The Museu de Arte de São Paulo (MASP) is presenting the first Brazilian solo exhibition of Argentine artist La Chola Poblete, titled 'Pop andino,' from March 6 to August 2, 2026. The show features works that reimagine Pop Art through a Latin American lens, including her 'Chola Virgins' watercolor series and the 'Manifesto Pop Andino' sound piece, curated by MASP's Adriano Pedrosa and Leandro Muniz.
An anonymous buyer paid $962,500 at an RR Auction sale for the code to the final unsolved passage of Jim Sanborn's sculpture "Kryptos," located at the CIA headquarters in Langley, Virginia. The sculpture, dedicated in 1990, contains four encrypted passages; three have been cracked by cryptologists, but the 97-character fourth passage (K4) has remained unsolved for decades. Sanborn, now 80, decided to sell the solution after growing tired of fielding inquiries from enthusiasts, despite a recent discovery of the solution in the Smithsonian's Archives of American Art that raised questions about the auction.
Edmondo di Robilant and Marco Voena, the founders of the prominent gallery Robilant + Voena (R+V), have announced the dissolution of their 22-year partnership to launch two separate family-run firms. The split results in the creation of 'Robilant' and 'Voena,' with both founders bringing their children into senior leadership roles to ensure long-term succession. Michele di Robilant will serve as director of Robilant, while Edoardo and Virginia Voena will take on director and sales director roles respectively at Voena.
Texas-based artist Virginia L. Montgomery's solo exhibition 'Blue Moon Cocoon' opened at the Abroms-Engel Institute for the Visual Arts at the University of Alabama at Birmingham. The show features a multi-channel video installation and sculptural works centered on the artist's bond with luna moths, which she began raising during the 2020 pandemic, exploring themes of interspecies connection and cosmic curiosity through a distinctive visual aesthetic.
The Arts Council of the Valley is launching two concurrent solo exhibitions at the Smith House Galleries in Harrisonburg, Virginia. 'Young Warriors' by Sukenya Best features vibrant portrait paintings that explore themes of resilience and nature, while 'Water’s Journey' by Anna Freeman showcases ceramic and 2D works focused on the intertidal boundaries between land and water. The opening event on May 1 includes artist talks and a live portrait-drawing pop-up by artist Will Stroud.
The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."
The article lists January 2026 art exhibitions across multiple venues in Charlottesville, Virginia, including Ruffin Gallery at the University of Virginia, Crozet Artisan Depot, The Fralin Museum of Art, The Gallery at Studio IX, IX Art Park, Kluge-Ruhe Aboriginal Art Collection, and Jefferson School African American Heritage Center. Highlights include the Ruffin Distinguished Artist-in-Residence exhibition “We Dream of Life” by Paula Wilson and iris yirei hu, featuring a monumental 56-foot textile; “Haiti’s Time” at The Fralin Museum; and “In the Beginning” at Kluge-Ruhe showcasing Spinifex Arts Project artists. Other shows include “INSTRUMENTAL” by Rich Tarbell, “The Looking Glass” immersive space, and “Finally Remembered: The Black Patriots of Central Virginia” at the Heritage Center.
Burning Man art is increasingly appearing in museums, cities, and regional events worldwide, moving beyond the temporary desert environment of Black Rock City. Artists like Miki Masuhara-Page and Walker Babington have brought their interactive sculptures—such as 'Cosmic Messenger' and 'Burden of the Beast'—to venues including the Portland Winter Light Festival and The Hermitage Museum and Gardens in Norfolk, Virginia. The Black Rock City Honoraria Program, funded by the nonprofit Burning Man Project, supports approximately 75 artworks annually, while the Art department assists nearly 400 pieces destined for the playa.
Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'
Virginia Aldoff-Pinay, a Cree Kokum from the Foothills School Division, has opened the Sunrise Moon Art Gallery in High River, Alberta. The gallery features Indigenous art, artifacts, and educational displays representing the Blackfoot Confederation, Métis, and Inuit cultures, along with a tea room and library. Aldoff-Pinay, who comes from a family of artists, named the gallery after a morning prayer when she saw both the sunrise and moon. The business is managed by her grandson Ethan Carpenter, and the sign was made by her daughter Vanessa.
Each October, the Chateau Show transforms the historic Aldredge House on Swiss Avenue in Dallas into an innovative exhibition space. Founded by artists Joel Murray and Clint Bargers, the four-year-old show invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works that juxtapose with the Gilded Age home's classic interiors. The 2025 edition features 21 artists including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with past participants like Rachael Henson, Sheryl Anaya, and Brent Birnbaum. The altruistic curators allow 100% of proceeds to go directly to the artists.
Each October, the Chateau Show takes over the historic Aldredge House on Swiss Avenue in Dallas, a Gilded Age home built in 1915-17. Founded by artists Joel Murray and Clint Bargers, the four-year-old exhibition invites a select crowd of curators, museum directors, and art world insiders to view envelope-pushing works by emerging, mid-career, and established artists. This year’s edition features 21 participants, including Alicia Eggert, Luke Harnden, Virginia L. Montgomery, and Arthur Peña, with installations ranging from site-specific pieces to more commercial works. The show is free and open by appointment from Oct. 19-25.
An art exhibition titled 'Shopliftable' has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally sized to be easily carried away. Co-owner and director Tim Jaeger conceived the show to offer affordable pieces that fit into smaller homes or complement existing large centerpieces. The exhibition includes works by artists such as Nancy Hielscher, who contributes a triptych from her 'Yardwork' series depicting bromeliads, and Virginia Hoffman, who presents alternative-print photographs displayed in antique negative holders. All works are for sale, spanning a variety of mediums.
Virginia Commonwealth University's School of the Arts (VCUarts) is presenting its 2026 Master of Fine Arts Thesis Exhibition in two parts at the Institute for Contemporary Art in Richmond. The exhibition showcases the culminating work of 28 MFA candidates across disciplines including Craft/Material Studies, Graphic Design, Painting + Printmaking, and Sculpture + Extended Media, curated by Egbert Vongmalaithong of the ICA and guest curator Taylor Jasper from the Walker Art Center.
The cathedral of Burgos in Spain is hosting "Picasso: Biblical Roots," the first-ever exhibition of Pablo Picasso’s work to be held within a cathedral setting. Featuring 44 works, the show explores how the artist’s Catholic upbringing and religious iconography influenced his oeuvre, despite his self-proclaimed atheism. The exhibition includes early devotional paintings, Renaissance-inspired depictions of the Crucifixion, and secular adaptations of the Virgin and Child and the Good Shepherd.
The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.
Savannah Penven, a 2024 graduate of Virginia Tech, has returned to the Center for the Arts as exhibitions program manager, a decade after her own artwork was featured in the center's first "Young Artists" exhibition in 2014. She now coordinates the current "Young Artists: dreamscapes" show, featuring 39 students from Craig County High School, and works to create validating, professional-level exhibition experiences for young creatives.
The Gallery at the Attucks, located within Norfolk’s historic Attucks Theatre, is launching its second major exhibition titled "Rhythm of the Stage." Curated by Nyree Dowdy, the show features over 40 original works by 25 artists from the Hampton Roads region, exploring the intersection of visual art, music, and dance. A public opening reception is scheduled for April 17, 2026, marking a significant milestone for the city's newest dedicated art space.
Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.
French-Moroccan artist Mehdi-Georges Lahlou opened his first solo exhibition in Singapore and Asia, curated by Virginie Puertolas-Syn. The exhibition, conceptually linked to the 12th-century Sufi poem 'The Conference of the Birds,' uses the palm tree as a central motif to explore themes of displacement, colonial history, and constructed landscapes.
A new art installation has opened at Springfield Town Center in Fairfax County, Virginia, featuring seven works by three local artists—Tumôhq Abney, Jován Bethel, and Isabella Merlos. The exhibition, titled “ArtsFairfax Presents at Springfield Town Center,” is a collaboration between the mall and ArtsFairfax, the county's official arts agency, and was unveiled on October 16, 2025, with a ribbon-cutting ceremony. The show is part of ArtsFairfax’s month-long artoberVA celebration, organized in partnership with CultureWorks, and will remain on display through March 31, 2026, with all works available for purchase.
World Monuments Fund (WMF) has announced the launch of the Suzanne Deal Booth Institute for Heritage Preservation, backed by $19 million in funding as part of its $60 million endowment campaign marking the organization's 60th anniversary. The institute is established through a $10 million endowment gift from philanthropist and ARTnews Top 200 collector Suzanne Deal Booth, with additional support from the Gerard B. Lambert Foundation, Denise Littlefield Sobel, and Virginia James. The institute will serve as a global hub for research, training, and innovation in heritage preservation, focusing on greenspace stewardship, digital preservation, and workforce development, including programs like the Greenspace Heritage Training initiative and Bridge to Crafts Careers.
An art exhibition by Cypriot painter George Gavriel in Paphos was cancelled a day after its opening following public outcry over religious imagery. The show, titled “Antisystemic Art,” included paintings of Orthodox icon-style figures such as Christ and the Virgin Mary placed in explicit secular and sexually suggestive contexts. Political parties DISY and ELAM condemned the works as blasphemous, while the Blue Iris Gallery issued an apology and shut down the exhibition to avoid further unrest.
An art exhibition titled "Shopliftable" has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally easy to steal. The show, organized by co-owner and director Tim Jaeger, includes works by artists such as Nancy Hielscher, who presents a triptych from her "Yardwork" series depicting bromeliads, and Virginia Hoffman, who displays alternative-print photographs in antique negative holders. All pieces are for sale and span a variety of mediums, with many presented in sets.
The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.
The article is a Q&A with artist and professor Fernando Peralta, co-director of the Global Spanish Initiative at the University of Virginia (UVA), about the exhibition 'Fuego Eterno' at UVA. The exhibition, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, and border resistance. Peralta also has his own works in the show, and the exhibition includes a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.
The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.
The Parkersburg Art Center in Parkersburg, West Virginia, will host an opening reception on January 16, 2025, for two new exhibitions: "Rinse and Repeat: An Exhibit by ArtBeat Studio" and "Rabbit Medicine and Other World-Building" featuring work by Savannah Schroll Guz. The exhibitions run through February 21. "Rinse and Repeat" marks the return of a show that originally opened in March 2020 and closed after just one day, featuring artists from the Wood County Society’s ArtBeat Studio, a collaborative community arts center that supports artists with developmental differences. "Rabbit Medicine and Other World-Building" showcases Guz’s work, which draws on folklore, memory, and imagination, and has been exhibited across the East Coast and Midwest.
NEYRA PÉREZ: RETORNO A ROEBIRI
Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.
Gallery Eleven, a new commercial art gallery, is holding its grand opening on Friday in the Elk City District of Charleston, West Virginia. The event will feature an exhibition of works by local and regional artists, marking the gallery's official launch.