Marina Xenofontos Recreates an Empty Nightclub

Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.

Who’s Showing What—and What They Love—at Market Art Fair

Market Art Fair in Stockholm celebrated its 20th edition, the largest to date with 150 exhibitors, after moving from Liljevalch’s to Magasin 9, a former warehouse at the city’s port. The fair, founded in 2006 as a joint Nordic initiative, expanded its scope in 2025 to include international presentations. During the preview day, Malin Ebbing captured exhibiting artists, gallerists, and notables with her Polaroid, asking about their work and favorite booths. Artists such as Arvida Byström, Hans Berg, Sigrid Soomus, and Gabriel Karlsson discussed their artistic expressions and discoveries at the fair, with many gallerists reporting significant sales.

Lies, Virtual Reality, and Conceptual Art—Spring/Summer 2026 Exhibitions at PHI

PHI in Montreal presents two spring/summer 2026 exhibitions: "Come See, Lies Lies" by Paola Pivi and "Other Worlds" by Jakob Kudsk Steensen. Pivi's show features surreal installations including wall-mounted shoes, suspended velvet mattresses, and a metal house with TV screens broadcasting false statements, blending fairy tale and satire. Steensen's exhibition comprises six major works from the past decade, using virtual reality, video games, and sound installations to explore ecological themes and digitized environments like Bora Bora and volcanic seabeds. Both exhibitions open April 23, 2026, and run through September 13, 2026.

Berlin Art: What Exhibitions Are on Now?

Berlin’s spring art season features a diverse array of exhibitions ranging from established international names to local prize winners. Key highlights include Yalda Afsah’s spiritual film installation at CCA Berlin, Jim Lambie’s psychedelic vinyl floor works at Konrad Fischer Galerie, and the 10th Neukölln Art Prize exhibition at Galerie im Saalbau, which honors artists like Va-Bene Elikem Fiatsi. The city's programming spans non-profit institutions, commercial galleries, and experimental spaces, covering themes from folk traditions to gender identity.

Rediscovering Norman Zammitt, a 1960s Visionary of the Light and Space Movement

Karma gallery in New York has opened 'Norman Zammitt: A Degree of Light', the first New York exhibition in nearly 60 years dedicated to the late Light and Space movement artist. The show features two key bodies of work: his laminated-acrylic pole sculptures and hard-edge 'Band Paintings', reintroducing Zammitt's pioneering colorist practice to a contemporary audience. Zammitt, who died in 2007, was a Canadian-born artist of Mohawk and Italian descent who studied at Otis College of Art and Design and was represented by Felix Landau's gallery in Los Angeles.

With two fairs and a new festival, Aspen art scene is reaching new peaks

Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.

New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

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The article is a first-person diary by artist Elle Pérez, chronicling their experience at Paris Photo 2024. Pérez describes the fair as the art world's best-kept secret, noting its uniquely fun and intergenerational atmosphere where artists and curators genuinely enjoy gathering. The diary covers a week of events including book meetings with Aperture, dinners with photographers, and the main fair at the Grand Palais, highlighting the camaraderie and joy of being together despite the anxieties facing photographers today.

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Nicole Eisenman's solo exhibition "STY" is on view at 52 Walker in New York through January 10, 2026. The show features recent paintings including "The Auction" (2025) and "Archangel (The Visitors)" (2024), which blend styles from realism to post-Cubist caricature. Curated by Ebony L. Haynes, the gallery is transformed into a single room lined with Homasote board, creating an intimate studio-like atmosphere that includes reference ephemera from Eisenman's Brooklyn studio, such as a printout of Martin Kippenberger's 1984 abstraction.

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Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.

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SCOPE Miami Beach 2024 features a playful, pop-culture-infused atmosphere with works ranging from a plane-crash installation by Brazilian artist Marcos Amaro at Andrea Rehder Gallery to a marble sculpture by Matthias Contzen at Callan Contemporary. British artist Lucy Sparrow presents a fully stocked fabric deli at Lawrence Alkin Gallery, while other highlights include beaded sculptures by Jan Huling at Duane Reed Gallery and thread paintings by Chris Roberts-Antieau at Heron Arts. The fair also showcases embroidered-style paintings by Joan Salo at Michele Mariaud and a hyperrealistic bust of Picasso by Jamie Salmon at Anthony Brunelli Fine Arts.

Here You Have the Feeling That Reality Is a Different One

"Man hat hier das Gefühl, dass die Realität eine andere ist"

Austrian artist Erwin Wurm discusses his exhibition at the Museo Fortuny in Venice, where he confronts the overwhelming collection of the 19th-century polymath Mariano Fortuny. In an interview, Wurm describes the venue as a historic atelier house filled with tapestries and artifacts, and reflects on how his contemporary sculptures and performances will engage with the dense, time-capsule atmosphere of the space.

Because the Ego Suddenly Dissolves

"Weil das Ego sich plötzlich auflöst"

The art world is facing significant structural and political shifts, highlighted by the merger of Artnet and Artsy which has resulted in mass layoffs, particularly within the Artnet News editorial team and its Berlin operations. Simultaneously, tensions are rising in German cultural policy as gallery owner Rupert Pfab raises concerns over government interference in the Stiftung Kunstfonds jury selection, reflecting a broader climate of unease that includes recent controversies at the Berlinale.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.

Museum Night in Paris and Île-de-France: 5 ideas to get off the beaten track

Nuit des musées à Paris et en Île-de-France : 5 idées pour sortir des sentiers battus

The article from Beaux Arts Magazine offers five alternative recommendations for experiencing the Nuit des Musées (Museum Night) in Paris and the Île-de-France region on May 23. Instead of visiting major museums like the Musée d'Orsay or the Grand Palais, readers are guided to lesser-known institutions and unique activities: exploring the craftsmanship of Sèvres porcelain at the Mobilier national, joining a festive dance workshop led by choreographer Wanjiru Kamuyu at the Palais de la Porte-Dorée, creating a collective fresco inspired by Jean Dubuffet at the Parc de l'Île Saint-Germain in Issy-les-Moulineaux, and immersing in the historical atmosphere of 1936 at the Musée de l'Histoire vivante in Montreuil.

Near Paris, this mythical restaurant transports us into a Renoir masterpiece

Près de Paris, ce mythique restaurant nous transporte dans un chef-d’œuvre de Renoir

The historic Maison Fournaise in Chatou, a legendary riverside restaurant and inn near Paris, has been meticulously restored to its 19th-century glory. Once a central hub for the Impressionist movement, the site served as the specific setting for Pierre-Auguste Renoir’s 1881 masterpiece, "Luncheon of the Boating Party." The restoration, led by the Ludéric group and featuring a menu by Michelin-starred chef Christian Le Squer, coincides with major Renoir exhibitions at the Musée d’Orsay.

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P. Staff's current exhibition at David Zwirner in New York transforms the gallery's Upper East Side townhouse into a haunting, body-centric experience. The show features a new video titled *Penetration* (2025), split across three floors, depicting a person with a laser beamed at their bare stomach, alongside sculptures with wood spikes under latex drapes and ambient sounds of a beating heart. The installation evokes a dread of having a body, with jaundiced yellow window films and disjointed sensory elements creating an uncomfortable, dysphoric atmosphere.

'I wanted to catch the desperation': Dries Verhoeven on turning the Dutch pavilion into a bunker for the Venice Biennale

Artist Dries Verhoeven has transformed the Dutch pavilion at the Venice Biennale into a bunker-like space by covering its iconic glass-and-steel structure with metal shutters. Inside, visitors experience a gradually darkening environment and a raw vocal performance by 13 rotating performers, intended to evoke desperation and confusion about contemporary global crises. The work critiques the modernist ideals of openness and optimism embodied by the pavilion, designed by Gerrit Rietveld in 1953.

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The Guggenheim Bilbao has canceled its planned expansion in the Urdaibai Biosphere Reserve, a UNESCO-designated site in Spain's Basque country, citing territorial, urban planning, and environmental constraints. The project, first announced in 2022, faced fierce opposition from activists, environmental groups like Greenpeace, and over 1,000 Basque creatives who signed a petition. The expansion would have included a facility in Guernica and a net-zero exhibition space in Murueta, but legal disputes and public pressure led the museum's Board of Trustees to terminate the plan. Local group Guggenheim Urdaibai Stop celebrated the decision as a victory and plans a festival in February 2026 to mark the project's demise.

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The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

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The article examines the use of two iconic minimalist designs—the Vitsœ 620 chair and a Braun wall-mounted hi-fi system—in the Apple TV+ series *Severance*. Both objects were designed by German industrial designer Dieter Rams in the 1960s and appear in the show's dystopian corporate setting, specifically in the lower levels of Lumon Industries where experimental subject Gemma undergoes tests. The production team intentionally selected these pieces to convey themes of power, control, and commerce.

David Bowie: You’re Not Alone review – Ziggy glam and Berlin grime in a bum-shaking yet sanitised immersion

A new immersive film exhibition titled 'David Bowie: You’re Not Alone' has opened at London's Lightroom. Directed by Mark Grimmer, who previously designed the V&A's 2013 Bowie exhibition, the hour-long 360-degree film focuses on the artist's most-streamed hits and features unseen performance footage, including from his 1978 Earls Court show. It aims to appeal to both die-hard fans and a younger audience.

Spheres of influence: the Bauhaus’s radical female photographers – in pictures

An exhibition titled 'New Woman, New Vision: Women Photographers of the Bauhaus' opens at the Museum of Photography in Berlin. It focuses on the pioneering work of female Bauhaus photographers like Marianne Brandt, Lucia Moholy, and Gertrud Arndt, who used the camera to capture unconventional perspectives and explore artistic freedom during the Weimar Republic.

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A cache of M.C. Escher drawings and prints, created during his time in Italy and later, fetched a stunning total of $7.8 million at Christie’s on July 22, quadrupling its low presale estimate. The auction, titled 'The Art of Infinity,' featured 65 lots, with nearly every work on paper surpassing the previous record for an Escher work in the medium. The top lot, *Reptiles* (ca. 1943), sold for $529,200—five times its low estimate—while *Relativity* (ca. 1953) achieved $504,000, ten times its low estimate. The sale largely came from the collection of Robert Owen Lehman Jr., a documentary filmmaker and member of the Lehman banking family.

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British pop star Robbie Williams opened a solo exhibition titled "Radical Honesty" at Moco Museum London on May 1, 2025, drawing hundreds of fans and guests. The show features nearly two dozen canvas works and sculptures exploring modern-day anxiety and emotional vulnerability, inspired by Williams's personal experiences. It is his third collaboration with Moco Museum, which has previously presented his works in Barcelona and Amsterdam. The opening had a pop concert atmosphere, with fans waiting for hours outside the venue. Among the attendees were TV personalities Leigh Francis and Andy Goldstein, and artists Chris Levine and Philip Colbert. Williams addressed criticism of celebrity art-making, while Moco co-founder Lionel Logchines praised the humor and mental health themes in Williams's work, comparing him to Banksy.

Gary E. Harris Exhibition To Open At Pittsford Fine Art

Pittsford Fine Art will host a solo exhibition of oil paintings by Western New York artist Gary E. Harris from May 1 through May 31, 2026. The showcase features landscapes inspired by Cape Cod and Western New York, alongside still life works that emphasize light, atmosphere, and open composition. Harris, a former creative director who transitioned to full-time painting, draws significant influence from 19th-century French Impressionism.

25 of 2025: 5 Artists Transforming Time-Based Media

This article profiles five emerging artists who are transforming time-based media in 2025, focusing on Ayoung Kim and Meriem Bennani. Ayoung Kim, born in 1979 in Seoul, creates immersive works blending live-action footage, CGI, gaming technologies, and AI, with her piece "Delivery Dancer's Sphere" recently acquired by the Tate collection. Meriem Bennani, a Moroccan-born, Brooklyn-based artist, gained acclaim for her video installations and viral "2 Lizards" series, with works held by the Whitney Museum, MoMA, and Musée d'Art Moderne de la Ville de Paris.

Salvator Mundi Museum of Art Opens New Exhibition: THE ORB SHOW - All About Balls

The Salvator Mundi Museum of Art has launched a new exhibition titled "THE ORB SHOW - All About Balls." This unconventional presentation focuses on the recurring motif of the sphere in art, drawing inspiration from the crystal orb held by Christ in the museum's namesake painting, the Salvator Mundi.

Stockholm's Market Art Fair wants to prove the 'periphery is now essential'

The 20th edition of Stockholm's Market Art Fair for Modern and contemporary art opens in a new waterfront venue at Magasin 9 in the Frihamnen docks area, running until 26 April. This year, 54 dealers—mostly from the Nordics—are joined by international galleries from the US and UK, including Anthony Wilkinson gallery (London) and albertz benda (New York). The fair expanded its reach last year by opening applications to galleries without existing Nordic ties. Notable presentations include new works by Ólafur Elíasson (i8 gallery, Iceland), dystopian paintings by Munan Øvrelid (Galleri Haaken, Oslo), and textile works by Petra Lindholm (Magnus Karlsson gallery). Prices range from SEK 28,000 to €195,000, with strong early sales reported.

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Art Basel fair diary by Gracie Hadland recounts her experience at the 2024 edition of the fair in Basel, Switzerland. She arrives determined not to spend money, relying on gallery dinners and PR generosity, and visits Liste, the satellite fair for younger galleries, where she notes dealers taking more risks with sculptures and conceptual works. Highlights include Bedros Yeretzian's booth at Diana Gallery, which sold only logos rather than objects, and a project by Shahryar Nashat in the Parcours sector. She also meets artist Adam Stamp, dealer Scott Cameron Weaver, and curators Julie Boukobza and Donald Ryan, and reflects on the fair's business-like atmosphere.