The Walker Guest House, a 1953 architectural pavilion designed by Paul Rudolph, has been transported from Florida and reassembled inside the Pacific Design Center in West Hollywood. It is being offered for sale for $2 million as part of the Basic.Space L.A. high-design shopping event, complete with original furnishings and architectural drawings.
The Loyola University Museum of Art (LUMA) has opened "Freedom in Form: Richard Hunt," an exhibition showcasing the work of the late Chicago sculptor who created over 160 public monuments across the U.S. The show, which runs through Nov. 15, 2025, features sculptures, maquettes, tools, and selections from Hunt's personal library, offering an intimate view of his career. It premiered in 2024 at the Abraham Lincoln Presidential Library in Springfield, where it was organized after First Lady of Illinois M.K. Pritzker recommended Hunt. The exhibition includes early works like "Hero's Head" (1956), inspired by Emmett Till, and later pieces such as "Hero Ascending," planned for installation at the Emmett Till/Mamie Till-Mobley historic landmark home.
A painting attributed to JMW Turner, titled *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, is set to be auctioned at Sotheby’s London on 2 July with an estimate of £200,000–£300,000. The work was sold last year at Dreweatts Donnington Priory for just £524.80, then catalogued as a follower of Julius Caesar Ibbetson. After a collector purchased it and arranged restoration, Turner’s signature was uncovered, and leading Turner scholars unanimously endorsed the attribution. The painting, made in 1792 when Turner was 17, depicts Hot Wells House in Bristol and was exhibited at the Royal Academy in 1793.
Sculptor K. S. Radhakrishnan personally led an exclusive walkthrough of his exhibition "Once Upon a Sculptor" at Chawla Art Gallery. The event offered attendees an intimate look at his artistic evolution, from early works to his iconic Maiya and Musui figures, with the artist sharing insights into his ideas and processes.
During the fourth annual Guadalajara Art Week, held in late September 2025, Mexico's art world converged on the city for five days of fairs, exhibitions, public programs, and studio tours. Key events included Estación Material, a boutique fair launched by Material Fair director Brett Schultz, where galleries presented single-artist installations; a performance art showcase by Salón Acme's Estudio Acme program; and a new edgy fair called Temporal, held in a dilapidated downtown building. Standout artists included Sebastián Hidalgo (showing with Saenger Galería) and Othiana Roffiel (with Galería Karen Huber). The week also featured exhibitions in distinctive venues such as a 1940s garment factory, a 19th-century cemetery, and Casa Cristo, an early work by architect Luis Barragán.
The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.
The Musée Fabre in Montpellier has acquired two 18th-century French paintings at auctions held by Artcurial in September 2025. The first is an "Allégorie de la Poésie" (1774) by Élisabeth Louise Vigée Le Brun, purchased for €250,000 with support from the museum's corporate foundation and a special grant from the Fonds du patrimoine. The painting, which depicts the early struggles of the future portraitist, was previously owned by Henry and Catherine Robert and had been exhibited in a major retrospective at the Grand Palais a decade ago.
The Museum of Contemporary Art Jacksonville announced a new exhibition featuring Jacksonville-based artist Amer Kobaslija. Titled "Outside Looking In: The Paintings of Amer Kobaslija," the show runs from April 30 to September 20 and traces his artistic journey from early works to the present. It includes series such as Florida Diaries, One Hundred Views of Kesennuma (inspired by Japan's 2011 tsunami), and his ongoing Artist Studios series. Kobaslija, originally from Bosnia and Herzegovina, draws on his experiences as a refugee and life across multiple countries, exploring themes of memory, displacement, and belonging.
An art exhibition in Millom, Cumbria, will honor the late artist David Frederick Bates (1929–2024), whose sketches and paintings from 1949–50 document the town's ironworks, mines, and landscapes. Organized by Millom and District Local History Society in partnership with Holy Trinity Church, the show runs June 13–15, 2025, and includes a talk by Bates's son Malcolm. The exhibition also features works by Bates's wife June Moss and by Jim Billsborough, a former student of Bates.
Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione
Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.
New Art Projects gallery in London is presenting a solo exhibition of Anna Thew, an artist whose practice spans painting, performance, filmmaking, and music. The show brings together historic and recent works on paper and film, including pieces never before shown or screened, and will feature a new multi-screen projection created for the duration of the exhibition. Thew first made a film in 1980 and gained a reputation for challenging the Structuralist Materialist school of British experimental cinema through works that emphasize emotive content, poetic editing, and spoken word soundtracks.