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Dallas Museum of Art to Host “International Surrealism” Exhibition

The Dallas Museum of Art (DMA) will present "International Surrealism," a major exhibition in collaboration with Tate London, opening November 2, 2025, and running through March 22, 2026. Marking the centenary of the first Surrealist exhibition in 1925, the show features over 100 works from Tate’s collection, including pieces by René Magritte, Salvador Dalí, Lenora Carrington, Wifredo Lam, Malangatana Ngwenya, Alberto Giacometti, Dorothea Tanning, and Jackson Pollock. The exhibition aims to decentralize Surrealism by presenting works from around the world, alongside printed ephemera and publications from the early 1900s. Tickets go on sale October 7, 2025, with early access for DMA members on October 6.

Meet Elizabeth Catlett in 11 Facts

Elizabeth Catlett (1915–2012) was a sculptor, printmaker, feminist, and social activist whose art was inseparable from her life and politics. Born in Washington, DC, to parents who worked in education, she faced racial discrimination early on—denied a scholarship to the Carnegie Institute of Technology and paid less than white colleagues as a teacher. She became the first Black woman to earn an MFA from the University of Iowa, studying under Grant Wood, and later taught at the George Washington Carver School in Harlem, where she connected with Harlem Renaissance figures. Catlett moved to Mexico, married artist Francisco Mora, and created woodblock and linocut prints for 20 years. She was investigated by the House Un-American Activities Committee, declared an "undesirable alien," and became a Mexican citizen in 1962. Her work centered on Black and Mexican women, and she famously stated, "We have to create an art for liberation and for life."

Moving On Up: 24 Museum Curators and Art Leaders Who Took on New Appointments in First Half of 2025

Culture Type has published its annual list of new appointments among museum curators and arts leaders for the first half of 2025, highlighting two dozen hires and promotions at major institutions. Notable appointments include Deana Haggag as program director for arts and culture at the Andrew W. Mellon Foundation, Ann Collins Smith as chief curator at the New Orleans Museum of Art (the first Black American in a full-time curatorial role there), and Vincent van Velsen as head of exhibitions at Eye Filmmuseum in Amsterdam. The list also features curators such as Alisa Chiles at the Virginia Museum of Fine Arts and Brittany Webb at the Museum of Fine Arts, Houston.

An expansive monograph of Celia Paul paints a portrait of a single-minded, singular artist

A new monograph on Indian-born British painter Celia Paul (b. 1959) presents an expansive survey of her career, featuring over 500 color reproductions and essays by Hilton Als, Clare Carlisle, Karl Ove Knausgaard, Edmund de Waal, and Rowan Williams, alongside contributions from the artist herself. The book traces Paul's trajectory from her training at the Slade School of Fine Art and her decade-long relationship with Lucian Freud to her recent solo exhibition *Colony of Ghosts* at Victoria Miro in London, positioning her as a singular figure distinct from the shadow of Freud and the School of London painters.

The Artsy AI Survey 2026: What Galleries Really Think About AI in the Art World

Artsy has released its 2026 AI Survey, capturing the perspectives of over 1,000 galleries worldwide on the integration of artificial intelligence into the art ecosystem. The report details how galleries are currently using AI tools for operations, marketing, and sales, while also revealing their cautious optimism and significant concerns about its impact on artistic authorship and market dynamics.

Memorial Art Gallery raises $9 million to make admission free in 2027

The Memorial Art Gallery (MAG) at the University of Rochester has raised over $9 million through its "Free for All, Forever" fundraising initiative, surpassing its original goal and timeline. The museum will now open its doors free of charge to all visitors sometime in 2027, much sooner than anticipated. Key donors include Alexander and Lucy Levitan, who contributed a $1 million capstone gift; Doug and Abby Bennett and the Sands Family Foundation, who gave a $3 million leadership gift; and Mary Ellen Burris, who donated $2 million. The announcement was celebrated at MAG's Flourish For All, Forever gala on May 9, 2026.

parties artists and mothers gala wsa

Over 250 supporters gathered at downtown creative hub WSA on Sunday for the first annual gala of the nonprofit Artists & Mothers, a sold-out fundraiser for the organization’s hallmark $25,000 childcare grants supporting artists with children under three. The event featured interactive installations by Ei Arakawa-Nash, Lisa Alvarado, and Maia Ruth Lee, performances by DJ Cardamami, Sophie Becker, Zeena Parkins, and others, and was attended by co-founders Julia Trotta and Maria De Victoria, incoming First Lady of New York Rama Duwaji, numerous artists, curators, patrons, and gallerists.

us artists struggle with food and healthcare insecurity study

A national survey commissioned by the Mellon Foundation and conducted by NORC at the University of Chicago has produced a 102-page report on the livelihoods of 2,618 US artists across five disciplines—performing arts, visual arts, writing, craft arts, and other arts—broken into 37 subdisciplines. Key findings reveal that 34% of artists are fully self-employed, 50% are self-employed in their primary job, and 11% hold three or more jobs. More than 57% of artists report being worried about financial vulnerabilities, including food (22%), housing, medical costs (32%), or utilities, while 28% provide unpaid care for a loved one and 8% have served in the military.

The Ohio Art League's Newest Exhibit Features Uncensored, Provocative Art at RAW Gallery

The Ohio Art League has opened a new exhibition titled "Uncensored" at RAW Gallery in Downtown Columbus, running from July 13 through September 12, 2025. The show features provocative, unfiltered artworks that address politically charged topics such as gun violence and reproductive rights. Participating artists include Jim Bowling, a professor at Otterbein University, whose sculpture "Second Amendment Rites" critiques gun violence and was previously questioned for being "too political"; Gwen Waight, whose assemblage "Free Abortion" was censored in another show over funding concerns; and Kenia LaMarr, a master's student at Ohio State University, whose painting "Virtuous Intimacy" explores the sexualization of women's bodies. The exhibition is free and open to the public.

In April, there are 29 shows at art centers including this year's International Baccalaureate Visual Arts Exhibition

Southwest Florida's art scene is experiencing a significant surge this April, with over a dozen art centers from Sarasota to Marco Island hosting 29 distinct exhibitions. Highlighting this seasonal peak, Art Center Sarasota is featuring major solo and group shows, including Herion Park’s fiber sculpture installation "UnBroken," Kendra Frorup’s exploration of cultural memory in "At Home Anywhere," and a curated group exhibition titled "Rooted in Community" focusing on historically Black neighborhoods.

Regional exhibition of Ohio Collage Society opening May 29 at Coburn Art Gallery

The Coburn Art Gallery at Ashland University in Ashland, Ohio, will host a regional exhibition featuring 70 works by members of the Ohio Collage Society from May 29 through July 24. The free opening reception takes place on May 29 from 6 to 7:30 p.m., showcasing two-dimensional and three-dimensional collages that explore diverse materials and techniques. Featured artists include Anita Burgess, Nancy S. Sotka, Mary Ann Sedivy, and others.

Faig Ahmed Weaves Mysticism, Science, Technology, and Craft into ‘The Attention’

Faig Ahmed, the Baku-based artist known for transforming traditional Azerbaijani carpets into melting, glitching textile sculptures, has opened a solo presentation at the 61st Venice Biennale, where he represents Azerbaijan. Titled 'The Attention,' the sprawling, maze-like installation curated by Gwendolyn Collaço explores science, alchemy, spirituality, and self-perception, weaving together digital processes with handcrafted techniques. Works include monumental machine-woven carpets like 'I Can Contain Both Worlds But I Do Not Fit Into This One,' a handwoven piece called 'Ancestors' that glows under black light, and 'Entropy Altar,' which uses a quantum random number generator to respond to visitors. The exhibition bridges 15th-century Hurufi mysticism with modern information theory, reflecting Ahmed's interest in consciousness, quantum physics, and the dialectic between measurable science and subjective experience.

At the 2026 Met Gala, 'Fashion is Art.' Here's what to expect

The 2026 Met Gala will take place on the first Monday in May at New York's Metropolitan Museum of Art, supporting the Costume Institute. The spring exhibition is titled "Costume Art" and will be the first to occupy the new Condé M. Nast Galleries. The dress code is "Fashion is Art," inviting guests to explore fashion as an embodied art form. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with Jeff Bezos and Lauren Sánchez Bezos as honorary chairs. The event will be livestreamed by Vogue, hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain.

Met Gala 2026 – Everything to know about fashion's biggest night

The Metropolitan Museum of Art's 2026 Met Gala will take place on May 4, themed "Costume Art" to highlight fashion as a central artistic discipline. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee featuring Anthony Vaccarello, Zoë Kravitz, and other celebrities. The event coincides with the opening of the new Condé M. Nast Galleries and the spring exhibition "Costume Art," which pairs historic garments with artworks spanning 5,000 years. The dress code is "fashion is art," and the red carpet will be livestreamed by Vogue.

New Weatherspoon Exhibition Stitches Black Quilter’s Artistry, Life Stories

The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.

Hilliard Art Museum announces spring season featuring Andy Warhol

The Hilliard Art Museum at the University of Louisiana at Lafayette has announced its spring 2026 exhibition season, titled 'Spring Awake.' The season features a major focus on Pop Art and its legacy, with exhibitions including 'Andy Warhol: Plus One,' showcasing Polaroids gifted by The Andy Warhol Foundation, and a new exhibition by contemporary artist Rachel Libeskind. The program also includes 'Gulf Streams,' an exhibit blending field recordings from the Atchafalaya Basin with contemporary art, and continues the immersive installation 'Nervescape XI' by Hrafnhildur Arnardóttir (Shoplifter). The museum will host several public events, including an opening preview, a day-long fête, and an outdoor fundraising picnic.

‘A vehicle for change’: DePaul Artists Collective hosts American Surrealism gallery in Edgewater

DePaul Artists Collective, a student-run club, hosted an American Surrealism-themed gallery show on May 16, 2026, at 6311arts in Chicago's Edgewater neighborhood. The event featured student artworks and poetry readings, organized in response to the announced closure of DePaul Art Museum (DPAM) at the end of June, which has left the campus artistic community unsettled. Student leaders emphasized the need to create their own exhibition opportunities amid university budget cuts and reduced arts funding.

Ohio Collage Society exhibit opens at Ashland University gallery

The Coburn Art Gallery at Ashland University in Ashland, Ohio, is hosting a regional exhibition featuring 70 works by members of the Ohio Collage Society from May 29 to July 24. The free opening reception takes place on May 29 from 6 to 7:30 p.m. The show includes both two-dimensional and three-dimensional collages, highlighting diverse materials and techniques. Featured artists include Anita Burgess, Nancy S. Sotka, Mary Ann Sedivy, and others. The Ohio Collage Society was founded in 2007 by Gretchen Bierbaum, who also founded the National Collage Society.

abortion nonprofit claims artwork in malta biennale was censored

The second edition of the Malta Biennale is facing accusations of censorship from the abortion rights nonprofit Women on Waves. The organization claims that organizers first demanded the removal of the word "pills" from a banner reading "Need Abortion Pills?" before ultimately attempting to dismantle the installation entirely, citing a failure to meet "aesthetic quality standards." While the Biennale's communications director maintains the work remains in place and frames the dispute as a matter of "curatorial direction," activists provided video evidence of an attempted removal and argue the intervention is a suppression of critical health information.

Desert art and youthful joy fill Cobre Valley Center for the Arts

The Cobre Valley Center for the Arts in Arizona is hosting a month-long Desert Art Show through April, featuring hand-painted items, paintings, and photography from local and international artists including Debbie Yerkovich, Amanda Moore, Jessica Goodwin, Ivan Macarambon, and Wanda Mitchell-Tucker. During the same period, the Center celebrated the 'Week of the Young Child' with a special elementary student display titled 'A Joyful World,' showcasing artwork by local schoolchildren that explores themes of joy, family, and community. The children's exhibit also serves as a tribute to Carolyn Haro, a former key figure at the Center who had long envisioned such a display.

‘Shaping Community & Shifting Narratives’ art exhibit opening reception to take place March 6

The Flint Institute of Arts Museum & Art School is hosting the opening reception for 'Shaping Community & Shifting Narratives,' an exhibition featuring works by 12 women artists of African descent aged 60 and older. Representing the communities of Flint, Lansing, and Detroit, the show includes a diverse range of media such as ceramics, painting, glass, and fiber arts. A special tribute will be included for the late textile artist Ernestine Bains, whose legacy is being carried forward by her granddaughter, Camille Baines.

Trinity’s Widener Gallery Hosts First Fully Student-Curated Art Exhibition

Trinity College's Widener Gallery is hosting its first fully student-curated exhibition, 'Reshaping Tradition: Contemporary Explorations in East Asian Art.' The show, open through April 2026, was produced by students from the 'Art History 205: East Asian Art, Now to 1850' course, who selected the artists, refined the theme, chose the works, conducted artist interviews, wrote catalogue essays, and designed the exhibition layout, all under the guidance of gallery director Lisa Lynch and professor Michael J. Hatch.

Step into eight unique artistic worlds at Fresh Squeezed 10 in St. Pete

Fresh Squeezed 10, the tenth annual exhibition at the Morean Arts Center in St. Petersburg, Florida, is now on display through June 25. The show features eight emerging artists from across the state, each given their own dedicated gallery space, creating a series of mini solo exhibitions. Works range from painting and sculpture to digital art and immersive installations, including Kimberly Vorperian's walk-in 'Tomato Hut.' Artists explore themes of home, identity, family, and nature, with contributors including Alberto Alonso, Ysabel Flores, Angelina Palmisano, Clancy Reihm, Gwen Mehler, Jamie Rodriguez, and Gillian Probert.

PICKENS MUSEUM PRESENTS “CONTEMPORARY NATIVE ARTISTS” EXHIBITION AT CITY CENTRAL

The Pickens Museum has opened a new exhibition titled 'Contemporary Native Women Artists' in the atrium of City Central in Ponca City, Oklahoma. The showcase features paintings by Traci Rabbit, the late Bill Rabbit, and Gwen Coleman Lester, focusing on the strength, dignity, and creative vision of Indigenous women artists. The exhibition will be on view through September 2026.

One Art One Community: Exhibit illustrates the transformative power of art among the incarcerated

An unconventional art exhibition titled “One Art One Community” is on display at Case Western Reserve University’s Wade Park Community Engagement Center, featuring 46 works by 16 incarcerated artists from Grafton Correctional Institution. Curated by Eric Gardenhire, who directs the prison’s arts and crafts program, and co-curated by Megan Alves, the show replaces traditional artist statements with “Community Voice labels” written by Cleveland residents impacted by incarceration, including formerly incarcerated artist Gwendolyn Garth. The exhibit opened on October 30 and aims to bridge the gap between inmates and the broader community.

East Orange Arts Council Revives Cultural Vision with ‘Gallery Under the Stairs’ Opening

The Arts Council of East Orange has officially opened the “Gallery Under the Stairs” at City Hall, marking a significant revival of the city’s cultural programming. The inaugural exhibition features the work of Warren Murray, his late brother Russell Murray, and Janette Crayne Belcher, highlighting themes of family legacy and community storytelling. The event served as a public debut for Warren Murray, who began painting to honor his brother’s artistic memory, turning a personal grieving process into a community-facing creative practice.

SU master’s students present their work at local gallery

Three master’s students from Stellenbosch University—Rebekah Pringle, Thabo Ngwenya, and Emily Fitzgerald—launched an exhibition titled "Matter of Self: Private fragments, public forms" on 7 August at the Gallery University Stellenbosch (GUS). The show is part of a master’s review series that highlights their academic year progress. Pringle’s work explores her domestic experience and caretaker relationship with her grandmother using repurposed furniture; Ngwenya’s pieces address alienation as a Ndebele man in Zimbabwe through pop culture references and self-portraits as "boundary objects"; Fitzgerald’s art challenges patriarchy and heteronormativity using archival photographs, clay, and photolithographic processes.