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Open Letter on Auction of “Tributes” to the Russian Avant-Garde

An open letter signed by art historians, curators, and researchers protests an upcoming auction at Stanley's Auction House in Zaventem, Belgium, scheduled for April 23, titled “Tributes to the Russian Avant-Garde & Constructivists.” The second sale is organized in cooperation with Drouot, a major French auction platform, and offers approximately one hundred works from the so-called Toporovsky collection, which has been linked to a scandal involving forged Russian modernist paintings at the Museum of Fine Arts Ghent. The alleged suppliers, Igor Toporovsky and Olga Toporovsky, face criminal charges including the sale of 171 forged works for about €20 million, with court proceedings beginning in May in Ghent. The signatories argue that the auction, with works priced around €300 each, is deeply troubling given the pending legal case and the undisclosed consignor identity.

Robert Lugo’s Colossal Ode to Puerto Rico Rises in Madison Square Park

Artist Roberto Lugo unveiled a two-part public monument to Puerto Rican culture in Manhattan's Madison Square Park on May 20. The installation includes a colossal ceramic urn titled "Capicú de Cariño (I Heard It Both Ways)" featuring hand-painted portraits of his parents, reggaeton star Bad Bunny, Supreme Court Justice Sonia Sotomayor, and Lin-Manuel Miranda, alongside a 15-foot-tall orange fire hydrant sculpture "Para Los Días Caliente (This Is For The Hot Ones)" that evokes his childhood summers in Philadelphia. Both works were commissioned by the Madison Square Park Conservancy and will remain on view through December 6.

Dozens of Pavilions Close During Strike at 61st Venice Biennale

On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.

Protests and Shutdowns Engulf 61st Venice Biennale Opening

The 61st Venice Biennale preview week, opening to press and professionals ahead of its May 9 public launch, has been engulfed by protests and institutional crises. On May 5, around 60 artists from Koyo Kouoh's exhibition “In Minor Keys” staged a Solidarity Drone Chorus outside the Giardini, drawing on Gazan composer Ahmed Muin's Drone Song (2025) to highlight victims of warfare. On May 6, the Art Not Genocide Alliance (ANGA) organized protests outside Israel's pavilion at the Arsenale, leading to a security-enforced closure, while Pussy Riot and FEMEN demonstrated outside the Russian pavilion. The jury resigned on April 30 after controversy over award eligibility tied to ICC arrest warrants, prompting the Biennale to scrap Golden Lions and transfer prize voting to the public. Iran withdrew its pavilion on May 4, and Russia's will close on May 9, with only exterior video projections remaining. ANGA and Italian unions have announced a 24-hour strike on May 8.

Senior Art Exhibition 2026 Showcases the ‘Incredible Crossroads’ of Studio Art Majors

The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.

Would you sit on this? Australian designers take on the humble chair – in pictures

For the 10th edition of Melbourne Design Week, over 100 chairs by Australian designers are on display in an exhibition titled '100 Chairs', curated by Friends & Associates. Selected from an open call, each chair had to be made in Australia and functional for sitting. The designs range from traditional timber dining chairs to experimental pieces, including a chair that transforms into a table, a horse-shaped chair, and one with a satanic theme. The exhibition is held at South Magdalen Laundry, Abbotsford Convent in Melbourne until 24 May 2026.

'A work of conceptual art': Belmond launches new Art Deco-inspired train dining car

On 15 May, Belmond's British Pullman will debut a new private dining car named Celia, originally built in 1932. The carriage's interior has been designed by film director Baz Luhrmann and his wife, production designer Catherine Martin, who created an Art Deco-inspired aesthetic featuring burl veneers, marquetry, stained glass, and their signature rich red. The couple invented a backstory for the car's namesake, a fictional 1930s Shakespearean actress, aiming to immerse guests in a narrative experience reminiscent of A Midsummer Night's Dream. This follows Belmond's previous collaborations with Wes Anderson and artist JR, as part of its strategy under LVMH ownership to commission high-profile creative figures for its heritage trains.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

Fire erupts at San Francisco's Vaillancourt Fountain during its dismantling

A fire broke out at San Francisco's Vaillancourt Fountain on May 4, 2025, as construction crews used torches to dismantle the 1971 Brutalist structure, igniting debris inside its steel tubes. The San Francisco Arts Commission confirmed the fire was quickly extinguished with no major damage, but the incident has raised concerns about safety protocols, as workers were reportedly not wearing protective gear against potential lead or asbestos exposure, and no public warnings were posted. The dismantling proceeded after a California appeals court denied a request from the local coalition Friends of the Plaza to halt the removal, which the city justified citing asbestos and structural risks.

Venice Biennale strike sees more than 15 pavilions temporarily or partially close

On 8 May, more than 15 national pavilions at the Venice Biennale temporarily or partially closed in a coordinated strike organized by the Art Not Genocide Alliance (ANGA). The protest opposes Israel’s participation in the event, which organizers say normalizes what they call genocide and exploits precarious labor. Participating countries include Austria, Lebanon, Slovenia, Egypt, Poland, and the Netherlands, whose artist Dries Verhoeven stood outside his shuttered pavilion with a Palestinian flag. Some pavilions, like Japan’s, remained open but suspended interactive elements. The strike follows earlier controversies, including the resignation of the prize jury and an open letter demanding the Israeli pavilion’s cancellation.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

Twiggy, Bella Freud and more: Steven Meisel’s masterful London portraits – in pictures

Steven Meisel, the legendary fashion photographer, has been named Master of Photography at Photo London 2026. A rare exhibition of his work, titled "Steven Meisel: Master of Photography," will be held at Olympia, London from 13 to 17 May, showcasing his iconic London portraits from the 1990s, particularly his "Anglo-Saxon Attitude" series for British Vogue. The images feature models and muses such as Twiggy, Stella Tennant, Isabella Blow, Honor Fraser, Bella Freud, and Marlon Richards, captured in locations across London and New York.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

Abbas Akhavan Transforms the Canada Pavilion Into a Greenhouse, Daring Viewers to Leave Behind Their Preconceptions

Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.

Dirty carpets to Palestinian skateboarders: a decade of Peckham 24 – in pictures

Peckham 24, a photography festival in south London, celebrates its 10th anniversary with a special edition titled "The Eras Edition," running from 15-17 May at Copeland Park and the Bussey Building. Founded a decade ago by artist-curator duo Jo Dennis and Vivienne Gamble as a fringe event of Photo London, the festival began as a 24-hour pop-up showcasing emerging talent. This year's edition explores the theme of time through works by artists including Kristina Yenza (documenting youth in wartime Ukraine), Vinca Petersen (rural community life on the Isle of Skye), Max Ferguson (the London College of Communication tower block), Julie F Hill (space telescope data visualizations), Mark Duffy (carpet detritus in the Houses of Parliament), and Maen Hammad (Palestinian skateboarders).

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in

The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.

Salisbury Cathedral restores stained-glass treasure by Edward Burne-Jones and William Morris

Salisbury Cathedral has completed a two-year restoration of a stained-glass window designed by Edward Burne-Jones and William Morris. The 6.5-metre "Angels" window, depicting ministering and praising angels, was carefully removed in February 2024, cleaned, and fitted with protective glazing and oak frames. Head glazier Sam Kelly, who began as an apprentice at the cathedral 40 years ago, led the project alongside colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant. Lost details were restored on backing glass rather than the original surface, and the window will be rededicated at an evensong service on 7 May.

In new play, Norval Morrisseau forgery scandal prompts questions about authenticity and Indigenous identity

A new play by Ojibway playwright Drew Hayden Taylor, *The Undeniable Accusations of Red Cadmium Light*, dramatizes the massive Norval Morrisseau art forgery scandal in Canada. The story follows an Indigenous art expert named Nazhi, her adopted daughter Beverly, and a journalist whose investigation into Morrisseau forgeries unravels Nazhi’s own identity and status. The play uses Morrisseau’s iconic imagery and the forensic analysis of paint colors to explore the blurred lines between authentic and fake, both in art and in personal identity. It concluded its run at Vancouver’s Firehall Arts Centre on 3 May.

Who is Gladys Hynes? Show reinstates forgotten artist who once represented Britain at the Venice Biennale

The exhibition "Gladys Hynes: Radical Lives" opens this month at Charleston in Lewes, aiming to resurrect the career of Gladys Hynes (1888-1958), a forgotten artist who once represented Britain at the 1924 Venice Biennale. The show brings together 120 paintings, drawings, graphic designs, and sculptural pieces, including works by Hynes and her contemporaries, curated by Sacha Llewellyn. Hynes trained with Stanhope Forbes, Frank Brangwyn, and William Nicholson, worked with Roger Fry's Omega Workshops, associated with Wyndham Lewis and the Vorticists, and was commissioned by Ezra Pound to illustrate his Cantos. Despite her achievements, only one of her paintings is in a British public collection.

TikTok Shop adds ‘fine art’ category—will it disrupt the art market?

TikTok Shop has launched a new "fine art" category within its collectibles section, allowing artists to sell original artworks directly through shoppable videos, photographs, and livestreams. The category debuted with a three-hour live sale by artist Sophie Tea, who created a series of 20 oil paintings titled *Bric-a-Brac* and sold them for £2,800 each. The sale faced technical glitches—items added to baskets were prematurely marked as sold, causing confusion—and required workarounds for TikTok's pricing caps, automatic discounts, and shipping policies.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.

Venice Biennale jury ‘will not award artists from countries facing war crimes charges’

The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.

Open Letter in Support of the Artist Asel Kadyrkhanova

An open letter initiated by members of the Kazakhstani and international art community protests the removal of artist Asel Kadyrkhanova's work *Machine* (2013) from the Kazakhstan pavilion at the 2026 Venice Biennale. The mixed-media installation, which addresses Stalinist repression through a vintage typewriter, arrest warrants, and red threads, was dismantled on May 5, 2026, reportedly by order of Kazakhstan's Ministry of Culture and Information, just before the pavilion's opening. The artist and curator were allegedly pressured to alter the work beforehand, and the ministry initially cited restrictions from the Italian side, but the Italian Ministry of Defense denied involvement.

Bow Arts launches open call for 2027 East London Art Prize

Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.

Tate St Ives to host first UK museum exhibition of groundbreaking artist

Tate St Ives will present the first UK museum exhibition of Aleksandra Kasuba, a Lithuanian American artist (1923–2019), from May 2 to October 4, 2026. The show spans seven decades of her career, featuring early paintings, mosaics, sculptures, and public artworks, including the spatial environment *Spectrum: An Afterthought* and a recreation of her *Live-In Environment*. Works are drawn from the Lithuanian National Museum of Art's collection, where Kasuba donated her pieces.

‘My Year in Paris with Gertrude Stein’ by Deborah Levy, Reviewed

Deborah Levy’s latest novel, *My Year in Paris with Gertrude Stein*, follows a first-person narrator who travels to Paris to research the American writer and collector Gertrude Stein. The narrative slips between the early twentieth century and the autumn of Donald Trump’s 2024 reelection, using stream-of-consciousness prose and liquid metaphors to blur past and present. The narrator’s research into Stein’s role in shaping modernity becomes a vehicle for exploring her own sense of helplessness and lack of agency in a hyperconnected, war-weary present.

‘The Bed Trick’ by Izabella Scott, Reviewed

Izabella Scott's book *The Bed Trick* examines a British rape case in which Gayle Newland was convicted for pretending to be a man named Kai during a two-year relationship with a woman identified as Miss X. Drawing on court transcripts, Scott explores the legal concept of 'fraud vitiates consent' and traces the historical bed-trick trope from medieval folktales to *The Rocky Horror Picture Show*, questioning how much deception invalidates sexual consent.

Margaret Whyte on Representing Uruguay at the 61st Venice Biennale

Margaret Whyte, an artist from Uruguay, is set to represent her country at the 61st Venice Biennale in 2026, with her pavilion located in the Giardini. In an interview with ArtReview, Whyte discusses her exhibition, which builds on her earlier show "Tiempo de Escuchar" at the National Museum of Visual Arts in Uruguay, curated by Patricia Bentancur. Her work is inspired by Nassim N. Taleb's book "Antifragile" (2012), exploring themes of chaos, uncertainty, and resilience. She sees her antifragile approach as complementary to the Biennale's theme, "In Minor Keys," curated by Koyo Kouoh, emphasizing emotional depth, silence, and healing.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.