaurants, bars, and community spaces.

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Humberto Moro, deputy director of program at the Dia Art Foundation, discusses his role in expanding the institution's focus to include Latin American artists such as Liliana Porter, Delcy Morelos, and David Lamelas, whose major survey he curated. The interview, published by Cultured, covers Moro's career path from his early painting pursuits to positions at Museo Tamayo, Museo Jumex, SCAD's Museum of Art, and the Park Avenue Armory, and his current work at Dia alongside director Jessica Morgan. Moro also shares his personal interests in science fiction and literature, citing authors Ted Chiang, Cixin Liu, and Mariana Enriquez.

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The Museum of Contemporary Art, North Miami (MOCA) is celebrating its 30th anniversary in 2026. Founded two decades before Art Basel Miami Beach transformed the city into a global art destination, MOCA began as a small one-room gallery dedicated to contemporary work from South Florida. Under Executive Director Chana Sheldon, who has led the museum since 2018, the institution has fostered connections between local creatives and the international art world, mounting landmark exhibitions such as “AFRICOBRA: Messages to the People” (2018), which later traveled to the Venice Biennale. Current shows include a 15-year survey of Hiba Schahbaz and the first museum exhibition of Diana Eusebio, both curated by women.

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CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

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Kenturah Davis, a Los Angeles- and Accra-based artist known for large-scale drawings and carbon pencil rubbings that incorporate text, lost her Altadena home and studio in the Eaton fire last year. In response, she helped organize “Ode to ‘Dena,” a group show at the California African American Museum honoring the neighborhood, and is now launching Rest Stops, a restorative public art project and community garden aiming to establish 10 green spaces by 2027. She has also taken up pottery classes and rebuilt her studio practice in a new Altadena sanctuary.

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Lauren Halsey, an artist known for immersive architectural projects rooted in South Central Los Angeles, is expanding her civic engagement with a new sculpture park titled "sister dreamer," opening in March in collaboration with the nonprofit LAND. The article, presented as a studio visit, details her creative process, influences, and upcoming projects, including a limited-edition cycling jersey with Rapha and the Miami Design District to raise funds for cancer research. It also highlights her recent exhibitions at the Metropolitan Museum of Art, the Venice Biennale, and the Serpentine Galleries.

design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

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The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.

Philadelphia Museum of Art 'Rising Up: Rocky and the Making of Monuments (4/25-8/2)'

필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge

The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.

Saint Louis’s Counterpublic Triennial Reveals Artist List for Third Edition

The Counterpublic Triennial has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12 in Saint Louis. Curated by a five-member international team, the exhibition features forty-seven artists and collectives, including prominent figures like Glenn Ligon and Rebecca Belmore alongside local Saint Louis practitioners. The triennial will feature nearly fifty commissions, with a significant focus on site-responsive works installed along the Mississippi riverfront and the Gateway Arch.

Kate McNamara Named Director of Harvard’s Carpenter Center for Visual Arts

Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.

« À qui appartiennent ces œuvres ? » : le destin des biens culturels spoliés par les nazis au cœur d’un nouvel espace au musée d’Orsay

On May 5, the Musée d'Orsay in Paris inaugurated a new dedicated space in the Pavillon Amont for artworks looted during World War II that remain unclaimed by their owners or heirs. The room, titled "À qui appartiennent ces œuvres ?" ("Who owns these works?"), features thirteen pieces including sculptures by Auguste Rodin and paintings by Auguste Renoir, Edgar Degas, and Eugène Boudin. These represent a fraction of the museum's 225 MNR (Musées nationaux récupération) holdings, part of a national legacy of approximately 2,000 looted works still held in French museums.

Museum Night, Photomobiles… 10 outing ideas for the month of May

Nuit des musées, Photomobiles… 10 idées de sorties à faire au mois de mai

Beaux Arts Magazine presents a curated list of ten cultural outings across France for May 2026, highlighting events such as the Nouveau Printemps festival in Toulouse directed by Rossy de Palma, the Interstice festival in Caen focusing on emerging art and technology, the L'art est dans le pré festival in Troyes featuring contemporary art in rural villages, an immersive installation at the Musée d'Orsay tied to the Renoir exhibition, and the Cœurs-Volants kite festival in Essonne where architecture students create flying artworks. Other suggestions include outdoor art trails, heritage site sports programs, and literary festivals in Épinal and Seine-Maritime.

Fascinante artiste des Années folles, Sarah Lipska remise en lumière dans une exposition à Poitiers

The Musée Sainte-Croix in Poitiers, France, is hosting a new exhibition reviving the legacy of Sarah Lipska, a Polish-born artist who thrived in 1920s Paris as a costume designer, decorator, and fashion creator. Once a celebrated figure with her own boutique on the Champs-Élysées, Lipska collaborated with Léon Bakst and designed for the theater, including the operetta 'Annabella' (1922), before falling into obscurity. The museum, which holds the world's largest collection of her work, has built this through decades of acquisitions and a major donation from Lipska's daughter.

Which museums are free on the first Sunday of the month in Paris and Île-de-France?

Quels musées sont gratuits ce 1er dimanche du mois à Paris et en Île-de-France ?

This article from Beaux Arts Magazine lists museums in Paris and Île-de-France that offer free admission on the first Sunday of each month, including the Musée de l'Orangerie, Musée national Picasso-Paris, Musée des Arts et Métiers, Musée de la Chasse et de la Nature, Musée Carnavalet, Musée Cognacq-Jay, Crypte archéologique de l'île de la Cité, Maison Victor Hugo, and Musée de Cluny. It also notes that municipal museums in Paris are free year-round, and provides practical tips such as booking online and taking advantage of free entry for visitors under 18 or 26.

7 Iconic Works From Alexander Calder’s Major Paris Retrospective

The Fondation Louis Vuitton in Paris is presenting a major retrospective of Alexander Calder's work, titled "Calder. Rêver en Équilibre" ("Calder. Dreaming in Balance"). The exhibition, marking the 50th anniversary of the artist's death and the centenary of his first arrival in France, features nearly 300 works, including his iconic mobiles and stabiles.

Hurvin Anderson’s Luscious Paintings Explore the Meaning of Home

British painter Hurvin Anderson's exhibition at the Art Gallery of Ontario features his lush, layered paintings that explore themes of home, belonging, and cultural memory. The show includes his "Ball Watching" series, which reworks a 1983 photograph taken in Birmingham's Handsworth Park, transforming a personal snapshot into a meditation on place and identity.

Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

Ali Cherri Files War Crime Case Over Israeli Airstrike on Beirut

French-Lebanese artist Ali Cherri, in collaboration with the International Federation for Human Rights, has filed a civil complaint in a French court regarding a 2024 Israeli airstrike in Beirut. The strike, which occurred in the Noueiri neighborhood just hours before a ceasefire, destroyed Cherri’s family home and killed seven civilians, including his parents and their domestic helper. The legal action, submitted to a specialized war crimes unit, alleges that the targeting of a civilian residence constitutes a war crime under both French and international law.

Making in a Changing World—New Online Course on How Art Confronts the Environment in Southeast Asia

National Gallery Singapore has launched the third and final installment of its free online course series, titled "Art and the Environment in Southeast Asia: Making in a Changing World." The course examines how contemporary artists from the region—including Art Labor, Sharon Chin, Sopheap Pich, and Robert Zhao Renhui—respond to ecological issues through community-engaged and place-specific practices, using works like Chin's participatory beach ceremony and Zhao's Venice Biennale installation.

Must-See: Rosa Loy Finds a Durable Form of Togetherness

Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.

In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

Il mitico artista-ceramista italiano Nanni Valentini torna negli Stati Uniti con una mostra sulla sua storia. Le immagini

The Everson Museum of Art in Syracuse, New York, is hosting "Interspaces," a retrospective exhibition dedicated to Italian artist Nanni Valentini (1932–1985), a pivotal figure in ceramic art. Curated by Garth Johnson of the Everson Museum and Luca Bochicchio of the Museo della Ceramica di Savona, with oversight by art historian Flaminio Gualdoni, the show runs until September 6, 2026. It traces Valentini's evolution from functional pottery to conceptual wall works, featuring pieces like "I segni della terra" (1981) and "Impronta-totem" (1979), on loan from ABC-ARTE gallery. The exhibition marks Valentini's return to the U.S., where he first gained international recognition at the museum's 1958 Ceramic International, introduced by Lucio Fontana.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson 1234775255

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

François-Xavier Gbré Uses His Photography to Fill in History’s Gaps

Artist François-Xavier Gbré's photographic series "Radio Ballast" made its US debut in a duo exhibition at the International Center of Photography in late January. The work documents the century-old railroad system in Côte d'Ivoire, built by French colonizers, exploring the country's colonial history, independence, and modernization through landscapes, train stations, and the communities shaped by the railway.