There’s A Whimsical Pop-Up Exhibition With Cute Artworks & Sculptures Featuring Animals & Fruits

London-based illustrator Tess Smith-Roberts is making her solo debut in Singapore with a pop-up exhibition titled "Hello Singapore!" at the newly opened Heartware Store & Gallery in Joo Chiat, running from 25th April to 25th May 2025. The free-entry exhibition features a whimsical collection of colorful artworks, sculptures, silkscreen prints, and merchandise, all centered on playful motifs of animals, fruits, and food. Smith-Roberts, known for her bold and humorous style, has previously exhibited in Tokyo, Kyoto, and Seoul, and during the opening weekend she drew live portraits of visitors.

Nintendo Art Gallery to open in Kyoto this September

Nintendo is opening a dedicated Art Gallery on the second floor of its Nintendo Museum in Uji, Kyoto, on September 3, 2025. The gallery will display original character illustrations, concept drawings, and game art from iconic franchises such as Super Mario, The Legend of Zelda, Splatoon, and Mario Kart, offering visitors a behind-the-scenes look at the artistic development of Nintendo's games. The museum, which opened in October 2024 at a former Nintendo factory, already features historical products, interactive exhibits, and Hanafuda card workshops, with access managed via a lottery system.

Robert Zhao Renhui: After Control @ Kyoto City University of Arts Gallery @KCUA

ロバート・ザオ・レンフイ「アフター・コントロール」@ 京都市立芸術大学ギャラリー@KCUA

The Kyoto City University of Arts Gallery @KCUA is hosting a solo exhibition by Singaporean artist Robert Zhao Renhui titled "After Control" (アフター・コントロール), running from May 16 to July 12, 2026. The exhibition presents works from Zhao's long-term projects on Christmas Island, Singapore, Tokyo, Hampi (India), and Phuket (Thailand), exploring environments shaped by human intervention and the complex interplay between nature and artificiality. Zhao, known for his participation in major international exhibitions including the Thailand Biennale Phuket 2025, the 60th Venice Biennale (2024), and the Gwangju Biennale (2023), uses photography, video, and installation to critically examine how ecosystems transform under human control.