The Brooklyn Museum is presenting an exhibition titled "Art of Manga," showcasing the artistic and cultural significance of manga as a visual art form. The show explores the history, techniques, and global influence of manga, featuring original drawings, printed works, and immersive installations.
The Regina A. Quick Center for the Arts at Fairfield University has debuted "The Future is Handmade," a large-scale exhibition featuring eight female artists with regional ties. Curated by Linda Colletta and organized by the Center for Arts & Minds, the showcase transforms the center's lobby into a vibrant gallery of mixed-media, textiles, and sculpture. The exhibition opened alongside a performance by the dance company BODYTRAFFIC, emphasizing a multidisciplinary approach to community engagement.
The Fairfield University Art Museum has launched "For Which It Stands…," a landmark exhibition featuring over 70 artworks that utilize the American flag as a central motif. Curated by Carey Mack Weber, the show spans more than a century of artistic production, from World War I-era paintings by Childe Hassam to contemporary works by artists such as Julie Mehretu and Danielle Scott. The exhibition is a centerpiece of the university's America250 programming, marking the 250th anniversary of the United States.
The Brooklyn Fine Art Print Fair (BFAPF) has returned for its second edition at Powerhouse Arts, expanding significantly from its inaugural "beta test" last year. The fair now features over 60 exhibitors, including a diverse mix of independent print shops, academic departments, self-represented artists, and established international galleries. This year's iteration emphasizes experimental mixed-media practices and a rigorous juried selection process, moving beyond traditional printmaking to include illuminated plexiglass screenprints and sculptural paper works.
The 24th edition of Ville Aperte in Brianza returns in 2026 with the theme "Storie che restano" (Stories That Remain), highlighting the ability of Lombardy's historic villas and gardens to preserve centuries of memories. The spring edition runs from May 9–17, and the autumn edition from September 19–October 4, featuring 48 cultural sites across 35 municipalities in the provinces of Monza and Brianza, Milan, Lecco, and Como. The symbol of this year is Villa Tittoni (Villa Cusani Traversi Antona Tittoni) in Desio, designed by architect Giuseppe Piermarini and later expanded by Pelagio Palagi. Special programs include guided tours by three associations of licensed guides, children's activities, and a school contest exhibition on the 80th anniversary of the Liberation.
Vicino a Parma c’è l’intramontabile eleganza di Erté in mostra al Labirinto della Masone
The Labirinto della Masone near Parma is hosting a comprehensive exhibition titled "Erté. Lo stile è tutto," showcasing the work of the Russian-born Art Déco master Romain de Tirtoff, known as Erté. The display features a diverse array of drawings, gouaches, models, and sketches, many of which were originally acquired by the late publisher Franco Maria Ricci. The exhibition traces Erté's journey from his aristocratic Russian roots to his rise in Paris as a collaborator of Paul Poiret and a visionary of theatrical and couture design.
The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.
The New York Transit Museum's Grand Central Gallery is presenting "Inspired by MetroCard," a free exhibition running through October 2026 that transforms the city's iconic fare card into works of art. The show features paintings, collages, mosaics, and wearable pieces created from thousands of MetroCards by artists including VH McKenzie, Nina Boesch, Juan Carlos Pinto, Barbara Kruger, Nina Vishneva, and Thomas McKean. Curator Jodi Shapiro organized the exhibition, which is located in the museum's gallery and store within Grand Central Terminal's Shuttle Passage.
À Paris, le salon unRepresented réunit dans un hôtel particulier des artistes sans galerie
The unRepresented art fair returns to Paris for its fourth edition, taking place from April 10 to 12 at the Hôtel Molière. Founded by Emilia Genuardi, the salon provides a platform for fifteen independent artists who are not currently represented by galleries, allowing them to showcase their work during the busy Art Paris week. This year's selection focuses on artists who "experiment with the image," featuring diverse practices ranging from Regina Anzenberger’s painted photographs to Tania Arancia’s textile-based archival works.
Local artist Regina Losinger, a retired SUNY Broome administrator, opens her exhibition "Follow the Water" at Cooperative Gallery 213 in Binghamton, New York, on First Friday. The show features 50 works of painting and photography inspired by her kayaking and canoeing trips in the Adirondacks, Florida, and Canada, alongside her boat and paddling maps. Losinger, who returned to art after retiring a decade ago, will greet visitors during the opening reception from 6:30 to 8 p.m.
The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.
Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.
Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.
The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.
The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.
Miami International Airport has opened a new art exhibition titled "Curious Geometries" at the Gate D31 Gallery, featuring large-scale quilted artworks by local textile artist Regina Durante Jestrow. The exhibition, on view until March 9, 2026, showcases sewn compositions and free-form art quilts made from repurposed fabrics sourced from various Miami locations, including the airport itself. Jestrow employs improvisational dyeing and piecing techniques inspired by Gee's Bend quilters, Anni Albers, Rosie Lee Tompkins, and Gego, blending organic geometry with tropical color palettes to explore the relationship between craft and fine art.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
An August 15 audit by the Maryland Department of Legislative Services uncovered serious financial irregularities at Baltimore’s Reginald F. Lewis Museum of Maryland African American History & Culture. The audit found corporate credit card charges without a clear business purpose, payments made to an employee’s PayPal account, a former employee pocketing parking fees, and a practice of pre-signing blank checks stored in an unsecured office. Though only $10,115 was unaccounted for between April 2021 and January 2025, the museum’s annual budget is $6.3 million, and it receives up to half its funding from taxpayers. The museum’s president Terri L. Freeman and board chairman Drew Hawkins have since destroyed all pre-signed checks and implemented 12 of 18 audit recommendations, with four more in progress. The employees involved are no longer at the museum, and findings were referred to the Maryland Attorney General.
The article is about Reginald Sylvester II's exhibition titled "Until Then." The text is heavily corrupted and unreadable, but the title and source indicate it covers a show by this artist.
The Detroit Institute of Arts (DIA) announced its first major Native American exhibition in 30 years, titled "The Contemporary Anishinaabe Art: A Continuation," opening September 28, 2025. The show will feature 60 U.S.-based Anishinaabe artists and include jewelry, basketry, painting, pottery, and woodworking, with gallery text in Anishnaabemowin. The exhibition was curated with an advisory council of Ojibwe, Ottawa, and Potawatomi artists.
The Carnegie Arts Center in Turlock, California, opens its annual juried exhibition “Farms & Fields” in the Lobby Gallery, featuring 52 works by 37 regional artists selected from over 150 submissions. Juror Susan Stephenson, a landscape painter and Stanislaus State professor, chose pieces across media including painting, photography, printmaking, ceramics, and fabric arts, all celebrating agriculture. Awards totaling $1,100 were given, with Rhett Regina Owings winning Best of Show for her gouache “Farm Near Tracy.” The exhibition runs through July 25, with a free public reception on May 7 as part of the downtown Turlock art walk.
The Kniznick Gallery at Brandeis University has opened "Who Will Draw Our History? Women’s Graphic Narratives of the Holocaust, 1944-1949," an exhibition curated by Rachel E. Perry. The show features the work of ten female survivors who utilized visual storytelling—including handmade albums, pictorial diaries, and wordless novels—to document their experiences in concentration camps like Auschwitz-Birkenau and Ravensbrück. These "graphic narratives" serve as early visual testimonies, often created as a "call to duty" immediately following the liberation.
Fairfield University Art Museum opened its major loan exhibition 'For Which It Stands…' on January 22, 2026. The exhibition, curated over five years, features over 70 works depicting the American flag from World War I-era pieces to contemporary art, sourced from 48 lenders across the United States.