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3 national art exhibits draw on Tweed collection

Three major U.S. museums—the Metropolitan Museum of Art, the Walker Art Center, and the Denver Art Museum—are simultaneously exhibiting works loaned from the Tweed Museum of Art at the University of Minnesota Duluth. The loans include pieces by Ojibwe artist George Morrison (1919-2000) for "The Magical City: George Morrison's New York" at the Met; works by Sičáŋǧu Lakota artist Dyani White Hawk for "Dyani White Hawk: Love Language" at the Walker; and a work by Andrea Carlson for "Andrea Carlson: A Constant Sky" at the Denver Art Museum. Tweed director Julie Delliquanti and Duluth Art Institute executive director Christina Woods highlight the significance of sharing the Tweed's collection with national audiences.

Indigenous artists transform works at Metropolitan Museum in unsanctioned augmented reality project

On Indigenous Peoples’ Day (13 October), 17 Native artists staged an unsanctioned augmented reality intervention inside the Metropolitan Museum of Art’s American Wing. The project, titled ENCODED: Change the Story, Change the Future (through 31 December), digitally overlays cosmological figures, pow-wow dancers, and ivy onto 19th-century paintings and sculptures, challenging the museum’s narratives. Co-curated by filmmaker Tracy Renée Rector and an anonymous Indigenous co-curator in collaboration with the non-profit Amplifier, the intervention coincides with the American Wing’s centenary.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

Appreciation and demand for Minnesota artist's work surges as The Met opens solo exhibition

The Metropolitan Museum of Art in New York will open "The Magical City: George Morrison’s New York" on July 17, the first solo exhibition for the late Minnesota-born Ojibwe artist. The show features over 30 works by Morrison, an abstract expressionist who painted alongside Willem de Kooning, Jackson Pollock, and Franz Kline, and whose large wood-and-granite collages, totems, and paintings are widely installed across Minnesota and internationally. The exhibition coincides with a surge in demand for his work, driven by recent high-profile gallery shows and a 2022 USPS Forever Stamp series.

The Met to Present Focused Exhibition of George Morrison Works from the Artist’s Early Years in New York

The Metropolitan Museum of Art will present "The Magical City: George Morrison’s New York," a focused exhibition of works by George Morrison (1919–2000), a Native American artist from the Grand Portage Band of Lake Superior Chippewa. Running from July 17, 2025, to May 31, 2026, at The Met Fifth Avenue, the show highlights Morrison’s early years in New York City, where he became a key figure in the American Abstract Expressionist movement. It features paintings, drawings, and archival materials from his time at the Art Students League and his interactions with peers like Willem de Kooning and Franz Kline, tracing his evolution from figurative work to abstract automatism infused with Ojibwe aesthetics.

Willem de Kooning | Kneeling Woman (1966)

Willem de Kooning's 1966 work "Kneeling Woman" has ended its bidding process, with the listing appearing on a platform that aggregates auction results and available works. The piece, an oil on paper on board measuring 23.5 by 11.5 inches, is signed and has a known provenance including Harold Diamond, a private collection in Baltimore, Solomon & Co. Fine Art, Robert Peyser, and a Sotheby's sale in 2019. It was previously exhibited at the Nassau County Museum of Art in 1981 as part of "The Abstract Expressionists and Their Precursors" show.

Un Rothko adjugé près de 86 M$

A painting by Mark Rothko was sold for nearly $86 million at auction. The sale, conducted by an undisclosed auction house, achieved a price within the upper range of expectations for the artist's mature abstract works, reflecting sustained demand for top-tier modern art.

Jackson Pollock breaks auction record with $181 million painting.

Jackson Pollock's painting *Number 7A* (1948) sold for $181.2 million at Christie’s in New York, shattering the previous auction record for the Abstract Expressionist artist by nearly three times. The evening sales also set new auction records for Mark Rothko and Constantin Brâncuși, and realized over $1 billion in a single evening, only the second time in auction history that threshold has been crossed.

art david salle east hamptons

CULTURED magazine interviews David Salle at his East Hampton home, discussing his new "Windows" series of paintings debuting at Seoul's Storage by Hyundai Card space as part of the exhibition "David Salle: Under One Roof." The Neo-Expressionist artist explains how the series evolved from an idea for a digital game, placing characters from his "Tree of Life" paintings into apartment windows against backgrounds drawn from details of his own past works spanning 40 years. Salle also reflects on his long history with the Hamptons, first visiting in 1976 through his connection to CalArts dean Paul Brach, and the area's deep ties to Abstract Expressionist history.

11 Worst Modern Art Collection & It’s Reviews

The article presents a list of what it considers the worst modern artworks, including Jackson Pollock's abstract expressionist paintings, Tracey Emin's installation 'My Bed,' and Damien Hirst's project 'The Currency.' It offers personal commentary and critical reviews for each piece, questioning their artistic merit and cultural value.

Artists who defy categorisation take pride of place at Independent 20th Century

The Independent 20th Century art fair opened to VIPs on September 4, featuring dealers who present deep dives into canonical and under-recognized artists. Notable stands include Galerie Lelong's survey of Elda Cerrato (1930-2023), an Italian-born artist who worked in South America, with works priced between $80,000 and $100,000; Rosenberg & Co's showcase of Gertrude Greene (1904-56), a Constructivist and Abstract Expressionist; and Forum Gallery's presentation of Gregory Gillespie (1936-2000), known for surreal, layered paintings. The fair's founder Elizabeth Dee notes that some stands take two to three years to organize, aiming to bring important exhibitions to New York that might not otherwise travel there.

You Need To See This Queensland Artist’s New Solo Exhibition

Mitchell Fine Art in Brisbane's Fortitude Valley is hosting a free solo exhibition titled 'Unbound' by Sunshine Coast-based artist Odessa Mahony-de Vries, running from May 5 to May 16, 2026. The show features large-scale abstract expressionist oil paintings, with a launch event on May 8 offering the public a chance to meet the artist. Mahony-de Vries, a finalist in the 2025 Redland Art and 2024 Stanthorpe Art Prize, creates works that balance control and unpredictability, leaving earlier brushstrokes visible to embed the history of each piece.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.

Highlights from New Orleans Auction Galleries' Spring Fine Art and Design Sale

New Orleans Auction Galleries has announced its Spring Fine Art and Design sale, scheduled for April 23, 2026. The auction will feature 279 lots spanning over a century of artistic production, highlighted by significant works from Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The collection explores diverse themes ranging from the metaphysical to social and political commentary through painting, sculpture, and mixed media.

Blockbuster exhibition highlights visionary women of abstract expressionism

The Muscarelle Museum of Art at William & Mary has launched "Abstract Expressionists: The Women," a landmark touring exhibition featuring nearly 50 works by 32 female artists. Curated by scholar Ellen G. Landau and drawn from the private collection of Christian Levett, the show includes major figures such as Helen Frankenthaler, Lee Krasner, and Elaine de Kooning. It is the only East Coast stop for this exhibition, which organizes the works chronologically to trace the movement's evolution across New York, California, and Paris.

Abstract painter Tom Wilson Jones featured at Provincetown gallery

Abstract Expressionist painter Tom Wilson Jones is the subject of a new exhibition at Larkin Gallery in Provincetown, Massachusetts. The show runs through June 9, with an opening reception on May 22. Jones, a Louisville native now living in Harwich Port, studied under Robert Henry, Bill Steeves, and at the Royal Museum of Brussels School.

Two exhibits trace the origins of the Sarasota Artist Colony

Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.

New Ferndale Gallery Opens Its Doors as a Hub for LGBTQ+ Creativity

The Tacon-Heaslip Gallery, a new 4,100-square-foot space at 22100 Woodward Avenue in Ferndale, Michigan, opened its doors on November 15 with a crowded grand opening. Founded by queer artist Jarrad Tacon-Heaslip, the gallery previously operated from a small studio on Hilton. Tacon-Heaslip intends the larger venue to serve as a visible, supportive hub for the LGBTQ+ community, with plans for Pride Month programming, artist collaborations, and community-centered initiatives. The gallery currently features Tacon-Heaslip's bold abstract expressionist works, which involve meticulous taping and layering processes, and aims to uplift a broader roster of artists.

Frank O’Hara and the end of the ‘American Century’

Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.

Sinead Gallagher back on home shores for first solo exhibition in Donegal

Letterkenny native Sinead Gallagher returns to County Donegal after over 20 years abroad to present her first solo exhibition in the county, titled 'Home Shores'. The show of abstract expressionist paintings opens September 7, 2025 at the Lifford Old Courthouse and runs through September 28. Gallagher, who lived and worked in Germany and North America, now resides in Kilcar with her husband, filmmaker and poet Marc Littler. She has held more than 40 exhibitions in Europe and her work appears in international collections.

Artist Claire Jaun-Torres works on her painting on Monday for a unique exhibition at a golf club in Baguio City. Jaun-Torres is an abstract expressionist artist who typically displays her art in galleries and hotels in Baguio, Clark, and Manila. (Photos by Andy Zap

Artist Claire Jaun-Torres was photographed working on a painting on Monday for a unique exhibition at a golf club in Baguio City. She is an abstract expressionist artist who typically displays her work in galleries and hotels in Baguio, Clark, and Manila.

If You Could Design Any Museum Exhibition, What Would It Be?

The New York Times poses a hypothetical question to several prominent figures in the art world: if they could design any museum exhibition, what would it be? The article features responses from artists, curators, and critics who describe their dream shows, ranging from a survey of overlooked female abstract expressionists to a retrospective of a fictional artist. Each contributor outlines a concept, the venue they would choose, and the rationale behind their curatorial vision.

‘Abstract Angularity’ Is on Exhibit at the Avram Gallery This Fall

The Avram Gallery at Stony Brook Southampton is hosting 'Abstract Angularity: The Artistry of Vincent Quatroche Sr.,' an exhibition showcasing the works of the late East End artist whose paintings blend musical influence with cubist and abstract expressionist styles. The show draws from the collection of the Jazz Loft Archives and the personal collection of Jazz Loft founder Tom Manuel, featuring over 50 pieces acquired directly from the artist's studio. It runs through the Fall 2025 semester and is a collaboration between the Jazz Loft and the Pollock-Krasner House and Study Center.