Devyani Saltzman has abruptly left her position as Director of Arts and Participation at the Barbican Centre in London. Her departure, which comes just weeks after the arrival of a new CEO and shortly after she unveiled a five-year creative vision for the institution, marks another sudden leadership change at the major UK arts center.
The COMO Museum of Art is hosting "Traces: Drawing Practices Now," a major group exhibition curated by Hassan Sheikh featuring 19 artists. The show explores the evolution of drawing from a preparatory medium into an independent, sophisticated art form. Notable participants include Ali Kazim, Muhammad Ali Talpur, and Ghulam Mohammad, whose works range from meticulous mark-making and subverted scripts to expressive, intuitive compositions that challenge traditional linguistic and visual codes.
Amelchenko Gallery has officially opened its doors in Red Bank, New Jersey, relocating from Sea Bright to the Galleria complex on Bridge Avenue. The gallery celebrated its arrival with a ribbon-cutting ceremony and a reception for its inaugural exhibition, "Reel Icons," featuring the work of New York-based artist Ginette Laboz. Laboz utilizes a unique pointillist technique, applying paint with pastry tools to create large-scale reinterpretations of iconic cinematic moments from films like "Pulp Fiction" and "When Harry Met Sally."
Geisha and maiko (apprentices) in Kyoto are rehearsing for the annual Miyako Odori, or 'Capital City Dances.' This spring dance festival, held throughout April at the Gion Kōbu Kaburenjo theatre, features eight scenes depicting Japanese history and literature, accompanied by live shamisen music and performed against cherry blossom backdrops.
Di testamenti e di trasfigurazioni. Intervista alla poeta Silvia Righi
Italian poet Silvia Righi discusses her latest collection, *Ex voto suscepto*, published by Pungitopo as part of the Remedia series. The book originated from a narrative concept involving the arrival of God's daughter on Earth and features a unique interdisciplinary collaboration with artist Mattia Barbieri, who provided China ink illustrations. The interview explores the collection's focus on the decaying body, the fluidity of the lyrical 'I', and the intersection of poetic language with visual art.
The Kemper Museum of Contemporary Art has launched "The World in Kansas City," a new exhibition timed to coincide with the city's role as a host for the upcoming World Cup. Featuring a diverse array of textiles, ceramics, photography, and mixed-media works, the show highlights international artists who have established deep roots within the Midwestern United States.
Guildford-based contemporary impressionist artist Ros Mansfield debuted her first solo exhibition, 'Edges of the Day,' on April 22, 2026, with a private viewing at Open Grounds café inside Guildford Baptist Church. The series features paintings inspired by her creative pilgrimages to the Holy Island of Lindisfarne, capturing dawn and dusk scenes she describes as 'the edges of the day.' Mansfield, who considers the island one of the 'holiest places on Earth,' highlighted her favorite piece, 'Quiet Arrival, Pilgrim’s Post,' as the final painting that completed her journey. The exhibition is open to the public until May 24.
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A major exhibition titled "Calder: Dreaming in Equilibrium" has opened at the Fondation Louis Vuitton in Paris, showcasing 300 works by Alexander Calder, including his pioneering mobiles, stabiles, paintings, drawings, and wire portraits. The show marks 100 years since the artist's arrival in France in 1926 and 50 years since his death in 1976. It features iconic pieces such as the 19-foot-long mobile *Triumphant Red* (1963) and his earliest known kinetic sculpture—a brass duck from 1909—alongside works by contemporaries like Barbara Hepworth, Pablo Picasso, and Paul Klee, as well as photographs by Man Ray, Agnès Varda, and Gordon Parks.
The Pérez Art Museum Miami (PAMM) has appointed José Carlos Diaz as its new senior director of curatorial affairs and chief curator, effective October 13. Diaz, a Miami native, returns from the Seattle Art Museum where he served as deputy director of art since 2022, overseeing curatorial programs and the "Calder at SAM" initiative following a major gift of 48 Calder works. He succeeds Gilbert Vicario, who left in February. Diaz previously worked at PAMM when it was the Miami Art Museum, and has held curatorial roles at the Bass Museum of Art, Tate Liverpool, the Liverpool Biennial, and the Andy Warhol Museum.
The Port Authority of New York and New Jersey, along with JFK Millennium Partners, is investing $4.2 billion to bring art from four major New York cultural institutions—the American Museum of Natural History, Lincoln Center for the Performing Arts, the Metropolitan Museum of Art, and the Museum of Modern Art—into the new Terminal 6 at John F. Kennedy International Airport. The terminal will feature loaned works from these institutions in the international arrivals corridor, plus 19 permanent site-specific installations curated by Public Art Fund and rotating local artwork curated by Jamaica Center for Arts and Learning. Highlights include a 140-foot mural from Lincoln Center, an installation by Yoko Ono inspired by her 2019 work *Peace is Power* for MoMA, and installations from the other two museums. The terminal is designed by architect Stanis Smith and will include 10 gates, with the first six opening this year and completion by 2028.
On Tuesday, Israel carried out a missile strike in Doha, Qatar, targeting senior Hamas leaders, with explosions reported in the Leqtaifiya neighborhood and smoke visible over the Katara cultural district. The strike comes as a shock to Qatar, which has built a reputation for stability and is home to major art institutions operated by Qatar Museums, including Mathaf: Arab Museum of Modern Art, the National Museum of Qatar, and the Museum of Islamic Art. Art Basel, which announced in May a partnership with Qatar Sports Investments and QC+ to launch Art Basel Doha in February 2026, said it is closely monitoring developments and remains committed to the fair's inaugural edition.
A premier art gallery and consulting firm is opening in the Wedgewood-Houston neighborhood, with a stated mission to keep art at the forefront of the city. The full details of the gallery's identity, leadership, and programming are behind a paywall, but the announcement signals a new cultural venture in the area.
Lougher Contemporary, a UK-based specialist in blue-chip editions, has identified David Hockney's five most important print series for collectors. The series include the iconic Pool Series, inspired by Los Angeles swimming pools; the iPad Drawings, which began with the iPhone and evolved into works like 'The Arrival of Spring'; and The Weather Series, a set of six color lithographs influenced by Japanese Ukiyo-e prints. Other series are also highlighted for their market value and artistic significance.
Matt Bangser, a longtime director at Blum gallery (formerly Blum & Poe), will join Art Intelligence Global (AIG) as senior director on September 8. Bangser spent 16 years at Blum overseeing global sales and securing major estates like Robert Colescott, and previously held senior posts at Van de Weghe Fine Art, Phillips, and Christie's. His move follows the closure of Blum's Los Angeles and Tokyo galleries last month, when founder Tim Blum announced he was leaving the traditional gallery model. AIG co-founder Amy Cappellazzo said Bangser's experience across galleries, auction houses, and artist studios made him a rare hire.
The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.
Hauser & Wirth, the Swiss mega-gallery, will open its first Northern California location this spring in downtown Palo Alto, inside a former post office at 201–225 Hamilton Ave. The move is widely seen as a bid to be closer to Silicon Valley clients, particularly billionaire philanthropist Laurene Powell Jobs, whose Emerson Collective offices are two blocks away. Powell Jobs, rumored to be one of Hauser & Wirth's top clients, shifted her business from Pace Gallery to Hauser & Wirth in 2022. The renovation is led by Paris-based architect Luis Laplace, who is also designing Powell Jobs' renovation of the San Francisco Art Institute. The gallery will be the third Hauser & Wirth in California, joining two Los Angeles locations.
The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.
Emerging 18-year-old Indian artist Prithveer Jain is presenting his second solo exhibition, “Circus: The Late Arrival,” at IF.BE in Mumbai from July 31 to August 3, 2025. The show features paintings that blend portraiture with emotional cartography, exploring themes of identity, selfhood, and psychological delay through stylized, surreal figures and symbolic imagery such as ropes, curtains, and hats.