Paula Punkstiņa's exhibition "The Arrows of Concerns" opened at Kim? Contemporary Art Centre in Riga, running from March 14 to May 19, 2026. Curated by Zane Onckule, the show presents 33 images documenting the artist's work, with photography by Ansis Starks.
Artist Hélène Fauquet opened a solo exhibition titled 'Mille Plateaux' at the Édouard Montassut gallery in Paris. The show ran from February 13 to April 4, 2026, and was documented extensively with 36 installation images.
The gallery Participant Inc. in New York presented a dual exhibition titled '[minna|منا]of u' featuring the work of artist Salma Sarriedine. The show ran from February 1 to March 22, 2026, and was curated by Ridikkuluz. The exhibition documentation consists of 25 images, with photos credited to Studio Kukla.
Mapping Saudi Modern Art’s Origins: “Bedayat” in Riyadh
The exhibition 'Bedayat: Beginnings of the Saudi Art Movement' at Riyadh's National Museum showcased over 250 artworks from the 1960s to 1980s, a period of rapid modernization. It featured archival materials like exhibition catalogs and scholarship letters, alongside paintings grouped into themes such as 'Faces and Features' and 'Social Life,' though the curation largely avoided direct commentary on the era's intense socio-political debates.
An anonymous artist collective known as The Secret Handshake has installed a provocative 12-foot-tall guerrilla statue in Washington, D.C., titled 'KING OF THE WORLD.' Located near the U.S. Capitol, the monument depicts Donald Trump and Jeffrey Epstein recreating the iconic 'Titanic' film pose, accompanied by ten banners and a plaque satirizing their historical friendship.
A collective of volunteers and historians, operating under the name Citizen Historians for the Smithsonian, has documented over 50,000 wall labels across the Smithsonian Institution's 21 museums. This grassroots effort was launched in response to the Trump administration's directives to review and remove what it deems "divisive narratives" or "improper ideology" from federal cultural institutions. The tension escalated at the National Portrait Gallery when a label for Donald Trump’s portrait was edited to remove references to his two impeachments, leading to a "guerrilla teaching" protest by Georgetown historian James Millward.
The High Court of Justice of Andalusia has overturned a four-year prison sentence for antiques dealer Santos Boy Jiménez Cortés, who was previously convicted of misappropriating a 17th-century Baroque sculpture. The artwork, 'Saint Margaret of Cortona' by José de Mora, was purchased from the Our Lady of the Angels convent in Granada for €21,600 before being resold to a Madrid gallery and eventually offered at TEFAF New York for €400,000. The court ruled that the nuns' claims—that they had only requested a restoration budget rather than selling the piece—were inconsistent and lacked documentation.
Former French culture minister Jack Lang and his daughter, film producer Caroline Lang, have been named in newly released U.S. Department of Justice documents as having had ties with the late financier and convicted sex offender Jeffrey Epstein. The correspondence reveals Caroline Lang co-founded a company, Prytanee LLC, with Epstein in 2016, and that Jack Lang requested personal favors like the use of Epstein's car or plane.
Researchers have discovered a hand stencil in a cave on the Indonesian island of Sulawesi that dates to 67,800 years ago, making it the oldest known rock art in the world. The faded 14 × 10 cm patch of pigment, found on the southeastern peninsula of Sulawesi, was dated using Uranium-series analysis of mineral crusts that formed on top of the painting. The discovery was made by a team from Griffith University in Australia, Indonesian archaeological organizations, and the National Research and Innovation Agency, who have been documenting cave art sites in the region since 2019.
The University of Leicester has updated its guidance on trans-inclusivity for museums and galleries, despite facing litigation threats from the campaign group Freedom in the Arts (FITA). The 44-page document, originally published two years ago by the university’s Research Center for Museums and Galleries (RCMG), offers a framework for creating inclusive public spaces and workplaces, addressing legal and ethical questions about trans inclusion. FITA sent two letters threatening legal action, arguing the guidance is “misleading” and “unlawful,” particularly objecting to bathroom etiquette that states trans visitors should use the bathroom they feel most comfortable using. The university is reviewing the latest correspondence and declined further comment.
Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.
Climate change is accelerating the degradation of archaeological sites worldwide, forcing archaeologists to make urgent, difficult choices about what to save. From thawing permafrost in the Canadian Arctic threatening Inuit heritage to landslides endangering ancient Buddhist temples in Nepal, researchers are now deploying innovative technologies like ground-penetrating radar, 3D scanning, and even cosmic-ray muon detectors to digitally document and monitor at-risk sites before they are lost.
Magnum Gallery in Paris is opening a solo exhibition titled "Martin Parr: In Plain View" from March 28 to June 6, 2026, dedicated to the late English photographer Martin Parr. The show features works from his three-decade tenure with the Magnum Photos cooperative, tracing his evolution from black-and-white documentary work to his influential color photography, and includes archival materials and interactive experiences.
Researchers from Binghamton University, at the request of an indigenous community group on Easter Island, have created a high-resolution 3D model of the Rono Raraku quarry, where 95 percent of the island's moai statues were carved. Using drone flights and over 11,000 overlapping photographs stitched together via photogrammetry, the model documents the quarry in unprecedented detail, including 133 quarried voids, 400-plus unfinished moai, and evidence of 30 distinct clan-based carving areas. The model is freely available online and was motivated by a 2022 wildfire that threatened the site.
Archaeologists from INRAP (the National Institute of Preventive Archaeological Research) have unearthed a Renaissance-era limestone equestrian statue in Toul, northeastern France. The statue, broken into 27 pieces, was found buried under a roadway among the remains of a medieval gate demolished around 1700. The largest fragment measures about three-and-a-half feet, and the intact work would have stood over five feet high. The horse's trunk and head are preserved, along with the rider's hips and upper thighs, but the rider's head and limbs are missing, making identification uncertain. INRAP suggests the rider may have been Henry II, King of France, or more likely John III of Lorraine, Cardinal of Lorraine and Bishop of Toul, and that Italian artists may have been involved in its creation.
Finnish street artist EGS has launched a comprehensive solo exhibition at the Poco Pop Art Museum in Tallinn, Estonia. The showcase features a diverse array of media including paintings, glass sculptures, and site-specific installations that document the artist's three-decade relationship with the city's urban landscape. A central highlight is a collaborative series of hand-painted ceramic plates created with Estonian artist Viktor Gurov, paying homage to the historic Tallinn ceramics factory in Kopli where EGS painted for 15 years.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
Photographer Rania Matar has opened a new exhibition at the Eskenazi Museum of Art at Indiana University. The show features her work focusing on the lives, resilience, and resistance of women and girls in Lebanon, particularly in the aftermath of the 2020 Beirut port explosion.
The George Washington Carver Museum in Austin has unveiled its 2026 programming, headlined by the exhibition "Who Draws the Maps?" featuring three decades of work by the late artist Steven Bernard Jones. The museum is also debuting "And Still I Speak," a window installation of century-old photographs from Clarksville, one of the first freedman's communities in the United States, alongside a new core exhibition titled "The African American Presence in 19th Century Texas."
The Saint Mary’s College Museum of Art has launched a new exhibition season featuring three distinct Bay Area artists: Hilda Robinson, Zach Clark, and Beth Van Hoesen. The showcase includes a retrospective of Robinson’s vibrant oil pastels documenting Black communal joy, a collaborative landscape project by Clark involving student research, and a survey of Van Hoesen’s minimalist line work and intaglio prints.
Kyoto-based painter Masako Yasuki will serve as the Clifford Iwao Arinaga Visiting Artist at the University of Hawaiʻi at Mānoa, featuring an exhibition at The Commons Gallery from March 3 to 10, 2026. The showcase highlights Yasuki’s unique technical approach, which blends traditional East Asian mineral pigments and gold leaf with Western oil and tempera paints, alongside her use of frottage to document urban and natural landscapes.
Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.
Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.
Artist Isabelle Brourman, known for courtroom sketches of high-profile figures like Donald Trump and Johnny Depp, has unveiled a new painting titled "No Rest for the Wicked" (2025). The work synthesizes her observations from documenting the Trump administration's immigration crackdown in courtrooms across the country, incorporating imagery from the Everglades and the detention facility nicknamed Alligator Alcatraz in southwest Florida. The painting is featured in the exhibition "The Body is the Body," curated by Simon Brewer and Nathalie Martin at the Rice Hotel, a renovated former hotel in downtown Miami now used as an art studio and exhibition space.
An exhibition titled "Art Deco: A Modern Vision" has opened, featuring a series of social photographs capturing attendees at the event. The images show various pairs and groups of visitors, including Mary Abbott and Katie Abbott, Penelope Curtin and Janet Worth, and others, documenting the opening night's social scene.
Milwaukee's Real Tinsel Gallery is hosting "Gig's Up: 50 Years of Punk Poster Art," a show collecting five decades of punk poster art from the local music scene. Curated by Dave Luhrssen, Clancy Carroll, Paul Host, and Tim Noble, the exhibition draws from Carroll's personal collection and contributions from other collectors and artists, featuring works by Eric Von Munz and others. The show includes a hardcover catalog and runs through December, with panel discussions and performances tied to it.
Victor Kossakovsky's new documentary *Architecton*, opening in US theaters on August 1, premiered at the Berlin International Film Festival. The film is a silent, drone-shot meditation on the destruction of the built environment, showing war-ravaged buildings in Ukraine, earthquake ruins in Turkey and Lebanon, and the violent process of stone being blasted for concrete. It contrasts modern structures that collapse within decades with ancient buildings that still stand, and features architect Michele di Lucchi as a quiet voice for thoughtful, enduring design. The film's score is by Russian expatriate composer Evgueni Galperine.
Prospect New Orleans, the contemporary-art triennial, will not hold its city-wide exhibition in 2027. Instead, the organization will publish a book titled "20 Years of Prospect" to mark its 20th anniversary, featuring essays, personal accounts, and archival images. Executive director Nick Stillman told Artnews that launching another large-scale exhibition is "not the focus right now," citing a need to pause, reflect on the triennial's legacy, and ensure its accomplishments are properly documented. Financial pressures and national political uncertainty, including concerns about federal arts funding under the Trump administration, also influenced the decision.
Ukrainian Railways (Ukrzaliznytsia) has partnered with the Howard G. Buffett Foundation to launch an 'art train' — three train cars converted into a traveling gallery — that is currently crossing Ukraine. The exhibition, titled *Courage of a Nation*, features photographs taken by billionaire Howard Buffett during his 19 trips to Ukraine between April 2022 and February 2025, documenting the country's resilience after Russia's full-scale invasion. Curated by Pulitzer Prize-winning National Geographic photographer Muhammed Muheisen, the show will make 63 stops over four months, starting in Odesa. Due to security risks, the exact timetable is not publicly announced. A book of the same name, with a foreword by Ukraine's first lady Olena Zelenska, has also been published.
Zimbabwean artist Richard Mudariki, creator of the Art World Passport project, was denied a visa by the Swiss embassy in Pretoria to attend the Africa Basel art fair in Switzerland. The project, which sells physical booklets at art events for attendees to document their experiences, symbolically addresses barriers faced by artists from the global South in accessing Western institutions. Mudariki had planned to debut the project in Europe at Africa Basel but was forced to appear via video link after the visa rejection, citing unreliable documentation for his stay.