The article provides a guide on how to turn a TV into a rotating art gallery by downloading high-resolution, public-domain images from museum digital collections. It explains the need to filter for Open Access works to avoid copyright issues and recommends several museums with extensive free collections, including the Art Institute of Chicago and the Getty Museum.
In an interview marking the sixth anniversary of his gallery, Max Goelitz reflects on the founding and evolution of his two-location operation in Munich and Berlin. He discusses how his decade at Häusler Contemporary, where he served as director, prepared him for the unpredictable nature of running his own gallery. The COVID-19 pandemic forced a strategic pivot from international ambitions to a focus on the local German market, which proved unexpectedly sustainable. Goelitz also addresses the current challenges facing galleries, including generational shifts and a more difficult art market, while advocating for an "old-school" reconsideration of what defines a gallery in times of transition.
The Clyfford Still Museum in Denver is opening a multisensory exhibition called "Still in Sound" on May 16, curated by Bailey Placzek and British artist Ben Coleman. The exhibition pairs the museum's vast collection of abstract expressionist works with sound-driven experiences. Additionally, the museum commissioned a world-premiere symphony, James Clarke's "Symphony No. 2," which will be performed by the Colorado Symphony at Boettcher Concert Hall on May 7. The program also includes music that inspired Still himself, such as works by Beethoven and Mahler, drawn from the artist's personal record collection.
The Skylands Museum of Art in Lafayette, New Jersey, presents "FINI...pas fini!" from May 16 to September 26, 2026, a temporary exhibition of over 30 works by the internationally recognized artist Leonor Fini (1907-1996). Drawn from the museum's permanent collection, the show includes original drawings, etchings, silkscreens, and lithographs featuring portraits, sphinxes, female figures, cats, and fantastical beings. Special events include an opening reception on May 16 and a gallery talk by art appraiser Carol Curci, a friend and authority on Fini, who will discuss the artist's life and work.
San Francisco museums are navigating a mix of upcoming exhibitions and financial challenges in May 2026. SFMOMA is closing "KAWS: Family" on May 3 and opening "Matisse’s Femme au chapeau: A Modern Scandal" from May 16 to September 13. The Mission Cultural Center for Latino Arts has suspended operations due to funding issues, and SOMArts is also facing a budget gap. Meanwhile, the Museum of Craft and Design presents "Video Craft" through August 16, and the Letterform Archive hosts "Black Memory Scholar: The Language of Storytellers" and "Piet Zwart: Brand Architect." SFMOMA has announced three SECA award winners—CrossLypka, Em Kettner, and Chanell Stone—who will exhibit from December 2026 to May 2027, and the museum continues to showcase "Reimagined: The Fisher Collection at 10" and new installations by Alexander Calder, Claes Oldenburg + Coosje van Bruggen, and Rose B Simpson.
The Metropolitan Museum of Art has opened its major spring exhibition, "Raphael: Sublime Poetry," the first comprehensive survey of the artist in the United States. Curator Carmen Bambach, exhibition design manager Daniel Kershaw, and research associate Caroline Elenowitz-Hess guide a virtual tour of the show, which brings together over 170 masterpieces and rarely seen works spanning Raphael's career from Urbino to Florence and Rome.
The Lenbachhaus museum in Munich has opened a major exhibition titled "Beyond the World. The Blue Rider," running from March 10, 2026, to September 5, 2027. The show explores the cultural exchanges and historical context of the Blue Rider movement, featuring newly acquired works by Wilhelm Morgner, Emmy Klinker, and Albert Bloch, alongside iconic pieces by Wassily Kandinsky, Franz Marc, and Gabriele Münter. The exhibition is organized chronologically, beginning with the cross-cultural inspirations behind the 1912 Blue Rider Almanac and concluding with a reflection on the Nazi suppression of German Expressionism, including inventory lists of confiscated "degenerate" art.
The Guggenheim Museums and Foundation has announced an exhibition titled "Gabriele Münter: Contours of a World," focusing on the German Expressionist painter Gabriele Münter. The show will explore her distinctive approach to landscape and portraiture, highlighting her role within the Blue Rider movement and her contributions to modern art.
Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.
The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.
The Driehaus Museum in Chicago has opened 'Ink & Outrage: 18th-Century Satirical Prints in London & Dublin,' an exhibition of some 100 prints by Georgian-era caricaturists including James Gillray and Thomas Rowlandson. Curated by Silvia Beltrametti and William Laffan, the show explores the rise of visual satire in 18th-century England and features side-by-side comparisons of original English prints with unauthorized Irish copies, highlighting issues of plagiarism and intellectual property.
The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.
Nathaniel Mary Quinn, a Chicago-born artist who grew up in the Robert Taylor Homes, will present his first solo museum exhibition in his hometown at the National Public Housing Museum. The show, titled "Nathaniel Mary Quinn: A Love Letter To My Mother," features ten works on canvas and paper, a recreated living room from his family's apartment circa 1984, and a reading room with historical materials about the housing project. Separately, Mariane Ibrahim gallery now represents Chicago-based artist Leasho Johnson, whose work draws on Jamaican mythology and appeared on the cover of Newcity's April 2026 issue. In other local news, a new social club called The Lake is set to open in River North this fall, designed by Robert A. M. Stern Architects, and construction has begun on the next phase of the Southbridge development on the site of the former Harold Ickes Homes.
The article profiles Gayane Umerova, a cultural leader in Uzbekistan, who discusses how art and culture in the country are centered on empowerment. It highlights her role in promoting Uzbek art and heritage through various initiatives and exhibitions, aiming to elevate the nation's cultural profile on the global stage.
The article previews seven must-see exhibitions during Art Brussels, highlighting Richard Tuttle's restless assemblages at Galerie Greta Meert and an expansive show of Lutz Bacher at WIELS. The guide, written by Emile Rubino, offers a curated selection for visitors navigating the fair.
Axel Vervoordt Gallery in Antwerp is presenting the first Belgian solo exhibition of Cambodian artist Sopheap Pich. The show features a new body of work, including large-scale sculptures made from bamboo, rattan, hand-forged copper, and recycled aluminum, as well as wall-based pieces. Visitors can physically enter some of the large sculptural forms.
Six mois après le casse du Louvre, un « Complément d’enquête » fait le point, avec des images inédites diffusées ce soir sur France 2
On October 19, 2025, eight historic and priceless jewels were stolen from the Galerie d'Apollon at the Louvre Museum in Paris in just over three minutes, using a hoist and an angle grinder. Six months later, the French investigative program "Complément d'enquête" airs a 50-minute documentary titled "Musée du Louvre : dans les coulisses du casse du siècle" on France 2, featuring exclusive surveillance footage, interviews with guards, police, experts, and ministers, and new details about the four suspects arrested within weeks.
Nastaran Mir Sadegh's painting "Untitled" (2025) is listed for sale at US$2,500 through Sahar K. Boluki Gallery in Toronto. The work, an acrylic on canvas measuring 76 × 59 cm, is hand-signed by the artist and includes a certificate of authenticity. Mir Sadegh, an Iranian artist born in 1985 and based in Tehran, holds a bachelor's degree in Fine Art from Art University of Tehran. Her exhibition history includes shows in Toronto, Tehran, Dubai, and at institutions such as the Tehran Museum of Contemporary Art and Saba Cultural Institute. The listing appears on Artsy, with shipping available within Canada and internationally.
Le fantasme de la femme fatale
A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.
The article reports on the exhibition "Regards sensibles" at the macLyon (Musée d'Art Contemporain de Lyon), which showcases 28 video artworks from the collection of Isabelle and Jean-Conrad Lemaître. The exhibition celebrates the couple's complete donation of their video art collection to the museum. It begins with Gillian Wearing's 1996 video "Boytime," the first video artwork the Lemaîtres acquired, and spans works from 1984 to 2025 by artists of 43 nationalities, offering a broad panorama of the video art genre.
New Mexico State University's University Art Museum will host its annual BFA and MFA thesis exhibitions, opening May 1. The MFA exhibition, 'Where We Ended Up,' features interdisciplinary artists Arch Jones and Ezekiel Martey, while the BFA show, 'Raw Perception,' showcases works by nine graduating students across diverse media including painting, sculpture, photography, and ceramics.
Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.
Le mostre più particolari e ricercate da vedere a Bruxelles nella primavera 2026
Brussels is hosting a series of niche and research-focused contemporary art exhibitions in spring 2026, coinciding with the 42nd edition of Art Brussels. Highlights include Jean-Michel Othoniel's "Diary of Happiness" at the Boghossian Foundation, Caroline Achaintre's "Extrazimmer" at La Verrière, a six-decade survey of the Art & Language collective at Fondation CAB, and a dialogue between Nassos Daphnis and Rita McBride titled "Abstract Constructions."
Summer exhibitions are opening across East and South Texas at venues including the Art Museum of Southeast Texas, the Beeville Art Museum, the Longview Museum of Fine Arts, the Museum of East Texas in Lufkin, and the Rockport Center for the Arts. Highlights include Janavi Mahimtura Folmsbee's 'Magic Water' at the Rockport Center for the Arts, a 2026 FotoFest Biennial Participating Space; Jennifer Arnold's 'A Layered Space: Coming Up For Air (v.6)'; Elena Rodz's 'Byways' as part of the Past Master Artists | Rockport Legends exhibition; Bill Pangburn's 'Printed Traces – A Neches River Journal' at the Art Museum of Southeast Texas; and Woody Gwyn's 'Skylight On Water, Trees, Rock and Road' at the Art Museum of South Texas.
An exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring works by veteran artist Ward Nichols, opened at the Wilkes Art Gallery in North Wilkesboro, North Carolina on April 17. The opening event included a jazz performance by the Todd Wright Trio, hors d’oeuvres and drinks, and a street closure on C Street / Ward Nichols Way. Nichols, a full-time professional artist for over 60 years, has participated in 200 group shows, more than 170 solo exhibitions across 94 galleries and museums in 24 states, and has received 30 major awards including the Grumbacher Award of Merit from the El Paso Museum of Art. The exhibit runs through June 17.
Kleine Formate, große Spannungen
The Paper Positions art fair in Berlin is celebrating its tenth anniversary, held in the vast Tempelhof Airport hangar with around 70 galleries. The fair focuses exclusively on works on paper, showcasing artists like Kubra Khademi, whose series "Women in simple situations" features nude female bodies as acts of resistance and political visibility. Other highlights include Annegret Soltau's pierced paper works, Una Ursprung's layered collages, Dirk Krecker's typewriter compositions, and Tina Heuter's tissue-paper sculptures, alongside photography by Stefanie Moshammer and vibrant works by Madita Kloss.
Leon Botstein, president of Bard College since 1975, has discussed retiring and transitioning to a faculty role as a historian and musician once a successor is found, following backlash over his ties to Jeffrey Epstein. According to a Times Union report, no timeline has been set, and the 79-year-old appears to have no immediate plans to leave. Botstein has held multiple meetings with students and staff since February, when details of his relationship with Epstein—including over 2,800 mentions in Epstein-related files—were revealed. He has characterized his eventual departure as a consequence of age, not the controversy, and stated that a search for a successor will begin after a law firm review of his Epstein interactions concludes by the end of May.
French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.
Emerging artist Charlie Gosling, a 2023 graduate of Camberwell College of Arts, is gaining attention for his evocative portraits that draw comparisons to Frank Auerbach and Willem de Kooning. His second solo exhibition at London's Incubator gallery, titled "Good Luck with Me Here," features intimate portraits of friends and family, created through a process of layering and scraping paint to achieve an almost abstract quality. The show runs until 24 May.