National Portrait Gallery to stage landmark Marilyn Monroe exhibition.

The National Portrait Gallery in London will open a landmark exhibition this June celebrating Marilyn Monroe's 100th birthday. The show features portraits by artists including Andy Warhol, Pauline Boty, and Marlene Dumas, alongside works by over twenty major 20th-century photographers such as Cecil Beaton, Richard Avedon, and Eve Arnold. Monroe's personal effects, including books, scripts, and clothing, will also be displayed.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

Local Collections Shine at Sarasota Art Museum's Latest Exhibition

Sarasota Art Museum (SAM) has opened a new exhibition titled "Something Borrowed, Something New," featuring works from private collectors across Southwest Florida. The show includes pieces by renowned artists such as Chuck Close, KAWS, Richard Serra, Yoko Ono, Ai Weiwei, and Louise Bourgeois, spanning paintings, prints, sculptures, and mixed media from the 20th and 21st centuries. The exhibition was inspired by a museum trip program, during which executive director Virginia Shearer noticed that local collectors owned significant works by artists featured in major institutions like the Renwick Gallery and Glenstone.

Mary Frank Creates Her Own Pantheon

Mary Frank, an artist in her early 90s known for mythologically rooted sculpture and works on paper, is the subject of a focused exhibition at Steven Harvey Fine Art Projects in New York. Curated by Steven Harvey, the show presents 11 sculptures in wood, bronze, and ceramic from 1958 to 1985, alongside five works on paper, including a monotype and an oil-on-paper piece. Frank’s work, influenced by her study with Martha Graham, centers on self-sustaining female figures that embody agency, tenderness, and survival, often rendered in ceramic slabs or carved wood.

Hunterdon Art Museum presents three new exhibitions: Claybash, Emily Strong, and Bascha Mon

The Hunterdon Art Museum in Clinton, New Jersey, will open three new exhibitions on May 17, 2026: 'Claybash,' a triennial juried ceramics exhibition; a solo show of figurative paintings by Emily Strong; and 'Mindscapes,' a solo exhibition of works by 93-year-old artist Bascha Mon. Emily Strong's show features large-scale realist oil paintings that explore themes of cultural identity, gender, and human relationships, with QR codes linking to interviews with her models. 'Claybash' includes 40 artists selected by curator Angelik Vizcarrondo-Laboy, with cash prizes awarded. Bascha Mon's exhibition highlights her six-decade career of imaginative, color-driven work.

8 New Art Exhibitions You Cannot Miss This May

This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.

미시시피미술관 '사진과 흑인미술운동, 1955-1985'(7/25-11/8) - Lounge

The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

'Echoes of Movement' Sets Crain Art Gallery in Motion

Alejandra Phelts presents her new exhibition 'Echoes of Movement' at the Crain Art Gallery in Crowell Public Library, opening with a free public reception on May 9, 2026. The show features paintings that explore the body as a space of transformation, drawing on Phelts' background in music, philosophy, and sewing. Phelts, a Mexican border artist, shifted from studying philosophy in France to fine arts after realizing art was a necessity, and her work has been shown internationally, including at the Venice Biennale and the Louvre.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

'Something Borrowed, Something New' at Sarasota Art Museum features 85 works from 10 private collections

Ten art collectors from Tampa, St. Petersburg, and Sarasota have loaned 85 works from their private collections to the Sarasota Art Museum for the exhibition 'Something Borrowed, Something New.' The show features pieces by renowned artists including Kara Walker, Ai Weiwei, Alex Katz, Robert Mapplethorpe, Chuck Close, Hank Willis Thomas, and Yoko Ono, with many prints coming from Graphicstudio at the University of South Florida. The exhibition was conceived by executive director Virginia Shearer after visiting collectors' homes and was inspired by a trip to the Renwick Museum at the Smithsonian.

Thinking small and dreaming big in Isabel Nolan’s imaginary world

Dublin-born artist Isabel Nolan discusses her Ireland pavilion exhibition "Dreamshook" at the Venice Biennale, developed with curator Georgina Jackson. The show explores the liminal state between dreaming and waking, weaving a fictional narrative around Renaissance humanist Aldo Manuzio, who popularized portable books. Nolan draws on late Medieval and early Renaissance visual language, using intimate forms like textiles to tackle big ideas about cosmology, religion, and humanism. She describes her ambivalent relationship with European cultural inheritance and the need to recover occluded voices.

Why Is Beeple So Successful?

The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.

First Look: See What’s Inside the Met Gala’s “Costume Art” Exhibition

Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

The Broad: Yoko Ono Exhibition Draws Spring Crowds in 2026

As of March 2026, The Broad in Los Angeles is hosting Yoko Ono's first major solo museum show in Southern California, titled 'Music of the Mind.' The exhibition traces Ono's career from her 1950s Fluxus experiments to large-scale conceptual works, featuring interactive installations such as 'Wish Trees for Los Angeles' on the museum's East West Bank Plaza. The show opened on March 5, 2026, and has drawn record crowds to the free museum, which offers timed tickets for entry. The article also highlights other permanent attractions at The Broad, including Yayoi Kusama's Infinity Mirrored Room and galleries dedicated to Cy Twombly and Jeff Koons.

Marcel Duchamp Is Stripped Bare at MoMA

The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.

Korean Cultural Center New York Presents the Major Exhibition "Lee Kang So: A Field of Becoming"

The Korean Cultural Center New York (KCCNY) presents the major exhibition "Lee Kang So: A Field of Becoming," on view from May 13 to June 20, 2026. The show features the work of pioneering Korean contemporary artist Lee Kang So (b. 1943), who since the 1970s has worked across photography, painting, sculpture, installation, and performance, resisting fixed forms to explore how art emerges through process, material, and context. The exhibition includes key works from his 1970s performances and installations, as well as later sculptures and paintings that foreground gravity, chance, and bodily gesture. Lee, who was active in New York in the 1980s and participated in MoMA PS1's Studio Artist Program, returns to the city with this exhibition at KCCNY's expanded venue.

New Met Gala fashion exhibit seeks to ‘reclaim’ body types that art history has ignored

The Metropolitan Museum of Art's Costume Institute will launch a new fashion exhibition titled "Costume Art" at the 2026 Met Gala, curated by Andrew Bolton. The show features 400 items across sections exploring body types historically marginalized in art, including the corpulent, disabled, pregnant, and aging body. It debuts in the newly renovated Conde M. Nast galleries on the museum's main floor, with custom mannequins modeled on real individuals such as Sinéad Burke, Aariana Rose Philip, and Goddess Bunny. The exhibition pairs fashion garments with art objects to argue that fashion is art, and will be open to the public from May 10 for eight months.

With an exhibition in Venice, the great artist Joseph Kosuth demonstrates his trust in language

Con una mostra di Venezia il grande artista Joseph Kosuth dimostra la sua fiducia nel linguaggio

Joseph Kosuth, a pioneer of conceptual art, presents a new exhibition titled "The Exchange Value of Language Has Fallen to Zero" at Casa dei Tre Oci in Venice. The show features both historical works from the 1960s, such as "One and Three Mirrors" (1965), and a new neon piece "A Chain of Resemblance" created for the occasion, which pays homage to Michel Foucault. The exhibition explores themes of language, authorship, and community, including works like "The Fifth Investigation" (1969) and a poster from the 1976 Venice Biennale. Kosuth, who lived in Venice from 2021 to 2025, has a deep connection to the city, having participated in eight editions of the Venice Biennale and maintaining two permanent installations there.

Performance, gioco, rischio. Il grande Paul McCarthy è in mostra a Madrid: l’intervista

Paul McCarthy's latest exhibition, titled "A&E," is on view at Bowman Hal gallery in Madrid, part of the SOLO CONTEMPORARY initiative founded by a Spanish collector couple. The show features large-scale works on paper and videos created in collaboration with German actress Lilith Stangenberg, exploring role-play, performance, and the blurred lines between art and entertainment. The acronym "A&E" alludes to historical pairs like Adam and Eve or Adolf Hitler and Eva Braun, as well as "Arts & Entertainment." The works stem from private encounters between McCarthy and Stangenberg, with drawings serving as storyboards for videos that capture their improvisational, trance-like interactions.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

Sander Vos: Interpolation

Catherine Couturier Gallery in Houston is presenting "Interpolation," the first solo exhibition in the city for Dutch-born, London-based artist Sander Vos, running from May 16 to June 20, 2026. The show features photographs that deconstruct portraits and everyday objects through layering and spatial manipulation, drawing on Cubist influences and blending digital and analog processes.

More than 30 exhibitions on display in May at art centers from Marco Island to Sarasota

More than 30 exhibitions are on display in May at art centers across Southwest Florida, from Marco Island to Sarasota. Venues like Art Center Sarasota host shows featuring member, regional, and nationally renowned artists, including the "North Sarasota County Schools Spring Art Show" with over 1,500 student artists, solo exhibitions by Anja Palombo and Cat Tesla, and the "Architects Who Art" show co-curated by Morris Hylton III.

Taiwan Presents “Screen Melancholy: Li Yi-Fan” at the Venice Biennale

The Taipei Fine Arts Museum (TFAM) presents the collateral event "Screen Melancholy: Li Yi-Fan" at the 61st Venice Biennale, held at the Palazzo delle Prigioni from May 9 to November 22, 2026. The exhibition features a new video installation and mixed-media work by Taiwanese artist Li Yi-Fan, curated by Raphael Fonseca, curator of visual arts at Culturgest in Lisbon and Porto. The installation integrates large-scale sculptural fragments with video and sound, exploring how screens mediate perception and emotional experience, in dialogue with the Biennale's theme "In Minor Keys."

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.

LATIN AMERICA AT THE VENICE BIENNALE: A VISUAL TOUR OF THE CENTRAL EXHIBITION

LATINOAMÉRICA EN LA BIENAL DE VENECIA: UN RECORRIDO VISUAL POR LA MUESTRA CENTRAL

The 61st Venice Biennale, titled "In Minor Keys," opened its preview days on May 8, 2025, curated by the late Koyo Kouoh (1967–2025). The central exhibition, realized by a team she selected before her death, features 110 participants from around the world, with a strong Latin American presence of 15 artists, collectives, and organizations. The show explores themes of colonial history, plantation economies, geological memory, and environmental crisis through works that emphasize shared materials, politics, and poetics across geographies from Dakar to San Juan.

An Iranian museum holds a rare exhibit of American art, reflecting on war

The Tehran Museum of Contemporary Art is hosting a rare exhibition of American art, featuring works from its collection that were acquired before the 1979 Islamic Revolution. The show includes pieces by artists such as Andy Warhol, Jackson Pollock, and Mark Rothko, and is presented as a reflection on the complex history of U.S.-Iran relations, including themes of war and cultural exchange.

Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play

The article is a diary entry from the 2026 Venice Biennale, focusing on the exhibition "In Minor Keys" curated by the late Koyo Kouoh. The author describes an emotional experience, beginning with a poem by Refaat Alareer on the Arsenale wall, and highlights works by Guadalupe Maravilla, Alexa Kumiko Hatanaka, and others that address themes of perseverance, healing, and survival. Maravilla's sculptures reference a child kidnapped by ICE, while Hatanaka's linocuts explore bipolar disorder as an adaptive trait. The show also features artist-led collectives like Denniston Hill and fierce pussy, emphasizing institution-building and world-making.