Rosewood Arts Center in Kettering, Ohio, has announced the opening of its 32nd annual The View Juried Landscape Exhibition, running from June 8 through July 18, 2026. The exhibition features 48 works selected by juror Rebecca Foley from 308 submissions by 114 Ohio-based artists, with awards totaling $1,100. A free public reception and awards presentation will take place on July 18.
The Curator’s Choice exhibition at Art on Target in Nelson Mandela Bay showcases 10 selected artists, ranging from emerging talents to established practitioners, including an octogenarian and recent graduates. The show, now in its third year, is an offshoot of the annual Same Size-Same Price-No Signature exhibition and was curated by Art on Target director Bretten-Anne Moolman. Artists were chosen by a diverse panel of over 20 local professionals, educators, and art lovers, and were given eight months to prepare new works for the exhibition, which opened on 13 May.
Bangladeshi visual artist Ashfika Rahman has been recognized by The New York Times as one of the six must-see shows at the Venice Biennale, with her work "Than Para — No Land Without Us" featured in the collateral exhibition "Still Joy — From Ukraine into the World." The installation, presented by the PinchukArtCentre and curated by Björn Geldhof and Oleksandra Pohrebnyak, incorporates thousands of small temple bells gathered from different spiritual traditions and draws on testimonies from Ukraine as well as the struggles of Indigenous communities in Bangladesh's Hill Tracts.
An art exhibition titled "El Arte de la Resistencia" opened in Tucson, featuring artwork created by migrant children who have participated in La Ristra's art therapy program. The show includes life-size paintings, such as a boy's self-portrait with an excavator in his belly symbolizing his deported father's work, and a colorful cactus painted by another child. The exhibition, held in a small gallery near Fourth Avenue and Seventh Street, runs until May 17, 2026, with original pieces for sale to benefit the young artists and prints sold to raise funds for La Ristra, a nonprofit providing emotional support to migrant families.
A contemporary art fair called "This is Normal" has been held in Kyiv, Ukraine, during wartime, organized by the Art Kyiv fair. The event features over 20 Ukrainian artists and galleries at the Lavra Gallery, deliberately avoiding any direct reference to the war in its booths or artworks. Organizers and participants describe the fair as a space for cultural continuity and psychological respite, where art helps people make sense of a reality shaped by missile strikes and loss.
Afton's Third Friday Night Art Exhibits return for the 2025 season, running from May 15 through November at 146 Main Street in Afton, New York. The monthly events, held in the HUG/HALos building (formerly the Great American Food Store), feature rotating selections of artwork from local artists, with the first exhibit showcasing youth art from Afton students. Gallery curator and artist Michael Bolde, who launched the series three years ago, organizes the shows in a community room provided free of charge by Joyce Humphrey, founder of the HALos grief counseling program. Artists who sell work contribute a 20% commission to HALos, far below the typical 50% gallery split, supporting both creators and local programming.
Tashkeel, a Dubai-based art organization founded in 2008 by Sheikha Lateefa bint Maktoum bin Rashid Al Maktoum, is presenting "Unfolding," the debut solo exhibition by Emirati artist Moza Al Falasi. Opening May 12 at Tashkeel's Nad Al Sheba 1 Gallery, the show marks the culmination of Al Falasi's participation in the Tashkeel Critical Practice Programme (CPP), where she was mentored by Luisa Menano and Hanaa Bou Hamdan. The exhibition explores memory, loss, and the passing of time through photography, sound, painting, plaster, and fabric, reflecting on inherited grief and personal loss, including the deaths of her parents and husband.
Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.
Lindsay Adams has opened a new exhibition titled 'Ceremony' that merges art, jazz, and history. The show explores the intersections of visual art and musical improvisation, drawing on historical narratives to create a multi-sensory experience for viewers.
Six senior art students at the University of Idaho presented their Bachelor of Fine Arts capstone works at the Ridenbaugh Gallery in an exhibition titled "Senior Studio," running from November 18 to December 12. The students—Kieran Heywood, Adelia Hopper, Sofia Nuss, Tyler Ready, and Austin Eike—each explored personal and societal themes through various media, including watercolor, felt, ceramics, and 3D printing. Heywood's work addressed grief and loss of a parent, Hopper's felt creatures examined gender non-conformity, Nuss painted nostalgic childhood memories, Ready critiqued militarism and fascism, and Eike focused on pharmaceutical addiction. Associate professor Aaron Johnson mentored the students to ensure their portfolios met professional gallery standards.
Richmond artists have come together for a group exhibition titled 'Fall of Freedom' at Antennae Gallery. The show features works by multiple local artists responding to themes of political and social change, reflecting on the concept of freedom in contemporary America. The exhibition is organized as a collective response to current events, with participating artists contributing paintings, sculptures, and mixed-media works that explore loss, resistance, and resilience.
A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.
Mona (Museum of Old and New Art) in Hobart, Tasmania, has accumulated $408 million in losses since opening in 2011, with $63 million lost in 2023-24 alone. Founder David Walsh, who is completing a $100 million expansion, stated he is "completely happy with the finances" and never intended the museum to be profitable. Walsh outlined potential cost-saving measures like raising ticket prices and scaling back festivals, but said he won't implement them himself, leaving that to future leadership.
The City of Irvine is opening two new exhibitions at the Irvine Fine Arts Center on November 15, 2025: "Swing Shift" and "Alisa Ochoa: Splinters." Swing Shift is an interdisciplinary group show featuring nine artists exploring labor in its various forms—formal, informal, domestic, and industrial—through video, sculpture, drawings, and poetic interventions. Alisa Ochoa: Splinters presents new video and ceramic works by the Orange County-based artist, reflecting on memory, love, loss, and renewal. A free public reception will be held on opening day.
The Gallery at Equinox Village in Manchester, Vermont, will host an exhibition titled "Blind Sight" by local resident and artist Jane Johnson. The opening reception on November 20 will feature live music by Mark LaChac, appetizers, and refreshments, and the show runs through January 6. Johnson, who became legally blind in October 2024, presents a whimsical collection including "Vermont Impressions" paintings, pierced portraits, and floral arrangements, inspired by her journey before and after losing her sight.
The Walk&Talk arts festival on São Miguel, the largest island in the Azores archipelago, has formally transitioned from an annual summer street art celebration into a biennial, running until 30 November with over 80 artists. Founded in 2011 by curator Jesse James, the event now features exhibitions, performances, excursions, talks, and educational programming across nine venues, including historic and architecturally significant sites such as Museu Carlos Machado and a former distillery turned contemporary art museum. The shift to autumn allows local school groups to participate, and the inaugural biennial is co-curated by Fatima Bintou Rassoul Sy, Liliana Coutinho, and Claire Shea under the theme "Gestures of Abundance."
Miami arts nonprofits, including Dimensions Variable and Fountainhead, received termination notices from the National Endowment for the Arts (NEA) stating their federal funding would end May 31st because their projects did not align with presidential priorities. The cuts compound existing financial strain from state and local reductions, including Governor Ron DeSantis's veto of $32 million in state arts funding and a proposed $12.8 million cut by Miami-Dade County Mayor Daniella Levine Cava, who later restored $11.5 million after public backlash. Organizations now face canceled programming, raised fees, and uncertainty about reimbursing already-spent funds.
The Anderson Ranch Arts Center in Snowmass Village, Colorado, has announced it will offer five-week residencies to 15 Los Angeles artists whose homes and studios were destroyed or severely impacted by the January wildfires, including in the hard-hit area of Altadena. Starting October 15, the program fees will be waived, funded by Bloomberg Philanthropies and Anne and Arnold Porath, among others. Artists were selected by an outside jury from 30–40 applicants, and the cohort will live together in a dorm-like facility with individual studios and communal meals.
The Morris Arboretum & Gardens in Philadelphia recently displayed supersized red poppies at its entrance, reproductions of the colossal sculptures "Papaver Rubrum Giganteum" created by the late artist Gary G. Miller. Originally installed at the arboretum in May 2008, the installation featured 300 handmade aluminum poppies with 20-inch flower heads on 10-foot stems. Miller, a sculpture and photography teacher at Germantown Friends School and a facilitator at Woodmere Art Museum, was killed by a drunk driver in 2013. To commemorate his work, the Chestnut Hill Community Association organized an exhibition titled "Papaver Rubrum Giganteum Redux," featuring photographs of the poppies in a pop-up space from September 27 to October 4.
An exhibition titled 'No One Knows All It Takes' opens at the Haggerty Museum of Art in Milwaukee, featuring four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon—who use their work to address concealed trauma and its connection to collective wellness. Curated by Colossal, the show includes Bibbs’ weavings made while caring for her dying grandparents, Deal’s portraits and sculptures exploring immigration, Swoon’s installation confronting her mother’s addiction, and Gaspar’s interactive series on incarceration in Wisconsin.
A group of about 40 artists from Easthampton, Massachusetts, have mounted a new exhibition titled “Cottage Street Studios, Past and Present” at Easthampton City Arts, nearly a year after rising rents forced many of them out of their longtime studio building at One Cottage Street. The former factory, owned by nonprofit Riverside Industries, had housed a mix of painters, potters, and woodworkers for half a century, but a management change led to rent increases that doubled some tenants’ costs, prompting roughly half of the 80 artists to leave. Fiber artist Andrea Zax organized the show as a defiant act of community reconnection, while artists like Piper Foreso and Matthew Simons described the scattering as devastating to their creative ecosystem.
Koyo Kouoh, the acclaimed Cameroonian-born curator who was appointed to organize the 2026 Venice Biennale, died on Saturday at a hospital in Basel, Switzerland, at age 57. Her husband confirmed she died of cancer following a recent diagnosis. Kouoh had been selected in December to become the first woman from Africa to curate the prestigious international exhibition, and the Biennale's statement mourned her loss as leaving "an immense void in the world of contemporary art."
The Venice Biennale, often described as the Olympics of the art world, is set to begin previews on Tuesday amid several controversies. Key flashpoints include the sudden death of a curator, Russia's surprise participation despite ongoing geopolitical tensions, and an unconventional entry from the United States. These developments have intensified scrutiny and debate around the prestigious international exhibition.
The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.
Taiwanese artist Li Yi-Fan is preparing to present work at the Venice Biennale. His video works feature a digitally animated character, voiced and puppeteered by the artist himself, which delivers improvised, punkish lecture-performances critiquing technology, algorithmic control, and the loss of human agency.
Construction workers building the Trump administration's border wall between the US and Mexico accidentally damaged a two-hundred-foot-long Indigenous land art figure known as the Las Playas Intaglio, a colossal fish etched into the earth near Ajo, Arizona, that is thought to be over a thousand years old. Satellite imagery showed bulldozer tracks cutting a sixty-to-seventy-foot-wide path across the intaglio, and a Customs and Border Protection spokesperson confirmed the disturbance, stating the remaining portion had been secured and would be protected in place.
Staff and faculty at Goldsmiths, University of London, are preparing for strike action in response to a restructuring plan titled "Future Goldsmiths." The initiative aims to save £22 million by the end of the 2026/27 academic year through significant job cuts, starting with professional services staff and extending to academic positions. The Goldsmiths University and College Union (UCU) reports that 81 percent of its members voted in favor of the strike, arguing that the proposed austerity measures will devastate the institution's educational quality and its capacity for radical creative thought.
Saudi artist Dana Awartani has created a new installation, 'Listen to my Words,' for the 2024 Diriyah Contemporary Art Biennale. The work features a large-scale geometric floor pattern made from hand-dyed silk, which visitors are invited to walk upon, deliberately fraying and damaging the intricate design over the course of the exhibition.
ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO
The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.
Japanese contemporary artist yunnGold has released a new unique painting titled "The Opening" (2024) for sale through Kyoto Art Gallery. The work, characterized by its use of acrylic, fluorescent paint, and glitter, depicts a serene mountain landscape under a night sky with a shooting star. The piece is part of the artist's broader practice of creating luminous, hope-centered works that often incorporate elements of feng shui and personal resilience.