Sotheby’s held a high-profile evening auction featuring major works of modern art, drawing significant attention from collectors and the art world. The event was characterized by record-breaking bids and a theatrical atmosphere, with several iconic pieces selling for tens of millions of dollars, underscoring the enduring appeal of blue-chip modern masters.
The New York Times profiles an artist who creates works celebrating Black men in labor, depicting them with dignity and strength. The artist refuses to apologize for her focus, which she sees as a corrective to historical erasure and negative stereotypes.
The New York Times profiles several artists who emerged as prodigies during the 1990s, reflecting on their early careers and the cultural landscape of the Nirvana era. The article features interviews and retrospectives from figures who came of age in the art world during that decade, exploring how the grunge and alternative music scenes influenced their work and the broader art market.
The New York Times article explores the growing trend of private collectors and foundations establishing their own museums to showcase their art collections to the public. These institutions, often funded by immense private fortunes, offer lavish exhibition spaces and high-profile shows that rival traditional public museums, blurring the lines between private ownership and public cultural access.
The Wall Street Journal explores the growing trend of high-end, fine-art tattoos that command prices up to $15,000, driven by renowned visual artists and specialized tattooists who treat skin as a canvas. The article profiles collectors and artists who elevate tattooing from a subculture to a legitimate art form, with some pieces commissioned from gallery-represented painters and sculptors.
The article profiles photographer and innkeeper Ray Reiss, offering a glimpse into his personal art collection. It explores the unique intersection of his dual careers, highlighting how his work as an innkeeper influences his perspective as a collector and how his photographic eye informs the pieces he acquires.
SHIZUOKAせかい演劇祭2026
The Shizuoka Performing Arts Center (SPAC) has announced the lineup for the SHIZUOKA World Theatre Festival 2026, scheduled to take place from April 25 to May 6, 2026. Under the artistic direction of Natsuki Ishigami, the festival will transform Shizuoka City into a sprawling stage, featuring international collaborations such as the Japanese premiere of 'The Tiger of Malaya' by Singapore’s Teater Ekamatra and the site-specific 'Eel Migration' involving local residents with Brazilian roots. The program also includes Satoshi Miyagi’s acclaimed production of 'Medea' and contemporary works addressing gender, labor, and social justice.
Artnet News spotlights five trailblazing performance artists defining 2025, including Geumhyung Jeong, whose work "Toys, Selected" (2025) at Canal Projects in New York explores the uncanny relationship between humans and robots through intimate, choreographed interactions with machine parts she built herself. Jeong, who studied acting, dance, and film animation in South Korea, has performed at Kunsthalle Basel, the 2022 Venice Biennale, and London's ICA, and is currently unrepresented by a gallery. The article also profiles Maja Malou Lyse, who was tapped to represent her country at the Venice Biennale.
Milan's Pinacoteca di Brera has opened a major exhibition titled *Giorgio Armani: Milano, per amore*, juxtaposing over 120 garments designed by the legendary fashion designer Giorgio Armani—who died this month—with Renaissance masterpieces by Caravaggio, Bellini, Raphael, and Mantegna. Unveiled on September 24 during Milan Fashion Week, the show was planned by Armani until shortly before his death, making it his final project. The exhibition also includes a catwalk event in the museum's courtyard on September 28, originally conceived to celebrate 50 years since the Armani fashion house launched in the Brera district.
Tilton Gallery in New York has announced that its upcoming exhibition, featuring late abstract painter Ruth Vollmer, will be its last. The show runs from September 30 to November 15, after which the gallery will vacate its Upper East Side space. The decision was made by Connie Rogers Tilton, Jack Tilton's widow, who has run the gallery since his death in 2017. She stated it is time to pursue her own projects in a more private setting. The gallery was founded in 1983 by Jack Tilton, who previously worked for Betty Parsons, and was known for launching careers of artists like Marlene Dumas, Nicole Eisenman, and Glenn Ligon, as well as promoting Chinese artists in the 1990s.
Artnet News has published the latest installment of its '25 of 2025' series, spotlighting five sculptors to watch. The article profiles Lotus L. Kang, a Canadian artist who had a solo show at 52 Walker in New York, was recently picked up by Esther Schipper, and has appeared in group exhibitions at MoMA, Jeffrey Deitch, and the Hessel Museum. It also features Raven Halfmoon, a Caddo Nation artist whose totemic ceramic works draw on Indigenous traditions and folklore, and who had her major institutional debut at the Aldrich Contemporary Art Museum in 2023. The series aims to highlight emerging talents shaping contemporary art.
This article profiles five emerging artists who are transforming time-based media in 2025, focusing on Ayoung Kim and Meriem Bennani. Ayoung Kim, born in 1979 in Seoul, creates immersive works blending live-action footage, CGI, gaming technologies, and AI, with her piece "Delivery Dancer's Sphere" recently acquired by the Tate collection. Meriem Bennani, a Moroccan-born, Brooklyn-based artist, gained acclaim for her video installations and viral "2 Lizards" series, with works held by the Whitney Museum, MoMA, and Musée d'Art Moderne de la Ville de Paris.
Mary Boone, the influential New York art dealer, has reemerged in the art world five years after her release from prison. She collaborated with Lévy Gorvy Dayan on the exhibition “Downtown/Uptown: New York in the Eighties,” featuring artists she championed like Jean-Michel Basquiat, Ross Bleckner, Keith Haring, and Julian Schnabel. In a recent interview with New York magazine, Boone described her time at Danbury Correctional as “very relaxing,” noting she went to the gym daily and read a book a day. She also revealed that Martha Stewart advised her to get a criminal lawyer early in her tax evasion case, though Boone initially ignored the suggestion. Boone served 13 months of a 30-month sentence after securing early release during the Covid-19 pandemic.
Adrian Cheng, the mega-collector and regular on ARTnews' Top 200 Collectors list, has announced his new venture ALMAD Group after resigning as CEO of his family's Hong Kong property firm New World Development Co. (NWD) last year. The company will focus on digital assets, blockchain technologies, and immersive digital experiences across entertainment, sports, and media in mainland China, Southeast Asia, and the Middle East. ALMAD has absorbed Cheng's art-meets-commerce platform K11 by AC, which includes the K11 Craft and Guild Foundation, the K11 Art Foundation, and the K11 Art Malls that pair luxury retail with exhibitions by artists like Damien Hirst and Takashi Murakami.