Walter Pichler's exhibition "Die Bleche und ich gehen heim" (The Sheets of Metal and I Are Going Home) is being presented at Contemporary Fine Arts in Basel. The show features a significant body of the artist's work, stemming from a long-standing relationship between the gallery and Pichler that began with an invitation in 1994.
The Austrian group Gelitin has opened a new exhibition titled "All for All" at Perrotin gallery in New York. The show continues the group's long-term exploration of artworks as social forms, focusing on building chosen families and temporary publics through their collaborative practice.
The group exhibition "Containers Love Disorder" at Kunst Halle Sankt Gallen brings together seven artists and collectives active in Switzerland: Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz, and the collaborative project La Bibliothèque des Ready-Mades, initiated by Anaïs Wenger. The show explores strategies of arrangement, classification, and situatedness through a range of works.
Liliana Moro presents a new installation titled “| senza | soluzione di continuità” at Platea | Palazzo Galeano in Lodi. The work is described as a powerful yet subtle artistic gesture that renegotiates the function of the shop window as a public space, emphasizing responsibility and generosity.
Diego Perrone presents his first solo exhibition at Umberto Di Marino Gallery in Naples, titled "There’s a certain Slant of light." Taking its name from an Emily Dickinson poem, the show explores the concept of lateral, non-frontal light through a series of experimental works. The exhibition features Perrone’s signature technical mastery, including intricate glass sculptures and works on paper that manipulate transparency and shadow.
The Bell Gallery at Brown University is presenting "Prisoners of Love: Until the Sun of Freedom," a new exhibition by internationally renowned sound, video, and installation artists Basel Abbas and Ruanne Abou-Rahme. The show is co-curated by Kate Kraczon, Director of Exhibitions and Chief Curator of the Brown Arts Institute (BAI) / The Bell, and Thea Quiray.
Consonni Radziszewski inaugurates its Milan space with "uYana umhlaba," the first solo exhibition in Italy by South African artist Buhlebezwe Siwani. The show presents a new body of work that expands on research begun in 2020 with the Inkanyamba series, first exhibited at the Galeria Municipal de Almada in Portugal.
Alice Peach’s solo exhibition "Still Curly" at Iowa, New York, features a series of new sculptures constructed from popsicle sticks. These humble, mass-produced materials are transformed into modular, skeletal forms that mimic biological structures such as spines and torsos. The works are displayed in various states of tension, either splayed against the gallery walls or suspended from the ceiling to create a sense of precarious movement.
Artist Matisse Mesnil has opened a solo exhibition titled "Sutura" at the Romero Paprocki gallery in Milan. The show marks a new phase in his practice, characterized by technical and methodological experimentation focused on metal as his primary material.
Finnish artist Pilvi Takala has opened a solo exhibition titled 'Breaking Ranks' at Kunsthall Trondheim in Norway. The show, which runs from February 19 to May 10, 2026, is documented with 28 images and is accompanied by guides in both English and Norwegian.
Yalda Afsah presents her first exhibition in Denmark, titled "Surge," at Kunsthal Thy. The show features two video works: "Curro" (2023), which explores human relationships with animals, and "Jarramplas" (2025), which initiates a new series centered on rituals and communal social dynamics.
Jenna Sutela's exhibition "With each cycle" at the Nicoletta Fiorucci Foundation in London features a site-specific iteration of her sculptural sound installation *Pond Brain*. The work, a water-filled bronze piece forged as the artist's neuroplastic portrait, functions as both instrument and fountain, creating feedback loops of sonic vibrations and dancing droplets inspired by cybernetic ideas of ponds as self-regulating living systems.
Nancy Lupo's exhibition "Meow Meow Real Estate" opens at the Nicoletta Fiorucci Foundation in London's Chelsea neighborhood, curated by Vittoria de Franchis. The show shares its title with Lupo's first novel, which follows a woman searching for an apartment—a quest that is both literal and existential. The foundation's Victorian architecture serves as the bourgeois dwelling central to the narrative.
On Tuesday, April 28, at IED Firenze (former Teatro dell'Oriuolo), the collective performance "In corpo presente" took place as the final act of a research project exploring contemporary meanings of freedom, presence, belonging, and collective action. Since December 2025, 50 students from various disciplines at IED Firenze have been involved in the project, guided by artist Jacopo Benassi.
Seven artists with roots in West Africa—Yacine Tilala Fall, Selly Raby Kane, Maguette Dieng, Ican Ramageli, Hamedine Kane, Eva Diallo, and Babacar Traoré Doli—have jointly created a multi-sensory total installation at Marres in Maastricht. Titled “Porous Grounds, Sacred Codes,” the exhibition incorporates sculpture, sound, textiles, and video, connecting Zikr chanting of mantras, daily life in the Medina, and the trees of the dry landscape.
Dominique White (b. 1993) presents her solo exhibition "All Great Powers Collapse from the Centre" at Kunsthalle Basel, transforming the galleries into immersive environments with her sculptures. The exhibition evokes a sense of submersion, as if walking along an ocean floor where orientation shifts and measures dissolve, creating a weighty, water-like atmosphere.
Edgar Calel, a Guatemalan artist born in 1987, is the subject of an exhibition at Kunsthalle Bern. His work draws on the rituals and traditions of his native Guatemala, focusing on the working conditions and environmental impact of export-oriented agricultural industries, particularly palm oil and coffee plantations that dominate the country's economy.
Marko Tadić presents his solo exhibition "Funga Robo" at Trotoar in Zagreb, showcasing recent works that explore speculative futures of cities through the lens of artistic ecologies. The exhibition title merges references to fungal mycelia and robotics, establishing a dialogue between biological systems and technological development.
Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.
The Polygon Gallery in North Vancouver is presenting a major solo exhibition titled "Photolithics" by artist, curator, and scholar Tania Willard. The show, on view from March 7 to May 24, 2026, is a decade-long survey featuring new and existing works that demonstrate Willard's innovative use of photographic printing and presentation techniques.
Berlin-based Swedish artist Sanna Helena Berger makes her Danish debut with "Difference" at Matteo Cantarella in Copenhagen. The exhibition explores the concept of the remainder—the mathematical and physical space left behind when one value is subtracted from another—through a series of sculptural and spatial interventions.
Pat Oleszko has opened a major solo exhibition, "Fool Disclosure," at SculptureCenter in New York. The show features her signature sculptures and costumes, which are designed to be activated through performance, and includes new works created specifically for the presentation.
The Barbican in London opens the first UK institutional solo exhibition of German-American artist Julia Phillips this Friday. The show, titled "Inside, Before They Speak," is installed in The Curve gallery and features newly commissioned works that span sculpture and drawing.
IMMA in Dublin is presenting the first Irish solo exhibition of Lebanese sound artist and composer Tarek Atoui, titled "Souffle Continu and Sunflowers." The exhibition opens on February 21, 2026, showcasing Atoui's innovative work in sound, performance, and custom instrument creation, which focuses on the physical experience of listening.
The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, has received generally lukewarm responses from critics, a notable shift from the more intense takedowns and boycotts that characterized recent editions of the exhibition. Left-oriented critics have criticized the curatorial framework as indeterminate and evasive, particularly in light of the Whitney Museum's controversial board decisions, including the recent closure of the museum's Independent Study Program.
The Art Museum at the University of Toronto has opened a new exhibition titled "Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean." The show features works by contemporary artists from the Caribbean and its diaspora, exploring the region's complex geography, layered histories, and cultural intersections through themes of land, water, and the legacies of colonial industries like sugar production.
The Museum of Contemporary Art, Los Angeles (MOCA) is presenting a major exhibition dedicated to the work of conceptual artist Michael Asher. The show focuses on his site-specific interventions that critically examined the social, economic, and institutional frameworks of the spaces he engaged with.
Polish artist Karol Radziszewski has opened a new installation titled "The Classroom" at Moderna Museet in Stockholm. The work meticulously recreates a 1990s Polish classroom environment, but subverts its traditional educational content by integrating materials from the artist's Queer Archives Institute into the school furniture, walls, and blackboard.
Pioneer Works in New York presents "The Endless Garment: Atlantic Basin," a transnational exhibition curated by Jeppe Ugelvig. The show features work by artists and collectives including Serena Chang, Chang Yuchen, CFGNY, Huang Po-Chih, and Shanzhai Lyric, examining representations of Asian fashion production. It builds upon a prior 2021 exhibition at Beijing's X Museum and a related publication.
“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt
Chilean artist Tohé Commaret has opened her first institutional solo exhibition in Germany, "Mala Onda," at the ZOLLAMT MMK, a project space of the Museum für Moderne Kunst in Frankfurt. The exhibition features a new body of work, including large-scale paintings and a site-specific installation, that explores themes of memory, cultural displacement, and the lingering psychological effects of political violence.