Playable exhibition ‘The Art of Mini Golf’ at Battersea Arts Centre announces ninth hole artist - Danielle Brathwaite-Shirley

Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.

10 Tips for Getting the Most Out of Your Next Museum Visit

This article offers ten practical tips for enhancing museum visits, emphasizing preparation, physical comfort, and mindful engagement. It advises planning around specific artworks using online databases, addressing bodily needs like food and hydration, and timing visits to avoid crowds. The piece also recommends slowing down to spend ten minutes per work, using techniques like slow looking to deepen appreciation.

Play ‘Liminal Bingo,’ Pat Perry’s Participatory Photo Treasure Hunt

Detroit-based artist Pat Perry has launched "Liminal Bingo," a participatory photo treasure hunt open to anyone with an internet connection. Participants are encouraged to go outside, gather friends, and photograph a series of illustrated prompts—such as capturing a handshake with a stranger while both wear sunglasses—using a camera or phone. When five prompts are completed in a row, players have a bingo and submit their images via Instagram or email. Photos submitted by August will be considered for a fall exhibition at Hashimoto Contemporary in New York and a potential book.

6 Nigerian Gen Z Painting Artists We Should All Recognize By Now

This article profiles six Nigerian Gen Z painting artists who are gaining international recognition for their vibrant, culturally reflective works. The featured artists include Anthony Azekwoh, known for blending classical and digital styles; Olaolu Slawn, a former skateboarder turned graffiti-style artist with collaborations like Rolex and Formula 1; Chigozie Obi, whose multidimensional art explores activism and mental health; Ayanfe Olarinde, a self-taught multidisciplinary artist; Adeoluwa Oluwajoba, a mixed-media artist and curator; and Meju Lawrence, known for colorful, animated pieces displayed in notable galleries.

Get a first look at the immersive art exhibit that takes over 80 rooms in a shuttered downtown L.A. hospital

The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.

New Media Gallery to be ‘refreshed’ and reopen in New Westminster’s Anvil Centre

The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.

A Torino arriva una provocatoria fiera d’arte dedicata all’olfatto inventata da una artista-erborista

The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.

Visitors invited behind the scenes with return of Welsh art trail

Crickhowell Open Studios returns from 23 to 25 May 2026, inviting visitors to explore 26 venues across Crickhowell and Abergavenny. The free-entry trail includes artists' studios, galleries, and creative spaces showcasing paintings, printmaking, textiles, sculpture, jewellery, ceramics, and glass. Organized by the Crickhowell Resource and Information Centre (CRiC), which celebrates twenty years of community support, the event features the Open Art Competition Exhibition at Oriel CRiC Gallery, a residency by portrait artist Oriane Pierrepont, and participation from artists such as Nadia Epping, Lucy Corbett, and Lee Wright. Venues range from St Edmund’s Church to Antur Brew Co. and The Welsh Academy of Art.

San Miguel Art Show Turns Color Into Social Debate

An art show in San Miguel de Allende has sparked public debate after featuring works that use color as a vehicle for social commentary. The exhibition, which includes pieces by local and national artists, explores themes of identity, inequality, and cultural heritage through bold chromatic choices, drawing both praise and criticism from viewers and cultural commentators.

‘Borderless’ art exhibit celebrates Asian and Pacific Islander heritage in Brentwood

The Brentwood Arts Exchange is hosting 'Borderless,' a mixed-media art exhibit celebrating Asian American and Pacific Islander (AAPI) Heritage Month, running through May 30. Curated by ceramics artist and art teacher Akemi Maegawa, the show features works from artists including Mei Mei Chang, Julia Chon, Jeff Huntington (JAHRU), Jun Lee, and Tang, representing Thailand, South Korea, Taiwan, and the Philippines. The exhibit includes oil portraits, 3D masks, found-object installations, sculptures, and woodblock prints exploring themes of identity, migration, and cultural fluidity. On May 9, the artists participated in a talk as part of the Gateway Open Studios Tour, a one-day annual art event spanning multiple Maryland communities.

Stephanie Pierre opens Haitian art-inspired gallery in East Flatbush

Stephanie Pierre, a Haitian American community developer and placemaker, has opened Kafou, a Haitian art-inspired gallery in East Flatbush, Brooklyn. The gallery launched with an inaugural exhibition titled “Space as Place,” featuring seven artists—including Bianca Allen, Marie Medijne Antoine, Jordan Dubreuil, Wilfrid Ignace, Richard Louissant, Claire Saintil, and Zarita Zevallos—whose works explore themes of space, place, migration, and identity. The opening reception on April 16, 2026 drew strong public interest, prompting the gallery to extend the show through May 17. Kafou operates on a community-centered model, charging artists a reduced commission in exchange for their active involvement in managing and promoting their own work.

Spain: Oriol Vilanova and the Abolition of the Museum and the Archive

ESPANA ORIOL VILANOVA Y LA ABOLICION DEL MUSEO Y EL ARCHIVO

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring over twenty years of postcards collected from flea markets, arranged in a wall-based accumulation that challenges linear narrative and archival hierarchy. The project also includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale through unannounced encounters.

SPAIN ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE

The Spanish Pavilion at the 61st Venice Biennale presents "Los restos," a project by Catalan artist Oriol Vilanova, curated by Carles Guerra. The installation transforms the pavilion into an anti-museum or pseudo-museum, featuring Vilanova's collection of postcards sourced from flea markets over more than twenty years. The work critiques traditional archival systems through accumulation, repetition, and fragmentation, and includes a publication and a performative action titled "El fantasma de la libertad" (2026), inspired by Luis Buñuel, which will take place across the Giardini and Arsenale.

Artist with disabilities debuts first solo exhibition in Williamsburg

Artist with disabilities debuts their first solo exhibition in Williamsburg, Brooklyn, as reported by the Brooklyn Eagle. The show marks a significant milestone for the artist, who has navigated barriers in the art world to present a body of work in a professional gallery setting.

Santarcangelo Festival 2026: The Village Fills with Performances, Speaking of the Body as a Political Space Under Pressure

Santarcangelo Festival 2026, il borgo che si riempie di performance parlando di corpo come spazio politico sotto pressione

The 56th edition of the Santarcangelo Festival, titled "Deep Pressures," will take place from July 3 to 12, 2026, in the historic town of Santarcangelo, Italy. Curated by Tomasz Kirenczuk in his final year as artistic director, the festival transforms the town into a "city-festival" with over 100 events including performances, concerts, and participatory practices. The program explores the body as a political space under pressure—from geopolitical conflict and colonial legacies to emotional and social tensions. Key works include "In relation to whom?" by Palestinian artists Marah Haj Hussein and Nur Garabli, "When I Saw the Sea" by Lebanese choreographer Ali Chahrour, and "Homem Novo" by Mozambican artist Yuck Miranda, among others. The festival was presented at Mambo in Bologna, with Kirenczuk emphasizing that the role of the festival is to be unsettling, not reassuring.