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Texas university's sudden cancellation of exhibition with works critical of Ice sparks censorship row

The University of North Texas (UNT) abruptly shuttered a solo exhibition by Brooklyn-based artist Victor Quiñonez just nine days after its opening at the College of Visual Art & Design Gallery. The show, titled "Ni de Acquí," featured sculptures from the artist’s "I.C.E. Scream" series, which utilizes Mexican popsicle motifs to critique the enforcement tactics of U.S. Immigration and Customs Enforcement. Following the closure, university staff covered the gallery windows with brown paper and terminated the loan agreement with Boston University without providing a detailed public explanation.

Return of popular Goole open art showcase sparks call-out for local artists

Goole Museum has issued a call for local artists to submit works for its 12th annual Open Art Exhibition, which will open on March 21, 2026. The museum welcomes all mediums including paintings, illustrations, textiles, sculptures, ceramics, and digital entries, with a particular invitation for pieces inspired by Goole's bicentenary—200 years since the town was built as a purpose-built port. Submissions can be dropped off on specified dates in early March, and the exhibition runs until May 16.

Closure of Side gallery quayside space in Newcastle sparks social media backlash

Side gallery, a historic venue in Newcastle that has showcased documentary photography and film since 1977, will not reopen at its Quayside location after closing in 2023 due to lost revenue funding from the Arts Council of England (ACE). Managing director Laura Laffler of Amber Film & Photography, which runs the gallery, announced the decision after exhausting all avenues for continued funding, including a failed £1.3 million National Lottery Heritage Fund bid and the collapse of ACE's Grantium platform. The closure has sparked backlash on social media, with some donors to the 2023 #SaveSide crowdfund—which raised £67,278—feeling misled about the funds' purpose.

Exhibit Reclaims Space for Human Artists

Cedarville University's 220 Gallery is hosting “Painters and Paintings,” an exhibit featuring physical and digital paintings by the university's art students, open through January 14, 2026. Conceived by associate professor Aaron Gosser, the show pairs each artwork with a photo of the student artist and a personal reflection on painting in an era flooded with AI-generated images, aiming to foreground the human hand and story behind each piece.

AI-generated art at SFO sparks backlash prompting artist to speak out

An AI-generated artwork installed at San Francisco International Airport (SFO) has sparked public backlash, leading the artist behind the piece to issue a statement defending the work. The installation, which uses artificial intelligence to create dynamic visuals, drew criticism from travelers and online commentators who questioned its artistic merit and the use of AI in public art.

Canadian Museum for Human Rights’ planned exhibition on displacement of Palestinians sparks outpouring of support and criticism

The Canadian Museum for Human Rights in Winnipeg announced plans for an exhibition titled 'Palestine Uprooted: Nakba, Past and Present,' scheduled to open in June 2026. The show will document the lived experience of the Nakba—the mass displacement of Palestinians beginning with the 1948 Arab-Israeli war—through video testimonials, objects, art, text, and photography, focusing on personal stories of Palestinian Canadians. The announcement has drawn both strong support and criticism, with museum CEO Isha Khan emphasizing the exhibition is not a historical retrospective or commentary on current Israel-Palestine relations.

If You Could Design Any Museum Exhibition, What Would It Be?

The New York Times poses a hypothetical question to several prominent figures in the art world: if they could design any museum exhibition, what would it be? The article features responses from artists, curators, and critics who describe their dream shows, ranging from a survey of overlooked female abstract expressionists to a retrospective of a fictional artist. Each contributor outlines a concept, the venue they would choose, and the rationale behind their curatorial vision.