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Paris is getting a huge new art museum this year

The Fondation Cartier, a contemporary art gallery in Paris for the past 30 years, is opening a new flagship location at 2, place du Palais-Royal, opposite the Louvre and near the Ministry of Culture. Occupying an 8,500-square-meter space in a building dating to 1852, the interior has been redesigned by architect Jean Nouvel. The new venue, set to open on October 25, 2025, will be the largest private art center in Paris, with half its space dedicated to exhibitions and the other half housing a restaurant, bookshop, auditorium, and offices. The inaugural exhibition, 'Exposition Générale,' will feature nearly 600 works from the foundation's collection of over 2,500 pieces.

Why is the French government spending millions on art no one sees?

The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.

design formafantasma andrea trimarchi simone farresin

Andrea Trimarchi and Simone Farresin of Milan-based design studio Formafantasma have become fashion and art's go-to design duo. In the past year, they designed runways for Meryll Rogge's Marni debut, scenography for the new Fondation Cartier, and a radical take on the Shaker legacy for a show at the Vitra Design Museum. In an interview, they discuss their critical approach to design, the gap between design's progressive claims and its environmental and labor impacts, and their commitment to using design as a tool for inquiry rather than mere form-making.