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Recommissioned Rebels

The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.

Harper’s Bangkok Gallery Opens its Doors, Bringing Western Artists to Thailand

Harper's Bangkok, a new outpost of the New York-based gallery group founded by Harper Levine, opened in late March 2026 on the ground floor of the Siam Pathumwan House building. Its debut exhibition, 'Lost and Found', is a solo show by American artist Joel Mesler featuring 18 new vibrantly colored works, marking his first presentation in Southeast Asia. The gallery is the first major Western commercial gallery to establish a permanent space in Bangkok, joining a rapidly maturing local art ecosystem.

Artists take a satirical look at the financial crisis in a new London show

Three emerging artists—Jenna Bliss, Buck Ellison, and Jasmine Gregory—present a multi-media exhibition titled 'Genuine Fake Premium Economy' at London’s Institute of Contemporary Arts (ICA). The show satirically examines the societal and economic fallout of the 2008 financial crisis, using works that critique capitalism, inheritance, and art-world stereotypes. Gregory repaints Patek Philippe ads to expose class structures, Bliss films a fictional art fair that blurs reality and fiction, and Ellison creates lightboxes for a fictional private bank, manipulating corporate language and philosophy.

A Rare Blue-Green Diamond Ring Sold for Over $17 M. At Christie’s Geneva

A rare 5.5-carat blue-green diamond ring, named Ocean Dream, sold for over $17 million at Christie’s Magnificent Jewels auction in Zurich on May 13, 2026. The triangular-cut stone, estimated at $9–12 million, is set in an 18-karat white gold band with pink and white diamonds. The buyer was an unnamed private client, and the ring took 20 minutes to sell. It had previously fetched nearly $10 million at Christie’s Geneva in 2014.

US National Gallery of Art receives $116m gift to continue nationwide lending programme

The National Gallery of Art (NGA) in Washington, DC, has received a landmark $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its Across the Nation lending programme. Launched in spring 2025, the initiative has already reached around 900,000 visitors at ten partner institutions, including the Anchorage Museum and the Mint Museum, by loaning works from the NGA's collection at no cost—covering transport, installation, insurance, and marketing. The next cycle will run from autumn 2027 to 2029, with new partners to be announced.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

From intimate still lives to shadowed saints: the many sides of Spanish painter Francisco de Zurbarán go on show at London’s National Gallery

The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.

Smithsonian’s American Art Museum Appoints New Director Amid Turbulent Moment

The Smithsonian American Art Museum (SAAM) has appointed Lynda Roscoe Hartigan as its new director, concluding a 17-month search. Hartigan, who is leaving her position as executive director and CEO of the Peabody Essex Museum, will begin her role in September, succeeding acting director Jane Carpenter-Rock. She previously worked at SAAM as a curator in the 1970s and has held senior leadership roles at the Peabody Essex Museum and the Royal Ontario Museum.

LA LECHUZA DE MINERVA

The Círculo de Bellas Artes in Madrid, founded in 1926 by a small group of artists, has launched a centenary exhibition titled "La lechuza de Minerva" (The Owl of Minerva). Curated by Isabella Lenzi, the project revisits the institution's most disruptive exhibition, "El sueño imperativo" (1991), curated by Mar Villaespesa, which invited twelve artists to intervene in both exhibition spaces and transit areas, challenging traditional display logic. The new exhibition features works by artists including Dagoberto Rodríguez, Elo Vega, Rogelio López Cuenca, Isidoro Valcárcel Medina, Itziar Okariz, Los Carpinteros, María Salgado, Pedro G. Romero, Regina Silveira, Silbatriz Pons, and Tino Sehgal, who activate hidden and unexpected corners of the building through visual and sound actions. The project also restores Nancy Spero's 1991 intervention "Minerva, Sky Goddess," which had largely disappeared, through archaeological research led by restorer Rocío Casasus.

Your guide to Christie's 20/21 auction week in New York

Christie's is holding its 20/21 auction week in New York from May 9–22, 2026, featuring seven live auctions and two online sales at its Rockefeller Center galleries. Highlights include the dedicated sale "MASTERPIECES: The Private Collection of S.I. Newhouse" (led by Constantin Brancusi's *Danaïde* and Jackson Pollock's *Number 7A, 1948*), the Impressionist and Modern Art Day Sale, and "Defined Space: The Collection of Henry S. McNeil, Jr.," which focuses on Minimalist works by Donald Judd and Dan Flavin. Other consignors include prominent collectors Agnes Gund, Marian Goodman, and Joanna Carson. The public can view works for free from May 9–21.

The Good, the Bad, and the Fugly From the 2026 Met Gala

Cultured magazine's 2026 Met Gala coverage features a roundtable of critics and writers offering candid, often humorous takes on celebrity looks from the red carpet. Emma Chamberlain's hand-painted Mugler gown is widely praised as the most on-theme, while Troye Sivan's Prada homage to Robert Mapplethorpe and Chase Infiniti's Thom Browne trompe-l'œil dress also earn acclaim. Gabrielle Richardson calls for more color, noting the theme is about art, and criticizes the monochromatic trend. Mackenzie Thomas pans Alysa Liu's look as "prom" and "quinceañera," while others celebrate Naomi Osaka's Robert Wun Couture and Connor Storrie's Saint Laurent ensemble. The article is structured as a series of short, punchy quotes from multiple contributors, each focusing on specific attendees' fashion choices.

The Strange Coincidence Behind Ivy Getty’s Ludovic de Saint Sernin Met Gala Dress

Ivy Getty, an American model and philanthropist, collaborated with Parisian designer Ludovic de Saint Sernin to create her Met Gala dress, inspired by the 1926 illustration *L’Eclat de l’Or* by Russian artist Erté. The sketch, originally for the show *The Golden Fables*, was chosen from Getty’s mood board; the pair later discovered it is held in the Metropolitan Museum of Art’s archive, coinciding with its 100th anniversary. The final fringed gown debuted on the Met Gala red carpet, and the duo discussed the creative process in an interview.

art artists and mothers nonprofit organization

Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.

Martin Schongauer en toute majesté

The Louvre Museum in Paris has opened a major retrospective dedicated to Martin Schongauer (c. 1445–1491), the German engraver and painter from Colmar, bringing together a large portion of his known works. The exhibition features around one hundred pieces, including fifty engravings, five of his rare drawings, and nearly all of his attributed paintings—such as the "Virgin and Child at the Window" (c. 1480) from the Getty Museum and the "Orlier Altarpiece" (c. 1470–1475) from the Musée Unterlinden. The centerpiece is Schongauer's "Virgin of the Rose Bush" (1473), displayed at low height to reveal its botanical precision. Co-curated by Pantxika Béguerie De Paepe and Hélène Grollemund, the show also highlights Schongauer's influence on contemporaries and later artists through comparative works by Rogier van der Weyden and others.

À Nîmes, la peinture sans entrave de Tursic & Mille envahit le Carré d’art

The article covers the retrospective exhibition of French artist duo Ida Tursic and Wilfried Mille at the Carré d'art in Nîmes. Titled "Dissonances à géométries variables," the show traces their career from student works at the École nationale supérieure d'art de Dijon to recent paintings, featuring a critical, humorous, and materially rich approach to figurative painting. The duo draws from press images, internet sources, art history, and archives, disrupting reproductions with paint splatters and odd details, and the exhibition is organized thematically from "happiness" to "melancholy."

The Price Points Powering the Art Market

The article, part of the Artnet Intelligence Report: Year Ahead 2026, analyzes art market performance by price bracket in 2025. The $1 million-to-$10 million range was the strongest segment, with sales totaling $3.5 billion—a 20.8% increase from 2024. Sales above $10 million rose 36.1% to $2.3 billion, boosted by high-priced masterpieces at New York's November auctions. The $100,000-to-$1 million bracket saw $3.2 billion in sales, up 6%. Meanwhile, works under $10,000 and in the $10,000-to-$100,000 range grew less than 1%, indicating cautious buyer behavior.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

Has A.I. Solved the Mystery of This El Greco Painting?

New research using artificial intelligence has challenged the long-held belief that El Greco's altarpiece *The Baptism of Christ* was largely painted by his son and workshop assistants. A machine-learning model called Patch, developed by researchers at Western Reserve University, analyzed the painting's microscopic surface texture and found underlying connections suggesting El Greco himself painted the majority of the work, with only a small region at the bottom attributed to other hands.

Which Auction House Led the Pack in 2025?

Christie's led the global fine-art auction market in 2025 with $3.5 billion in sales, a 10.1% increase from 2024. Its top lot was Mark Rothko's 'No. 31 (Yellow Stripe), 1958,' which sold for $62.1 million. Sotheby's followed closely with $3.3 billion in sales, a 31% annual increase, highlighted by the record-breaking $54.7 million sale of Frida Kahlo's 'El sueño (La cama).' Phillips placed a distant third with $390.9 million in sales, a 14.2% decline.

Masterpieces by Klimt, Matisse and Freud set for London’s most valuable auction

Sotheby's will auction a major collection of masterpieces by artists including Gustav Klimt, Henri Matisse, Lucian Freud, and Francis Bacon, consigned by Joe Lewis and his daughter Vivienne, whose family owns Tottenham Hotspur. The collection, expected to fetch over £150 million, is projected to become the most valuable ever offered in London, with highlights such as Klimt's 'Bildnis Gertrud Loew' (estimated £20-30m) and Egon Schiele's 'Danaë' (estimated £12-18m, potentially setting a new artist record). The works will be exhibited in New York and London before the June sales.

How an Art Event in the California Desert Became a Community

High Desert Test Sites (HDTS), a long-running, itinerant art event in the California desert, is approaching its 25th anniversary. Founded by artist Andrea Zittel, it has evolved from a series of experimental artist projects into a vital, decentralized community network that fosters collaboration and dialogue between artists and local residents.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

This Years Met Gala Felt More Like an Art Exhibition Than a Red Carpet

The 2026 Met Gala, held on May 4 at the Metropolitan Museum of Art in New York, was widely described as feeling more like an art exhibition than a traditional red carpet. The theme, "Costume Art," with the dress code "Fashion Is Art," encouraged celebrities to treat their bodies as canvases. Beyoncé made a highly anticipated return after a decade, serving as a co-chair alongside Nicole Kidman, Venus Williams, and Anna Wintour. Beyoncé wore a sculptural skeleton-inspired design by Olivier Rousteing, while Kiddon wore a shimmering red Chanel gown and Williams donned a Swarovski crystal gown inspired by her Smithsonian portrait. Other notable looks included Sabrina Carpenter in a Dior dress made from vintage film strips, Kendall Jenner referencing classical sculpture, Madonna channeling surrealist painter Leonora Carrington, and Heidi Klum arriving as a marble statue. Inside, live performances by Sabrina Carpenter and Stevie Nicks added to the spectacle.

Beyoncé, Bad Bunny and Heidi Klum take artistic liberties with Met Gala dress code

The 2026 Met Gala, celebrating the opening of the Costume Institute's "Costume Art" exhibition, saw celebrities including Beyoncé, Naomi Osaka, Emma Chamberlain, and Heidi Klum embrace the dress code "Fashion is art" with bold, sculptural, and art-inspired ensembles. Beyoncé wore a custom Olivier Rousteing skeleton dress with a feathered train and diamond crown, while Osaka stunned in a Robert Wun white sculptural dress with a red anatomy-themed reveal. Co-chairs Anna Wintour, Nicole Kidman, and Venus Williams also made notable appearances, with Williams referencing a Robert Pruitt portrait of herself. Many guests drew direct inspiration from art history, such as Lauren Sánchez Bezos channeling John Singer Sargent's "Madame X" and Lena Dunham collaborating with Valentino's Alessandro Michele to depict Artemisia Gentileschi's "Judith Slaying Holofernes."

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

At Yale: the commercial empire within the British empire

The Yale Center for British Art presents 'Painters, Ports, and Profits,' an exhibition of 115 items spanning a century of art and history, focusing on the East India Company's commercial empire. The show includes paintings, prints, drawings, books, and artifacts such as a 37-foot watercolor scroll of Lucknow (1826) and works by Indian artist Gangaram Chintaman Navgire Tambat, who emerges as the artistic star with 20 pieces. It also features prints of the company's opium factory and 'The Opium Fleet Descending The Ganges' by Walter Stanhope Sherwill, highlighting the company's role in the Opium Wars with China.

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

art abbas akhavan venice biennale canadian pavilion

Abbas Akhavan has transformed the Canadian Pavilion at the Venice Biennale into a greenhouse-like installation titled "Abbas Akhavan: Entre chien et loup." The pavilion's wooden doorway has been replaced with glass, revealing a pond with pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with water, sharpened bronze sticks, and custom frosted mirrors that blur the architecture. The centerpiece will be three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, which will gradually take over the pond over the summer. The exhibition is curated by Kim Nguyen, commissioned by the National Gallery of Canada, and supported by the Canada Council for the Arts.

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.