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Sotheby’s Shatters Records at Its Breuer Debut as a $236.4M Klimt Leads the $706M Evening Sale

Sotheby's held its debut evening sale at the Breuer building in New York on November 18, achieving a record-breaking $706 million total. The highlight was the white-glove auction of Leonard A. Lauder's collection of 20th-century masterpieces, which alone brought $527.5 million. Gustav Klimt's portrait *Bildnis Elisabeth Lederer* (1914-16) sold for $236.4 million, setting a new record for the artist and for Sotheby's Modern category. The evening also included a strong Contemporary sale led by Maurizio Cattelan's golden toilet at $12.1 million, with active bidding from Asian collectors.

Film-maker Wes Anderson to recreate Joseph Cornell’s New York studio in Paris this Christmas

Filmmaker Wes Anderson is recreating Joseph Cornell's New York studio in a window display at Gagosian Gallery's Paris space on Rue de Castiglione, opening next month to coincide with Christmas and Cornell's birthday on December 24. The exhibition will feature around 12 of Cornell's iconic shadow boxes, including "Pharmacy" (1943) and works from his Medici series, alongside hundreds of found objects. Curated by Jasper Sharp, who has worked with Anderson for years, the display is designed as a non-interactive window installation that captures the spirit and atmosphere of Cornell's basement studio in Queens, rather than an exact replica. Anderson and Sharp have spent weeks studying photographs and first-hand accounts, sourcing objects from flea markets and employing Anderson's film crew to replicate Cornell's handwriting and aging techniques.

Wes Anderson is Gagosian's Latest Collaborator

Gagosian is collaborating with filmmaker Wes Anderson and curator Jasper Sharp to present an exhibition of Joseph Cornell's work in Paris. Titled *The House on Utopia Parkway*, the show will feature a recreation of Cornell's New York studio designed by Anderson, housing over 300 objects and curiosities from the artist's collection, including iconic works like "Pharmacy" (1943) and "Untitled (Pinturicchio Boy)" (1950). The exhibition runs from December 16 through March 14 at Gagosian's rue de Castiglione space, marking Cornell's first solo presentation in over four decades.

Wes Anderson Brings Joseph Cornell’s Eccentric Workshop to Life in Paris

Wes Anderson and curator Jasper Sharp are recreating Joseph Cornell's legendary studio at Gagosian in Paris next month. The exhibition will reconstruct the secretive basement workshop where Cornell created his iconic shadow-box assemblages, using surviving photographs, objects from the Smithsonian American Art Museum's Joseph Cornell Study Center, and thousands of flea-market finds sourced across Paris and New York. The recreation includes Cornell's work table, unfinished shadow boxes, and even period-accurate details like his cleaning detergent and handwritten labels.

After 14 years with Pace, Yoshitomo Nara's work now represented by David Zwirner

Japanese artist Yoshitomo Nara, renowned for his kawaii-inspired paintings and sculptures, has switched gallery representation from Pace Gallery to David Zwirner after 14 years. David Zwirner, which has locations in New York, Hong Kong, London, Los Angeles, and Paris, will hold its first solo exhibition with Nara at an unspecified future date in New York. Nara will continue to work with his international agent, Equivalence Art Agency, and Pace Gallery will maintain a relationship with the artist. Nara's career includes major solo shows at institutions like the Albertina Modern in Vienna, the Hayward Gallery in London, and the Los Angeles County Museum of Art.

‘I’m not trying to impress anyone with what I buy’: how Catherine Walsh went from cosmetics queen to art collector

Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.

What does winning an arts prize really mean?

The article examines the history and impact of major art prizes, including the Turner Prize (established 1984), the John Moores Painting Prize (nearly 70 years old), and the Loewe Foundation Craft Prize (annual award). It traces the origins of art prizes back to 19th-century Paris salons and highlights how these awards provide cash, recognition, and career acceleration for artists. Specific examples include Rose Wylie, who won the John Moores Prize at age 80 and later joined David Zwirner and secured a Royal Academy solo show, and Samuel Ross, who used his Hublot Design Prize winnings to start his own company.

Art Basel Miami Beach 2025

Art Basel Miami Beach 2025 is set to take place, bringing together leading galleries, artists, and collectors from around the world for its annual edition in Miami. The fair will feature a curated selection of modern and contemporary art, with special sections dedicated to emerging artists and large-scale installations.

$23 million Gerhard Richter painting leads Art Basel Paris opening sales.

Art Basel Paris opened its 'Avant Première' day at the Grand Palais on October 21, 2025, with strong early sales led by Hauser & Wirth's sale of Gerhard Richter's *Abstraktes Bild (Abstract Painting)* (1987) for $23 million. Other notable sales included Julie Mehretu's *Charioteer* (2007) for $11.5 million at White Cube, Amedeo Modigliani's *Jeune fille aux macarons* (1918) for just under $10 million at Pace Gallery, and a Ruth Asawa sculpture for $7.5 million at David Zwirner. The fair, running through October 26, features 203 galleries and introduced the exclusive preview day as a new scheduling element.

Ascendant Art Basel Paris rewards top dealers, while smaller galleries compete for attention

Art Basel Paris has rewarded top dealers with significant sales during its new VVIP preview slot, Avant-Première, held on October 21. Hauser & Wirth led with over $30 million in sales, including Gerhard Richter's "Abstrakte Bild" (1987) for $23 million, while David Zwirner sold a Ruth Asawa sculpture for $7.5 million. Goodman Gallery sold two works by William Kentridge to museums, and White Cube placed Julie Mehretu's "Charioteer" (2007) for $11 million. However, some dealers like Philomene Magers found the opening too crowded, and adviser Aileen Agopian noted the market remains far from the frenzy of previous years, with no single sale surpassing the $40 million Mark Rothko painting brought by Pace two years ago.

The must-see exhibitions during Art Basel Paris

Numéro magazine lists the must-see exhibitions during Art Basel Paris art week. Highlights include a major minimal art exhibition at the Bourse de Commerce – Pinault Collection featuring Sol LeWitt, Agnes Martin, and Lygia Pape; a historic Gerhard Richter retrospective at the Fondation Louis Vuitton with nearly 300 works; the Fondation Cartier's new space near the Louvre designed by Jean Nouvel, showcasing artists like Ron Mueck and Junya Ishigami; and a carte blanche exhibition at the Palais de Tokyo curated by Naomi Beckwith exploring the influence of French theory on American art.

In the Studio With 33 of the Hottest Art Stars on the Planet

Vanity Fair profiles 33 emerging art stars who have broken into the upper echelon of the art world within the last five years, despite a contracting art market. The feature, written by Nate Freeman and photographed by Jeff Henrikson, highlights artists like Jadé Fadojutimi, Anna Weyant, and Chase Hall, whose work commands high prices and long waiting lists from top collectors. The selection was based on research including gallerist interviews, museum acquisitions, auction results, and dealer insights.

Slim Phillips London Sale Totals $13.9 Million, Off 32 Percent From 2024

Phillips London's evening sale of Modern and contemporary art on Thursday totaled £10.3 million ($13.9 million), a 32 percent drop from the equivalent sale in 2024. The 45-minute auction saw 4 of 26 lots withdrawn before bidding, and 4 of the remaining 22 failed to sell, including works by Banksy, Andreas Gursky, Sigmar Polke, and Andy Warhol. The top lot was Jean-Michel Basquiat's *Untitled (Pestus)* (1982), which sold for £2.37 million ($3.19 million), just below its estimate. A new auction record was set for Emma McIntyre, whose painting *Seven types of ambiguity* (2021) more than doubled its high estimate to fetch £167,700 ($225,355).

‘There is always something else to discover’: Glenn Brown on the art he collects and why

Artist Glenn Brown discusses his personal art collection in an interview with The Art Newspaper, revealing his first purchase was a 1964 David Hockney drawing of Renée McDougal and his most recent acquisition was a group of Ann Churchill's Daily Drawings from 1974. Brown, who opened The Brown Collection in Marylebone three years ago, is extending its hours during Frieze Week for the exhibition 'Hoi Polloi,' which examines depictions of ordinary people from the 16th century onward. He also has an installation at Gagosian's Frieze Masters booth and a concurrent show at the Freud Museum.

A tale of two philanthropies: why private foundations differ in London and Paris

Two new private philanthropic art spaces have opened in London this month: YDP (Yan Du Projects) in Bedford Square, founded by Chinese patron Yan Du, and Ibraaz in Fitzrovia, funded by Tunisian-Swiss banker Kamel Lazaar and run by his daughter Lina Lazaar. YDP focuses on Asian and Asian diasporic art, while Ibraaz centers art of the "global majority," featuring works like Ibrahim Mahama's installation and a library by the Otolith Group. Both founders, in their early 40s, represent a younger generation of patrons prioritizing social impact over legacy.

With Ruth Asawa, MoMA is set to open its biggest show ever by a woman artist

MoMA is opening "Ruth Asawa: Retrospective" on October 19, 2025, running through February 7, 2026, featuring 275 works by the artist, including over 60 looped-wire sculptures, bronze casts, paper folds, and drawings. The exhibition, which previously appeared at SFMoMA, occupies 16,000 square feet on MoMA's sixth floor and is the largest show ever devoted to a woman artist at either institution by checklist count, though neither museum has emphasized this superlative.

Eight Exhibitions Not to Miss During Frieze Week London

Frieze Week London returns from October 15-19 at Regent's Park, but the city's galleries and museums are mounting a robust slate of concurrent exhibitions. Highlights include "Nigerian Modernism" at Tate Modern (October 8, 2025–May 10, 2026), the first UK survey of mid-century Nigerian modern art featuring over 200 works by 50 artists; "Emily Kam Kngwarray" at Tate Modern, Europe's first major solo show for the Aboriginal artist; "Kerry James Marshall: The Histories" at the Royal Academy of Arts, the artist's largest US exhibition outside the U.S.; and "House of Music" at Serpentine South Gallery, a multisensory presentation of Peter Doig's work. The article also previews several other shows across London.

Evelyn Lin to Lead Sotheby’s Asia Modern and Contemporary Art, After Pace Hong Kong Shutters

Evelyn Lin is returning to Sotheby’s as chairman of Modern and contemporary art, Asia, starting November 3, after a one-year stint at Pace gallery. She will help lead the inaugural marquee sale at Sotheby’s new global headquarters in New York’s Breuer Building. The appointment follows the departure of Elaine Holt and the closure of Pace’s Hong Kong space, which will not renew its lease at H Queen’s after its current exhibition closes on October 18.

Phillips' Priority Bidding drives 100% sell-through at Hong Kong evening sale, totalling US$20.5m

Phillips achieved a 100% sell-through rate at its Modern and Contemporary Art Evening Sale in Hong Kong on 27 September, totaling nearly HK$160 million (US$20.5 million). All 20 lots sold, with six works exceeding HK$10 million. The top lot was Yoshitomo Nara's *Pinky* (2000), which sold for HK$56.64 million (US$7.2 million) after its estimate was lowered from HK$60–80 million to HK$35–55 million. The sale was the first major test of Phillips' new Priority Bidding (PB) system, which offers a reduced buyer's premium to collectors who place written bids at or above the low estimate at least 48 hours before the auction. Seven lots were withdrawn and several estimates revised downward ahead of the sale, contributing to the white-glove result.

Who Are the 10 Top-Selling Living American Artists?

Artnet's Auction Price Database reveals the top 10 living American artists by auction sales value in 2024, with the U.S. art market generating $4.3 billion. The list includes Cindy Sherman ($180.9 million total sales, record $6.8 million for Untitled Film Stills), Mark Bradford ($226.6 million, record $12 million for Helter Skelter I), and Mark Grotjahn ($241 million, record $16.8 million for Untitled (S III Released to France Face 43.14)). Sherman is the only woman and photographer on the list; Bradford is the only African American and represented the U.S. at the 2017 Venice Biennale; Grotjahn is a California-based abstract painter.

Warhol, Haring, Basquiat: exhibition remembers pivotal 80s New York artists

Gallery Lévy Gorvy Dayan has opened "Downtown/Uptown: New York in the Eighties," a blockbuster exhibition featuring major works by Andy Warhol, Jean-Michel Basquiat, Keith Haring, Jeff Koons, Cindy Sherman, Francesco Clemente, and others. Co-curated by Brett Gorvy and legendary dealer Mary Boone, the show aims to present the decade's most pivotal art for new generations, highlighting themes of celebrity, the AIDS epidemic, hyper-capitalism, and sexism through pieces like Warhol's silkscreen portraits, Basquiat's punching bag, Ross Bleckner's "27764," and Guerrilla Girls posters.

When Gagosian Goes So Do His Galleries, How Hockney’s Swimmer Swam Away, and Green Shoots in the Gallery World

Kenny Schachter's article opens with a broad critique of the political climate under the Trump administration, linking it to a chilling effect on free speech and democracy, before pivoting to the art world. He notes the absence of a U.S. representative for the 61st Venice Biennale, mentions Marilyn Minter's protest piece, and references David Hockney's *Portrait of an Artist (Pool with Two Figures)* at Christie's. The piece also touches on market negativity, the resilience of art, and skepticism about the Middle East as a market savior.

This Fall’s Must-See Gallery Shows in New York

The article highlights a curated selection of must-see gallery shows opening in New York City this fall, coinciding with The Armory Show and the overlapping Frieze Seoul fair. Featured exhibitions include Ambera Wellmann's "Darkling" at Hauser & Wirth, Caleb Hahne Quintana's "A Boy That Don't Bleed" at Anat Ebgi, and shows by Sasha Gordon, Dew Kim & Filippo Cegani, Elizabeth Glaessner, Yuan Fang, Bernardo Pacquing, Celeste Rapone, and Omara Mara Oláh, among others. The piece also notes the group exhibition "Downtown/Uptown: New York in the Eighties."

Hyperallergic Fall 2025 New York Art Guide

Hyperallergic has published its comprehensive Fall 2025 New York Art Guide, recommending over 80 exhibitions across all five boroughs. Major highlights include the reopening of the Studio Museum in Harlem after a seven-year renovation, the debut of the new New Museum on the Bowery, and multiple exhibitions marking the 100th anniversary of Robert Rauschenberg's birth at the Guggenheim and the Museum of the City of New York. The guide also features shows by Monet at the Brooklyn Museum, Renoir at the Morgan, and Ruth Asawa and Wifredo Lam at MoMA, along with public art installations by Mika Rottenberg and Lady Pink on the High Line and MoMA PS1 facade.

Blum Gallery’s Sudden End Shocked the Art Industry. What Happened?

On July 1, 2025, Tim Blum, the powerhouse Los Angeles dealer behind Blum Gallery, announced the sudden closure of his gallery after a 35-year run. The closure includes his Culver City headquarters, his Tokyo space, and a planned Tribeca location that will no longer open. Blum publicly framed the decision as a voluntary "sunset" due to systemic industry issues like over-expansion and burnout, but interviews with artists and staff reveal a more chaotic reality: the closure blindsided employees and artists, many of whom learned about it from news reports or a last-minute staff meeting that excluded Tokyo staff. Sources cite weak sales at Art Basel and Art Basel Hong Kong, poor business decisions—including buying out partner Jeff Poe and renovating a costly New York space—and a lack of severance or transition time as underlying factors.

Jenny Saville: ‘You are having a conversation with the paint, as well as with the sitter’

British artist Jenny Saville, known for her monumental paintings of the female form, is the subject of a major survey exhibition titled "The Anatomy of Painting" at the National Portrait Gallery in London, which opened in June. The show traces her practice from the 1990s to the present day, featuring portrait heads and figures that push the boundaries of portraiture. Saville, who broke the auction record for a living female artist in 2018 when her self-portrait "Propped" (1992) sold for £9.5m at Sotheby's, discusses her influences—including Lucian Freud, Francis Bacon, and Frank Auerbach—and her ongoing exploration of corporeality and painterliness in an interview with The Art Newspaper.

The Art World This Week: 20 June 2025

This week's art news is dominated by the opening of Art Basel 2025, where dealers reported a strong start with numerous six-figure sales, including a David Hockney painting at Annely Juda Fine Art for $13–17 million and a $9.5 million Ruth Asawa sculpture at David Zwirner. Other major developments include the Museum of Modern Art announcing a major Marcel Duchamp survey for 2026, the reopening of a historic Paris building (temporary home for Centre Pompidou) after a £395 million rebuild, and the Studio Museum in Harlem receiving a significant gift from Vancouver real estate magnate Bob Rennie. The article also covers gallery representation changes, awards, and the passing of sculptor Joel Shapiro and businessman/art patron Leonard Lauder.

Victoria Miro: ‘Art should open your eyes to something you don’t know’

Victoria Miro, the influential London art dealer, reflects on her 40-year career as her eponymous gallery celebrates its anniversary. In a rare interview, she discusses her humble beginnings—displaying art in her husband's office window and hosting pop-ups—and her rise to prominence representing acclaimed artists such as Chris Ofili, Isaac Julien, Do Ho Suh, and Chantal Joffe. The gallery's birthday exhibition, "Victoria Miro: 40 Years," features works by its roster, including pieces by Kudzanai-Violet Hwami, Stan Douglas, and Grayson Perry.

A brush with… Rudolf Stingel — podcast

This podcast episode features an in-depth conversation with artist Rudolf Stingel, who discusses his irreverent approach to painting, his influences including Pablo Picasso and Ernst Ludwig Kirchner, and his friendships with artists like Urs Fischer and Maurizio Cattelan. Stingel reflects on his career from the 1980s onward, his exploration of painting across abstraction and photorealism, and his expansion into sculpture and installation. The episode also covers his current exhibitions: 'Vineyard Paintings' at Gagosian in London and his inclusion in 'Les yeux dans les yeux' at the Couvent des Jacobins in Rennes.

Art Basel’s Soft Opening Belies Strong, Swift Sales Across Tiers

Art Basel's 2025 edition opened with a soft atmosphere that belied strong and swift sales across all price tiers. Major galleries reported significant transactions: David Zwirner sold 68 works including a $9.5 million Ruth Asawa sculpture and a $6.8 million Gerhard Richter painting; Gladstone placed a $3.5 million Keith Haring piece; and Thaddaeus Ropac sold a €1.8 million Georg Baselitz and a $1.8 million James Rosenquist painting to a European institution. White Cube, Hauser & Wirth, and Tina Kim Gallery also reported robust sales, with works by artists such as Dana Schutz, Marlene Dumas, Yayoi Kusama, and Ha Chong-Hyun moving quickly. However, mid-tier galleries like Marianne Boesky Gallery noted more cautious, eye-driven buying rather than the frenzied chasing of past years.