Lake City, South Carolina, is set to host the annual ArtFields festival from April 10 to May 2, 2026. The event transforms the town into a massive gallery, displaying hundreds of works by Southeastern artists across local boutiques, restaurants, and historic warehouses. This year's competition features over $100,000 in prize money, with winners determined by both a professional jury and a popular vote.
The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.
The Gallery at Bowie House in Fort Worth is launching a new exhibition titled "Memory Lane," featuring abstract works by artists Carly Allen Martin and Erik Skoldberg. Since opening in December 2023 within the luxury Auberge Resorts Collection hotel, the gallery has integrated fine art into every guest room and public space, selling hundreds of works ranging from $30,000 to several hundred thousand dollars. The upcoming show marks a shift for the space, moving from its typical figurative Western aesthetic toward contemporary abstraction.
The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.
The National WWII Museum in New Orleans will host the traveling exhibition "Degenerate! Hitler's War on Modern Art" from November 6, 2025, through May 10, 2026. Originally created by the Jewish Museum Milwaukee, the show examines the Nazi campaign against modern art and music, featuring over 65 original works by artists such as Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall. It explores how modernist art was labeled "degenerate" by the Third Reich, used as propaganda, and systematically suppressed, with many works seized, destroyed, or sold. The exhibition also expands into music, highlighting the suppression of jazz and works by Jewish composers.
The Bowdoin College Museum of Art (BCMA) has announced a major exhibition and long-term loan partnership with the Wyvern Collection, a prestigious London-based private collection of medieval art. The first exhibition, "Medieval Art from the Wyvern Collection: Global Networks and Creative Connections," will open this fall, featuring more than 57 artworks on long-term loan combined with objects from BCMA's own holdings. The show highlights cross-cultural connections across a vast geographic range—from Japan to Mexico, northern Europe to Africa—challenging traditional Eurocentric views of the Middle Ages.
The Paul Collins Art Gallery at Grand Rapids Community College is currently hosting its annual Student Show, featuring artwork created by GRCC students throughout the year. The exhibition, which runs until April 22, is the gallery's final rotation before the fall semester and includes pieces selected by the art department faculty from various classes, though some disciplines like interior design are underrepresented due to display challenges.
Ten artists have accused Arusha Gallery, which operates in Edinburgh and London, of failing to pay them nearly half a million pounds for sold works, with some waiting months or years for payment. Artist Charlotte Keates claims she is owed approximately £430,000 from sales dating back to 2023, while gallery owner Bella Arusha Collins King disputes the amount and asserts the gallery is entitled to a 50% cut from a collaboration Keates entered with Hermès. The gallery acknowledges missing payments, citing a downturn in the art market and the unexpected death of co-owner Guy Rowland Maxwell Bargery in January.
The Anton Art Center in Mount Clemens, Michigan, will open a dual exhibition on April 26 featuring the Member’s Exhibition 2025 and the Emerging Women Artists of Metro Detroit, presented by the Detroit Society of Women Painters and Sculptors (DSWPS). The shows will display 90 original artworks by 74 artists across the center’s first and second floors through June 14, with a juried selection process led by artist Dan Keller for the members’ show and center exhibition manager Stephanie Hazzard for the emerging artists competition.
Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.
UK artist Matthew Collings has condemned the cancellation of his art exhibition "Drawings Against Genocide" in Margate, England, after UK Lawyers for Israel (UKLFI) accused the show of being antisemitic. The exhibit featured 130 drawings depicting Israeli military, political officials, and business leaders, which Collings describes as artistic metaphors for Zionism, brutality, and violence. Collings insists the work is against genocide, not against Jews, and criticizes the conflation of antisemitism with pro-Palestine activism.
The Alliance for the Arts in Fort Myers will open its 40th Annual All Florida Exhibition on March 6, running through March 28. The juried show features 43 works by 39 artists selected from over 450 submissions, representing a wide range of styles and media from across the state. Concurrently, the venue will host 'Selected Works by Ralph Bigletti' in the Theater Gallery and 'Marilyn Hedlund’s Fine Art Acrylics Students’ Showcase' in the Member Gallery, with a free public opening reception on March 6.
Salon 21 by Alex Bass hosted an intimate garden dinner at the Maidstone Hotel in East Hampton, celebrating its summer exhibition “La Dolce Vita” and previewing the gallery’s fall reopening in a new WSA space. The event brought together art world insiders, design leaders, and creative peers, including curator Sharon Coplan Hurowitz, Watermill Center Managing Director Elise Herget, and lifestyle expert Katie Sands Bochner, for an Italian coast-inspired evening of seafood, rosé, and conversation.
The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects in its first grant round since President Donald Trump dismissed nearly all members of the National Council on the Humanities. The largest grants—$10 million each—went to the University of Texas at Austin and the Foundation for Excellence in Higher Education (FEHE), with other significant awards to the Abigail Adams Institute, Grand Central Atelier, and the Museum of the American Revolution. Many funded projects emphasize American exceptionalism, classical philosophy, civics, and Western canonical texts, reflecting the Trump administration's conservative priorities.
Miami Beach is launching a free water taxi program for the second year, starting December 1, to shuttle passengers between the island and mainland every ten to fifteen minutes, with connecting shuttles to the Convention Center and Collins Avenue. The initiative comes as severe traffic congestion during Miami Art Week has driven some exhibitors away from NADA’s inland fairgrounds, with dealers reporting that collectors often abandon trips midway due to gridlock.
The University of Hawai‘i at Mānoa is hosting its 2026 MFA Thesis Exhibition from March 7 to March 29 at The Art Gallery. The showcase features the culminating work of five Master of Fine Arts candidates: Diane Chen, Ashley Jeneé Collins, Caroline Holmes, Sheldon Wong, and Mia Zheng. The exhibition represents the final requirement for the terminal degree in visual arts, highlighting a diverse range of practices from personal narratives to broader contextual explorations.
A multi-generational art exhibition opened at The People's Museum in Limerick on a December evening, featuring works by Michael Collins, Clare Hartigan, Barbara Hartigan, Oisín Cleary, Teresa Collins, and Martin Finnin. The launch, supported by wine from Rocky of The Commercial pub, drew a community crowd and continued with an after-party, blending family ties and artistic disciplines across decades.
Lisja Tërshana, co-founder of Khrais–Tërshana, an art dealership and production studio based in London with operations between Tirana and Krakow, discusses her unconventional path from law to the art world. After studying law in London and passing the Solicitor Qualifying Exam, she enrolled in Central Saint Martins' MA Innovation Management, where she met co-founder Sofian Khrais. The dealership operates across three distinct art markets: Poland's confident and institutionally anchored scene, Albania's emerging infrastructure with few international commercial galleries, and London's established yet innovative market. Tërshana emphasizes the importance of curation in her work, blending market instincts with curatorial vision, and draws on her legal background to ensure fairness and trust between artists and collectors.
Aspen Grove Fine Art will present “What is Real: The Echoes of Ashley Collins,” the most expansive collection of artist Ashley Collins’s work ever shown in the United States. The exhibition features large-scale mixed-media paintings and includes private and public opening receptions on August 1–2, 2025, with artist talks, live music, and cocktails sponsored by Aspen Vodka. A companion online viewing room, “UNBROKEN: The Art of Ashley Collins,” has also launched for remote collectors.
A tribute exhibition titled "Jennifer Johnson: Atmosphere, Colour and Light" will be held at The Loft Studio, Salcombe Art Club, from May 24 to June 7, 2025, celebrating the life and work of Devon-based artist Jennifer Johnson, who died last year after a long battle with cancer. The exhibition, organized by her son Christopher Derrick, will showcase her extensive body of work—including watercolours, oils, drawings, collages, and digital art—and will raise funds for St. Luke’s Hospice, which cared for her in her final days.
Hotel Confidential is a new contemporary art exhibition hosted at the Royal Hotel in Picton, Ontario, featuring original projects by 16 artists. The show utilizes the hotel's Annex Building to display site-specific installations, such as a collection of vintage suitcases containing miniature dioramas and various architectural interventions. Co-curated by Stacey Sproule and Christina Zeidler, the event aims to bridge the gap between the region's luxury tourism industry and its dense local artist community.
Emory University undergraduate students are exhibiting their artwork at the High Museum of Art in Atlanta through November 2, in the museum's Greene Family Education Center. The exhibition, the first of a planned annual show, features 18 pieces by six students, three of whom curated the show after being selected by a panel of judges from Emory Libraries and the Michael C. Carlos Museum. Students worked with faculty sponsors and High Museum staff to install the work, gaining hands-on experience in exhibition planning, artist statements, and professional presentation.
Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.
Grove Gallery in Evanston, Illinois, is hosting its annual water conservation exhibition, 'Horizons: the Waterscapes,' opening Saturday from 2 to 5 p.m. and running through May 24. The show features ten artists, including Louise LeBourgeois, Mark Collins, and Ted Glasoe, whose works explore water-themed subjects across various styles. Twenty percent of all sales revenue will be donated to the Alliance for the Great Lakes, a nonprofit focused on protecting the Great Lakes. The exhibition includes paintings, photographs, and prints, with a talk by LeBourgeois scheduled for May 17.
A traveling art exhibition called Hear/Say, part of the Tea on THC campaign, will open May 27 at the Center for Creativity in Fort Collins, Colorado, and run through May 31. The exhibition combines scientific research with visual art—including painting, sculpture, photography, mixed media, and installation—to spark public conversations about the health impacts of high-potency cannabis. It is organized by the Colorado School of Public Health and Initium Health following Colorado House Bill 1317, which mandated research and public outreach on high-potency THC products. A free opening reception is scheduled for May 29, with additional events planned in Colorado Springs in June.
Curator and artist Louise Cutler has organized the Inside Out Pop-Up Art Exhibit at the Shops at Foothills mall in Fort Collins, Colorado, filling empty storefronts with works by 11 local artists. The exhibit, open through June 30, features a variety of art forms including abstract pieces and landscape paintings, and held a reception on April 24 to draw attention to the spaces. Artists like Cherokee Carr and Chavez (mononym) participate, using the platform to connect with the community and spark conversations.
An Edmonton artist and nursing students have created an art exhibit called 'LONGEVITI' that tells the stories of cancer patients undergoing chronic treatment. The project features works by a cancer survivor, using art as a medium to express her healing journey and share her experience with the community.
The Marblehead Arts Association (MAA) launched its fourth annual 'Variations' national art exhibition, drawing over 400 attendees. The show features 190 selected works from nearly 800 submissions across fine art, photography, and 3D categories, judged by artists Christina Grace Mastrangelo, Lou Jones, and Simon Kogan. Prizes were awarded in each category, and curator Paul McMahan arranged the galleries thematically to emphasize the exhibition's focus on diverse interpretations.
Cledie Taylor, a pioneering Detroit artist, gallerist, and educator who championed the city's Black artisans and shaped its art curriculum, has died at the age of 100. Born in Arkansas in 1926, she moved to Detroit as a child and became a central figure in the local art scene, co-founding the influential artist collective Arts Extended in the 1950s.
Artist Keely O'Brien has transformed the Richmond-Brighouse SkyTrain station in Vancouver into a public gallery with her exhibition "Secret Ingredients." Part of the Capture Photography Festival, the installation features large-scale photographs of decadent, homemade cakes iced with unconventional messages like "You Snore" or "I'm So Proud of You." These images originated from a social experiment where O'Brien solicited anonymous confessions from the public and delivered them as custom-baked confections to recipients across the city.