Magnum Gallery in Paris is opening a solo exhibition titled "Martin Parr: In Plain View" from March 28 to June 6, 2026, dedicated to the late English photographer Martin Parr. The show features works from his three-decade tenure with the Magnum Photos cooperative, tracing his evolution from black-and-white documentary work to his influential color photography, and includes archival materials and interactive experiences.
Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.
Photographer Eddie Otchere recounts capturing his iconic 1994 black-and-white portrait of Wu-Tang Clan's Method Man in London. Otchere, then a 19-year-old fan, boldly asked to join the group's coach after spotting them, leading to a spontaneous shoot where Method Man performed his "new trick" of contorting his eye.
Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.
A new documentary film by Cindy Meehl, titled 'Jimmy & the Demons,' profiles the life and work of artist James Grashow. The film explores his whimsical yet profound sculptural practice and delves into the dynamics of his long-lasting marriage, offering an intimate portrait of the artist's personal and creative world.
京都芸術センター展覧会シリーズ「FOCUS」第6回 澤田華個展「まめによそ見する足」@ 京都芸術センター
The Kyoto Art Center has announced the sixth installment of its "FOCUS" exhibition series, featuring a solo exhibition by Kyoto-based artist Hana Sawada titled "Attentive Sideways Glances." Running from April to May 2026, the show highlights Sawada’s practice of deconstructing everyday actions through photography, video, and installation. Key works include a new entry in her "Floating Video" series, where she filmed the center’s grounds using only the light of a projector playing a zombie movie, and a new installation that translates visual observations into linguistic records.
The Wynter Gallery in Lambertville, New Jersey, is debuting "Parted Light," a solo exhibition by Detroit-based photographer Tejasvir. The collection features photographs taken in Pakistan that explore the memory, legacy, and cultural identity of a once-unified Punjab. The exhibition opens on April 10, followed by an intimate artist talk on April 12 where Tejasvir will discuss his personal journey and the existential themes behind the work.
Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.
Argentinian artist Laura Langer presents her solo exhibition titled "Why am I me?" at Simian in Copenhagen. The show, which runs through April 2026, features a comprehensive installation of new works that explore themes of identity and self-reflection within the industrial, subterranean architecture of the venue.
The gallery Taon in Ivry-sur-Seine, France, is presenting a two-person exhibition featuring the works of artists Bruno Pélassy and Perla Zuñiga. The show runs from March 6 to April 14, 2026, and is documented with installation photography.
Artist Gerrit Frohne-Brinkmann opened a solo exhibition titled "Carnivores" at Beige gallery in Brussels. The show, featuring new work, ran from February 26 to March 28, 2026, with documentation provided by photographers Isabelle Arthuis and Volker Renner.
Jill Tate's solo exhibition "Self-Fulfilment" is on view at Seventeen gallery in London from February 6 to March 21, 2026. The exhibition is documented with 29 installation photographs by Damian Griffiths, providing a visual record of the new body of work.
British photographer Barry Webb creates large-format macro photographs of slime molds, revealing their intricate, sculptural forms and vibrant colors. His work transforms organisms typically only a few centimeters tall into atmospheric, large-scale images that showcase a hidden world.
Photographer Frank Relle continues his long-term artistic exploration of Louisiana's swamps, capturing the ethereal transition between day and night in his series 'Until the Water'. Based in New Orleans, Relle uses submerged lights to illuminate cypress trees and Spanish moss, creating serene, otherworldly images that convey a sense of timelessness and connection to a primordial landscape.
The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.
Enfants et satyre : deux ventes Artcurial à Paris
Artcurial in Paris is holding two upcoming sales on March 25, featuring a diverse collection of works on paper. The sales include a drawing of a camel by Jean-Pierre Houël, a preparatory sketch of a plucked chicken by Jean-François Tourcaty, a study of a man wearing a satyr mask by Parmigianino, and a drawing by Thomas Couture depicting a scene from his painting 'Pierrot en correctionnelle.'
MODERN MEXICO CITY IN JUAN GUZMAN S PHOTOGRAPHS AT ICME
An exhibition titled 'En donde no cabe un alfiler, bien caben dos ruleteros' at the Instituto Cultural de Mexico en Espana (ICME) in Madrid showcases the photographic work of German-born photojournalist Juan Guzman. The show presents a selection from his personal archive, now part of the Fundación Televisa collection, focusing on his documentation of Mexico City's rapid mid-20th century transformation into a modern metropolis.