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Artnet News examines the recurring trope of art dealers as villains in popular cinema, highlighting seven films that feature duplicitous gallerists, auction house specialists, and art advisors. Examples include Rhodora Haze in *Velvet Buzzsaw* (2019), a ruthless gallerist who profits from a dead artist's work against his dying wish, and Virgil Oldman in *The Best Offer* (2013), an auction house director entangled in forgery and deception. The article also references Victor Taft in *Legal Eagles* (1986), where a performance artist's father's suspicious death drives the plot.

collector sues sothebys modigliani authenticity 2719506

Collector Charles Cahn has filed a lawsuit against Sotheby’s in New York Supreme Court, alleging the auction house reneged on a buy-back agreement made in 2016 regarding a Modigliani portrait he purchased in 2003. Cahn paid $1.55 million for *Portrait de Leopold Zborowski* at a Sotheby’s Impressionist and modern sale, and later agreed to consign the work back to Sotheby’s if he sold it within 15 years, with the house guaranteeing the greater of the original price plus 2.5% annual compound interest or the future sale price, and waiving vendor fees. However, Cahn claims that in April 2016, Sotheby’s own appraisal questioned the painting’s authenticity, stating it failed certain criteria and would have no sale value in the international art market. Despite Cahn’s letters in June and September 2024, Sotheby’s has not responded, leading to the breach-of-contract claim seeking at least $2.7 million in damages.

lost gustav klimt portrait african prince tefaf maastricht 2621432

A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.

Early 2026 Art Books From Yale University Press

Yale University Press has announced its early 2026 art book lineup, featuring exhibition catalogues such as "Raphael: Sublime Poetry" from The Metropolitan Museum of Art, "Gwen John: Strange Beauties" from the Yale Center for British Art, "Edward Steichen and the Garden" from the George Eastman Museum, and "Frederic Church: Global Artist" from Olana NY State Historic Site. New releases also include a biography of Anni Albers by Nicholas Fox Weber, a catalogue titled "Anni Albers: Constructing Textiles" accompanying a European traveling exhibition, and Alyce Mahon's "Dorothea Tanning: A Surrealist Life," named a Best New Art Book of 2026 by Christie's. The press will hold a 50% off annual sale in May.

The Marsden Hartley Legacy Project Launches Online

The Marsden Hartley Legacy Project has officially launched a comprehensive digital catalogue raisonné featuring over 1,600 paintings, drawings, and prints by the American modernist. Developed in association with the Bates College Museum of Art and led by art historian Gail R. Scott, the free online resource includes detailed provenance, exhibition histories, and bibliographies, documenting more than 2,200 exhibitions and 2,100 publications related to the artist.

Imitations of a Mediocre Teenager on Tranquilizers

"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"

The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.

Theresa Hak Kyung Cha’s Art Speaks in a Language Left for Us to Translate

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is concluding "Multiple Offerings," the most comprehensive retrospective of Theresa Hak Kyung Cha’s work in 25 years. The exhibition traces the multidisciplinary career of the Korean American artist, who explored themes of exile, diaspora, and the fluidity of language through poetry, film, and performance before her tragic death in 1982. Curated by Victoria Sung, the show features over 100 works paired with pieces by mentors and contemporary artists influenced by her legacy.

portrait albrecht durer father national gallery authentic 1234772012

A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.

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Staff at the Wexner Center for the Arts at Ohio State University sent a letter of no confidence in executive director Gaëtane Verne to university officials on August 25, 2023, as reported by Columbus outlet Matter News. The letter, signed by 13 employees, alleges high turnover, organizational dysfunction, financial instability, and reputational harm under Verne's leadership. Specific complaints include a "red card" for financial turmoil, a $1 million capital project lacking transparency, and over $200,000 spent on exhibition catalogues without proper budgeting. Since Verne's appointment in November 2022, nearly 50% of staff have departed, and seven Foundation Board trustees have resigned. Ohio State is reviewing the letter, while Verne has defended her leadership as fostering a respectful workplace.

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Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.

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The Toledo Museum of Art has opened the first major exhibition dedicated to Dutch Golden Age painter Rachel Ruysch, organized with the Alte Pinakothek in Munich and traveling next to the Museum of Fine Arts, Boston. The show features Ruysch's vibrant still lifes of fruits and flowers, often animated by insects, and places her work alongside that of her sister Anna Ruysch and other female scientific illustrators like Maria Sibylla Merian. Curator Robert Schindler's rediscovery of Anna Ruysch's work helped inspire the exhibition, which also draws on botanical research to catalog the global plant species Ruysch depicted, reflecting colonial trade networks.

Profile | Pierre Rosenberg, the former Louvre president, on his long-awaited four-volume Poussin catalogue—and forthcoming museum

Pierre Rosenberg, the 89-year-old honorary president-director of the Louvre, is set to release a definitive four-volume catalogue raisonné of the works of Nicolas Poussin. This monumental publication, weighing eight kilograms, represents over sixty years of scholarship and aims to provide a comprehensive update to the field, addressing previous research by figures such as Anthony Blunt and Louis Marin.

Japanese painting tradition meets street materials in new exhibition at the Spencer Museum of Art

The Spencer Museum of Art at the University of Kansas has launched "Street Nihonga: The Art of Jimmy Tsutomu Mirikitani," the most comprehensive exhibition to date of the late artist's work. Curated by Kris Ercums and Maki Kaneko, the show features 145 works that trace Mirikitani’s journey from his Nihonga training in Japan to his incarceration in a U.S. internment camp during WWII, and finally his years as a homeless street artist in Lower Manhattan. The exhibition is accompanied by a major scholarly catalog and documentary footage by filmmaker Linda Hattendorf.

Frist Art Museum opens “In Her Place” a group exhibition featuring 28 women artists; Vanderbilt Art faculty among the exhibitors

The Frist Art Museum in Nashville opened a major group exhibition titled "In Her Place" to mark its 25th anniversary. The show features nearly one hundred works by 28 women artists with strong ties to the Nashville community, including painting, sculpture, textile, and installation. The artists, such as María Magdalena Campos-Pons, Alicia Henry, and Marilyn Murphy, represent an intergenerational group whose practices have significantly impacted the local art scene.

Dürer ‘copy’ at London’s National Gallery is the real thing, expert claims

A German scholar, Christof Metzger, has published a new catalogue raisonné claiming that a portrait of Albrecht Dürer's father held by London's National Gallery is an authentic work by the master, painted in 1497. This directly challenges the gallery's long-standing position that the painting is a later copy made after a lost original.

Noah Davis's exhibition

The Philadelphia Museum of Art announces a landmark survey of the late American artist Noah Davis (1983–2015), bringing together over 60 works across painting, sculpture, works on paper, and curating. The exhibition marks the final stop of an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. Highlights include "40 acres and a unicorn" (2007), "Isis" (2009), "Savage wilds" (2012), and the "Pueblo del rio" series (2014). Curated by Eleanor Nairne and Wells Fray-Smith, the show is accompanied by a catalog co-published by Prestel with contributions from Tina M. Campt, Claudia Rankine, and others.

Cosmos: The Art of Observing Space Art and Science Symposium

A symposium titled "Cosmos: The Art of Observing Space Art and Science Symposium" will take place at the Royal Astronomical Society (RAS) headquarters in Burlington House, London, celebrating the major exhibition "Cosmos: The Art of Observing Space" at the Royal West of England Academy (RWA) in Bristol (24 January–19 April 2026). Curated by visual artist Ione Parkin RWA, the exhibition features over 30 contemporary artists alongside loan items from public collections, all inspired by astronomy, cosmology, astrophysics, and space exploration. The symposium includes talks by astronomers, archivists, and exhibiting artists, with a catalogue published by Sansom & Company featuring contributions from Professor Chris Lintott, Professor Amaury Triaud, Dr Sian Prosser, and Ione Parkin RWA.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

Picasso painting not seen in 80 years heads to auction in France

A Picasso painting unseen for over 80 years, *Buste de femme au chapeau à fleurs (Dora Maar)* (1943), will be auctioned at the Drouot salesroom in Paris on 24 October by Lucien Paris auction house. The work, depicting the artist's lover and muse Dora Maar, has been held in a private French collection since 1944 and carries an estimate of €8 million. The auction catalogue includes an authentication certificate from the Comité Picasso and notes the painting was documented in *Cahiers d’art* and photographed by Brassaï.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

Stanford University acquires Filipina American artist Pacita Abad’s archive

Stanford University has acquired the archives of Filipina American artist Pacita Abad, a gift from the Pacita Abad Art Estate that also includes funding to catalog 120 linear feet of archival materials—photographs, correspondence, exhibition records, and personal artifacts. The archive will be stewarded by Stanford University Libraries' Bowes Art and Architecture Library in collaboration with the Cantor Arts Center, and is expected to be available to students and scholars within a year. The acquisition follows Abad's posthumous traveling retrospective that opened at the Walker Art Center in 2023, which brought her prolific 32-year practice to the attention of U.S. institutions.

The Art of an Art Exhibition

Seventeen Colby College seniors, all studio art majors, have organized the Senior Art Exhibition 2025 at the Joan Dignam Schmaltz Gallery of Art in downtown Waterville, Maine. The exhibition, on view through May 24, features work by four sculptors, two photographers, three painters, five printmakers, and three digital media artists. It is the culmination of a yearlong capstone course that taught students the behind-the-scenes process of mounting an exhibition, including installation, collaboration with museum preparators, and producing a print catalog with artist statements and critical essays.

Could 17th-century Italy provide a useful model for today’s challenging art market?

An exhibition at Nicholas Hall Gallery in New York, titled "Beyond the Fringe," explores the understudied early art market of 17th-century Italy, featuring 30 works on loan from public and private collections. The show highlights how barbers, tailors, innkeepers, and other tradespeople became part-time art dealers, while a decentralized network of collectors and middlemen emerged alongside foreign artists in Rome, such as the Bentvueghels, who produced new genres like landscape and genre scenes. The exhibition and its catalogue, with new research by art historians Patrizia Cavazzini and Caterina Volpi, trace the rise of art as an alternative asset class independent of traditional aristocratic and ecclesiastical patronage.

Maine’s Ann Craven spotlighted at Farnsworth Art Museum

The Farnsworth Art Museum in Maine will host a major exhibition titled *Ann Craven: Painted Time (2020–2024)*, showcasing approximately 30 paintings by the celebrated Maine-based artist Ann Craven. The exhibition, running from May 3, 2025, through January 4, 2026, is organized into four thematic sections—moons, trees, flowers, and birds—highlighting Craven's exploration of seriality, repetition, time, and the natural world. It will be accompanied by a fully illustrated catalogue and a film by Fiumi Studio. The exhibition anchors the 2025 Maine in America Award, a lifetime achievement honor recognizing Craven's contributions to Maine's arts and culture, with companion presentations at the Bowdoin College Museum of Art and the Portland Museum of Art.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

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The Oakland Museum of California (OMCA) will host a major retrospective for Bay Area artist Mildred Howard, titled “Poetics of Memory,” opening in June 2025. The exhibition spans five decades of Howard’s work, including new pieces, and will be accompanied by a fully illustrated catalog with plans for a national tour. Howard, a 2025 Guggenheim Fellow, has a long history with OMCA, which owns her 1989 installation *TAP: Investigation of Memory*. Senior curator Carin Adams, who worked with Howard on reinstalling *TAP* in 2019, proposed the retrospective to honor Howard’s legacy in the Bay Area arts scene.

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The Gallery Climate Coalition (GCC), a London-based organization with 2,000 members across 60 countries, released a report titled "Five-Year Review of Climate Action in the Visual Arts" during London Art+Climate Week, timed with the UN climate summit Cop30 in Brazil. The report reveals that 80 percent of members who began tracking their carbon footprint in 2019 have reduced their impact by 25 percent, and are on track to cut emissions by 50 percent by 2030. Key sources of emissions include shipping, air travel, and energy use, accounting for 80 to 95 percent of members' carbon output. Christie's London, which hosted a launch event, reported a 69 percent reduction in emissions from 2019 to 2024 through renewable energy and reduced catalog publishing.

Victoria & Albert Museum yields to Chinese censorship

Le Victoria & Albert Museum cède à la censure chinoise

The Victoria & Albert Museum in London removed a map and other content from its exhibition catalogues after its Chinese printer, C&C Offset Printing, flagged them as unacceptable to Chinese censors. The map, showing 1930s British Empire trade routes, was rejected by China's General Administration of Press and Publication (GAPP) because it included Chinese territory and borders, requiring the use of state-approved maps. The museum also previously removed a map and a photograph of Vladimir Lenin from a 2021 Fabergé exhibition catalogue.