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david shrigleys latest installation is a 1 3 m pile of old rope at stephen friedman gallery in london 1234761673

British artist David Shrigley has opened a solo exhibition at Stephen Friedman Gallery in London titled “David Shrigley: Exhibition of Old Rope,” featuring a 1.3-meter-high pile of ten tons of discarded rope as a conceptual installation. The work, priced at £1 million ($1.3 million), was assembled from rope salvaged from maritime, climbing, and industrial sources that would otherwise have gone to landfill. Shrigley describes the piece as a literal exploration of the idiom “money for old rope,” questioning the value people place on art.

The 5 Best Booths at EXPO Chicago 2026

The 2026 edition of EXPO Chicago opened at Navy Pier with a renewed sense of energy, marking its third year under Frieze ownership and its first under the leadership of director Kate Sierzputowski. Early reports from the VIP preview suggest a successful revitalization of the fair, which has successfully re-engaged longtime Midwestern collectors while simultaneously attracting a more robust international audience.

Hoffnung auf Rekorde bei Auktionen in New York

New York's major auction houses, Sotheby's and Christie's, are gearing up for their spring sales with high-value consignments from prominent collections. Sotheby's will auction Mark Rothko's "Towering Brown and Blacks in Reds" (1957), estimated at up to $100 million, from the estate of investment banker Robert Mnuchin. Christie's is offering works from the collection of the late gallerist Marian Goodman, including Gerhard Richter's "Kerze" (1982) valued at up to $50 million and "Mohn" (1995) around $15 million, alongside pieces from the estates of publisher S. I. Newhouse and collector Agnes Gund, with a Constantin Brâncuși sculpture and a Jackson Pollock painting each estimated at $100 million, and another Rothko at $80 million.

Antony Gormley: ‘Put a sculpture on the moon? No, that would be a bad idea’

Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.

4 Art Advisors Weigh In on Who to Watch at Untitled Art, Houston’s Inaugural Fair

Untitled Art, a well-known Miami art fair, is expanding to Houston with its inaugural edition taking place September 19–21 at the George R. Brown Convention Center. The fair will feature over 80 national and international exhibitors, including a Nest section for emerging galleries, and will launch the CAMH Commission Prize in collaboration with the Contemporary Arts Museum Houston, resulting in a major new commission for the 2026 edition. Four leading art advisors—Illa Gaunt, Liana Schwaitzberg, Lea Weingarten, and another—have shared their shortlists of artists to watch, highlighting works by Mason Owens, Miki Leal, Ana Villagomez, Aaron Morse, and Francesca Fuchs, among others.

How to Feel Confident Visiting an Art Gallery, According to Gallerist Hannah Traore

Gallerist Hannah Traore offers advice on how to feel confident visiting commercial art galleries, addressing common anxieties like intimidation, unclear etiquette, and perceptions of elitism. The article follows a group of newcomers who visited galleries in New York and reported their experiences, which Traore then responds to with practical tips for making gallery visits more approachable and inclusive.

On View: 'Amy Sherald: American Sublime' at Whitney Museum of American Art in New York Charts Artist's Two-Decade Career

The Whitney Museum of American Art in New York has opened "Amy Sherald: American Sublime," the largest exhibition of the artist's work and her first solo museum show in the city. Featuring over 40 paintings created between 2007 and 2024, the exhibition includes iconic portraits of Michelle Obama and Breonna Taylor, as well as works inspired by Alfred Eisenstaedt's famous photograph and filmmaker Wes Anderson. The show is organized chronologically, beginning with the rarely seen "Hangman" (2007), and includes "If You Surrendered to the Air, You Could Ride It" (2020), shown for the first time since its acquisition by the Whitney five years ago.

The power of transformation: an immersive, thrillingly layered, journey into William Kentridge’s sculpture

The Yorkshire Sculpture Park has opened "William Kentridge: The Power of Gravity," the first major survey of the South African artist's sculptural work outside his home country. The exhibition spans multiple decades and includes large-scale film installations, about three dozen sculptures, and four of his largest bronzes to date. It features pieces like the "Singer Trio" (2019) and works from his film series "Self-Portrait as a Coffee-Pot" (2023), with exhibition design by his long-term collaborator Sabine Theunissen.

‘My bank account is the only thing that slows me down’: Arlene Shechet on trusting her instincts

Artist Arlene Shechet discusses her dual role as creator and collector in an interview with The Art Newspaper ahead of Art Basel. She is installing her welded aluminum sculpture *Midnight* (2024) in the fair's Unlimited section, a work originally commissioned for her show at Storm King Art Center. Shechet reveals that she uses a portion of her sales to buy works by other artists, citing pieces by Fred Sandback, Barry Le Va, Joan Jonas, Kinke Kooi, and Marlon Mullen in her collection. She also mentions a regret over not purchasing a Louise Bourgeois drawing for $5,000 and names a medieval Book of Hours as her dream museum acquisition.

Visual Arts Review: Great Gallery Shows for Free in NYC – Picasso and Kentridge

Two free art exhibitions in New York City offer deep dives into the work of Pablo Picasso and William Kentridge. At Gagosian Gallery on Madison Avenue, "Picasso: Tête-à-tête" presents a selection of works spanning the artist's career, organized with his daughter Paloma Picasso, including never-before-seen pieces from her collection. The show highlights Picasso's stylistic diversity, his relationships with women like Marie-Thérèse Walter and Olga Khokhlova, and his playful resistance to being pinned down to a single style.

The 10 Exhibitions to See in June 2025

The article highlights 10 exhibitions to see in June 2025, curated by editors. Key shows include the Serpentine Pavilion in London, designed by Dhaka-based architect Marina Tabassum, titled "A Capsule in Time" (6 June–26 October), a semi-open wooden structure inspired by South Asian tent designs that engages with light and public activation. Another featured exhibition is Hiền Hoàng's "Garden of Entanglement" at FOAM Amsterdam (6 June–ongoing), presenting works that explore trauma's imprint on human bodies and nature, including a soundscape installation developed with scientists and a VR piece on the Agarwood tree.

Exhibition Walkthrough: ‘Pat Steir. Song’

Hauser & Wirth Zurich is hosting a guided tour of 'Pat Steir. Song' coinciding with Zurich Art Weekend, led by Corinne Erni, Chief Curator at the Parrish Art Museum. The event includes a preview of 'Ed Clark. Paint is the Subject' on the ground floor. Erni, who joined the Parrish in 2016, has curated numerous exhibitions including works by Shirin Neshat, Nina Yankowitz, Sanford Biggers, and Rafael Lozano-Hemmer, and leads the Dorothy Lichtenstein ArtsReach Fund.

Kingston’s Art Renaissance Continues: 68 Prince Street Gallery Opens with Francine Tint’s “Symbolic of the Whole”

A new contemporary art gallery, 68 Prince Street Gallery, has opened in Midtown Kingston, New York, in a former dry cleaners space transformed over six years by artists Paula and David Kucera. The inaugural exhibition, “Symbolic of the Whole,” features paintings and sculptures by New York artist Francine Tint, a former costume designer for David Bowie and Ridley Scott who turned to abstraction in the 1970s. Curated by Alan Goolman, the show highlights Tint’s rarely seen bronze sculptures alongside her canvases, while a front room dedicated to artist books and prints is overseen by book artist Maureen Cummins.

UAE art guide: 12 museum and gallery exhibitions to see, including Gallery Isabelle's 20th anniversary show

The UAE art scene is currently hosting a diverse array of exhibitions across Abu Dhabi, Dubai, and Sharjah, despite regional disruptions. Key highlights include a major Picasso retrospective at Louvre Abu Dhabi, a 10th-century anniversary celebration at 421 Arts Campus titled 'Rays, Ripples, Residue,' and the inaugural photography exhibition at Sharjah Art Foundation’s new Al Manakh venue. These shows range from historical surveys of the human form to contemporary explorations of UAE’s urban development and climate change.

Fold in these exhibitions during festival season

Spoleto Festival USA and Piccolo Spoleto begin on May 22, and the article highlights a curated selection of visual art exhibitions in Charleston to enjoy alongside the festival's performances. Featured venues include Robert Lange Studios, Corrigan Gallery, Stevenson and Co., Atrium Gallery, Meyer Vogl, Duckworth Gallery, and the Gibbes Museum of Art, which opens "Mary Whyte: Salt of the Earth" and continues "Rodin: All the Truth in Nature." The College of Charleston's Halsey Institute of Contemporary Art, under new director Michael Dickins, presents "Make Room" by In Kyoung Chun and another exhibition through July 25.

What you want from your body? Antony Gormley, iron and crawling

British sculptor Antony Gormley discusses his solo exhibition "What Holds Us" at Galleria Continua in San Gimignano, on view from 9 May to 13 September 2026. The show transforms the gallery's former cinema-theatre into an interactive environment where visitors are invited to crawl through massive cardboard bodies, exploring interior spaces and shifting from passive spectatorship to bodily engagement. Gormley explains that the title connects "hold" and "whole," suggesting that being held—by the ground, the womb, or the body—is essential for growth and wholeness.

One Weekend, 100 Artists: A guide to navigating Dublin Gallery Weekend

Dublin Gallery Weekend will take place from November 6th to November 9th, 2025, transforming the city into a "city-wide canvas" with over 40 galleries, cultural centres, and artist studios participating. Organized by the Contemporary Art Gallery Association (CAGA), the event features more than 60 free activities including gallery brunches, curated art trails, and late-night socials. Highlights include the National Gallery's Picasso: From the Studio exhibition, the Irish Museum of Modern Art's Reverse Migration, a Poetic Journey by Cecilia Vicuña, the Douglas Hyde Gallery's installation by Atsushi Kaga, and Kerlin Gallery's exhibition of Isabel Nolan's paintings.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

Comment | We must avoid amputating art in the name of preservation

The article recounts the author's experience viewing Caravaggio's *Seven Acts of Mercy* (1607) in its original chapel in Naples, where the painting's crowded, dramatic composition directly mirrors the chaotic streets of the city, revealing its sacred meaning through context. In contrast, the author describes Caravaggio's *Flagellation of Christ* (1607), moved from the church of San Domenico Maggiore to the Museo di Capodimonte for security reasons, as a painting "marooned"—its spiritual purpose broken, reduced to a mere object for aesthetic appreciation.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

artemisia gentileschi record nga acquisition 2743003

A self-portrait by Artemisia Gentileschi sold for $5.69 million at Christie’s New York, setting a new auction record for the artist. The painting, *Self-Portrait as Saint Catherine of Alexandria*, is one of only five self-portraits by Gentileschi and is believed to be the earliest, painted when she was around 20 years old in Florence. It far exceeded its presale estimate of $2.5–$3.5 million. On the same day, the National Gallery of Art in Washington, D.C., announced its acquisition of another Gentileschi work, *Mary Magdalene in Ecstasy* (circa 1625), funded by a gift from Nina J. Cohen and the Patrons’ Permanent Fund.

napoleon jones henderson africobra artist dead 1234765902

Napoleon Jones-Henderson, a key member of the AfriCOBRA collective known for creating art during the Black Power era, died in Boston on December 6 at age 82 after battling cancer. Jones-Henderson was part of the Chicago-based group founded in 1968 by artists including Jeff Donaldson, Wadsworth Jarrell, and Barbara Jones-Hogu, which synthesized African styles with Black American expressions. Despite the group's historical significance, their work was largely overlooked by major museums until recent years, with Jones-Henderson receiving his first major survey at the Institute of Contemporary Art Boston in 2022.

nazi looted painting argentina attribution investigation 1234754595

A painting discovered in an Argentine home in August, initially attributed to 18th-century Italian painter Giuseppe Ghislandi and believed to be Nazi-looted art, has been called into question. Paolo Plebani, curator of the Accademia Carrara in Bergamo, Italy, told the Argentine newspaper Clarín that the work is actually by Giacomo Ceruti, another Northern Italian painter. The painting was previously owned by Jewish art dealer Jacques Goudstikker, who fled the Nazis, and later by former Nazi Friedrich Kadgien, whose daughters Patricia and Alicia owned the Mar del Plata home where it was found. Argentine authorities recovered the painting after placing the daughters and Patricia's husband under house arrest.

water leaks from louvres roof and misses prized cimabue painting 1234740831

A powerful hailstorm caused water to leak through the Louvre's roof into the Salle Rosa room, where the exhibition "A New Look at Cimabue: At the Origins of Italian Painting" is on view. The water narrowly missed Giovanni Cimabue's unprotected "Maestà" panel painting (circa 1280), but drips hit the base of Nicola Pisano's "Three Acolytes" (1264-67) on loan from Florence's Museo Nazionale del Bargello. Another near miss occurred near Duccio di Buoninsegna's "Madonna of the Franciscans" (1285-88), which was protected by glass. The museum closed the exhibition early for firefighter inspection, identified a damaged glass seal as the cause, and reopened the next morning after repairs.

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Artist Es Devlin has created a new installation at the National Portrait Gallery in London titled 'A National Portrait for the National Portrait Gallery,' made in collaboration with Google Arts & Culture Lab. The work invites people across the UK to upload selfies, which are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin's own hand-drawn works. These portraits then appear on a constantly evolving projected carousel, blending and dissolving into one another. Devlin, known for designing visual worlds for Beyoncé, Adele, and the London Olympics closing ceremony, describes the piece as a non-verbal space for coexistence amid national division.

Portrait looted by Nazis found in home of Dutch SS leader’s family

An artwork looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of Hendrik Seyffardt, a notorious Dutch SS collaborator. The painting, *Portrait of a Young Girl* by Toon Kelder, was discovered by art detective Arthur Brand after a family member contacted him, revealing that the piece had hung for decades in the home of Seyffardt’s granddaughter. Brand traced the painting to a 1940 auction where part of the looted Goudstikker collection was sold, and lawyers for the Goudstikker heirs have confirmed the work was stolen and called for its return.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Venice Unveils Stunning New Art Spaces

During the Architecture Biennale preview in Venice, two major new art spaces opened: the Nicoletta Fiorucci Foundation's new home in a historic palazzo on the San Barnaba canal, and SMAC (San Marco Art Centre), a contemporary art center on Saint Mark's Square designed by David Chipperfield. Additionally, Belgian artist Luc Tuymans accepted a last-minute commission from the Abbot of San Giorgio Maggiore to replace two Tintoretto paintings with his own large-scale works. The Fiorucci Foundation's palazzo, acquired in December 2024, opened May 10 with an exhibition by Georgian artist Tolia Astakhishvili, featuring works made from found materials and drawings on walls, alongside pieces by Thea Djordjadze and Maka Sanadze. SMAC, restored by Chipperfield, currently hosts two exhibitions: one on Australian modernist architect Harry Seidler and another on Korean landscape architect Jung Youngsun.

art fashion cato ouyang zoe gustavia anna whalen

The New Museum in New York is reopening on March 21 with a major expansion—a 60,000-square-foot addition designed by OMA, doubling its footprint. To celebrate, the museum paired three artists featured in its inaugural exhibition "New Humans: Memories of the Future" with three independent fashion designers for studio conversations. The article presents one such dialogue between artist Cato Ouyang and designer Zoe Gustavia Anna Whalen, who discuss their New York origin stories and the challenges of creative life in the city.