The village where Van Gogh spent his final days celebrates its most distinguished visitor

An exhibition titled "Van Gogh, Influencer: Legacies in Motion" has opened at the Château of Auvers-sur-Oise, the village near Paris where Vincent van Gogh spent his final 70 days and died by suicide in July 1890. The show, running until 3 January 2027, features nearly a hundred works by artists influenced by Van Gogh, including Léonide Bourges, Charles-François Daubigny, and Léo Gausson, though no original Van Gogh paintings are included. Curated by Wouter van der Veen, the exhibition explores visual parallels and stylistic contrasts between Van Gogh’s iconic works—such as *Church at Auvers* and *Wheatfield with Crows*—and those of his contemporaries and followers.

A Dutch museum has just put its fake Van Gogh on show

The Kröller-Müller Museum in Otterlo has broken traditional museum protocol by placing a known forgery, "Seascape at Saintes-Maries-de-la-Mer," on public display. Acquired in 1928 by museum founder Helene Kröller-Müller from the notorious Berlin dealer Otto Wacker, the painting was eventually exposed as a fake created by Wacker’s brother, Leonhard. The exhibition, which runs until June 21, coincides with a new podcast detailing the history of the acquisition and the subsequent fraud trial that rocked the art world in the 1930s.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

Paying tribute to storied printmaker Kenneth Tyler at the IFPDA Print Fair

The International Fine Prints and Drawings Association (IFPDA) Print Fair at the Park Avenue Armory is honoring the legacy of master printer Kenneth E. Tyler. A central highlight of the event is the presentation by the National Gallery of Australia (NGA) of a new three-volume catalogue raisonné documenting Tyler Graphics from 1986 to 2001. The 94-year-old Tyler, a foundational figure in American printmaking, is being celebrated for his technical innovations and his historic collaborations with titans of Modern art.

Jasper Johns Marks Time

The art world is currently reflecting on the enduring legacy of Jasper Johns, highlighted by a new Gagosian exhibition focusing on his 1970s output. Critic John Yau explores Johns's career-long fascination with materiality and the inevitable decay of art, noting how the artist uses newsprint and wax to acknowledge that nothing remains static in time.

New US exhibition explores power of monuments – with help from Rocky

The Philadelphia Museum of Art has opened a new exhibition titled "Rising Up: Rocky and the Making of Monuments," which uses the iconic Rocky Balboa statue as a focal point to explore the power and meaning of monuments across two millennia of boxing and celebrity culture. Curated by Paul Farber, co-founder of Monument Lab, the show features ancient sculptures, 19th-century works, images from boxing's golden age, and contemporary pieces by artists including Andy Warhol, Keith Haring, Jean-Michel Basquiat, and Glenn Ligon. The Rocky statue, placed on the museum's steps in 1982, attracts an estimated 4 million visitors annually, rivaling the Statue of Liberty.

Petal passion, super-surreal Polaroids and Billy Childish’s California – the week in art

This week’s art roundup highlights several major exhibitions across the UK, including a floral-themed survey at Kettle’s Yard featuring artists from Henri Rousseau to Lubaina Himid. Other notable openings include Billy Childish’s expressionistic California desert paintings at Carl Freedman Gallery, Katharina Grosse’s site-specific installations at White Cube, and Steve McQueen’s new photography book, 'Bounty', which explores the colonial history of Grenada through its flora.

What’s the True State of Bangkok’s Art Ecosystem?

The article examines the current state of Bangkok's art scene, which is experiencing a surge of private investment and international attention. New institutions like UNITED Unlimited and Misiem's/bangkok are opening, and events like the Bangkok Art Biennale are gaining prominence, leading some international media to compare the city's potential to art hubs like Miami.

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Tate has announced an ambitious plan to build a £150 million ($201 million) endowment by 2030, launching the Tate Future Fund in June with over £43 million ($58 million) pledged. The initiative, unveiled at a high-profile gala that raised £1 million ($1.34 million), has sparked debate across the UK museum sector about the viability of endowment models for long-term sustainability. Meanwhile, the Baltic Centre for Contemporary Art in Gateshead launched a £10 million ($13 million) endowment, bolstered by a gift from musician Sting, and other UK museums like the British Museum and V&A have quietly built similar reserves. In a separate story, Matthiesen Gallery has filed a lawsuit in US District Court against convicted fraudster Thomas Austin Doyle, artist Shalva Sarukhanishvili, Jill Newhouse Gallery, and art collector Jon Landau over the alleged mishandling of Gustave Courbet's painting *Mother and Child on a Hammock* (ca. 1844), claiming fraud and breach of contract after the painting was sold far below its market value.

The Turner Prize Has Revealed Its 2026 Nominees—and Already Courted Controversy

The Turner Prize has announced its 2026 nominees: Simon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The award, administered by Tate Britain, includes a £25,000 prize for the winner. For the first time, the nominees' exhibition will be held at Teesside University's Middlesbrough Institute of Modern Art, an academic setting. The selection has already drawn criticism for being tame and safe, with Guardian critic Eddy Frankel describing the prize as "timid" and "fearful." Tate Britain director Alex Farquharson defended the nominees, praising the diversity and sculptural focus of their work.

Dealer Matthew Brown More Than Doubles His Los Angeles Space with Move to Hollywood Media District: ‘I Really Believe in LA’

Los Angeles art dealer Matthew Brown is relocating his gallery to a significantly larger, 13,000-square-foot former warehouse in the Hollywood Media District. The new space, designed by architect Markus Dochantschi, more than doubles his exhibition area and includes offices, viewing rooms, and storage. The inaugural exhibition will feature artist Mimi Lauter, marking her first Los Angeles show in eight years.

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The New Museum in New York has officially reopened following a two-year closure for a major expansion designed by OMA. The renovation doubles the institution's footprint to 60,000 square feet, introducing a central spiral staircase that seamlessly connects the original SANAA-designed building with the new structure. The reopening is marked by the massive group exhibition "New Humans: Memories of the Future," a sprawling survey featuring over 200 artists curated by artistic director Massimiliano Gioni.

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Digital artist Kevin Esherick's solo debut at New York’s Heft Gallery has sparked a legal confrontation with painter George Condo. The exhibition features AI-generated works trained to mimic the styles of prominent contemporary artists, including Beeple, Cindy Sherman, and Salman Toor. While most artists were receptive to the project, Condo’s legal team issued a cease-and-desist letter regarding three specific paintings, leading the gallery to shroud the disputed works in black velvet and display the redacted legal notice in their place.

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Four major paintings by Claude Monet, Paul Signac, Edgar Degas, and Fernand Léger will be offered at Sotheby's Modern and Contemporary evening sale in London on March 4. The works have a combined high estimate of £24 million, led by Monet's rare Italian Riviera scene 'Maison de Jardinier' (1884) with an £8.5 million high estimate.

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The Mauritshuis in The Hague announced it will loan Johannes Vermeer's "Girl with a Pearl Earring" (circa 1665) to the Nakanoshima Museum of Art in Osaka, Japan, this summer while the Dutch museum closes for building alterations from August 24 to September 20. Separately, President Donald Trump's administration released a memo on January 7 stating the US will withdraw from over 60 international groups, including ICCROM and IFACCA, which focus on arts and cultural heritage preservation, arguing these bodies operate contrary to US interests.

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On December 7, two armed thieves stole eight prints by Henri Matisse and at least five engravings by Brazilian modernist painter Cândido Portinari from the Mário de Andrade Library in São Paulo. The works were part of the exhibition “From Book to Museum,” organized in collaboration with the São Paulo Museum of Modern Art, which was scheduled to close that day. Police have arrested one suspect, and some artworks were reportedly abandoned nearby.

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Maggie Harrison, head winemaker at Antica Terra in Oregon's Willamette Valley, has collaborated with artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin to create a limited-edition box set of wines. Each set includes wines blended collaboratively and individual artworks packaged with the bottles, described as a “Museum in a Box.” Proceeds from the 150 sets benefit Denniston Hill, the artist residency founded by Mehretu and Pfeiffer. Harrison also opened an Art Meadow at Antica Terra this past summer, featuring a site-specific installation by Lily Clark, with plans for another exhibition next year.

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Sotheby's Paris is selling "The Manny Davidson Collection: A Life in Treasures and Benevolence," a multi-owner sale of nearly 500 lots spanning Old Masters, 19th-century British paintings, 18th-century gold enamel, and decorative objects. Highlights include a rediscovered Michael Sweerts portrait estimated at €800,000–€1.2 million, a Thomas de Keyser portrait of a silversmith, and a Joshua Reynolds self-portrait study. The sale, which includes an evening auction on November 5 and an online component, was previewed by Sotheby's global head of private sales, Old Masters, Chloe Stead.

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The Los Angeles County Museum of Art (LACMA) held its 14th annual Art+Film Gala on November 1, drawing nearly 600 celebrities from art, film, fashion, and entertainment. The event honored artist Mary Corse and filmmaker Ryan Coogler, featured a performance by Doja Cat, and set a new fundraising record of nearly $6.5 million to support LACMA's integration of film into its curatorial programs. Separately, climate activist Timothy Martin received an 18-month prison sentence for smearing paint on a Degas sculpture case at the National Gallery of Art in Washington, D.C., in 2023—a punishment critics called disproportionate. Other news includes the permanent installation of Gaetano Pesce's final public artwork in Boston, Antony Gormley's new installation in South Korea, and a report on shifting fortunes in the Islamic art market, where a rare Safavid carpet failed to sell at Christie's London.

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Reginald Madison, a self-taught painter and sculptor from the Black Arts Movement in Chicago, has joined Uffner & Liu gallery for representation. Paul Soto Gallery now represents John Sandroni, whose work is currently on view in New York. KSS Architects completed a new Learning and Engagement Center at the Newark Museum of Art. Meanwhile, at least eight blue-chip galleries have dropped out of Art Basel Miami Beach, and Karim Crippa has been appointed director of Art Basel Paris. Christie’s four auctions held concurrently with Art Basel Paris totaled $107.4 million, with Yves Klein’s "California (1KB 71)" selling for $21.3 million, a record for the artist in France.

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Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.

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Christie’s will sell over 70 works from the collection of Arnold and Joan Saltzman during its fall marquee sales in November, with a group estimate exceeding $70 million. The modern art collection includes pieces by Pablo Picasso, Fernand Léger, Edvard Munch, František Kupka, Robert Delaunay, Henri Matisse, and Henry Moore. The top lot is Léger’s 1914 painting *Composition (Nature Morte)*, estimated around $20 million, from his celebrated 'Contraste de formes' series. Other highlights include Henry Moore’s bronze sculpture *Reclining Woman: Elbow* (1981), estimated at $9–12 million, and Henri Matisse’s *Femme au chapeau fleuri* (1923), estimated around $10 million. The collection, built over 60 years, will be featured in Christie’s 20th century evening sale on November 17 and day sales on November 18.

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The Flemish government has announced a plan to close the M HKA (Museum of Contemporary Art Antwerp), Belgium's oldest contemporary art museum, and transfer its collection of around 8,000 objects to S.M.A.K. in Ghent, which will be rebranded as the Flemish Museum of Contemporary and Current Art. The decision, part of a broader restructuring of Flanders' museum landscape to be completed by 2028, has sparked outrage: M HKA's board chairman Herman De Bode resigned, and the museum's staff published an open letter and launched a petition that garnered over 2,600 signatures, accusing the government of making the decision without transparency or consultation.

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The Flemish government has announced a plan to close the Museum of Contemporary Art Antwerp (M HKA), Belgium's oldest contemporary art museum, and transfer its collection of around 8,000 objects to the S.M.A.K. in Ghent, which will be rebranded as the Flemish Museum of Contemporary and Current Art by 2028. The decision, part of a broader reform of Flanders' museum landscape, has sparked outrage: M HKA's board chairman Herman De Bode resigned, and staff published an open letter and launched a petition that gathered over 2,600 signatures, accusing the government of acting without transparency or consultation.

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Tate has announced an ambitious plan to build a £150 million ($201 million) endowment by 2030, launching the Tate Future Fund in June with over £43 million ($58 million) pledged. The initiative, which raised £1 million ($1.34 million) at a high-profile gala, has sparked debate across the UK museum sector about the viability of endowment models for long-term sustainability. Meanwhile, the Baltic Centre for Contemporary Art in Gateshead launched a £10 million ($13 million) endowment bolstered by a gift from musician Sting, and other UK institutions like the British Museum and V&A have quietly built similar reserves. In a separate story, Matthiesen Gallery has filed a lawsuit in the US District Court for the Southern District of New York against convicted fraudster Thomas Austin Doyle, artist Shalva Sarukhanishvili, Jill Newhouse Gallery, and art collector Jon Landau over the mishandling of Gustave Courbet's *Mother and Child on a Hammock* (ca. 1844), alleging fraud, breach of contract, and sale far below market value.

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The John D. and Catherine T. MacArthur Foundation announced its 2025 class of 22 MacArthur Fellows, each receiving an $800,000 no-strings-attached grant. Among the winners are several visual artists: Garrett Bradley, known for her Oscar-nominated documentary *Time* (2020) and works centering Black resistance; Gala Porras-Kim, whose practice questions how art institutions convey or conceal information about objects; Tuan Andrew Nguyen, whose films and installations explore trauma and colonization; and Jeremy Frey, a seventh-generation Passamaquoddy basket maker whose midcareer survey is on view at the Bruce Museum. Photographers Matt Black and Tonika Lewis Johnson also received fellowships, along with archaeologist Kristina Douglass and non-artists such as novelist Tommy Orange and astrophysicist Kareem El-Badry.

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Marina Abramović will celebrate her 80th birthday with a career-spanning exhibition titled "Marina Abramović: Transforming Energy" at the Gallerie dell'Accademia in Venice from May 6 to October 19, 2026, coinciding with the 61st Venice Biennale. The show, previously staged at the Modern Art Museum in Shanghai in fall 2024, features 150 works including furniture-sculpture hybrids made from quartz, amethyst, and tourmaline. Abramović's "transitory objects" will be installed throughout the 14th-century building alongside the museum's permanent collection of Renaissance masterpieces by Titian, Tintoretto, Giorgione, and Mantegna, with a notable pairing of her 1983 photograph *Pietà (with Ulay)* and Titian's *Pietà* (1575–76).

Smiljan Radic Wins the Pritzker Prize, ‘Men Retire But Women Get Fired From Museum Leadership’ Says Anne Pasternak: Morning Links for March 13, 2026

Smiljan Radic Wins the Pritzker Prize, ‘Men Retire But Women Get Fired From Museum Leadership’ Says Anne Pasternak: Morning Links for March 13, 2026

Chilean architect Smiljan Radic has won the 2026 Pritzker Prize, architecture's highest honor. The award, which had been delayed due to the Pritzker family's past associations with Jeffrey Epstein, recognizes Radic's lyrical and experimental designs that embrace fragility and dialogue with natural environments, creating what the jury described as "optimistic and quietly joyful shelter."

Art Basel Curbs Pre-Fair Sales—and More Art Industry News

Art Basel has launched a "Basel Exclusive" initiative to curb pre-fair PDF sales, encouraging galleries to withhold works from previews to drive in-person discovery at its flagship Swiss event (June 16–21). Around 170 of 232 exhibitors have opted in. Meanwhile, Volta returns to Basel with a new "5,000 Edit" section for works under CHF 5,000 to attract younger collectors, and the alternative fair Esther will hold its third edition in New York during Frieze Week. In other news, Sotheby's set a U.S. record for design auctions with the Jean and Terry de Gunzburg collection totaling $96 million, and billionaire collector Mitchell P. Rales pledged $116 million to the National Gallery of Art to fund loans to smaller museums. The Smithsonian American Art Museum named Lynda Roscoe Hartigan as its new director, and Gladstone Gallery plans a new Seoul space for 2026.

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The American Federation of the Arts (AFA) has launched a major touring exhibition titled "Abstract Expressionists: The Women," featuring nearly 50 works from the collection of Christian Levett. Currently on view at the Muscarelle Museum of Art in Virginia, the show highlights 32 artists who were pivotal to the movement but often overshadowed by their male peers. The exhibition includes masterpieces by celebrated figures like Helen Frankenthaler and Lee Krasner alongside rediscovered works by lesser-known painters such as Emiko Nakano and Yvonne Thomas.