The British Museum has opened a major exhibition titled 'Samurai,' which challenges the widespread, simplified portrayal of samurai as solely honor-bound, hyper-violent warriors. The show, curated by Rosina Buckland, presents them as a complex social class who were also bureaucrats, administrators, and cultural figures, emphasizing their roles during periods of peace and governance.
Sotheby's Hong Kong sold 125 works from Japan's Okada Museum of Art in a white-glove auction on Saturday, netting $88 million (plus fees). The sale set auction records for Japanese artists Kitagawa Utamaro and Hokusai, with Utamaro's *Fukagawa in Snow* fetching $7.1 million and Hokusai's *The Great Wave Off the Coast of Kanagawa* selling for $2.8 million. The collection was sold by museum founder Kazuo Okada, an 83-year-old billionaire, to settle a $50 million legal bill stemming from a long-running feud with casino magnate Steve Wynn. Okada's law firm, Bartlit Beck, successfully pursued the fee in binding arbitration after Okada contested the amount.
Tokyo's museums have announced their 2026 exhibition schedules, featuring a diverse lineup of international and domestic shows. Highlights include 'YBA & Beyond: British Art in the 90s from the Tate Collection' at the National Art Center, a major retrospective of Hajime Sorayama at the Creative Museum Tokyo, and a solo exhibition of Lithuanian artist M. K. Čiurlionis, alongside shows by Picasso, Ron Mueck, Hiroshi Sugimoto, and Minami Tada.
The Art Newspaper has published its 2025 Christmas gift guide, featuring a curated selection of art-related presents. Suggestions include art supplies from London's historic L. Cornelissen & Son, Japanese Irojiten color pencils, and cookbooks like "The Kitchen Studio: Culinary Creations by Artists" and the out-of-print "The Museum of Modern Art Artists' Cookbook." The guide also includes fantasy gift lists from Frieze and Art UK, with items such as Alexander Calder playing cards and a Tom of Finland cushion from House of Voltaire, alongside more unusual ideas like a sponsorship deal for a Victorian loo or a Lego Louvre heist set.
Sotheby's Modern and Contemporary Evening Auction in Hong Kong on 28 September achieved HK$335 million (US$43.1 million), with a 95% sell-through rate across 40 lots. The top lot was Yoshitomo Nara's 2012 painting *Can't Wait 'til the Night Comes*, which sold for HK$79.9 million (US$10.3 million) to a private Asian collector. A group of five works by Roy Lichtenstein from the artist's personal collection also debuted at auction, collectively bringing HK$46.4 million (US$5.9 million).
Marina Abramović and Peter Doig have been awarded the 2025 Praemium Imperiale prizes for sculpture and painting, respectively, each receiving a 15 million yen (£77,000) honorarium. The awards, presented by the Japan Art Association under honorary patron Prince Hitachi, also recognized Belgian filmmaker Anne Teresa De Keersmaeker (theatre/film), Hungarian pianist András Schiff (music), and Portuguese architect Eduardo Souto De Moura (architecture). The National Youth Theatre received the 2025 Grant for Young Artists.
The Cleveland Museum of Art has opened a sprawling retrospective exhibition of Takashi Murakami, one of Japan's leading contemporary artists, showcasing his signature "Superflat" style that blends fine art with pop culture. The show features vast wallpaper designs, sculptures with plastic-like smoothness, and immense mural-sized paintings that combine cartoon characters, acid-hued colors, and traditional Japanese ink-and-brush techniques. The exhibition runs through September 7 and costs $30 for adult non-member tickets.
The article profiles three Japanese ultra-contemporary artists—Miwa Komatsu, Justin Caguiat, and Yukimasa Ida—who are gaining significant traction on the international art market. It details Komatsu's rise from a 2015 Christie's Hong Kong sale to becoming the first Japanese ultra-contemporary artist ranked among the world's top 1,000 sellers, with $2 million in sales in 2022.
The former New York City studio building of Andy Warhol, known as The Factory, will now house a Uniqlo store. The Japanese fast-fashion brand is opening its seventh New York location on the ground floor of 860 Broadway, the same building where Warhol worked from 1974 to 1984. The brand is leveraging the site's artistic history by selling exclusive merchandise featuring Warhol's imagery to promote the opening.
Sotheby’s held its annual modern and contemporary art sale in Singapore on Sunday, achieving $13.1 million across 62 lots with a 94% sell-through rate. The top lot was Adrien-Jean Le Mayeur de Merpres’s *Weavers* (1953) at $1.2 million, followed by Takashi Murakami’s *Blue Signals* (2017) at $1.06 million. New artist records were set for Pacita Abad, whose *Assaulting the eye with Ecstasy* (1984) sold for $389,400, and Singaporean artist Anthony Poon, whose *Colour Waves* (1986) fetched $129,800. Bidders came from Southeast Asia, the US, the UAE, Europe, South Korea, Japan, India, and China.
The Mauritshuis museum in The Hague has announced that Johannes Vermeer's "Girl with a Pearl Earring" will be loaned to the Nakanoshima Museum of Art in Osaka, Japan, for a temporary exhibition this fall. The loan occurs while the Dutch museum undergoes renovations in August and September. The painting was last lent to the Rijksmuseum in Amsterdam for its 2023 Vermeer retrospective. The Asahi Shimbun Company is underwriting the presentation and will serve as a project partner to the Mauritshuis for four years, funding a new education center slated for 2028.
Heirs of German Jewish banker and art collector Paul von Mendelssohn-Bartholdy have urged the US Seventh Circuit Court of Appeals in Chicago to revive their lawsuit seeking the return of Vincent van Gogh's *Sunflowers* (1888), which they claim was sold under Nazi duress. The lawsuit, filed in 2022 against Japanese insurer Sompo Holdings, argues that the painting was purchased at a 1987 Christie's auction by Sompo's predecessor, Yasuda, despite provenance indicating Mendelssohn-Bartholdy was a Nazi victim. A lower court dismissed the case in 2024 for lack of jurisdiction, but the heirs contend that the painting's exhibition in Chicago in 2001 establishes sufficient legal ties to Illinois.
Romania has secured a "long-term hold" on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie's New York Old Masters sale in February. The work is claimed by Romania as unlawfully taken from its national collection in 1947. The painting will remain at Christie's until legal proceedings resolve the dispute. Meanwhile, Italian sculptor Arnaldo Pomodoro died in Milan at age 98, and abstract painter Thornton Willis died in New York at 89. Other news includes a letter from National Gallery director Gabriele Finali defending the Rubens attribution of *Samson and Delilah*, Japan's curatorial appointments for the 2026 Venice Biennale, and a Bristol City Council fundraiser to acquire an early JMW Turner painting.
Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.
SBI Art Auction is set to host a major two-day auction event in Tokyo this March, coinciding with Art Fair Tokyo. The first sale, "Modern Legacy," features a prestigious single-owner Japanese collection including masterpieces by Léonard Tsuguharu Foujita, Edvard Munch, and Egon Schiele. The second sale, "Bloom Now," focuses on contemporary and Pop art, highlighting works by Roy Lichtenstein and Takeda Teppei, with the combined events carrying a low estimate of JPY 1.25 billion ($7.9 million).
Milan is briefly opening access to a rare Leonardo da Vinci mural inside the Sforza Castle during the 2026 Winter Olympics. From February 7 to March 14, visitors can climb a 20-foot scaffold in the Sala delle Asse to see conservators restoring the unfinished wall and ceiling painting, which was begun around 1498 and long hidden under plaster. The castle has also launched a new multimedia installation on the room's history and reopened a gallery dedicated to Leonardo's students and followers, the Leonardeschi.
Johannes Vermeer's iconic painting *Girl with a Pearl Earring* will travel to Japan for the first time in over a decade, on view at the Nakanoshima Museum of Art in Osaka from August to September. The loan is necessitated by the closure of its permanent home, the Mauritshuis in The Hague, for renovations. The Mauritshuis had previously pledged not to lend the painting again after its 2012–2014 tour of Japan, Italy, and the U.S., making an exception only for the Rijksmuseum's 2023 Vermeer exhibition. Director Martine Gosselink called the trip a unique opportunity to share the work with the Japanese public, possibly for the last time.
The article reports on a record-breaking auction sale of a 4-foot-4-inch Labubu doll, which sold for RMB 1.08 million ($150,300) at Yongle International Auction in Beijing, with premium reaching RMB 1.24 million ($174,000). The character was created by Hong Kong artist Kasing Lung, who also collaborated with Art Basel on a limited edition. Other key developments include the closure of the Art Basel Hong Kong satellite fair Supper Club after two editions, Frieze announcing a new year-round space called Frieze House Seoul in Yaksu, and Blum gallery taking on global representation of Japanese ceramic artist Kimiyo Mishima's estate. The article also covers upcoming exhibitions by Christine Ay Tjoe at White Cube New York, Seulgi Lee at Ikon Gallery Birmingham, Kenny Scharf at the Modern Art Museum Shanghai, and Trevor Yeung's adaptation of his Venice Biennale show at M+ Hong Kong.
Lincoln Logs, the iconic wooden construction toy that has entertained American children for over a century, was designed by John Lloyd Wright, the second-eldest son of famed architect Frank Lloyd Wright. John conceived the toy while in Japan with his father between 1916 and 1917, inspired by the interlocking wooden foundation Frank Lloyd Wright designed for the Imperial Hotel in Tokyo to make it earthquake-resistant. The toy, named after Abraham Lincoln, went on to become a classic, inducted into the National Toy Hall of Fame in 1999.
Japanese artist Tadashi Kawamata created a temporary wooden vortex sculpture titled "Tornado" inside the Palais de Tokyo in Paris, made from 5,000 individual pieces of wood and installed on the grand staircase for just two weeks in February. The work was commissioned by Ruinart as part of its "Conversations with Nature" series, which presents a piece in Paris before permanently installing it at the champagne house's headquarters in Reims. Kawamata, who has lived in Paris for 18 years, is known for using found materials and creating site-specific, temporary interventions on or inside architecture, emphasizing spontaneity and impermanence.
This week's obituary column honors the recent passing of twelve significant figures from the global art and culture world. The list includes French experimental composer Éliane Radigue, Japanese graphic designer Kazumasa Nagai, British architect Axel Burrough, Indigenous Australian muralist Elizabeth Close, and Upper East Side gallerist Gertrude Stein, among other artists, patrons, and illustrators.
The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.
The National Gallery in London has selected Japanese architect Kengo Kuma to design a major new wing as part of its ambitious £750m "Project Domani." Kuma, known for the Tokyo Olympic stadium and V&A Dundee, beat out high-profile competitors including Norman Foster and Renzo Piano. The expansion will occupy a site near Trafalgar Square currently housing a hotel and office complex, and is supported by record-breaking £150m donations from both the Julia Rausing Trust and the Crankstart foundation.
A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.
ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.
Ei Arakawa-Nash, a Japanese American performance artist, was selected to represent Japan at the 61st Venice Biennale, becoming the first non-Japanese national to do so in a solo presentation. This follows his first solo museum exhibition, "Paintings Are Popstars," at Tokyo's National Art Center in 2024, which was also the center's first solo show devoted to a performance artist. In an interview with ArtReview, Arakawa-Nash discusses his naturalization as a U.S. citizen, his complex relationship with national identity, and his upcoming Venice exhibition titled "Grass Babies, Moon Babies," cocurated by Lisa Horikawa and Takahashi Mizuki, which will explore themes of care and reparation using babies as a central motif.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
Expos, ateliers, festivals… 7 sorties culturelles en famille à Paris pour faire pousser la créativité durant les vacances
Paris and the Île-de-France region are hosting a diverse array of family-oriented cultural events for the spring 2026 holiday season. Key highlights include the inauguration of the Manufacture at the Fondation Cartier, a Japanese-themed spring festival at le 19M, and the relocation of the Centre Pompidou’s Studio 13/16 for teenagers to the Gaîté Lyrique. Other notable activities include aerospace-themed workshops at the Musée de l’Air et de l’Espace and the fifth anniversary of the Atelier Rodin.
Mernet Larsen, whose painting *Getting Measured* (1999) appears on the cover of the Winter 2025 issue of *Art in America*, discusses the work's origin and evolution in an interview from her home in Tampa, Florida. She explains how the painting marked a turning point from abstraction to a representational style inspired by 12th-century Japanese narrative painting and the parallel perspective technique used by architects, while also incorporating elements from her own abstract works and a self-portrait titled *Indecisive Woman*.
Kyoko Hattori, vice president of Pace Japan, expressed her desire for Tokyo to become the center of art in Asia in a recent interview with the Japan Times. This comes one month after the third edition of Tokyo Gendai art fair closed with solid but unspectacular sales. Pace, the only mega-gallery with a location in Tokyo, opened a space in the Azabudai Hills development, which has been seen as a signal of the city's arrival on the global art stage. The article notes cautiously optimistic data, with Japan seeing 2 percent growth in the art market last year while the wider market contracted by 12 percent, and competitors China and Korea saw significant drops.