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Sheboygan community art gallery opens new space showcasing local artists and outreach programs

Sheboygan Visual Artists (SVA) has officially opened a new permanent gallery and studio space in the South Pier neighborhood of Sheboygan, Wisconsin. After operating without a fixed location for 18 months, the nonprofit organization’s new facility features exhibition areas, five rentable artist studios, and a dedicated space for community-integrated projects. The opening marks a significant milestone for the 80-member collective, which has been a fixture of the local art scene since 2007.

Artists protest Alligator Alcatraz at Scope Art Show

At the Scope Art Show in Miami, Amnesty International has presented an installation titled "Cruelty Is Their Point—But Another World is Possible" featuring works by artists Agua Dulce Gloriosa and Clarence James. The project protests the notorious migrant-detention facility in the Everglades nicknamed Alligator Alcatraz, which opened in July 2025 and is operated by Florida’s Division of Emergency Management in partnership with the US Department of Homeland Security. The installation includes an altar-like piece by Dulce Gloriosa and a collage by James, and invites fairgoers to sign a petition demanding the facility's closure.

‘Out of the public eye’: Artists accuse University Unions of unprofessionalism and censorship

Artists participating in the “Visual History of the Unions” exhibition at the University of Michigan’s Michigan Union have accused University Unions leadership of unprofessional conduct and censorship after the show was significantly reduced in scope and moved to a low-traffic alcove. The exhibition, a collaboration between the Inclusive History Project, the Arts Initiative, and University Unions, originally planned to run from October 2025 to January 2026 in high-foot-traffic areas like the Willis Ward Lounge. After vague communications and delays, the show was shortened to November 6–December 17 and relocated to the small Opera Lounge. Artist Toby Millman, a U-M alum and lecturer, created a quilt depicting a 2024 TAHRIR Coalition protest calling for divestment from companies profiting from the Israeli military campaign in Gaza. She was warned the quilt might receive backlash, and later received cryptic emails from associate director Kaila Sell about delays and consultations with unnamed stakeholders, leading artists to believe the content was being censored.

The Smell of Sanctity: An Olfactory Exploration of Faith, Chemistry, and Decay

Olfactory artist and perfumer Gabriel De Carvalho presents 'The Smell of Sanctity: From Devotion to Decomposition,' a multi-sensory exhibition at The Olfactory Art Studio in London from 26 to 30 November 2025. The installation explores the historical concept of the 'odour of sanctity'—the sweet fragrance said to emanate from saints—through the lens of biochemistry, using bespoke scent compositions, sculptural diffusers, and light to blur the boundaries between sacred spaces and scientific laboratories.

Hyperallergic’s Art Tarotscope for the Spring Equinox

Hyperallergic published its seasonal Art Tarotscope for the Spring Equinox, a feature that blends tarot and astrology to offer a collective reading for its creative readership. The reading, developed by contributor AX Mina using the Mixed Signals Tarot deck by artist M Eilo, focuses on the arts and creative practice, interpreting cards drawn for the equinox to reflect on themes of struggle, transition, and the path forward.

11 Unmissable Exhibition Openings in 2026

Frieze magazine has published a curated list of 11 unmissable exhibition openings scheduled for 2026, highlighting major institutional shows and biennials around the world. The selection spans diverse venues and artists, reflecting the global scope of contemporary art programming for the coming year.

Check out these 13 brilliant photos showcasing the best of local Wigan artists at a new Pier-based exhibition

The Wigan Open Exhibition has launched at Wigan Pier Four, marking the inaugural event of the Wigan Arts Festival 2026. The showcase features a diverse array of creative disciplines, including ceramics, textiles, sculpture, and digital media, highlighting the work of both local creators and artists from further afield. Artistic director Jonny Davenport celebrated the opening night, which serves as the centerpiece for a month-long series of cultural events across the town.

First major exhibition of Latinx art comes to Ringling Museum in Sarasota

The Ringling Museum in Sarasota, Florida, is hosting its first major exhibition dedicated to Latinx art, marking a significant milestone for the institution. The show brings together works by contemporary Latinx artists, exploring themes of identity, migration, and cultural hybridity through a range of media including painting, sculpture, and installation.

From Micro to Mega, Jon McCormack’s Striking Photos Reveal Nature’s Patterns

Photographer Jon McCormack, who grew up in the Australian Outback and has traveled to all seven continents, has a new book titled "Patterns: Art of the Natural World," forthcoming from Damiani Books. The project emerged during the pandemic when limited travel led him to revisit local spots and develop a patient, attentive approach to capturing nature's hidden harmony and symmetry. The book features 90 images ranging from microscopic crystals to aerial views of flamingos in Kenya, along with text contributions from fellow photographers and conservationists.

The Must-See Off-Site Shows at the 61st Venice Biennale

The article, published by Frieze, highlights seven must-see off-site exhibitions during the 61st Venice Biennale. These shows are curated independently of the main Biennale program and feature works by artists such as Richard Tuttle and Lutz Bacher, presented at venues like Galerie Greta Meert and WIELS. The guide is written by critic Emile Rubino and aims to direct visitors to noteworthy satellite events that complement the official Biennale offerings.

Blaffer Art Museum Terminates Curator; Artist Cancels Exhibition

The Blaffer Art Museum at the University of Houston terminated curator Erika Mei Chua Holum in July 2025, following a series of leadership changes and the cancellation of a planned outdoor sculpture exhibition by Guadalupe Maravilla. The museum's new director, Dr. Laura Augusta, cited conservation issues and campus construction as reasons for canceling Maravilla's 'Mariposa Relámpago,' a decision Chua Holum publicly disagreed with. Subsequently, artist Ja'Tovia Gary also canceled her scheduled solo exhibition, citing a breakdown in negotiations with Augusta over scope and budget.

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The Metropolitan Museum of Art in New York will open a landmark exhibition dedicated to Renaissance master Raphael in 2026. Titled "Raphael: Sublime Poetry," the show runs from March 29 to June 28 and will be the first major Raphael retrospective ever mounted in the United States. Curated by Carmen Bambach, the exhibition brings together 200 works including paintings, drawings, tapestries, and decorative arts, with loans from major museums worldwide such as the Louvre, the Uffizi, the Prado, and the Vatican Museums. Key loans include the Louvre's "Portrait of Baldassarre Castiglione" and the Galleria Borghese's "Portrait of a Lady with a Unicorn."

11 Must-See Museum Shows This Fall

Maxwell Rabb's article for Google News highlights 11 must-see museum exhibitions opening worldwide in fall 2025. Among the featured shows are Ayoung Kim's "Delivery Dancer" video trilogy at MoMA PS1 in New York, the largest UK survey of Kerry James Marshall's work titled "The Histories" at the Royal Academy of Arts in London, and "Strange Realities: The Symbolist Imagination" at the Art Institute of Chicago, which explores the Symbolist movement across Europe. The article also mentions other major retrospectives and thematic exhibitions spanning Symbolism to Nigerian modernism.

The Big Review | 65,000 Years: A Short History of Australian Art at the Potter Museum of Art, Melbourne ★★★★★

The article reviews the exhibition "65,000 Years: A Short History of Australian Art" at the Potter Museum of Art, University of Melbourne. The show features over 400 works, including 194 loans from 78 lenders, spanning 11 rooms and a decade of planning. It highlights rarely seen bark masterpieces from Arnhem Land, such as Woŋgu Munuŋgurr's "Djapu’ miny’tji" (1942), and juxtaposes colonial depictions with Indigenous perspectives, including works by William Barak and John Glover. The exhibition is on track to become the most visited in the museum's history.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

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The Alexandria Biennale will return in September 2026 after a 12-year hiatus, with its 27th edition curated by Egyptian artist Moataz Nasr under the title “This Too Shall Pass.” The exhibition will feature 55 artists from across the Mediterranean, with a main program complemented by smaller shows in Alexandria museums focusing on emerging Egyptian artists. Venues include the Roman amphitheater, the Alexandria Library, and the Qaitbay Citadel. The biennale was originally established in 1955 under Gamal Abdel Nasser, suspended in 2011 amid the Egyptian revolution, briefly reopened in 2014, and then shuttered again due to financial and political instability.

5 Artists on Our Radar in August 2025

Artsy Editorial's August 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Jesse Akele, Ficus Interfaith (the duo of Ryan Bush and Raphael Martinez Cohen), and Shuling Guo. Akele's hazy figurative paintings explore fleeting place and memory, featured in WORKPLACE's group show 'Cold Enough for Snow.' Ficus Interfaith creates playful terrazzo sculptures blending fine art, design, and craft, with a solo exhibition 'Furniture Music' at P.P.O.W in New York. Shuling Guo produces transcendental works in color pencil and oil paint, alluding to her life experiences, with pieces at Hollis Taggart and Mindy Solomon Gallery.

‘Re-scoped’ Alice Springs art gallery on public exhibition

The Northern Territory government has unveiled revised plans for the Aboriginal and Torres Strait Islander Art Gallery of Australia (ATSIAGA) in Alice Springs/Mparntwe. The redesigned project, led by BVN, Susan Dugdale and Associates, and Clouston Associates, has been reduced from five storeys to three, with 1,300 square metres of exhibition space. A development consent application was submitted earlier this month and is now on public exhibition until 22 August, following cost blowouts that prompted a "re-scoping" of the original scheme. Construction is expected to take 18–24 months, with an opening targeted for late 2027.

Introducing Julia Day, the Frick’s new chief conservator

The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.

Be Seen, Be Recognised. 9 Open Calls For Artists to Apply to this Summer.

The article presents nine open calls for visual artists to apply to during summer 2025, including the Form Photo Award and the Arte Laguna Prize. The Form Photo Award, organized by Form institution, offers winners free participation in Scope Miami Beach 2025 and publication in Form Magazine, with a €35 submission fee and deadlines through July 30. The Arte Laguna Prize, now in its 20th edition, features an exhibition at the Arsenale Nord in Venice and special prizes including residencies at MoCA Art Residency, BigCi, Artorale, LITIX, and NY20+, with a €97 entry fee and a July 31 deadline.

Art Basel Miami Beach to welcome 41 new exhibitors

Art Basel Miami Beach (ABMB) will return from December 5 to 7, 2025, with 285 galleries, including 41 first-time exhibitors—a significant increase from previous years. The fair will emphasize Latinx, Indigenous, and diasporic artistic currents, and will feature galleries from 44 countries, with over two-thirds operating in the Americas. New participants include New York galleries such as David Peter Francis, Candice Madey, and Margot Samel, as well as Erin Cluley Gallery from Dallas, Miami’s Nina Johnson, and Voloshyn Gallery, the first Ukrainian exhibitor at the fair. Returning mega-galleries include Gagosian, Hauser & Wirth, David Zwirner, Pace Gallery, and White Cube. The fair will also debut the Art Basel Awards, with gold medalists announced on December 4.

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A Japanese collector, Hiroaki Narita, is auctioning his extensive collection of Rei Kawakubo's designs for Comme des Garçons at the French auction house Piasa on October 1, during Paris Fashion Week. The sale includes over 500 lots of garments and accessories dating from 1969 to 1999, with estimates ranging from €150 to €2,000. The collection spans Kawakubo's most iconic collections, including Pirates (1981), Body Meets Dress, Dress Meets Body (1997), and Kaleidoscope (1996), showcasing her avant-garde, deconstructed aesthetic.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.