Artist Ida Ekblad has converted a 1960s Brutalist villa in Oslo into a dynamic, non-commercial studio and project space named 'Villa Ekblad.' The space serves as her primary studio but is also designed to host spontaneous collaborations, workshops, and experimental projects with other artists, functioning as a creative laboratory removed from market pressures.
Charlotte Perriand, the pioneering French designer and architect, has died at age 96. Her career spanned most of the 20th century, during which she collaborated with giants like Le Corbusier and Pierre Jeanneret, creating iconic modernist furniture and championing a vision of functional, democratic design.
The Oklahoma City Museum of Art (OKCMOA) has announced the final weeks of its comprehensive exhibition, ‘Paul Reed: A Retrospective,’ which is scheduled to conclude on April 12. This exhibition marks the first major museum retrospective of the Washington Color School painter since his death in 2015, featuring a wide array of works that span his career from early experiments to his signature shaped canvases and late-career explorations.
Two of Keith Haring’s rare art cars, a 1963 Buick Special and a 1983 Land Rover Series III, are going on public display in New York City for a limited 10-day engagement. The exhibition, titled "Keith Haring: In the Street," serves as the inaugural show for Free Parking, a new gallery space located in a West Village carriage house. The presentation includes original 3D works and photographs, complemented by a series of talks featuring figures from the 1980s downtown scene like Muna Tseng and Carlo McCormick.
The Art Gallery of Peterborough is set to host "Elizabeth Thompson Advises," a multimedia exhibition by Cavan-based artist JoEllen Brydon running from April to June 2026. The show centers on the work of Brydon’s late mother, Jean Armstrong Brydon, who wrote a progressive advice column for The Globe and Mail under the pseudonym Elizabeth Thompson between 1966 and 1978. The exhibition integrates original letters and columns with JoEllen’s bold paintings, audio recordings, and short films to bring these mid-century narratives to life.
Galerie Hubert Winter in Vienna is presenting an exhibition titled "Fred Sandback: The Complete Multiples, 1968–94." The show features the artist's entire series of multiples—smaller works made from steel, elastic cord, and acrylic yarn in various colors—created over a 26-year period.
Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra
The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.
Tutto Boetti 1966–1993
Magazzino Italian Art has announced a major survey exhibition titled "Tutto Boetti 1966–1993," scheduled to run from April 2026 through April 2028. The show features approximately 30 works tracing Alighiero Boetti’s career from his early industrial material experiments in Turin to his later collaborative embroideries and graph paper works. The exhibition draws from the museum’s permanent collection, the Boetti estate, and private loans, and will be launched alongside a scholarly symposium organized with the Fondazione Alighiero e Boetti.
NASA’s Artemis II mission has released a series of stunning high-definition images captured during its 10-day journey around the Moon, marking the first crewed lunar mission in over half a century. Among the most striking visuals is a photograph of an 'Earthset,' showing our home planet descending behind the lunar horizon. The mission is currently underway and is expected to conclude with a splashdown in the Pacific Ocean on April 10.
Una importante mostra a Milano racconta il Man Ray meno conosciuto: intervista al curatore
The Gió Marconi gallery and Fondazione Marconi in Milan have launched a major retrospective titled "Man Ray: M for Dictionary," marking fifty years since the artist's passing. Curated by Yuval Etgar and Deborah D’Ippolito, the exhibition moves beyond Man Ray’s famous photography to highlight his role as a pioneer of conceptual and multimedia art. The show is organized into five thematic sections that explore his use of visual puns, experimental "Rayographs," and the transformative power of language across painting, drawing, and sculpture.
The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.
Die Minimalistin, die keine sein wollte
The Kunstsammlung NRW in Düsseldorf is hosting a major retrospective of American artist Anne Truitt, marking the first comprehensive survey of her work in Europe. The exhibition at K20 features approximately 120 works, including her signature hand-painted wooden columns, drawings, and the late "Pith" series, tracing her unique trajectory from the early 1960s until her death in 2004.
La famille Nahmad sommée de restituer à un agriculteur français un Modigliani spolié par les nazis, estimé à 21,5 millions d’euros
The New York State Supreme Court has ordered the restitution of Amedeo Modigliani’s 1918 painting, 'Seated Man (with a Cane)', to Philippe Maestracci, the grandson of Jewish art dealer Oscar Stettiner. The artwork, valued at approximately €21.5 million, was looted from Stettiner’s Paris gallery by the Nazis in 1944. Despite a 1946 court ruling in Stettiner's favor, the painting remained hidden for decades before being acquired in 1996 by the billionaire Nahmad family through an offshore entity.
La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte
The theft of Caravaggio’s 'Nativity with Saint Francis and Saint Lawrence' from the Oratory of San Lorenzo in Palermo remains one of the world's most notorious unsolved art crimes. Stolen in October 1969 by professional thieves who cut the massive three-meter canvas from its frame, the masterpiece has been missing for over 50 years. Investigations have long pointed toward the Sicilian Mafia, with various theories suggesting the work was displayed at secret summits, hidden in Switzerland, or tragically destroyed.
La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte
The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.
La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner
A New York court has ordered the restitution of Amedeo Modigliani’s 1918 painting 'Seated Man with a Cane' to the heirs of Oscar Stettiner, a Jewish art dealer. The work was seized during the Nazi occupation of Paris and sold at a forced auction in 1944 before eventually being purchased by the billionaire Nahmad family via an offshore company in 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the painting was a different version or that the claim was filed too late.
La justice new-yorkaise ordonne la restitution d’un Modigliani à la succession d’Oscar Stettiner
A New York judge has ordered the restitution of Amedeo Modigliani’s 1918 painting, "Seated Man With a Cane," to the heirs of Oscar Stettiner. The artwork, which was seized during the Nazi occupation of Paris and sold at a forced auction in 1944, had been in the possession of the powerful Nahmad art-dealing family since 1996. Judge Joel M. Cohen ruled that the evidence of Stettiner’s prior ownership was "unusually strong" and dismissed the defense's claims that the work was a different version or that the claim was filed too late.
Film Notes has published an essay by Mats Antonissen analyzing Henri Michaux's 1963 film "Images du monde visionnaire." The essay situates the film within Michaux's decade-long exploration of psychotropic substances, the history of pharmaceutical filmmaking, and postwar avant-garde cinema. This publication coincides with an exhibition at the Vandenhove Centre in Ghent dedicated to the film and related works, on view through May 2026.
Adriano Goldschmied, the visionary designer and entrepreneur widely regarded as the 'Godfather of Denim,' has died at the age of 82. Over a prolific career spanning several decades, Goldschmied revolutionized the fashion industry by launching more than 50 brands, including Diesel, Replay, and the premium label AG Jeans, as well as revitalizing lines like Gap 1969.
Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."
Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026
Jürgen Habermas, the highly influential German philosopher, has died at the age of 96. A key figure of the Frankfurt School, his work on communication, rationality, and the public sphere extended far beyond academia, making him a prominent public intellectual who frequently commented on contemporary politics.
Phoenix-based painter Eliza McLamb is marking a quarter-century of artistic practice with a major retrospective at the Phoenix Art Museum. Titled "Eliza McLamb: 25 Years of Color and Emotion," the exhibition features over 40 abstract works produced between 1996 and 2021, showcasing her signature emotive style and deep connection to the Sonoran Desert.
The Solomon R. Guggenheim Museum has unveiled a new exhibition that juxtaposes iconic Pop Art works from the 1960s with contemporary pieces recently added to the museum's permanent collection. By placing historical landmarks of the movement alongside modern practice, the show traces the enduring influence of mass media, consumerism, and vernacular imagery on artists across different generations.
Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.
The Reina Sofía Museum in Madrid is presenting a major retrospective, 'Viva el arte vivo,' dedicated to Argentine-Spanish artist Alberto Greco. The exhibition traces his evolution from early Informalist paintings to his radical conceptual practice, showcasing works from 1949 until his death in 1965, including photographs, drawings, collages, and literary pieces.
A Milano una mostra racconta la mitica Elisabetta Catalano, grande fotografa amica degli artisti
The Viasaterna gallery in Milan is hosting a comprehensive exhibition titled "Elisabetta Catalano: Cinema, Moda e Performance," curated by Laura Cherubini. The show explores the prolific career of the Roman photographer, featuring her iconic portraits of film stars on the sets of Federico Fellini and Luchino Visconti, her high-fashion photography for Vogue, and her deep collaborations with avant-garde artists like Fabio Mauri and Michelangelo Pistoletto.
The Hal Marcus Gallery is celebrating its 30th anniversary, marking three decades as a vital cultural hub for the El Paso-Juarez border region. Founded in 1996 by local artist Hal Marcus alongside his daughter Leilainia Marcus and wife Patricia Medici, the gallery has remained a steadfast physical space for regional talent, ranging from early El Paso masters to contemporary folk artists. The milestone comes at a poignant time for the founder, who is currently navigating a terminal cancer diagnosis while continuing to produce new creative work.
A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.
The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.
The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.