Frieze London 2025

Frieze London 2025 has opened with a wide-ranging program spanning contemporary art, photography, antiquities, and performance. Key highlights include the inaugural Echo Soho fair celebrating women-run galleries, the London edition of Dallas Invitational set to open at the former US embassy in 2026, and strong sales at Frieze Masters including a Triceratops skull. Christie's and Sotheby's auctions during the week showed a mixed market: Peter Doig's 'Ski Jacket' sold for £106.9m, but overall estimates and price corrections indicated caution. The fair also features Sophia Al-Maria performing stand-up as winner of the Frieze London Artist Award, a new pricing structure for greater gallery diversity, and a pop-up by The Art Newspaper and L'OFFICIEL.

UAE art guide: 12 museum and gallery exhibitions to see, including Gallery Isabelle's 20th anniversary show

The UAE art scene is currently hosting a diverse array of exhibitions across Abu Dhabi, Dubai, and Sharjah, despite regional disruptions. Key highlights include a major Picasso retrospective at Louvre Abu Dhabi, a 10th-century anniversary celebration at 421 Arts Campus titled 'Rays, Ripples, Residue,' and the inaugural photography exhibition at Sharjah Art Foundation’s new Al Manakh venue. These shows range from historical surveys of the human form to contemporary explorations of UAE’s urban development and climate change.

Guggenheim Museum Appoints Melissa Chiu as Next Director

The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its new director, effective September 1. Chiu joins the New York flagship after a 12-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden, where she was credited with doubling attendance and significantly increasing fundraising. Her appointment is part of a leadership restructuring by Guggenheim Foundation Director and CEO Mariët Westermann, who will shift her focus toward the foundation's international outposts, including the upcoming Abu Dhabi location.

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Louvre president Laurence des Cars faced a contentious Senate hearing on Wednesday, where lawmakers pressed her about ignored security warnings that preceded the October theft of $102 million in imperial jewels from the Apollo Gallery. Audits from 2017 and 2018 had flagged structural vulnerabilities, but Des Cars claimed she was not informed until after the theft. She defended the museum's response, citing new cameras, increased security training budgets, and an imminent senior security coordinator appointment. Conservative senators Jacques Grosperrin and Max Brisson demanded her resignation, with Brisson walking out when she declined to answer. Former president Jean-Luc Martinez also testified, saying he had not reinforced windows or balcony due to fire-safety concerns, a rationale security experts rejected.

War in Middle East Art Trade

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The escalating conflict between the U.S., Israel, and Iran has cast a shadow over the Middle Eastern art market following missile strikes on key infrastructure in Dubai. With major events like the 20th anniversary of Art Dubai scheduled for mid-April, international galleries and collectors are expressing significant concern over safety and regional stability. Logistics firms like DHL have already warned of shipping delays and rising insurance costs due to restricted airspace and the closure of the Strait of Hormuz.

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Laurence des Cars, president of the Louvre, is under pressure to resign after a tense Senate hearing on Wednesday, October 2025, following the theft of $102 million worth of imperial jewels. Lawmakers questioned her failure to act on security warnings from audits commissioned in 2017 and 2018 by her predecessor, Jean-Luc Martinez. Des Cars claimed she was unaware of those audits until after the theft. In response, she has accelerated a $92 million security plan, including 100 additional cameras, a new security coordination hire, and a 20% budget increase for staff training. She also announced a new internal audit on information sharing within the museum's bureaucracy, which she described as disorganized.

Serpentine to stage major solo exhibition by Amar Kanwar

Serpentine has announced a major solo exhibition by Amar Kanwar, opening at Serpentine North on 23 September 2026 and running until 31 January 2027. The show will feature landmark works from Kanwar's career, including the feature-length film *Such a Morning* (2017), the seven-screen installation *The Peacock's Graveyard* (2023), and the world premiere of a new multi-screen work, *The Charcoal Man* (2026), commissioned by Serpentine. Kanwar, based in New Delhi, is known for poetic, politically charged moving-image works that explore decolonisation, the Partition of India and Pakistan, displacement, violence, justice, ecology, and memory.

India’s art market is fast growing—is it also maturing?

The third edition of Art Mumbai (13-16 November) saw strong sales and record auction prices for Indian Modernists, including MF Husain's *Gram Yatra* (1953) becoming the first Indian painting to sell for over $10 million. The fair, held amid surging private wealth in India, featured leading contemporary galleries reporting up to 90% sales on opening day, with works priced from $1,000 to $300,000. A recent reduction in India's goods and service tax on art from 12% to 5% has further boosted the market.

Exhibition of Emirati art in Seoul becomes a relic of pre-war UAE life

An exhibition titled 'Proximities,' featuring over 110 works by 47 UAE-based artists, opened at the Seoul Museum of Art (SeMA) in December and closed on March 29. The show, co-curated by Maya El Khalil and SeMA's Eunju Kim, aimed to present nuanced, everyday perspectives of life in the UAE through sections organized by artist-curators like Farah Al Qasimi and Mohammed Kazem, moving beyond stereotypes of gilded excess.

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Two New York art galleries run by dueling brothers are locked in a legal battle over the use of the name "Aicon." Projjal Dutta, representing Aicon Contemporary, filed a lawsuit in New York Supreme Court in October against his brother Prajit Dutta and director Harry Hutchison, who run Aicon Art and ArtsIndia.com. The suit alleges that the defendants have misleadingly used the names "Aicon Gallery" or simply "Aicon" instead of the agreed-upon "Aicon Art," causing confusion in the art market. The brothers previously operated the legacy Aicon Gallery together for 20 years before parting ways in 2019, but they still share the same address and phone number at 35 Great Jones Street.

Who are the members of the Venice Biennale jury?

Qui sont les membres du jury de la Biennale de Venise ?

The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.

Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

148 News Roundup: Career Moves, Infrastructure, Controversies, Public Domain

Curator and writer Reuben Keehan has been appointed artistic director of the forthcoming Kontempo – Center for Contemporary Art in Manila, a new institution developed by the Ayala Foundation. Keehan will relocate from Australia, ending his 15-year tenure as curator of contemporary art at Brisbane’s Queensland Art Gallery | Gallery of Modern Art. In other career moves, Manuel Rabaté has become CEO and director of New Delhi’s Kiran Nadar Museum of Art, bringing over 25 years of museum leadership including his previous role as inaugural director of Louvre Abu Dhabi. Additionally, the Kochi Biennale Foundation has named board member and Mumbai-based artist Jitish Kallat as president of the Kochi-Muziris Biennale, succeeding Bose Krishnamachari who resigned in January.

Defying Soft Power: “Proximities” at SeMA

The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.

Middle East Museums Under Threat Amid War; Morning Links March 2, 2026

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Escalating conflict in the Middle East has placed major cultural institutions under direct threat, with debris from Iranian bombings reportedly falling on Abu Dhabi’s Saadiyat Island. While the Louvre Abu Dhabi features fire-protected galleries, the lack of underground armored shelters has raised alarms regarding the safety of its permanent collection and high-profile loans from France. Simultaneously, major museums in Qatar have shuttered indefinitely as a precautionary measure against the widening regional war.

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NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.

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Manuel Rabaté, the inaugural director of Louvre Abu Dhabi, has been appointed as the first chief executive and director of the Kiran Nadar Museum of Art (KNMA) in New Delhi. He will lead the institution as it prepares to move from its current location in a shopping mall to a massive new purpose-built complex designed by David Adjaye Associates, which is slated to open within three years.

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Hauser & Wirth is set to open its first Italian location in Palermo, Sicily, after purchasing a major part of the historic Palazzo Forcella De Seta. The neo-gothic palace, which previously hosted Manifesta 12 and housed Galleria Mediterranea, will be renovated with plans for completion by 2030, pending a 60-day public pre-emption period by local government and Italy's Ministry of Culture. Separately, the Lucas Museum of Narrative Art announced the departure of chief curator Pilar Tompkins, less than a year after its director and CEO left, amid earlier layoffs; the museum remains on track for a September 2026 opening. Other news includes Laurence Rassel's appointment as director of the Rijksakademie, a record sale of an Elizabethan portrait at Sotheby's, and a Hermès Birkin bag owned by Jane Birkin selling for $2.3 million.

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"The World of Studio Ghibli," a traveling immersive exhibition dedicated to the Japanese animation studio, will open at Manarat Al Saadiyat in Abu Dhabi from May 30 to August 20, 2026. The show features large-scale theatrical sets from 16 Studio Ghibli films, including iconic scenes from My Neighbor Totoro, and tickets are available for 125 AED (about $34). The exhibition launched in 2013 and has previously toured Japan, South Korea, Taiwan, Hong Kong, Bangkok, and Singapore.

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The article reports on the rapid expansion of the Gulf art scene, with a packed calendar of events from November to March including Abu Dhabi Art, the Diriyah Contemporary Art Biennale, Noor Riyadh, Desert X AlUla, Art Basel Qatar, Art Dubai, and the Sharjah Biennial. Institutional buying is surging as Abu Dhabi prepares to open its Guggenheim, Qatar Museums acquires for the Art Mill, and Saudi Arabia buys for multiple planned museums. The number of collectors is also growing, driven by a "Covid bounce" of high-net-worth individuals relocating from Europe and India to tax-efficient Dubai and Doha, with 6,700 millionaires moving to the UAE in 2024 alone.

Venice Golden Lion jury won’t consider Russian and Israeli pavilions

The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.

UAE art guide: 13 museum and gallery exhibitions to see, from Picasso to Chilean artist Jorge Tacla

The article presents a curated guide to 13 current museum and gallery exhibitions across the UAE, including shows at Louvre Abu Dhabi, Foundry in Dubai, Sharjah Art Foundation, and Alserkal Avenue. Featured artists range from Pablo Picasso to regional talents like Shamsa Al Omaira, Abdulla Elmaz, and Ahaad Alamoudi, with exhibitions spanning sculpture, photography, and installation art. The guide is published during Alserkal Art Month and ahead of Art Dubai.

Introducing Julia Day, the Frick’s new chief conservator

The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.

teamLab in Abu Dhabi, Christine Sun Kim and Thomas Mader, Vermeer’s final painting?—podcast

The article covers three major art stories: the opening of Christine Sun Kim and Thomas Mader's exhibition "1880 THAT" at the Wellcome Collection in London, which explores the 1880 Milan Conference that banned sign language in Deaf education; the launch of a new teamLab museum in Abu Dhabi's Saadiyat Cultural District; and new conservation findings on Johannes Vermeer's "Young Woman seated at a Virginal" (1670-75), which may be his final painting, with 17th-century pollution helping to date the work.

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Art Dubai became the first major art fair to launch a dedicated digital art section in 2022, inspiring similar initiatives at Paris Photo and Art SG. Now in its fourth year, Art Dubai Digital is thriving in the Gulf region, where cities like Dubai and Abu Dhabi have heavily invested in emerging technologies, including the Dubai A.I. campus, the Museum of the Future, and teamLab Phenomena. The fair has attracted tech entrepreneurs and crypto investors, and Sotheby's recent decision to accept cryptocurrency in Saudi Arabia reflects growing infrastructure for digital art transactions. However, the question remains whether digital art can appeal to traditional collectors or will remain a separate market.

David Zwirner inaugurates new gallery space with Michael Armitage exhibition.

David Zwirner is opening a new gallery building in Chelsea at 533 West 19th Street, inaugurated by an exhibition of new work by Kenyan-British artist Michael Armitage. Titled "Crucible," the show runs from May 8 to June 27, 2025, and features new paintings and bronze reliefs that explore the theme of migration, using Lubugo bark cloth as a support. This is Armitage's first solo show with the gallery since his representation was announced in 2022 and his first solo presentation in New York since 2019.

11 Must-Visit Museums Opening in 2026

The article highlights 11 major museum openings and expansions scheduled for 2026, including the Guggenheim Abu Dhabi (designed by Frank Gehry, focusing on modern and contemporary art from West Asia, North Africa, and South Asia), the New Museum in New York (reopening March 21 after a major expansion by OMA), the V&A East Museum in London (featuring a debut exhibition on Black British music history), and the Lucas Museum of Narrative Art in Los Angeles. Other notable projects include the Memphis Art Museum and the Drift Museum in Amsterdam, reflecting a global surge in cultural infrastructure.

Modern & Contemporary African and Middle Eastern Art at Olympia Auctions

Olympia Auctions will hold a sale of Modern & Contemporary African and Middle Eastern Art on 29 October 2025, featuring 66 lots curated by specialists Janet Rady and Elikem Logan. Highlights include works by Ben Enwonwu, Oluwole Omofemi, Johnson Ocheja, Jacob Hendrik Pierneef, and South African women weavers from the Rorke’s Drift Art and Craft Centre, with estimates ranging from £1,000 to £25,000.

‘Everyone benefits’: Art Basel’s chief on the new Paris VVIP slot and the viability of its Qatar fair

Art Basel Paris held its fourth edition with a new VIP preview slot called Avant Première, where galleries nominated six key collectors to enter the fair on Tuesday afternoon before the main opening. Major sales were reported, including a $23 million Gerhard Richter painting at Hauser & Wirth, a Modigliani for nearly $10 million at Pace, and a $7.5 million Ruth Asawa sculpture at David Zwirner. CEO Noah Horowitz discussed the rationale for the exclusive preview, the renaming of the VIP relations team to 'collector and institutional relations,' and the viability of the upcoming Art Basel Qatar fair amid growing competition in the Gulf region.

After a failed export block by the UK, Nicolas Poussin masterpiece goes on show at Louvre Abu Dhabi

Abu Dhabi’s Department of Culture and Tourism (DCT) will make its vast, previously inaccessible art and artifact holdings public over the coming year, including publishing an online catalogue and offering research opportunities. To mark this shift, DCT is presenting Nicolas Poussin’s *Confirmation* at Louvre Abu Dhabi—a masterpiece that had been held in Britain for 240 years and was blocked from export by the UK government in 2022 when it failed to raise £19m to match the buyer’s offer, now presumed to be DCT. The painting goes on show alongside Poussin’s *Self-portrait* from the Musée du Louvre.