New York’s Newest Triennial Lines Up 39 Artists for Star-Studded First Edition Along the Erie Canal

The Medina Triennial has announced the artist lineup for its inaugural edition, set to open on June 6 in the Western New York village of Medina. Curated by co-artistic directors Kari Conte and Karin Laansoo, the exhibition features 39 international and local artists, including Venice Biennale winner Lina Lapelytė, Taysir Batniji, and Tania Candiani. The event is centered around the Erie Canal and explores the theme "All That Sustains Us," focusing on ecology, sustainability, and community exchange.

Ukraine Sanctions Russian Culture Figures Linked to Country’s Participation in Venice Biennale

Ukrainian President Volodymyr Zelenskyy has issued a decree imposing sanctions on five Russian cultural figures involved in the Russian Pavilion for the 2026 Venice Biennale. The sanctioned individuals include pavilion commissioner Anastasia Karneeva, former culture minister Mikhail Shvydkoy, and three performers from the Intrada Ensemble. Ukrainian officials argue that these figures use international art platforms to legitimize Russian aggression and spread state propaganda, specifically citing past activities in occupied territories like Crimea and Donetsk.

Faig Ahmed on Representing Azerbaijan at the 61st Venice Biennale

Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.

The Politics of Russia’s Return to the Venice Biennale

Russia has announced its intention to return to the Venice Biennale in 2026, marking its first participation since the full-scale invasion of Ukraine in 2022. The proposed pavilion, titled "The Tree is Rooted in the Sky," plans to feature 38 participants from Russia and several Global South nations. The announcement has sparked intense backlash from the European Commission and culture ministers across 22 countries, who argue that Russia’s presence undermines democratic values and serves as a tool for "dark cultural diplomacy."

Biennale Jogja 18 Review: Occasional Moments of Brilliance

The 18th edition of Biennale Jogja, titled 'KAWRUH: Land of Rooted Practices,' explores Javanese concepts of lived knowledge and alternative epistemologies to challenge Western, human-centric frameworks. The exhibition is split into two phases: a process-driven residency in Boro Hamlet and a larger presentation featuring 60 artists across 11 venues in Yogyakarta. While the show features standout works like Faisal Kamadobat’s mythological illustrations and Yuta Niwa’s cross-cultural mandalas, the physical experience is marred by unfinished venues and logistical hurdles.

Thailand Biennale 2025 Review: Beyond the Tropical Paradise

The fourth Thailand Biennale, titled 'Eternal [Kalpa]', has launched across 19 venues in Phuket, aiming to challenge the island's reputation as a mere tropical leisure destination. Curated by a team including Hera Chan, the exhibition utilizes diverse locations—from municipal gymnasiums to mangrove forests—to explore themes of subjective time and local history. Despite logistical delays that saw some artists still installing works during the press preview, the biennial presents a series of site-specific commissions that engage with Phuket’s ecological and social complexities.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

In Venice, Su Xiaobai will fill a historic palazzo with works crafted in natural lacquer

Artist Su Xiaobai will present a major solo exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel as an official Collateral Event of the 61st Venice Biennale. Curated by Stephen Little of LACMA, the show features 35 works spanning two decades, highlighting Su’s transition from oil painting to the mastery of natural lacquer. The exhibition includes his latest series, "Niao Niao," which utilizes mineral and metallic powders to create monochromatic, ethereal surfaces that emphasize material spontaneity over rigid artistic control.

See Inside the Venice Biennale’s Newly Renovated Central Pavilion Ahead of the 2026 Edition

The Central Pavilion of the Venice Biennale has reopened after a €31 million renovation completed ahead of the 2026 edition. The 16-month project, funded by the Italian Ministry of Culture, streamlined the historic building's interior, concealed technical systems, added new skylights and motorized shades, and introduced outdoor structures to better connect the pavilion to the Giardini landscape.

San Francisco Mural of Cesar Chavez Painted Over, Venice Mayor Warns Russian Pavilion Against Peddling Propaganda: Morning Links for March 20, 2026

A prominent mural of Cesar Chavez in San Francisco's Mission District was painted over by the building owner and the original artist in response to sexual abuse allegations against the late labor leader. The artwork, which had adorned the Latin Rock Music House, was removed as a direct statement against the confirmed allegations.

OSCAR SANTILLAN TO REPRESENT ECUADOR AT THE 61ST VENICE BIENNALE

Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.

Gabrielle Goliath to Show Work Banned from Venice Biennale Outside Main Exhibition

South African artist Gabrielle Goliath will present her work 'Elegy' at the Chiesa di Sant’Antonin in Venice, after her government-appointed exhibition for the South African pavilion at the 61st Venice Biennale was abruptly canceled. The pavilion will remain empty for the event's duration, while Goliath's project, sponsored by the Bertha Foundation and London's Ibraaz, will be shown nearby from May to July.

The Milan fair dedicating an entire day to reflecting on the state of Italian art: 8 straight hours of conversations

A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni

The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

Even exhibition catalogues can become manga: The case of Yuko Mohri

Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri

The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.

MAYA WATANABE IN A GROUP EXHIBITION AT THE HOSPEDALETTO COMPLEX IN VENICE

The In Between Art Film Foundation has announced "Canicula," the final installment of its "Trilogy of Uncertainties," set to open at the Ospedaletto Complex during the 2026 Venice Biennale. Curated by Alessandro Rabottini and Leonardo Bigazzi, the exhibition features eight international artists, including Peruvian video artist Maya Watanabe, whose work investigates memory and the politics of representation. The show utilizes the unique architecture of the Ospedaletto’s church and music hall to create immersive environments exploring themes of environmental and political pressure.

"Suddenly it was a completely different world"

"Es war plötzlich eine ganz andere Welt"

Margot Pilz, a pioneer of the feminist avant-garde, is reviving her historic 1982 art intervention "Kaorle" for the Klima Biennale in Vienna. Originally conceived as Europe's first urban beach, the installation transformed Vienna's Karlsplatz by depositing tons of sand and installing a palm tree, deck chairs, and a synthetic whale in a pond to create a surreal coastal escape in the city center.

Choreography Instead of Cartography

Choreografie statt Kartografie

The third edition of the Diriyah Contemporary Art Biennale, titled "In Interludes and Transitions," has opened in the JAX District of Diriyah, Saudi Arabia. Featuring works by approximately 70 artists across five converted warehouses, the exhibition is curated by Nora Razian and Sabih Ahmed with a scenography designed by Formafantasma. Despite regional geopolitical tensions, the event showcases major installations by international artists such as Petrit Halilaj and Thao Nguyen Phan, emphasizing a "choreographic" rather than cartographic approach to global art.

Kazakhstan Presents “Qoñyr: Archive of Silence” at Venice Biennale

Kazakhstan has unveiled details for its national pavilion at the 61st Venice Biennale, titled “Qoñyr: Archive of Silence.” Curated by Syrlybek Bekbota, the exhibition features nine artists including Smail Bayaliyev, Asel Kadyrkhanova, and Ardak Mukanova, and will be hosted at the Museo Storico Navale. The presentation utilizes the Kazakh concept of "Qoñyr"—a term encompassing specific colors, sounds, and scents—to explore themes of Soviet domesticity, nuclear trauma, and cultural heritage through sound installations, video, and archival assemblages.

Mongolia Pavilion Announces Artistic Team for 2026 Venice Biennale

Mongolia has selected artists Nomin Bold, Dorjderem Davaa, Gerelkhuu Ganbold, and Tuguldur Yondonjamts to represent the country at the 61st Venice Biennale in 2026. The pavilion, titled 'Entanglements: Connectivities Across Borders,' will be curated by Uranchimeg Tsultem and Thomas Eller and will explore interspecies relations, spirituality, and historical trade links, specifically the Mongol Empire's 13th-century connections to Venice.

ArtReview Asia Spring 2026 Issue Out Now

The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.

Saodat Ismailova at Portikus

Portikus in Frankfurt is presenting a solo exhibition by Saodat Ismailova, featuring new and existing works. The show includes video installations, photographs, and other media that explore themes of memory, spirituality, and Central Asian cultural heritage.

Whitney Biennial Between Cuteness and Panic

Whitney-Biennale zwischen Niedlichkeit und Panik

The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.

Timor-Leste Pavilion Reveals Details for 2026 Venice Biennale

Timor-Leste has announced the details of its national pavilion for the 2026 Venice Biennale. Titled "Across Words," the exhibition will be directed by curator Loredana Pazzini-Paracciani and feature works by artists Verónica Pereira Maia, Etson Caminha, and Juventino Madeira, focusing on the nation's ethnolinguistic diversity. The pavilion will be located in the Arsenale and run from May 9 to November 22.

THE WIND AS PROTAGONIST AT THE FINLAND PAVILION

Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.

Johannes Phokela: Exploring Virtue, Contradiction, and Power at the Venice Biennale 2026.

South African artist Johannes Phokela is set to showcase a significant body of work at the 2026 Venice Biennale, building on his recent series 'The Seven Virtues' and 'Original Sin'. Curated under a vision initiated by the late Koyo Kouoh and supported by Eclectica Contemporary, Phokela’s paintings subvert the aesthetics of European Old Master traditions. His works, including 'Fides' and 'Temperantia', utilize Baroque visual languages to critique constructed morality, institutional power, and the performance of virtue.

Minor Keys, Major Shifts: Sierra Leone’s Resonant Debut in Venice.

Sierra Leone has made its inaugural appearance at the 61st Venice Biennale with a pavilion titled 'Worlds of Today' located at the Liceo Guggenheim. Curated with a focus on "minor keys" rather than grand spectacles, the exhibition features Sierra Leonean artists Hawa-Jane Bangura, Ayesha Feisal, Hickmatu Bintu Leigh, and Abu Bakarr Mansaray alongside practitioners from other ECOWAS nations. The pavilion functions as a sensorial, porous space that prioritizes communal resilience and spiritual epistemologies over the commodification of identity.

‘Washwasha’ (Whispers Across Water): Sonic Cartographies of the UAE at the Venice Biennale.

The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.

The Procession as a Form of World: Latin American Artists at the Diriyah Biennale

LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH

The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.