Emile Rubino highlights seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide offers a curated selection of standout shows across the city during the art fair period.
Frieze has published a critic's guide highlighting seven must-see exhibitions during Art Brussels, including Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection of notable shows across the UK and Brussels art scene.
Frieze has published a critic's guide titled "What Not to Miss in Venice’s Arsenale and Giardini," though the provided text appears to be a truncated excerpt that actually promotes a different article: "7 Must-See Shows During Art Brussels," featuring Richard Tuttle at Galerie Greta Meert and Lutz Bacher at WIELS, written by Emile Rubino on April 21, 2026. The guide likely highlights key exhibitions and artworks within the historic Arsenale and Giardini venues during a major art event in Venice.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
MoMA PS1's sixth edition of the "Greater New York" quinquennial exhibition has opened, showcasing the work of over 50 artists and collectives. The show aims to capture the current state of New York's art scene, highlighting new and ambitious work created despite challenging economic and political conditions.
The 2026 Turner Prize shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. They will exhibit at Teesside University’s Middlesbrough Institute of Modern Art (MIMA) in September 2026, with the winner revealed on December 10. The jury, chaired by Tate Britain director Alex Farquharson, includes Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo. The shortlisted artists work across installation, performance, and sculpture, with themes ranging from human emotion and industrial heritage to ecological concerns and political history.
The UAE art scene is currently hosting a diverse array of exhibitions across Abu Dhabi, Dubai, and Sharjah, despite regional disruptions. Key highlights include a major Picasso retrospective at Louvre Abu Dhabi, a 10th-century anniversary celebration at 421 Arts Campus titled 'Rays, Ripples, Residue,' and the inaugural photography exhibition at Sharjah Art Foundation’s new Al Manakh venue. These shows range from historical surveys of the human form to contemporary explorations of UAE’s urban development and climate change.
A comprehensive guide details spring 2026 exhibitions at Houston-area art venues, including Blaffer Art Museum, Galveston Arts Center, Museum of Fine Arts, Houston, Moody Center for the Arts, Houston Center for Contemporary Craft, Lawndale Art Center, and Art League Houston. Key shows include "The Uncanny In-Between" (contemporary Korean ceramics), "Mud + Corn + Stone + Blue" (U.S.-Central America histories), Bruce Lee Webb's "CURIOS," "End Cash Bail" (incarceration-themed poetry and visual art), Jamie Ho's "magic mirrors" (Chinese American identity), and Hammonds + West's "The River Entered My Home" (environmental grief).
New York City's spring art season is bustling with a diverse array of art fairs catering to different tastes and budgets. Major events include the contemporary art-focused Frieze at The Shed, the budget-conscious Affordable Art Fair, the Outsider Art Fair showcasing self-taught artists, the New York International Antiquarian Book Fair, and the IFPDA Print Fair.
New York's Showplace is hosting its Important Fine Art and Design Auction on May 14, 2026, featuring 145 lots that span Old Masters to contemporary works. Key highlights include Yayoi Kusama's *Infinity Nets* (1995, est. $100,000–$200,000), Otis Kwame Kye Quaicoe's *Yellow Fanny Pack* (2021, est. $12,000–$18,000), Alexander Calder's *Paradis* (1976, est. $60,000–$80,000), Henri Martin's *L'Eglise de Labastide-du-Vert* (est. $60,000–$80,000), and Milton Avery's *Untitled (Winter Landscape Scene)* (est. $20,000–$40,000). The auction brings together blue-chip names like Warhol, Kusama, and Calder alongside emerging artists.
American artist Lauren Halsey’s “sister dreamer” sculpture park opens in Los Angeles.
American artist Lauren Halsey has opened a new public sculpture park titled "sister dreamer" in Los Angeles. The installation, located in the city's historic West Adams neighborhood, features a series of large-scale, fantastical architectural forms that draw on Afrofuturism and the visual culture of the local community.
Christie's London will auction a major collection of Indian paintings and calligraphy from the Seattle-based collectors Mary and Cheney Cowles on April 28, with an estimated total exceeding £1.5 million. The sale is dominated by Mughal-era works from the 16th to 19th centuries, including a highlight piece from the Fraser Album estimated at £180,000, and features rare examples of "Mughal Occidentalism" where court artists incorporated European motifs.
NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.
A new report from Remuseum, an initiative of the Crystal Bridges Museum of American Art funded by collector David Booth and the Ford Foundation, reveals that American museums are struggling with post-pandemic visitation declines and rising costs, yet they invest less than three percent of their operating budgets on marketing—comparable to mining and construction industries. The report contrasts historical resistance to marketing, exemplified by former Met president William Luers, with the Getty's Harold Williams, who embraced it. Case studies from the Art Gallery of Ontario and the Peabody Essex Museum show how museums can use audience personas to boost attendance, but current spending remains far below the 13.9 to 18.7 percent of revenues that consultant Colleen Dilenschneider says is needed to reach full market potential.
The 61st Venice Biennale features standout national pavilions from Japan, the Philippines, Timor-Leste, Singapore, and India. Japan presents Ei Arakawa-Nash's 'Grass Babies, Moon Babies,' an interactive exhibition with hand-sewn baby dolls and sound pieces exploring queer parenthood and collective care. The Philippines showcases Jon Cuyson's 'Sea of Love / Dagat ng Pag-ibig,' a solo show using 'mussel thinking' to highlight Filipino seafarers. Timor-Leste's 'Across Words' brings together three artists addressing ethnolinguistic diversity and cultural memory, while Singapore presents Amanda Heng's 'A Pause,' a feminist performance on vulnerability and resilience. India's pavilion features Ranjani Shettar's work, supported by Talwar Gallery.
Louvre president Laurence des Cars faced a contentious Senate hearing on Wednesday, where lawmakers pressed her about ignored security warnings that preceded the October theft of $102 million in imperial jewels from the Apollo Gallery. Audits from 2017 and 2018 had flagged structural vulnerabilities, but Des Cars claimed she was not informed until after the theft. She defended the museum's response, citing new cameras, increased security training budgets, and an imminent senior security coordinator appointment. Conservative senators Jacques Grosperrin and Max Brisson demanded her resignation, with Brisson walking out when she declined to answer. Former president Jean-Luc Martinez also testified, saying he had not reinforced windows or balcony due to fire-safety concerns, a rationale security experts rejected.
French investigators have revealed that security cameras at the Louvre did capture the $102 million jewelry heist on October 19, 2025, contradicting earlier claims by museum director Laurence des Cars that no video existed. The footage was discovered during a Senate hearing on December 10, showing that the control room lacked enough screens to monitor all cameras simultaneously, so guards did not see the break-in in real time. By the time they switched to the relevant feed, nearly eight minutes later, the thieves had already escaped. The investigation also found that security guards and police arrived just 30 seconds too late because staff miscommunicated the exact location of the break-in within the Apollo Gallery. All four members of the heist commando group have been arrested.
A French Senate hearing revealed that Louvre security failures allowed thieves to steal $102 million in French crown jewels from the Apollo Gallery in October, with officials stating that the escape could have been prevented if exterior camera footage had been monitored in real time. Noël Corbin of the General Inspectorate of Cultural Affairs and Pascal Mignerey of the Security, Safety and Audit Mission testified that a 2019 security audit by Van Cleef & Arpels identifying gallery weaknesses was not transmitted to new leadership under director Laurence des Cars, contributing to the heist.
A 2018 security audit commissioned by the Louvre from Van Cleef and Arpels identified critical vulnerabilities in the museum's Apollo Gallery, including a balcony accessible via a lift platform—the exact entry point used by thieves in a daring October 19, 2025 heist. The audit, which included diagrams highlighting a window facing Quai François-Mitterrand as a major weakness, was not passed on to current Louvre president Laurence des Cars when she took over in 2021. The museum only discovered the document after the theft, prompting an internal review and referral to France's General Inspectorate of Cultural Affairs. French authorities have since arrested four more suspects, bringing the total to eight, as the investigation continues into the theft of eight valuable pieces including Napoleon Bonaparte's emerald-and-diamond necklace.
Maren Hassinger, the 78-year-old artist known for her sculptural work with steel and wire rope, discusses her upcoming retrospective at the Berkeley Art Museum and Pacific Film Archive, opening in June. In an interview, she reflects on her early rejection from a dance major at Bennington College, which led her to sculpture under the mentorship of Isaac Witkin, and her long collaboration with fellow artist Senga Nengudi since the 1970s. She also talks about her current studio practice, creating large-scale vessels, and her move from Los Angeles to New York to sell her work.
The article presents a guide to 11 current museum and gallery exhibitions across the UAE, following the conclusion of Art Dubai 2026. Highlights include "Picasso, The Figure" at Louvre Abu Dhabi, which examines Pablo Picasso's reinvention of the human body through works from the Musée National Picasso–Paris; "From the Perspective of Language" at The Third Line, featuring Sara Naim's paintings and video work; and "Move, pause, return" at Gallery Isabelle, marking its 20th anniversary with daily unveilings by artists including Hassan Sharif and Mohammed Kazem. Other notable shows include "Reflections: Modern and Contemporary Art from the Villain Collection" at Bassam Freiha Art Foundation.
The Museum of Fine Arts, Houston will host the U.S. debut of "Picasso–Klee–Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features over 95 works by Pablo Picasso, Paul Klee, Henri Matisse, Alberto Giacometti, and other postwar European avant-garde artists, drawn from the collection assembled by famed gallerist and collector Heinz Berggruen. It explores Berggruen's relationships with artists and his Paris gallery, Berggruen & Cie, and includes thematic galleries on still life, portraits, and the human figure, as well as a dedicated space on Berggruen's life story.
What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.
Galerie magazine highlights five standout satellite art fairs running concurrently with Frieze New York and TEFAF New York: Independent, NADA New York, Esther III, 1-54 Contemporary African Art Fair, and Future Fair. The article profiles emerging and rediscovered artists such as Julia Maiuri (presented by 12.26 at Independent), Shangfeng Zhang (LATITUDE Gallery at NADA New York), and others, noting that more than a third of Independent's booths feature artists making their New York solo debuts.
The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.
The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.
The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.
The article highlights ten notable museum and gallery exhibitions opening in the Bay Area during summer 2026, including Ranu Mukherjee's solo show 'The Long Middle' at Gallery Wendi Norris, a group survey 'Slice of the Pie' at Fraenkel Gallery featuring 14 Bay Area galleries, and 'Giant Steps' at Personal Space in Vallejo focusing on innovative ceramic works. Other featured shows include Will Yackulic's 'A Certain Slant of Light' at pt.2 in Oakland and several other exhibitions across San Francisco and Oakland.
This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.