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The Trump administration is moving to eliminate the National Endowment for the Humanities (NEH) while simultaneously cutting its funding and reshaping its priorities. In early May, the NEH announced $9.55 million for 68 projects, a sharp drop from $26.2 million for 238 projects the previous year. The number of Summer Stipends was slashed from nearly 100 to just 18, with total funding cut by three-fourths to $144,000. Only one Media Project grant was awarded, down from ten. The administration has also sought to lay off NEH workers, cancel grants, and divert funds to a National Garden of American Heroes, a presidential pet project.

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A new cultural institution called Fenix has opened in Rotterdam, Netherlands, dedicated entirely to the topic of migration. Housed in a 1923 waterfront warehouse that once served the Holland America Line—a major transporter of cargo and passengers—the museum occupies nearly 175,000 square feet in the Katendrecht neighborhood, a historic gateway for millions of immigrants in the 19th and 20th centuries. Designed by Ma Yansong of MAD Architects, the building features a central double-helix staircase nicknamed the Tornado, leading to a rooftop observation deck. Three inaugural exhibitions, including “All Directions,” showcase over 150 artworks and objects by artists such as Max Beckmann, Willem de Kooning, Sophie Calle, and Yinka Shonibare, alongside personal mementoes from local families.

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Artnet News rounds up recent headlines involving Renaissance master Michelangelo di Lodovico Buonarroti Simoni as institutions prepare to celebrate his 550th birthday in 2025. The article highlights three stories: a scene in HBO's *The White Lotus* season three finale that echoes Michelangelo's *Pietà*; the ongoing scholarly debate over whether Michelangelo himself forged the ancient sculpture *Laocoön and His Sons*; and the restoration of Michelangelo's family tomb at the Basilica of Santa Croce in Florence ahead of his birthday.

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The article recounts the first meeting between artists Marcel Duchamp and Man Ray in 1915, when a language barrier threatened their connection. They broke the ice with an impromptu tennis match using old rackets and a ball, with no net, as Man Ray called out tennis scores and Duchamp simply replied 'yes.' This playful encounter launched a five-decade friendship and prolific collaboration, during which they co-created works ranging from photographs and installations to experimental films, and became central figures in New York Dada.

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The article examines the life and work of Dora Carrington, a painter associated with the Bloomsbury Group, whose bohemian lifestyle and complex relationships—particularly with writer Lytton Strachey—have long overshadowed her artistic output. A new exhibition at Pallant House Gallery, the first dedicated to Carrington in three decades, aims to refocus attention on her paintings, including early pencil studies and academic female nudes, which impressed her peers but received little critical acclaim during her lifetime.

"Kultursenator ist kein Nebenjob"

Berlin's finance senator Stefan Evers is set to additionally take on the role of culture senator following the resignation of Sarah Wedl-Wilson, a move criticized as a stopgap solution that creates a conflict of interest between austerity and cultural advocacy. Meanwhile, the Venice Biennale faces multiple controversies: critics question how to evaluate curator Koyo Kouoh's posthumous main exhibition "In Minor Keys," completed after her death in May 2025; Israeli artist Belu-Simion Fainaru speaks out against his exclusion from the Biennale competition, calling it politically biased and reminiscent of historical persecution; and German press decries the politicization of the Biennale, particularly the exclusion of Israel and Russia from the competition.

culture editors gift guide christmas holidays

Cultured magazine's editors have published a holiday gift guide featuring a curated selection of items ranging from books and film memberships to robes, facials, and art-related products. Recommendations include Elaine Kraf's novel "The Princess of 72nd Street," an AAA24 membership from production company A24, a Hanro shawl collar cotton robe, a facial from Cali Strauhs, and a set of architecture-themed notebooks and books from the New Museum and Special Special. The guide also highlights a bronze sculpture by artist Ryan Schneider, tying the list to contemporary visual art.

The Best Art Exhibitions To Visit In Hong Kong This May

This article highlights three art exhibitions in Hong Kong for May 2026. 'Seeds of Wishes' at JPS Gallery features black-and-white and colorful drawings by thirteen-year-old artist Yat Long, created after his diagnosis with a life-threatening disease, with a related CASETiFY phone case collection. 'Dial-A-Poem Hong Kong' at M+ presents an interactive installation based on John Giorno's 1969 project, offering newly recorded poems in Cantonese, English, and Mandarin by thirty local poets. 'Fallen Angels' at Hauser & Wirth showcases Nicole Eisenman's paintings and sculptures exploring middle-class life, departing from her usual crowded scenes.

Venice off the beaten track

The article highlights collateral exhibitions at the 2024 Venice Biennale that take place beyond the main venues of the Giardini and Arsenale, offering visitors unexpected discoveries in historic Venetian palazzos and warehouses. Featured shows include Hernan Bas's 'The Visitors' at Ca' Pesaro, exploring tourism's contradictions; 'Turandot: To the Daughters of the East' at Palazzo Franchetti, a group exhibition of women artists from Central Asia; and Amoako Boafo's first solo show in Italy at Palazzo Grimani, presented by Gagosian.

Michael Joo: Sweat Models 1991–2026

Space ZeroOne in New York will present "Michael Joo: Sweat Models 1991–2026," a solo exhibition of early and newly realized works by Korean American multimedia artist Michael Joo, organized by guest curator Christopher Y. Lew. The show focuses on Joo's 1990s works, which engaged with issues like the AIDS crisis and information technology, and will feature a newly realized large-scale installation, *Concatenations*, first conceived in 1990.

On the Met Gala’s Cy Gavin-designed blue carpet, art was front and centre

The 2025 Met Gala, held on May 5 at the Metropolitan Museum of Art, raised a record $31 million while celebrating the opening of the Costume Institute's new exhibition, "Superfine: Tailoring Black Style" (May 10-October 26). The event's dress code, "Tailored for You," inspired attendees to embrace Black-dandy fashion, with guests including Rihanna, Cynthia Erivo, Stevie Wonder, and Kamala Harris. The exhibition, curated by Andrew Bolton and Monica L. Miller, explores the evolution of Black style in the Atlantic diaspora from the 18th century to today, drawing on Miller's 2009 book "Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity." It is the Costume Institute's first show to directly address race's impact on style and the Met's first menswear exhibition in over 20 years.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips include Anton Corbijn's birthday exhibition at Fotografiska Berlin, featuring iconic portraits alongside personal favorites; the 25th anniversary of Daniel Libeskind's extension at the Jewish Museum Berlin; Refik Anadol's first Belgian AI-driven installation at Brusk in Bruges; the Schirn Kunsthalle Frankfurt's 40th anniversary weekend with free entry and performances; and a Lee Ufan solo show at Dia Beacon in New York, following his Wolfgang Hahn Prize.

‘Let Us Gather In a Flourishing Way’ Convenes 58 Artists to Survey Contemporary Latinx Painting

A major exhibition titled 'Let Us Gather In a Flourishing Way' has opened at the Buffalo AKG Art Museum, featuring 58 artists in a comprehensive survey of contemporary Latinx painting. The show, curated by Andrea Alvarez over several years, is organized into seven thematic sections and is designed as a fluid, conversational space that celebrates community and cultural convergence.

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Laurence des Cars, president of the Louvre, is under pressure to resign after a tense Senate hearing on Wednesday, October 2025, following the theft of $102 million worth of imperial jewels. Lawmakers questioned her failure to act on security warnings from audits commissioned in 2017 and 2018 by her predecessor, Jean-Luc Martinez. Des Cars claimed she was unaware of those audits until after the theft. In response, she has accelerated a $92 million security plan, including 100 additional cameras, a new security coordination hire, and a 20% budget increase for staff training. She also announced a new internal audit on information sharing within the museum's bureaucracy, which she described as disorganized.

London 20th/21st Century Frieze Week sales achieve a running total of £141.8m / $189.7m / €162.75m

Christie’s 20th/21st Century: London Evening Sale during Frieze Week 2025 achieved £106.9 million, up 30% year-on-year, with a 90% sell-through rate by value. The top lot was Peter Doig’s *Ski Jacket* (1994), sold for £14.27 million after intense bidding, part of the Ole Faarup Collection, which raised £27.3 million total for the Ole Faarup Art Foundation. Other notable sales included works by Lucian Freud, Paula Rego, Gerhard Richter, Pablo Picasso, and Suzanne Valadon, with more than half of all lots selling above high estimate.

December Book Bag: from a photographic record of a lost nightclub to the tale of an accidental art heist

This article presents a roundup of four new art-related book releases for December. It covers Liz Johnson Artur's photographic monograph 'PDA' documenting a queer Black club night in London from 2011 to 2021; a survey of William Nicholson's career edited by Simon Martin, accompanying an exhibition at Pallant House Gallery; a monograph on Sandy Skoglund's surreal installations tied to a show at the McNay Art Museum; and Whit Rummel and Noah Charney's true-crime memoir 'The Accidental Picasso Thief' about a stolen Picasso painting that ended up in a forklift operator's home.

art where artists hang out nyc

Cultured magazine surveyed 30 New York-based artists to find out where they hang out in 2026, as affordable and easy gathering places have become scarce. The responses range from iconic spots like the Rose Reading Room at the New York Public Library and the Metropolitan Museum of Art to more offbeat locales such as a karaoke bar on Bowery, a Cantonese noodle house in Chinatown, and a church hosting vogue sessions. Artists including Coco Klockner, Jamian Juliano-Villani, Tiffany Sia, Amanda Ba, Lucy Bull, and others share their personal favorites, highlighting a diverse mix of libraries, restaurants, bars, and community spaces.

What If Every City Provided Artists With Free Supplies?

Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.

Josh Kline Misses the Mark

Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.

Some cry censorship, others cry antisemitism

"Die einen schreien Zensur, die anderen Antisemitismus"

A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.

"Wir wollen Rücknahme von Kürzungen"

Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.

In London, Tracey Emin is Concerned with Death and Resurrection

In London geht es Tracey Emin um Tod und Auferstehung

Tracey Emin has opened a major exhibition at the Tate Modern in London. The show, which follows her battle with an aggressive bladder cancer diagnosed in 2020, presents a new chapter in her work, focusing on themes of trauma, triumph, and the body.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

Muscle memory: Natasha Tontey’s wild Venice installation explodes perceptions of Indonesian history

Natasha Tontey's new installation "The Phantom Combatants" at the Ateneo Veneto in Venice reimagines the story of Len Karamoy, a woman who was part of the CIA-funded Permesta resistance movement in North Sulawesi, Indonesia (1957-1961). The 22-minute film, commissioned by the LAS foundation and Amos Rex, features absurdly muscular mutant warriors and draws on Indigenous belief systems, video games, Indonesian soap operas, and B-movie aesthetics to explore themes of autonomy, resistance, and historical perspective.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

Irreconcilable differences: Canadian cultural tourism to the US experiences a steep decline

Canadian tourism to the United States has plummeted by more than 30% following a period of heightened political tension, including threats of annexation and the imposition of trade tariffs by the Trump administration. This decline is being felt acutely across the northern border states and major cultural hubs, with cities like Seattle, Detroit, and Portland reporting significant drops in Canadian visitors.

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The sentencing hearing for Jeff Cowan, convicted in a massive art fraud scheme involving forged Norval Morrisseau paintings, was abruptly halted in an Ontario court. The delay followed explosive allegations from the defense suggesting that members of the artist’s own estate and long-time representatives may have been complicit in the creation or authentication of the fakes. A lawyer for the estate intervened, threatening civil action for defamation, which led the judge to pause proceedings until April.

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As the U.S. government shutdown enters its third week, museums that had remained open are now closing. The National Portrait Gallery (NPG), part of the Smithsonian Institution, postponed its exhibition “The Outwin 2025: American Portraiture Today,” originally set to open October 18, after the Smithsonian’s surplus funds run out on October 11. The National Gallery of Art (NGA) closed on October 1, leaving two major works by Houston-based multimedia artist Dario Robleto—the film *Until We Are Forged: Hymns for the Elements* and the sculpture *Small Crafts on Sisyphean Seas*—inaccessible to the public.

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Marilyn Jackson, president and CEO of the American Alliance of Museums, argues that Americans overwhelmingly trust and support museums, with 96% wanting federal funding maintained or increased. She criticizes the Trump administration's first 100 days for gutting staff and grants at the Institute of Museum and Library Services and other agencies, and for issuing an executive order called 'Restoring Truth' that restricts how museums can portray history, creating fear of retribution for factual research.