Éliane Radigue, Electronic Music Pioneer, Dies at 94

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Éliane Radigue, a pioneering French composer and electronic music visionary, has died at the age of 94 in Paris. A student of musique concrète founders Pierre Schaeffer and Pierre Henry, Radigue became renowned for her meditative, long-form compositions created primarily on the ARP 2500 modular synthesizer. Her work, deeply influenced by Tibetan Buddhism, focused on the subtle, sculptural qualities of sound and "barely perceptible" sonic shifts.

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Frieze Los Angeles returns to a city landscape significantly altered by both commercial development and recent environmental tragedy. While blue-chip galleries like David Zwirner, Marian Goodman, and Lisson have established new strongholds in districts like Melrose Hill and Hollywood, the local community is simultaneously reeling from devastating January wildfires that displaced numerous artists and collectors. This guide provides a strategic roadmap for navigating the sprawling city's geography, highlighting key exhibitions such as Bruce Nauman at Marian Goodman and a 90-artist benefit show for fire victims.

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A 51-page document released as part of the Jeffrey Epstein files appears to catalog the extensive private art collection of billionaire collector and former MoMA board chair Leon Black. The document, which lists works by masters from Michelangelo to Picasso under corporate entities linked to Black, reveals valuations and details of a collection largely kept from public view, including works held as promised gifts to major museums like MoMA and the Metropolitan Museum of Art.

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Artnet News lists 10 immersive installation artworks that are creepy enough to double as haunted houses for Halloween. Featured works include Alex Da Corte's "Die Hexe" (2015) at Luxembourg & Dayan, which transformed a townhouse into a ghostly dollhouse with a morgue; Mike Kelley's "Exploded Fortress of Solitude" (2011) at Hauser & Wirth, a sculptural interpretation of Superman's lair; Jonah Freeman and Justin Lowe's "Scenario in the Shade" at Red Bull Studios, a dystopian arts festival installation; Tobias Rehberger's "Bar Oppenheimer" (2013) at Hotel Americano, featuring disorienting dazzle camouflage patterns; and Puppies Puppies' "Gollum" at Queer Thoughts, where an actor in a Gollum mask performs live.

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Seyni Awa Camara, a Diola sculptor from Bignona, Senegal, known for her totemic clay sculptures of stacked human bodies, has died. Her work, steeped in spirituality and inspired by a ram's horn she called a 'genie,' gained international recognition after being discovered by anthropologist Michèle Odeyé-Finzi and introduced to Europe by gallerist André Magnin. Despite her global following—including fans like Pharrell Williams and Louise Bourgeois—Camara remained largely unknown in her home country, relying on foreign buyers to sustain her practice.

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Artnet News highlights 11 must-see gallery shows during Armory Art Week in New York City, running from September 5 to October 26, 2024. Featured exhibitions include Gina Beavers' 'Divine Consumer' at Marianne Boesky Gallery, where she presents semi-sculptural relief paintings inspired by internet blankets and towels; Jenny Holzer's 'Words' at Sprüth Magers, showcasing her text-based works from the 1980s to present, including a new AI-generated LED installation; 'Radical Artists of the 1960s/1970s: Between Geometry and Gesture' at David Nolan, featuring works by Barry Le Va, Bruce Nauman, and others; and Stephen Thorpe's 'Dream House' at Dimin, with oil paintings of interiors merging into dreamlike landscapes.

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Artnet News has published its annual roundup of art world figures who died in 2025, honoring a diverse range of individuals including museum directors, painters, curators, philanthropists, and an archaeologist. Among those remembered are Julia Alexander, former director of the Yale Center for British Art; Sylvain Amic, recently appointed to lead the Musée d'Orsay; philanthropist Wallis Annenberg; abstract painters Timothy App and Jo Baer; curator Leonid Bazhanov; and Tony Bechara, painter and former director of El Museo del Barrio.

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Artist David Diao reflects on his long engagement with Barnett Newman's work, from his 1966 experience as an art handler installing Newman's 'Stations of the Cross' series at the Guggenheim Museum to his own paintings that reference Newman both admiringly and critically. Diao's 1992 work 'Barnett Newman: Paintings by Title & Size' lists all 118 of Newman's paintings against a red background, treating them as inventory rather than masterpieces, while later works like 'BN: Spine 2' (2013) incorporate the worn fold of a Newman catalog cover. The article, based on a studio visit, captures Diao's matter-of-fact perspective on Newman's art and his own decades-long dialogue with the Abstract Expressionist.

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WangShui, an artist known for AI-assisted abstract paintings, challenges the stereotype of tech-focused artists as isolated nerds. In a studio visit, they described their practice as a spiritual project, using machine learning to create works like 'Scr∴ pe II (Isle of Vitr∴ ous)' at the 2022 Whitney Biennial and pieces at the 2024 Venice Biennale. Their latest collaboration with Maryam Hoseini, 'The Demon and the Muse (DM),' is on view at SITE Santa Fe International, covering the facade with red oil and black ink. WangShui emphasizes that AI is a tool for exploring consciousness and healing, not a replacement for human creativity.

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Spanish Surrealist Joan Miró created the "Constellations" series of 23 paintings on paper between January 1940 and September 1941, during the turmoil of the Spanish Civil War and World War II. Fleeing to Normandy and later Palma de Mallorca, Miró used oil and tempera on small sheets, producing joyful, abstract works filled with floating forms reminiscent of music and the cosmos. The series was shipped to New York in 1944 and exhibited in 1945 at Pierre Matisse's gallery, where it captivated exiled European artists and may have influenced Jackson Pollock's all-over drip painting style.

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Artnet News reports that David Hockney's 1968 double portrait *Christopher Isherwood and Don Bachardy* sold for $44.3 million at Christie's on November 17, becoming the artist's third-most expensive work at auction. The painting had previously failed to sell at Sotheby's in 1985, bought in at $570,000. Artnet's reporting revealed that the Christie's catalogue omitted the name of Andrew Crispo, a once-prominent New York dealer, from the painting's provenance. The article details Crispo's meteoric rise from a troubled youth in Philadelphia to a savvy art dealer who championed American Modernism, his important clients including Baron Hans Heinrich Thyssen-Bornemisza, and his dramatic fall due to tax fraud, a prison sentence, and the IRS seizure of his inventory.

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Shanghai Art Week 2025 featured two major art fairs, West Bund Art and Design and Art021 Shanghai, alongside numerous satellite exhibitions and events across the city. The author navigated the sprawling metropolis by public bike, visiting highlights including “Artist’s Treat,” a cluster of 11 exhibitions organized by artist Xu Zhen in a repurposed French school, and Blunt Society, an artist-run space showing works by Ma Lingli and Alex Müller. The week was marked by a cautiously optimistic market mood, with dealers reporting better-than-expected sales and new initiatives like Art021’s SVIP preview for serious collectors.

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The International Gallery of Modern Art at Ca’ Pesaro in Venice will host a major solo exhibition of works by British painter Jenny Saville in 2026, coinciding with the Venice Biennale. The show, curated by Elisabetta Barisoni, will run from March 28 to November 22 and feature around 30 paintings spanning Saville's career from the 1990s to the present, including a new series inspired by Venice. Mega-gallery Gagosian, which represents Saville, is supporting the exhibition.

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Pace Gallery announced highlights for its Art Basel Paris presentation, including a major Amedeo Modigliani painting from 1918, *Jeune fille aux macarons (Young Woman with Hair in Side Buns)*, priced around $10 million. The work previews a new partnership between Pace and the Institut Restellini, founded by Modigliani scholar Marc Restellini. Restellini will collaborate with Pace on symposia in New York in 2026 and an exhibition in 2027, while his long-awaited Modigliani catalogue raisonné—authenticating 424 works—is set for publication in March 2025 by Yale University Press.

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Christopher Kulendran Thomas, an artist who has been building his own neural networks for over a decade, is showing new paintings and a video installation at Gagosian's Upper East Side location, with concurrent exhibitions at the Museum of Modern Art and upcoming at the New Museum. His series 'Peace Core' uses AI trained on Sri Lankan painters to generate compositions that are hand-painted onto canvas, depicting Mullivaikkal beach—the site of a 2009 massacre of Tamil civilians during the Sri Lankan civil war. The Gagosian show also features a 24-screen video installation that algorithmically remixes American TV footage from the morning of September 11, 2001, before the attacks became visible.

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Chinese artist Cai Guo-Qiang staged a fireworks performance titled *Le Dernier Carnival (The Last Carnival)* outside the Centre Pompidou in Paris on October 22, during Paris Art Week, to mark the museum's five-year closure for renovations. The show, created in collaboration with White Cube gallery, used pyrotechnics, paint, and a custom-built AI model. Activists from Students for a Free Tibet France protested the event, condemning Cai for a previous pyrotechnic stunt in Tibet that sparked environmental concerns and led to the dismissal of four Chinese officials.

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On Sunday at around 9:30 a.m., robbers broke into the Louvre's Apollo Gallery using a cherry picker and an angle grinder, stealing nine pieces of jewelry worth an estimated $102 million in less than eight minutes. ARTnews consulted security experts who noted that the theft exploited systemic vulnerabilities, pointing to a pattern of recent museum heists including the Natural History Museum in Paris, the Drents Museum in the Netherlands, and the Dresden crown jewels theft in Germany. The Louvre had previously faced staff walkouts over inadequate security staffing, and director Laurence des Cars has requested a police station be installed at the museum.

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The fourth edition of Frieze Seoul opened with strong collector turnout and solid first-day sales, despite a turbulent global art market. High-profile attendees included MoMA PS1 director Connie Butler, Hawai‘i Triennial 2025 cocurator Wassan Al-Khudhairi, and Top 200 Collectors Lonti Ebers, Yassmin Ghandehari, and Qiao Zhibing, alongside K-pop stars Lisa (BLACKPINK), RM (BTS), and The8 and Vernon (Seventeen). Major sales included Hauser & Wirth’s $4.5 million sale of Mark Bradford’s triptych "Okay, then I apologize" (2025) and a George Condo painting for $1.2 million, while White Cube, Thaddaeus Ropac, Pace Gallery, and others reported significant transactions. International blue-chip galleries with Seoul spaces are doubling down, presenting top-tier shows of star artists like James Turrell, Antony Gormley, and Lee Bul, with Korea’s private museums also mounting blockbuster exhibitions.

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Claire Oliver Gallery is expanding its Harlem townhouse location in New York, adding the upper floors to its existing street-level space. The new areas will be dedicated to a more intimate, salon-style presentation, moving away from the traditional white cube model. The expansion will be inaugurated on September 5 with a solo exhibition by BK Adams on the ground floor and a group show upstairs featuring represented artists including Barbara Earl Thomas, Carolyn Mazloomi, Gio Swaby, and others.

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A new two-volume collection of Okwui Enwezor's writings, titled "Okwui Enwezor: Selected Writings, Volume 1: Toward a New African Art Discourse" and "Volume 2: Curating the Postcolonial Condition," has been published by Duke University Press in 2025, edited by Terry Smith. Spanning over a thousand pages and covering the years 1994 to 2019, the collection gathers Enwezor's catalog essays, exhibition reviews, and analyses, tracing his evolution as a poet, writer, curator, theorist, educator, and museum director who died in 2019 at age 56.

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Raymond Saunders, a multimedia artist known for his enigmatic, sociopolitical paintings and assemblage style, has died at age 90. His passing was announced jointly by his representing galleries—Casemore, Andrew Kreps, and David Zwirner—on Instagram. Saunders's work often explored the Black American experience through extensive use of black paint and complex narratives, as articulated in his influential 1967 essay "Black Is a Color." His first career-spanning retrospective, "Flowers from a Black Garden," recently closed at the Carnegie Museum of Art in Pittsburgh, his hometown. Saunders had a long teaching career in the Bay Area and received numerous honors, including a Rome Prize Fellowship and a Guggenheim Fellowship.

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Christian Marclay's latest supercut film, "Doors," is now on view at the Brooklyn Museum after stops in Boston and Europe. The 50-minute looped video compiles scenes of famous actors opening and closing doors from various movies, following the success of Marclay's 2011 hit "The Clock," a 24-hour video-clock that synchronizes on-screen timepieces with the viewer's actual time. The article critiques "Doors" as a less profound, more self-obsessed work that lacks the emotional resonance of its predecessor.

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Jordan Wolfson's latest virtual reality artwork, *Little Room* (2025), debuted at the Fondation Beyeler in Basel during Art Basel. The piece requires participants to undergo a full-body scan using 96 cameras, creating a detailed 3D model that is uploaded into a VR environment. Once inside, pairs of participants find they have swapped bodies, experiencing a disorienting and intimate encounter where they watch their own body being controlled by another person. The work involves a lengthy, ritualistic queue and a twelve-minute VR session that explores themes of identity, voyeurism, and technological mediation.

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Phillips New York is offering Roy Lichtenstein's 1994 painting *Nudes in Mirror* with a $20 million estimate this fall, despite—or perhaps because of—its history of vandalism. The work, from the Rush Family Collection, was slashed by a mentally unstable woman while on loan to the Kunsthaus Bregenz in Austria in 2005, leaving four 12-inch gashes that have since been expertly restored. Phillips is openly embracing the attack as part of the painting's mythology, detailing the incident in its catalogue and comparing it to other famous acts of art vandalism.

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Jordan Wolfson's new virtual reality artwork "Little Room" at the Fondation Beyeler in Basel, Switzerland, immerses participants in a multi-stage experience that begins with a full-body scan and proceeds to a VR encounter designed to be "morally and emotionally challenging." The piece combines elements from Wolfson's earlier puppet-based works with his notorious VR piece "Real Violence" (2017), which sparked controversy at the Whitney Biennial for depicting a brutal beating. Participants are paired, scanned, and guided through the experience by assistants, with early reactions suggesting the work provokes strong emotional responses.

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German artist Katharina Grosse, known for her immersive spray-painted installations, will create a monumental painting titled "CHOIR" across the entire Messeplatz in Basel during Art Basel. The project, curated by Natalia Graboska, involves spray-painting the 53,800-square-foot pedestrian precinct in shades of magenta, marking the first time a painter has been commissioned to take over the entire square. In an interview with ARTnews, Grosse discusses her evolution from early experiments with spray guns in Marseille to key works like "Untitled" (1998) at Kunsthalle Bern and "The Bedroom" (2004), and her upcoming 2026 show at the Munch Museum in Oslo.

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Celine is partnering with the Centre Pompidou to offer free public access on four select days this summer, coinciding with Wolfgang Tillmans's major exhibition "Nothing Could Have Prepared Us – Everything Could Have Prepared Us." The initiative, "Accès Libre par Celine," launches June 13 and continues on July 3, August 28, and September 22. Tillmans's exhibition occupies the museum's entire second floor, typically home to the Bibliothèque publique d'information (Bpi), and runs through September 22. Rather than a chronological retrospective, the installation engages directly with the building's architecture, repurposing library furniture and redesigning partitions. The show follows Tillmans's traveling retrospective "To Look Without Fear" at MoMA in 2022 and a recent solo presentation at David Zwirner.

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David Lynch, the acclaimed artist, filmmaker, and musician known for his surreal and unsettling aesthetic, has died at age 78. His family announced his passing on Facebook, noting he had been battling emphysema after a lifetime of smoking. Lynch's career spanned over four decades, producing iconic films like *Blue Velvet* (1986) and *Inland Empire* (2006), as well as the hit TV series *Twin Peaks* (1990–91). Beyond cinema, he maintained a rich visual art practice, creating figurative paintings, assemblages, and photographs that echoed his cinematic themes of home, light, and dream logic.

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Christo, the Bulgarian-born artist known for his monumental fabric-wrapped installations, reflects on his career ahead of a planned exhibition at the Centre Pompidou titled "Christo & Jeanne-Claude, Paris!" The show, dedicated to Christo and his late wife and collaborator Jeanne-Claude, has been indefinitely postponed due to the global health crisis. Christo discusses his early years in Paris, his nomadic artistic approach, and his upcoming project to wrap the Arc de Triomphe, scheduled for September 19 to October 4. The article captures his disdain for retrospection, his escape from communist Bulgaria, and his lifelong commitment to taking art beyond traditional gallery spaces.

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Swiss artist Jean Tinguely, born 100 years ago on May 22, 1925, is celebrated in a centenary retrospective at Pirelli HangarBicocca in Milan. Known for his kinetic sculptures—clattering, motorized assemblages of cogs, wheels, and found objects—Tinguely emerged from Dada influences in Basel and Paris to become a leading figure of kinetic art. His work satirizes technological reliance and explores themes of mortality, often incorporating animal skulls and planned explosions. Major retrospectives at the Stedelijk Museum (2016) and Pirelli HangarBicocca (2024) have revived interest in his oeuvre.