Zona Maco, Latin America's largest art fair, has concluded its 2026 edition in Mexico City, reporting strong sales and significant international attendance. The fair featured over 200 galleries from more than 25 countries, with a notable focus on contemporary art from Latin America and a robust program of curated sections.
The Varley Art Gallery of Markham will host an opening reception on September 20, 2025, for two new fall exhibitions: "Kejie Lin: A Garden of My Own," a solo show of meticulous Chinese ink paintings by former landscape architect Kejie Lin, and "Sights of Convergence," a group exhibition featuring Jess Riva Cooper, Gabriela García-Luna, and Stanzie Tooth that explores the entanglement of human and natural worlds. The free public event includes a guided tour by guest curator Yuluo Wei, family-friendly activities, and light refreshments, with both exhibitions running through January 11, 2026.
The 2026 Venice Art Biennale will proceed exactly as planned by its curator, Koyo Kouoh, who died earlier this month at age 57. Titled "In Minor Keys," the edition is scheduled to open on May 9, 2026. At a press conference in Venice, Biennale press head Maria Cristiana Costanzo confirmed that Kouoh had intensively developed the curatorial concept, selected artists and works, and defined the exhibition's theoretical framework, graphic identity, and spatial design before her death. Her core team will complete the show in strict accordance with her plan, with full support from her family. Collaborators read texts she prepared and displayed images she selected during the presentation.
Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni
A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.
I futuri professionisti della cultura in Africa saranno formati da sei musei italiani
The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.
Photographer Rusty Costanza opened an exhibition of his black-and-white photographs at the Art House in Covington, documenting his life and perspective since being diagnosed with ALS (Lou Gehrig's Disease). The show was the featured exhibit of the annual Spring for Art celebration, with a special preview for friends, family, and patrons.
The Metropolitan Museum of Art’s newly reopened Michael C. Rockefeller Wing features a series of short documentaries by Ethiopian American filmmaker Sosena Solomon, commissioned to add contemporary context to the wing’s historical artifacts from Africa, Oceania, and the ancient Americas. Solomon spent two years traveling to 12 sites across sub-Saharan Africa, creating videos that highlight royal burial grounds in Uganda, ancient rock paintings in Botswana, bronze casters in Benin City, and the rock-hewn churches of Lalibela and Tigray in Ethiopia. Three of the videos are displayed on screens in the wing, while others are accessible via QR codes and online.
The University of California, Davis, will host the Arts & Humanities 2025 Graduate Exhibition from June 5–22 at the Jan Shrem and Maria Manetti Shrem Museum of Art. The multidisciplinary showcase features 31 graduate students from art studio, art history, design, comparative literature, English, environmental science and policy, music, and performance studies. Works include photography, painting, sculpture, video, performance, and textiles, with live performances and awards on opening night. Participants explore themes such as human-technology relationships, environmental resilience, African diaspora, and emotional healing.
A new public art installation titled “Uniquely Worcester: Celebrating Worcester’s Past & Present” has opened in the windows of the Denholm Building in Worcester, Massachusetts. The exhibition features work from 10 local artists across eight front windows, highlighting the city’s history through themes such as sports, the arts, and notable figures like rocket pioneer Robert Goddard, Valentine card popularizer Esther Howland, and smiley face creator Harvey Ball. One window showcases Abu Mwenye’s vibrant paintings inspired by his Kenyan and Tanzanian heritage, while another displays musical instruments spanning 250 years, including a rope drum from the American Revolution and a guitar made at Worcester Polytechnic Institute. The installation runs throughout 2026 and was organized by project manager Melissa Mattson.
The Eide/Dalrymple Gallery at Augustana University will host its annual 'Augustana High School Invitational' from January 15 to February 6, 2025, featuring over 110 artworks by students from 22 regional high schools. The exhibition includes a range of mediums such as ceramics, drawing, digital art, photography, mixed media, painting, printmaking, and sculpture, with a closing reception and awards ceremony on February 6. The show is juried by Augustana Art Department faculty, and junior and senior artists can participate in portfolio reviews for Pro Artis Scholarships worth up to $8,000.
The Forest Exploration Center in Tosa, Wisconsin, has opened its first art exhibition titled “All That Trees Provide: The Value of Trees and Forests in Our Everyday Lives.” The community-curated trail features 14 panels along the middle trail segment, showcasing seven works each from photographer Holden Van Dyke, a 15-year-old from Pleasant Prairie, and painter John Suess, a Milwaukee-based artist. A “Meet the Artists” event is scheduled for October 4. The exhibition is part of the center's Community-Curated Trail Spur, which aims to share forest art, stories, and research through rotating curated exhibitions.
Santarcangelo Festival 2026, il borgo che si riempie di performance parlando di corpo come spazio politico sotto pressione
The 56th edition of the Santarcangelo Festival, titled "Deep Pressures," will take place from July 3 to 12, 2026, in the historic town of Santarcangelo, Italy. Curated by Tomasz Kirenczuk in his final year as artistic director, the festival transforms the town into a "city-festival" with over 100 events including performances, concerts, and participatory practices. The program explores the body as a political space under pressure—from geopolitical conflict and colonial legacies to emotional and social tensions. Key works include "In relation to whom?" by Palestinian artists Marah Haj Hussein and Nur Garabli, "When I Saw the Sea" by Lebanese choreographer Ali Chahrour, and "Homem Novo" by Mozambican artist Yuck Miranda, among others. The festival was presented at Mambo in Bologna, with Kirenczuk emphasizing that the role of the festival is to be unsettling, not reassuring.