Iranian artist Kamrooz Aram is currently experiencing a significant institutional and commercial moment, with his work appearing in three major exhibitions across two continents simultaneously. Critic Aruna D’Souza highlights Aram’s ability to synthesize Islamic visual idioms with Western abstraction, creating a painterly language that transcends cultural hierarchies and treats historical narratives with a unique lightness.
The United States government transformed the role of the artist during the Great Depression by treating art as a vital public resource rather than a private luxury. Between 1933 and 1943, New Deal programs like the Public Works of Art Project (PWAP) commissioned hundreds of thousands of works for schools, libraries, and hospitals, providing 'plumbers' wages' to struggling creators. This federal patronage supported a generation of then-unknown figures, including Jackson Pollock, Mark Rothko, and Alice Neel, while focusing on the 'American scene' to make culture accessible to the general public.
The art world mourns the recent deaths of several significant figures. British absurdist cartoonist Glen Baxter, known for his work in The New Yorker and exhibitions at Flowers Gallery, has died. American sculptor Melvin Edwards, renowned for his welded steel Lynch Fragments addressing racist violence, and pioneering feminist painter Pat Steir, celebrated for her conceptual, process-based works, have also passed. The article additionally notes the deaths of Lebanese painter Ali Sbeity, killed in an airstrike; Mexican folk artist Josefina Aguilar; British heritage leader Neil Cossons; British painter Charles Debenham; and Cypriot painter Andreas Karayian.
pedro friedeberg surrealist artist dead hand chair
Pedro Friedeberg, the prolific artist and designer central to Mexico’s Surrealist-aligned circles, has died at age 90 in San Miguel de Allende. Born in Italy and having fled to Mexico to escape fascism, Friedeberg became a singular figure in Latin American art, known for his architectural paintings and whimsical, absurdist sculptures. His death was confirmed by his New York representative, Ruiz-Healy Art.
The 2025 edition of TEFAF Maastricht has opened with 277 dealers from 24 countries, showcasing 7,000 years of art history despite significant geopolitical instability in the Middle East. While the fair remains a premier destination for Old Masters and high-end antiques, exhibitors are navigating logistical hurdles caused by regional conflicts and airport closures in major transit hubs like Dubai.
Berlin's Hamburger Bahnhof museum held its first-ever gala to celebrate its 30th anniversary. The event featured a curated program of performances, including a participatory installation by artist duo Elmgreen and Dragset titled "Performing Yourself" and a mirrored neon work by Monica Bonvicini. High-profile guests like Cate Blanchett, Matt Dillon, Wim Wenders, and Nina Hoss attended the evening, which blended traditional gala elements with Berlin-specific cultural touchstones like techno, cabaret, and performances by artists such as Ellen Allien and Alice Sara Ott.
Senators Whitehouse and Schumer Call for ‘Proactive Measures’ to Protect Philip Guston and Ben Shahn Murals
Senators Sheldon Whitehouse and Chuck Schumer have publicly called on the General Services Administration (GSA) to take immediate steps to protect significant New Deal-era murals by artists Philip Guston and Ben Shahn. Their letter expresses urgent concern over the potential sale or demolition of the Wilbur J. Cohen Federal Building in Washington, D.C., which houses these artworks, and questions the GSA's ability to safeguard the pieces once the building transfers to private ownership.
British artist Dylan Doe explores the physical manifestations of digital saturation in his solo exhibition, "Muscle Memory," at Mandy Zhang Art in London. The body of work focuses on "bodily glitches"—involuntary physical actions, such as attempting to zoom in on a physical drawing, that stem from repetitive interactions with technology. Through a surrealist lens, Doe’s paintings depict disembodied limbs and futuristic armatures that reflect a synthesis of sentient and non-sentient elements.
The Yams Collective, a group of African American artists, has withdrawn from the 2014 Whitney Biennial in protest. Their departure centers on the inclusion of Joe Scanlan, a white artist whose long-running project involves hiring Black women to portray a fictional artist named Donelle Woolford. The collective argues that Scanlan’s work, which is listed in the biennial under the fictional artist's name rather than his own, is a form of racial drag that is particularly offensive within an exhibition already criticized for its lack of diversity.
The activist collective Halt Action Group (HAG) organized a second 'Dear Ivanka' protest in New York City as Ivanka Trump prepared to move to Washington, D.C. Protesters marched from Grand Army Plaza to Trump’s Park Avenue residence, carrying symbolic moving boxes labeled with social and political concerns such as women's rights, affordable healthcare, and freedom of the press. The event featured prominent art world figures and utilized visual metaphors, including a disavowed Richard Prince artwork, to urge Trump to act as a moderate influence on her father’s administration.
middle east ultra contemporary old masters fresco
The art world is navigating a significant shift in regional power and aesthetic trends, highlighted by the inaugural Art Basel Qatar. This expansion into the Middle East signals a potential recalibration of global cultural influence, while simultaneously, the 'Ultra-Contemporary' market is pivoting toward 'Old Master' aesthetics and historical estates as a response to mounting economic pressures.
aca galleries 100 years of black art
ACA Galleries in New York is hosting "Continuum: Over 100 Years of Black Art," an expansive group exhibition running through March 7, 2026. The show features a diverse array of media—including painting, sculpture, textiles, and collage—by more than a dozen pioneering Black artists. Spanning from the 19th century to the present day, the exhibition highlights key figures such as still-life painter Charles Ethan Porter, collagist Romare Bearden, and contemporary textile artist Helen McBride Richter.
Phillips has unveiled the lineup for its upcoming Modern and Contemporary art sales in London, scheduled for March 5 and 7. The auctions are headlined by a significant group of Scandinavian masterworks from the collection of former US Ambassador John L. Loeb, led by Vilhelm Hammershøi’s "Interior of Woman Placing Branches in Vase on Table" (1900), estimated at up to £2 million. Other major highlights include a rare Andy Warhol "Mao" painting, a Banksy work formerly owned by Robin Williams, and pieces by Tracey Emin, El Anatsui, and Donald Judd.
louvre robbery
The Louvre Museum has announced a massive €80 million ($92 million) security overhaul following a brazen daytime heist on October 19, where thieves stole imperial jewels valued at €88 million. The investigation revealed significant institutional failures, including outdated software and weak passwords like "Louvre," allowing local thieves to enter via a movers' lift and escape on scooters in under seven minutes. While four suspects from the Paris suburbs have been charged, the majority of the stolen items remain unrecovered.
The Denver Art Museum is hosting "Women of Abstract Expressionism," the first major museum exhibition dedicated exclusively to female painters of the movement. Curated by Gwen Chanzit, the show features over 50 works by artists including Helen Frankenthaler, Jay DeFeo, Elaine de Kooning, and Mary Abbott. The exhibition highlights how these women were integral to the first internationally influential American art movement but were historically sidelined in favor of male peers like Jackson Pollock and Willem de Kooning.
A trove of previously undeveloped films shot by Andy Warhol and his team has been recovered and processed. The hour-long collection includes eight new Screen Test portraits, unused footage for known films, and significant pornographic footage predating his famous 'Blue Movie.' The films will premiere in a one-night-only screening at the Museum of Modern Art in New York.
The Rose Art Museum at Brandeis University has opened a survey exhibition titled 'Photorealism in Focus.' The show brings together works by more than 30 artists, including early pioneers like Robert Cottingham and Ralph Ladell Goings, as well as artists such as Audrey Flack and Joyce Stillman-Myers, to trace the movement's history from the late 1960s to its contemporary expansions across painting and sculpture.
Photographer Graciela Iturbide is the subject of a major exhibition, "Graciela Iturbide: Vintage," at Throckmorton Fine Art in New York. The show features rare vintage prints, including her iconic work *La Señora de las Iguanas* (1979), and was made possible by the rediscovery of 19 long-lost prints that Iturbide had sent to a dealer decades ago.
Nahmad Contemporary will present an exhibition titled “Picasso | Painter and Model, Reflections by Naomi Campbell” at its Gstaad, Switzerland space from February 14 to March 15. The show focuses on Pablo Picasso’s late series “Le Peintre et son modèle” (The Painter and his model), featuring 14 works from 1963–1965, many previously exhibited at institutions like the Centre Pompidou, Fondation Beyeler, Museo Reina Sofía, and Guggenheim Museum. Supermodel Naomi Campbell contributes personal reflections on the artist-muse relationship, offering a contemporary perspective on themes of desire, power, and the gaze.
Dib Bangkok, Thailand's first international-standard contemporary art museum, opened on December 20 with a festive and dramatic inauguration in Bangkok. Founded by the late industrialist and art collector Petch Osathanugrah and completed by his son Purat "Chang" Osathanugrah, the museum debuted with the exhibition "(In)Visible Presence," curated by Ariana Chaivaranon and Dr. Miwako Tezuka, featuring 81 works by 40 artists from the museum's collection. The opening included a visceral performance by Marco Fusinato, where Chang struck a wall with a baseball bat to complete the artwork, symbolizing a "big bang" for Thailand's cultural landscape.
Artnet News recaps the defining trends of 2025 in the art world, highlighting five key stories. These include the resurgence of elaborate frames in contemporary art ("Bordercore"), the rise of "red-chip art" favored by a new breed of flashy collectors, a "para-pastoral" movement that twists idyllic rural scenes into unsettling visions, and the growing popularity of small-scale paintings driven by intimacy and market shifts.
Laurence des Cars, president of the Louvre, is under pressure to resign after a tense Senate hearing on Wednesday, October 2025, following the theft of $102 million worth of imperial jewels. Lawmakers questioned her failure to act on security warnings from audits commissioned in 2017 and 2018 by her predecessor, Jean-Luc Martinez. Des Cars claimed she was unaware of those audits until after the theft. In response, she has accelerated a $92 million security plan, including 100 additional cameras, a new security coordination hire, and a 20% budget increase for staff training. She also announced a new internal audit on information sharing within the museum's bureaucracy, which she described as disorganized.
Ki Smith Gallery in New York is hosting "50 years of PUNK," an exhibition honoring the seminal punk magazine that launched in 1975. Running through January 11, the show features ephemera, new artworks, and issues 24 and 25 of the magazine, which famously covered bands like the Ramones and Lou Reed. The exhibition opened on November 28, marking 50 years since PUNK interviewed Reed and the Ramones at CBGB's. Co-curated by gallery founder Ki Smith and PUNK co-founder John Holmstrom, the show celebrates the magazine's DIY spirit and its role in shaping punk culture.
Thailand is emerging as a major contemporary art destination, with a wave of new institutions, fairs, and tax incentives drawing international attention. The government-initiated Thailand Biennale opens in Phuket, while the third and final edition of the Ghost biennial just concluded in Bangkok. Collector Marisa Chearavanont recently opened Bangkok Kunsthalle and Kai Yao Art Forest, and Purat “Chang” Osathanugrah is launching Dib Bangkok, billed as the country’s first international contemporary art museum, on December 21. New York dealer Harper Levine plans to open a Bangkok outpost of his Harper’s gallery in spring, and Seoul-based Artue is planning a scaled-up art fair called Art Bangkok International for next year. In August, the Thai government approved tax deductions for purchasing artworks by national artists and higher tax breaks for artists.
American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.
The National Gallery of Art in Washington, D.C., has opened "Photography and the Black Arts Movement, 1955–1985," a major survey featuring some 150 images by Black photographers who documented the civil rights and Black liberation movements. Curated by Deborah Willis and Philip Brookman, the exhibition includes works by Doris Derby, John W. Mosley, Ming Smith, and about 100 other artists, capturing both iconic protest imagery and quieter, intimate moments of Black life. The show runs through January 11, 2026.
Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.
The Studio Museum in Harlem revealed its new building to the press ahead of its public reopening on November 15, showcasing a major new acquisition: Jean-Michel Basquiat's 1984 painting *Bayou*, the first Basquiat painting to enter the museum's collection. The work was gifted in 2023 by financier Joseph Perella and his wife Amy, with Joseph having mentored Raymond J. McGuire, an ARTnews Top 200 Collector and the museum's board chair.
The editor's letter for the 2025 ARTnews Top 200 Collectors issue recounts a cinematic moment at Art Week Riyadh in Saudi Arabia, where a government-affiliated collector described their role as "everyone and no one," reflecting the behind-the-scenes, museum-focused art acquisitions under Vision 2030. The issue features a report by Melissa Gronlund on the Gulf art scene, noting that Saudi Arabia is prioritizing museums and noncommercial programming before an independent market can emerge, while private collectors and foundations are also gaining ground. The article also highlights the cooling art market in Europe and the US, with collector Christen Sveaas criticizing blue-chip galleries for over-commercial pricing strategies.
Consuelo Jimenez Underwood, a textile artist born in 1949 in Sacramento, has spent decades creating works that confront the US-Mexico border. In 2009, she was invited to participate in the group exhibition “Xicana: Spiritual Reflections/Reflexiones Espirituales” at the Triton Museum of Art in Santa Clara, California. Faced with a blank museum wall, she decided to “blow up the border,” creating her first large-scale installation, *Undocumented Border Flowers* (2010), which features a red gash representing the border surrounded by paper flowers of the four border states. This work launched her ongoing “BORDERLINES” series, which she has produced some 15 times across the country, often collaborating with schoolchildren or recently incarcerated women. Her practice is deeply personal: her father was an undocumented immigrant from Mexico of Huichol ancestry, and she spent her childhood as a migrant farmworker, following harvests along Highway 99. Her first woven artwork, *C.C. Huelga* (1974), was inspired by the United Farm Workers flag and leader César Chávez.