“KRANKIE II: Middle of the Food Chain” Exhibition at 81C in St. Thomas

81C in St. Thomas, Virgin Islands, is presenting "Krankie II: Middle of the Food Chain," an immersive contemporary art exhibition by collaborative duo Emily Braswell (strawberriemilk) and Jenna Rees (warmmilkwithsugar). Opening on May 15, 2026, the show features painting, video, sculpture, and installation that construct a cinematic, psychologically charged world centered on a fictional 1980s movie star, offering absurdist commentary on fame in the pre-internet era versus today. The exhibition is a dual-location activation, also including a component at the XIIID Research and Strategy Innovation Center at the University of the Virgin Islands, with a free opening reception featuring DJ Carbar.

14th Kibria Printmaking Fair: Celebrating a distinct artistic tradition

The 14th Kibria Printmaking Fair concluded on May 9 at Kala Kendra in Lalmatia, Bangladesh, as part of a month-long printmaking festival running from May 1 to May 23. The fair brought together printmaking studios and institutions from across the country, alongside works by pioneering late artists Safiuddin Ahmed and Mohammad Kibria. It was inaugurated by artists Rafiqun Nabi and Monirul Islam, with a special exhibition titled "Pioneers of Printmaking" showcasing early works by key figures who established printmaking as a distinct artistic language in Bangladesh. The festival also includes workshops, artist talks, and a forthcoming "Contemporary Printmaking Exhibition" from May 12 to May 23.

Indian High Commission celebrated Rabindra Jayanti, inaugurating art exhibition

The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.

‘Sampriti’: Dhaka exhibition celebrates artistic ties between Bangladesh and India

The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.

Bowen artist behind 'Above the Flood, Watching for the Light'

Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.

Open call for entries to new portrait award

ArtHouse Jersey has launched an open call for entries to its new Portrait Award, a competition open to artists aged 16 and over who live in or have a strong connection to the Channel Islands. The award is free to enter, with a deadline of September 30, 2026, and offers a top prize of £1,500 plus two runner-up prizes of £500 each. Selected works will be exhibited at Capital House in St Helier from January to April 2027, alongside works by international artists. All forms of portraiture—painting, photography, mixed media—are eligible, provided they are original and completed within the last three years.

Saudi pavilion at Venice Biennale turns fractured heritage into monumental art installation

Saudi Arabia has unveiled a large-scale installation by artist Dana Awartani at the 61st Venice Biennale, held at the Arsenale. Titled "May your tears never dry, you who weep over stones," the work covers the entire floor of the Saudi national pavilion and incorporates over 29,000 sunbaked clay bricks and mosaic patterns inspired by Islamic geometric art. The installation references 23 heritage sites across the Arab world that have been damaged or destroyed by conflict, and was produced over nearly 30,000 artisan hours with 32 craftspeople at a studio outside Riyadh. Curated by Antonia Carver with assistant curator Hafsa Alkhudairi, the piece emphasizes traditional craftsmanship and collective skill-sharing.

France Passes Law Easing Process of Returning Looted Art

France has passed a new law that simplifies the process of returning looted art and cultural artifacts to their countries of origin. The legislation, championed by President Emmanuel Macron, is seen as a major step in addressing colonial-era acquisitions, particularly for African artworks held in French museums. Experts describe the law as a seismic shift in restitution policy, enabling faster and more systematic returns without requiring individual parliamentary approvals for each item.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

A new cultural space that works on the memory of the city (also through postcards) has been born in Rome

A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)

A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.

In che modo la rigenerazione sta provando a cambiare l’Italia? Risponde la newsletter Render

Artribune's newsletter "Render" is set to release its 57th issue on May 11, featuring stories on urban regeneration projects across Italy. Highlights include a new library under construction in Latisana near the train station, a square-shaped island in the Venice lagoon transformed into an exhibition space after decades of abandonment, participatory tactical urbanism initiatives in Torre Annunziata funded by a Ministry of Social Policies and Labor grant, and a post-war complex in Rome poised to become a cultural hub. The issue will also profile the Peruvian architecture duo Barclay & Crousse ahead of their exhibition at the Politecnico di Milano and include a reflection on contemporary green spaces inspired by a visit to a private English park.

Last Ivan Wheale exhibition and sale May 16 at Perivale Gallery

Perivale Gallery on Manitoulin Island will host 'Through Ivan’s Eyes: A Northern Vision Lives On' on May 16, a final exhibition and sale of works by the late artist Ivan Wheale. The event includes Wheale’s last painting, completed shortly before his death, and pieces from his personal collection, marking the last chance to acquire his work from his official gallery.

Icelandic artist Roza Gisladottir to hold first solo exhibition in Yerevan

Icelandic artist Roza Gisladottir will hold her first solo exhibition in Armenia, titled *Reflection of Time*, opening May 11 at the Centre for Contemporary Art (HayArt Centre) in Yerevan. The show features 23 works, including sculptures and photographs, with five large-scale installations placed along Mashtots Avenue and Saryan Street at the “Art Crossroads.” Gisladottir is donating five works to the museum’s permanent collection. The exhibition is supported by the Yerevan Municipality and the Honorary Consulate of Iceland in Armenia.

Where to go in Venice?

Wohin in Venedig?

Nicoletta Fiorucci, a collector and philanthropist, shares her personal recommendations for experiencing Venice beyond the tourist crowds. She suggests quiet gardens, romantic detours, hidden islands, and the best addresses for authentic local cuisine, offering insider tips for navigating the city's bustling atmosphere.

Art exhibitions celebrate sports, AAPI artists in Palm Beach County

Two new art exhibitions have opened at the Cultural Council for Palm Beach County in Lake Worth Beach, Florida. The first, 'Kinetic Energy: A Celebration of Sport in Palm Beach County,' features works by 14 local artists inspired by sports such as soccer, polo, dance, and swimming. The second exhibition highlights Asian American and Pacific Islander artists. An opening reception was held on April 16, 2026.

Robert Zhao Renhui: After Control @ Kyoto City University of Arts Gallery @KCUA

ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA

The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.