An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.
The Museum of Applied Arts Cologne (MAKK) in Germany is presenting an exhibition titled “From Louise Bourgeois to Yoko Ono: Jewellery by Female Artists,” featuring 101 pieces of jewelry created by 45 female artists. The show, which opened November 11 and runs through April 26, highlights works by well-known figures such as Yoko Ono and Louise Bourgeois, including Ono's yellow and white gold ring shaped like a vinyl disc inscribed with “Imagine Peace” and Bourgeois’ gold spider brooch and silver shackle neckpiece. The exhibition was curated by Lena Hoppe in collaboration with museum director Petra Hesse, and an accompanying book edited by the curators will be published by Arnoldsche Art Publishers in February 2026.
A partnership exhibition titled "Layered Medium: We Are in Open Circuits" has opened at Manarat Al Saadiyat in Abu Dhabi, featuring 29 Korean contemporary artists from the Seoul Museum of Art (SeMA) collection. Organized with the Abu Dhabi Music & Arts Foundation (ADMAF), the show includes works by Nam June Paik, Haegue Yang, Lee Bul, and others, and runs until 30 June. A reciprocal exhibition of Emirati artists, "Intense Proximities," will open at SeMA in December 2025. The curators, Maya El Khalil and Kyung-hwan Yeo, chose to present each country's art scene separately to allow full appreciation on its own terms.
The Ishara Art Foundation in the UAE has launched 'Urdu Worlds,' the region's first contemporary art exhibition dedicated to the Urdu language. Curated by Hammad Nasar, the show features a visual dialogue between the late Indian-born artist Zarina and Pakistani multimedia artist Ali Kazim. The exhibition showcases Zarina’s delicate woodcut prints, including her seminal 'Home is a Foreign Place,' alongside an expansive survey of Kazim’s paintings, sculptures, and his new 'Alphabets' series, marking his institutional debut in West Asia.
The Grackle Art Gallery in Fort Worth, Texas, is hosting "Blank," a group exhibition curated by the artist duo Kickpigeon Kids (Cosmo Jones and Max Marshall) from May 2–30, 2026. The show features works by twelve artists including Amber Zora & Lee Strubinger, Carmen Menza, and Elizabeth Sciore-Jones, who were asked to submit artwork alongside an object representing "blankness" as a metaphor for possibility. The curators transform the exhibition into a collaborative installation, blending the artists' pieces with their chosen objects and ephemera.
The Smithsonian's National Museum of African Art has opened 'Here: Pride and Belonging in African Art,' an exhibition curated by Kevin D. Dumouchelle and Serubiri Moses. Developed through years of direct dialogue with LGBTQ+ artists across Africa and its diaspora, the show foregrounds self-representation and community, ensuring artists defined the terms of their inclusion. It features contemporary works alongside historical precedents, creating a continuum of queer presence in African art history.
Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.
81C in St. Thomas, Virgin Islands, is presenting "Krankie II: Middle of the Food Chain," an immersive contemporary art exhibition by collaborative duo Emily Braswell (strawberriemilk) and Jenna Rees (warmmilkwithsugar). Opening on May 15, 2026, the show features painting, video, sculpture, and installation that construct a cinematic, psychologically charged world centered on a fictional 1980s movie star, offering absurdist commentary on fame in the pre-internet era versus today. The exhibition is a dual-location activation, also including a component at the XIIID Research and Strategy Innovation Center at the University of the Virgin Islands, with a free opening reception featuring DJ Carbar.
Ceramicists Savannah Jacob and Abby Jo Elle are co-curating "Respect Your Mother," a group exhibition at Patina Gallery dedicated to climate change and environmental activism. Opening in honor of Earth Day, the show features works from over 50 artists across various mediums, including sculptures, collages, and paintings, with a strict prohibition on artificial intelligence to emphasize human-centric craft.
The Dittmar Memorial Gallery in Evanston is hosting 'I Was Here,' a community-driven exhibition running from April 9 to May 3, 2026. Curated by Jasmine Ametovski and Clare Kirwan, the show features 24 local artists utilizing diverse mediums such as sound, video, and beeswax to document their daily lives. The project prioritizes lived experience and personal encounters over traditional, academic studio practices.
An exhibition titled “Chicano” at Art on Main gallery in East Dallas showcases the work of over 50 North Texas artists, featuring paintings, digital photography, and mixed media that explore Chicano identity, childhood memories, lowrider culture, immigration enforcement, and Indigenous heritage. Co-curated by artists Ariel Esquivel and Junanne Peck, the show includes pieces such as Chelsea Reyes' digital photograph “Movimiento y Orgullo,” Cease Martinez's painting “Cultura,” and Hermila Cuevas' oil on canvas “Chicomecōātl: Giver of Harvest.” The gallery owner Andrea Lamarsaude, who previously collaborated with the curators on the exhibition “Shelter,” notes the community's positive response.
The article reports on 'Edam', a collateral exhibition of the Kochi Muziris Biennale curated by Aishwarya Suresh and KM Madhusudhanan. Featuring 36 Malayali artists, the show consciously avoids stereotypical depictions of women as confined to home and family. Instead, it highlights deeply personal works by women artists such as Priti Vadakkath, Indu Antony, Nithya AS, and Devika Sundar, whose art reflects their individual struggles and lived experiences. The curators also faced challenges including financial constraints, spousal opposition, and helping recent art graduates gain confidence to articulate their work.
A traveling exhibition titled "The Lost Paintings, A Prelude to Return" is on view at the Brookline Arts Center and Unbound Visual Arts in Brighton through December 17. The show reimagines 53 oil paintings by Palestinian-Lebanese artist Maroun Tomb, which were lost in the chaos of the Nakba and the 1948 Arab-Israeli war after his 1947 exhibition opened in Haifa on the same day the UN adopted the Partition Plan. Curators Rula Khoury, Haidi Motola, and Joëlle Tomb—Maroun's granddaughter—commissioned 53 contemporary artists from Palestine and the diaspora to create new works inspired by the original titles, using mediums including textiles, prints, paintings, sculptures, and video.
An exhibition titled 'Against the Machine: art in the age of A.I., fascism, and climate disaster' is on view at the People's Solidarity Hub campus in Durham, North Carolina, curated by local artists Cassandra Rowe and charla rios. The show features works by ten multi-disciplinary artists, including Hiva Kadivar's piece incorporating ink and natural fibers, Derrick Beasley's sculpture 'Conduit,' and Rowe's painting 'the wayback machine / you can't take my memories.' The exhibition opened in May and runs through August 22, with an artist talk scheduled for July 16. The curators were inspired by connections between A.I., fascism, and climate disaster, particularly after Hurricane Helene and the Los Angeles wildfires.