Stano Filko's exhibition "Painting" at Layr in Vienna challenges the persistent binary opposition between painting and conceptualism. The show presents Filko's work from around 1980, a period when debates over the merits of painting versus conceptual art were at their peak, offering a nuanced perspective that complicates this historical divide.
Assouline has released a new collector's book titled "Basquiat: The World of Jean-Michel," a 348-page volume featuring over 200 artworks and archival photographs of Jean-Michel Basquiat. Priced at $1,400, the book is part of the publisher's Ultimate Collection of large-format, hand-bound volumes, and is organized thematically into six chapters covering Basquiat's depictions of heads, New York City's influence on his work, his use of silkscreens, and spiritual themes.
The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.
Artist Andreas Angelidakis will represent Greece at the 61st Venice Biennale in 2026 with a project titled 'Escape Room'. He plans to split the Greek Pavilion in two, referencing the National Schism in Greek history, and will create an immersive experience that explores the building's dual identities as a national symbol and an exhibition space, set to the soundtrack of Frankie Goes to Hollywood's 'Relax'.
Artist Yeesookyung, known for her "Translated Vase" series that repairs broken ceramics with gold, has created new AI-driven video works for the exhibition "Fail Better," jointly held at Forum & Space in Seoul and Vido Gallery in Jeju through June 13. The two-person show, curated by Kim Yoon-kyung, also features media artist Yangachi and includes works like "Moonlight Crown," which uses real-time GPS and weather data to generate ever-changing forms, and "Oh, Rose!," a digitally bred rose series produced through an AI generative system.
Dorotheum opened its Contemporary Week in Vienna on May 19, 2026, with modern and contemporary art sales that achieved strong results, particularly for Italian artists. Carla Accardi set a new auction record when her 1986 triptych *Fonda Notte Pieno Giorno* sold for €520,000, while works by Piero Dorazio, Emilio Vedova, Marino Marini, and Gino Severini also far exceeded their estimates. Top lots included Claude Monet’s *Waterloo Bridge* (€611,000) and Mikuláš Medek’s *Too Deep a Sleep V* (€546,000).
Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI
The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.
Sotheby’s summer contemporary auction in New York raised $433.1 million, far exceeding the $186.1 million from its comparable sale last year. The highlight was the $85.8 million sale of Mark Rothko’s *Brown and Blacks in Reds* (1957) from the estate of late dealer Robert Mnuchin and his wife Adriana, whose 11 blue-chip works fetched $166.3 million against a $130 million estimate. Other top lots included Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* at $52.7 million and Willem de Kooning’s *Untitled III* at $26 million.
Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.
Magazzino Italian Art in Cold Spring, New York, will present a major retrospective of Alighiero Boetti titled "Tutto Boetti 1966-1993," running from April 26, 2026 to April 26, 2028. The exhibition features about 30 works drawn from the museum's permanent collection, loans from the artist's heirs, and a private collection, spanning Boetti's career from 1966 to 1993. Highlights include large-scale pieces such as "Mazzo di tubi" (1966), "Da mille a mille" (1975), "Insicuro Noncurante" (1975-76), and the kilim "Alternando da uno a cento e viceversa" (1993). The show is part of Magazzino's ongoing series of monographic exhibitions on Arte Povera artists, following earlier focuses on Piero Gilardi and Michelangelo Pistoletto.
Chinese artist Huang Yulong's 2020 sculpture 'Top Dog' is being offered for sale through NextStreet Gallery in Paris. The limited-edition aluminum work, measuring 80 × 50 × 30 cm, is hand-signed by the artist and includes a certificate of authenticity. Huang, born in 1983 in Anhui Province and a graduate of the Jingdezhen Ceramic Institute, is known for his sculptures of Buddhas in hoodies that blend Eastern tradition with Western contemporary style. The work is listed on Artsy with a price-on-request basis.
The 2026 Met Gala, scheduled for May 4, will serve as the fundraiser for the Metropolitan Museum of Art's Costume Institute, with a theme inspired by the new exhibition "Costume Art." The event is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with lead sponsorship from Jeff Bezos and Lauren Sánchez Bezos, and will inaugurate the museum's new Conde M. Nast Galleries.
Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide
On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.
Teresa Tyszkiewicz's exhibition "Stories That Tell Themselves" at Profile Foundation in Warsaw showcases the Polish artist's process-driven practice spanning video, performance, and relief-like paintings made with pins, nails, metal plates, ropes, and fabrics. Curated by Bożena Czubak, the show highlights Tyszkiewicz's use of the body as a medium—often naked and immersed in organic materials—to explore emotions, intuition, and unconscious desires, as seen in works like the 1980 film "Grain." The artist, who began her career in the late 1970s alongside Polish neo-avantgarde filmmakers but rejected their conceptual tendencies, developed a tactile, laborious approach that invites sensory engagement.