Art and Soul: Showcasing Three Inspiring Women Artists

The Oakland Museum of California (OMCA) will present a major exhibition of East Bay artist Mildred Howard titled "Mildred Howard: Poetics of Memory" from June 12 through October 18. The show spans over 50 years of Howard's career, featuring sculpture, public art, and immersive installations, including large-scale works made from found objects like skillets, shoes, and glass bottles. Key pieces include "Blackbird in a Red Sky (aka Fall of the Blood House)" and "Ten Little Children Standing in a Line (One Got Shot, and Then There Were Nine)." Howard, a 2025 Guggenheim Fellow, explores themes of memory, home, Black identity, and the African American experience, often using house-like structures to prompt dialogue about belonging and sanctuary.

Koyo Kouoh’s Legacy Shapes the 2026 Venice Biennale

Koyo Kouoh, the first African woman to curate the Venice Biennale, was appointed curator of the 2026 edition and began shaping the main exhibition titled 'In Minor Keys' in October 2024. She died of cancer in May 2025 at age 57, but the Biennale organizers have committed to realizing her vision. The exhibition features 111 artists, collectives, and organizations from cities including Nairobi, New Orleans, Kingston, New Delhi, Beirut, and Bangkok, many of them her longtime collaborators. Kouoh was also the founder of Raw Material Company in Dakar and executive director and chief curator of the Zeitz Museum of Contemporary Art Africa (MOCAA) in Cape Town.

Exhibition | Carlos Garaicoa, 'Rituals and Liberty' at Goodman Gallery, New York, United States

Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.

Exhibition | 'Goodman Gallery x Pierre Yovanovitch Mobilier' at Goodman Gallery, Johannesburg, South Africa

Goodman Gallery is celebrating its 60th anniversary with a high-profile collaborative exhibition at Pierre Yovanovitch Mobilier in Paris. Running from April 17 to August 29, the showcase features major works by leading artists from the African continent and the diaspora, including El Anatsui, William Kentridge, and Kapwani Kiwanga. The presentation places contemporary African art in direct dialogue with the high-end furniture and interior architecture of Pierre Yovanovitch, marking the start of a series of international events for the gallery this summer.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

Rare Keith Haring Self-Portrait and Other Intimate Works Go on View in NYC

A collection of intimate works by Keith Haring, including a rare self-portrait, a painted crib, and personal letters, has gone on view at Sotheby's Breuer building in New York City. The works were gifted by Haring to his childhood best friend and fellow artist, Kermit Oswald, over the course of their friendship from 1977 to 1989. The free public exhibition precedes a series of three auctions beginning May 14, with highlights including the self-portrait estimated at $3–5 million and a crib-and-dresser set expected to fetch $250,000–350,000.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Kader Attia to Curate 2027 Kochi-Muziris Biennale

French Algerian artist, curator, and educator Kader Attia has been appointed curator of the Seventh Kochi-Muziris Biennale, scheduled to open in Kochi, India, in December 2027. The selection was made by a jury led by Biennale president Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, who participated in the 2014 edition of the biennale, is known for his practice addressing social injustice, postcolonialism, and marginalized communities, and previously curated the 2022 Berlin Biennale.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.

Which exhibitions and museums to visit in the evening this May in Paris?

Quels expos et musées voir en nocturne en ce mois de mai à Paris ?

Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.

Jo Ractliffe at the Jeu de Paume: “I am not a militant photographer, but when you work in South Africa you cannot escape stories of violence”

Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »

South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.

The Beautiful Renaissance of the [mac] in Marseille

La belle renaissance du [mac] à Marseille

The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.

Cinga Samson Conjures Mystery and the Sublime in Large-Scale Oil Paintings

South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.

What Is the Venice Biennale? Everything You Need to Know

The Venice Biennale returns for its 61st edition, running from May 9 to November 22, 2026. The event, often called the Olympics of the art world, comprises a central exhibition curated by an artistic director, national pavilions from dozens of countries, and officially approved Collateral Events. This year's edition was to be curated by Koyo Kouoh, a celebrated Cameroonian-born curator, but she died at 57 in May 2025 before announcing the title and theme, “In Minor Keys.” The Biennale organization has moved forward with a team of five curatorial advisers executing her vision. The event is overseen by president Pietrangelo Buttafuoco and is expected to draw over 800,000 visitors.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

Re-Air: The Young Painter Curators Are Rushing to Work With

Artnet News resurfaces an interview with painter Taína H. Cruz, who is featured in both the Whitney Biennial and MoMA PS1's Greater New York exhibition. Cruz, born in 1998 and a recent MFA graduate from Yale School of Painting, creates moody paintings often depicting Black female figures, drawing on African American and Caribbean folklore, horror, fantasy, and personal imagery. The interview, conducted by Ben Davis, explores her influences and her response to the sudden surge of attention from major institutions.

David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion

A new immersive film exhibition titled 'David Bowie: You’re Not Alone' has opened at London's Lightroom. Directed by Mark Grimmer, who previously designed the V&A's 2013 Bowie exhibition, the hour-long 360-degree film focuses on the artist's most-streamed hits and features unseen performance footage, including from his 1978 Earls Court show. It aims to appeal to both die-hard fans and a younger audience.

Negative Impressions and Positive Traces of ’20th Century Debris’.

Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.

Best in Show: 6 Standouts at the 2026 Venice Biennale

Artnet News writers highlight six standout exhibitions at the 2026 Venice Biennale, which opens to the public on May 9. Among the picks are Ei Arakawa-Nash's interactive installation "Grass Babies, Moon Babies" at the Japan Pavilion, featuring baby dolls and diaper-changing stations; Florentina Holzinger's provocative performance "Seaworld Venice" at the Austria Pavilion, involving nude performers, jet skis, and recycled wastewater; and Dayanita Singh's photographic exhibition "Archivio" at the State Archives of Venice, presenting intimate black-and-white images arranged as freestanding columns.

Creative Currents: East End Art Exhibits

The article surveys the 2026 summer art season in the Hamptons, highlighting new outdoor sculptures at LongHouse Reserve—including Renée Cox's 'Soul Culture Statue,' Sean Scully's '48,' and William Kentridge's 'Tap'—and a slate of solo exhibitions at venues such as Guild Hall, the Parrish Art Museum, the Arts Center at Duck Creek, and the Peter Marino Art Foundation. Featured artists include Arcmanoro Niles (whose show 'Forgotten Words I Never Got to Say' marks a decade since his Guild Hall residency), Sanford Biggers (presenting 'Drift' at the Parrish), Claire Watson, Brent Richardson, Robert Nava, Betty Parsons, Carla Accardi, and Y.Z. Kami. The Church in Sag Harbor will open 'This Land: Considering the American Landscape,' borrowing works from the Parrish and Dan Flavin's collection.

미시시피미술관 '사진과 흑인미술운동, 1955-1985'(7/25-11/8) - Lounge

The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.

Art and politics clash at Venice Biennale, as world conflicts upstage exhibition's opening

The 61st Venice Biennale, the world's most prestigious art exhibition, opens under unprecedented turmoil. For the first time, its vision was shaped by the late Cameroonian curator Koyo Kouoh, who centered artists from Africa and its diaspora. However, political conflicts over Russia and Israel have overshadowed the art. All five jurors resigned after the Italian culture minister investigated their decision to withhold prizes from Russia and Israel over alleged crimes against humanity. Protests erupted at the Russian pavilion, with Pussy Riot activists denouncing Russia's participation, while the Israeli pavilion artist threatened legal action over the jury's snub. The Biennale will proceed without a jury, with visitors voting for two awards, and the fate of the Golden Lion remains uncertain.

Ruminations on Rashid Johnson’s “A Poem for Deep Thinkers”

The article is a reflective review of Rashid Johnson's exhibition "A Poem for Deep Thinkers" at the Modern Art Museum of Fort Worth. The author describes standing before Johnson's work "Falling Man" (2016), a piece incorporating broken mirrors, burned wood, and personal objects like a copy of Harry Haywood's "Black Bolshevik" and shea butter, which prompts meditations on visibility, identity, and Frantz Fanon's "Black Skin, White Masks." The review also examines Johnson's large-scale installation "Antoine's Organ" (2016/2026), which fills a gallery typically reserved for Ellsworth Kelly's minimalist canvases, transforming the space with scaffolding, plants, books, and video monitors.

MOCAD Reopens with New Exhibitions from Detroit Artists

Detroit's Museum of Contemporary Art (MOCAD) has reopened after an eight-month closure for construction, unveiling four new exhibitions as part of its 2026 Spring Exhibition and 20th anniversary. The renovations include a new HVAC system, educational space, and windows that allow passersby to see inside. The building has been renamed the Julia Reyes Taubman Building in honor of the late co-founder, whose family contributed $1.8 million toward the $3 million first phase. Mayor Mary Sheffield toured the exhibitions at an April 23 media preview, praising the museum's role in community healing and access. Featured exhibitions include "Olayami Dabls: Detroit Cosmologies," the first retrospective of the artist's nearly 50-year career, showcasing his evolution from figurative acrylics to abstract collage.

Wangechi Mutu Awarded National Gallery Contemporary Fellowship in Landmark UK Collaboration

Kenyan-American artist Wangechi Mutu has been awarded the National Gallery's second Contemporary Fellowship, a two-year initiative developed with Art Fund and delivered in partnership with the Whitworth, The University of Manchester. The fellowship will see Mutu develop a new body of work through close engagement with both institutions' collections, culminating in her first UK institutional exhibition. The project will open at the National Gallery in London in October 2027 before traveling to the Whitworth in Manchester in spring 2028, with plans for an international tour.

Matt Dillon’s New Paintings Trace a Journey Across West Africa

Actor Matt Dillon presents his first solo exhibition at The Journal Gallery in New York, titled "Porto Novo to Abomey," opening April 24. The series of paintings was inspired by Dillon's travels through Senegal and Benin after filming Claire Denis's movie *The Fence* (2025). Dillon, who began painting about a decade ago with little formal training, creates spontaneous, textured works featuring bold figures, symbols, and words. The show's title traces a 100-mile journey from Benin's capital to the historic Kingdom of Dahomey, reflecting the artist's impressions of local textiles, architecture, and landscapes.

Art Dubai to Present Significantly Smaller Event After Iran War Forces Postponement

Art Dubai has announced a significantly scaled-down 'special edition' fair to be held in May, replacing its postponed twentieth-anniversary event. The new iteration will feature just fifty exhibitors, down from the originally planned 120, and will be held at its traditional venue, Madinat Jumeirah.