filter_list Showing 326 results for "koyo kouoh" close Clear
search
dashboard All 326 museum exhibitions 180article news 89person people 13article culture 11article policy 9rate_review review 9candle obituary 8trending_up market 5article events 1article event 1
date_range Range Today This Week This Month All
Subscribe

koyo kouoh dead zeitz mocaa venice biennale

Koyo Kouoh, the celebrated Cameroonian-born curator known for championing African contemporary art, has died unexpectedly at age 57. She passed away in a hospital in Basel, Switzerland, due to cancer, just months after being appointed curator of the 2026 Venice Biennale—making her only the second African-born curator to lead the prestigious exhibition, following Okwui Enwezor in 2015. Kouoh was executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, where she organized landmark shows like "When We See Us: A Century of Black Figuration in Painting" (2022), and founded RAW Material Company in Dakar in 2008, an independent art center now considered a top space in West Africa.

venice biennale curator koyo kouoh dies

Koyo Kouoh, the Cameroonian-born curator appointed to lead the 2026 Venice Biennale, has died unexpectedly at age 57. The Venice Biennale announced her passing on Saturday, describing her as a figure of “passion, intellectual rigor, and vision.” Her husband, Philippe Mall, stated that a recently diagnosed cancer was the cause of death in a hospital in Basel, Switzerland. Kouoh had served as executive director and chief curator of the Zeitz Museum of Contemporary African Art (Zeitz MOCAA) in Cape Town since 2019, and was the second African-born curator to lead the Venice Biennale.

"Kultursenator ist kein Nebenjob"

Berlin's finance senator Stefan Evers is set to additionally take on the role of culture senator following the resignation of Sarah Wedl-Wilson, a move criticized as a stopgap solution that creates a conflict of interest between austerity and cultural advocacy. Meanwhile, the Venice Biennale faces multiple controversies: critics question how to evaluate curator Koyo Kouoh's posthumous main exhibition "In Minor Keys," completed after her death in May 2025; Israeli artist Belu-Simion Fainaru speaks out against his exclusion from the Biennale competition, calling it politically biased and reminiscent of historical persecution; and German press decries the politicization of the Biennale, particularly the exclusion of Israel and Russia from the competition.

ArtReview April & May 2026 Issue Out Now

ArtReview's April & May 2026 issue explores boundaries and limitations in art, with a focus on the 61st Venice Biennale opening amid global conflicts. The cover features Japanese-American performance artist Ei Arakawa-Nash with his husband and twin babies, whose collaborative installation at the Japanese Pavilion incorporates the unpredictability of childcare. The issue includes coverage of controversial national pavilions (Russian, Israeli, American), profiles of artists representing Mongolia and Singapore, and features on Beverly Buchanan, Arthur Jafa, Richard Prince, and Zehra Doğan's report from Rojava. It also reviews the 82nd Whitney Biennial, the 25th Biennale of Sydney, and the 15th Shanghai Biennale.

Venice Biennale 2026: How Do You Critique a Posthumous Exhibition?

The article, published by ArtReview, examines the upcoming 61st Venice Biennale (2026), titled *In Minor Keys*, which was conceived by artistic director Koyo Kouoh before her death from cancer in May 2025 at age 57. The exhibition, based on Kouoh's drafted concept and completed by a curatorial team including Rory Tsapayi, Siddhartha Mitter, Marie Hélène Pereira, Gabe Beckhurst Feijoo, and Rasha Salti, adopts a musical metaphor of "minor-ness" and aims to avoid the pitfalls of previous Biennales by focusing on soul frequencies and dissonant harmony rather than direct commentary on world crises. The author, Martin Herbert, questions how critics will respond to a posthumous exhibition of this unprecedented scale, noting that previous artistic directors like Robert Storr, Cecilia Alemani, Christine Macel, and Adriano Pedrosa have faced varied critical receptions.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

art international artists to watch 2026 biennials

Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

Open Letter Published by Activist Group Calling for Venice Biennale to Eject Israel Signed by Nearly 200 Participating Artists and Curators

An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.

8 Standout Shows at the Venice Biennale 2026

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Artistic Director Koyo Kouoh, opened in Venice in 2026, running through November 22 at the Giardini, Arsenale, and various city locations. The main exhibition features 110 invited artists, collaborative duos, collectives, and artist-led organizations, realized by Kouoh's team after her passing in May 2025. Alongside 100 National Participations in historic pavilions, 31 Collateral Events and independent projects are on view. Art & Object highlights eight standout shows, including Lu Yang's immersive digital installation "DOKU The Illusion" at Espace Louis Vuitton, Oriol Vilanova's postcard-based "Los restos" at the Spanish Pavilion, and JR's photographic reinterpretation "Il Gesto" at The Venice Venice Hotel.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

We visited the 2026 Venice Art Biennale: the exhibitions and pavilions you shouldn’t miss

The 2026 Venice Art Biennale has opened across the Giardini, Arsenale, and venues throughout the city, with geopolitics, climate collapse, and national identities dominating the exhibitions. Notable pavilions include Austria's "Seaworld Venice" by Florentina Holzinger, the Czech and Slovak Pavilion's "Il Silenzio della Talpa" by Jakub Jansa and Selmeci Kocka Jusko, India's "Geographies of Distance: remembering home" featuring multiple artists, and the Taiwan Pavilion's "Screen Melancholy" by Li Yi-Fan. The Russian Pavilion has become a focal point of controversy, with guards and empty beer bottles outside, and the Pussy Riot collective staging a protest nearby.

The Art Diary May 2026 – Revd Jonathan Evens

The article titled "The Art Diary May 2026 – Revd Jonathan Evens" appears to be a diary or column by Revd Jonathan Evens, published on Artlyst, covering art-related events, reflections, or commentary for May 2026. The specific content is not provided in the snippet, but the format suggests a curated overview of exhibitions, cultural happenings, or personal observations from the author's perspective.

Art Basel’s ‘Basel Exclusive’ Initiative Asks Galleries to Withhold at Least One Work from PDF Previews, and Other News.

Art Basel is launching a new initiative called "Basel Exclusive" for its June 2026 Switzerland fair, asking exhibitors to withhold at least one key work from pre-fair digital PDF previews to encourage in-person viewing. Around 170 of 232 exhibitors, including major galleries like Gagosian, Hauser & Wirth, Pace, and David Zwirner, have already adopted the program. Separately, Tate Britain announced the 2026 Turner Prize shortlist featuring artists Simeon Barclay, Tanoa Sasraku, Kira Freije, and Marguerite Humeau, with the exhibition opening at Middlesbrough Institute of Modern Art (MIMA) in September. The Museum of Sonoma County will also commemorate the 50th anniversary of Christo and Jeanne-Claude's land art installation "Running Fence" with a major exhibition opening June 27.

Introducing CULTURED’s Inaugural Young Dealers List

CULTURED magazine has launched its inaugural Young Dealers List, highlighting 23 galleries under five years old that are reshaping the art world. Selected from over 100 recommendations gathered from more than 40 collectors, advisors, and curators, the list features ambitious new spaces in cities from Accra to Berlin. One featured gallerist, Adora Mba of ADA \ Contemporary Art Gallery in Accra, comes from a family of collectors and opened her gallery after working as a cultural news producer; she has dedicated her 2025 program to women artists and curators.

Culture Type | The Month in Black Art: Here’s What Happened in May 2025

The May 2025 roundup of Black art news reports the deaths of two influential figures: international curator Koyo Kouoh and artist-curator Evangeline J. Montgomery, who died at 94. Montgomery's career spanned metalwork, fiber art, and photography, and she was a key advocate and mentor in the African American art community, later working at the U.S. Information Agency. Other highlights include historian Edda L. Fields-Black winning a Pulitzer Prize for her book on Harriet Tubman, the acquisition of Adam Pendleton's entire "Who is Queen" installation by MoMA, and Kapwani Kiwanga winning the Joan Miró Prize. The Met Gala also featured Black dandy style inspired by the Costume Institute's exhibition "Superfine: Tailoring Black Style."

Hyperallergic’s Guide to the 2026 Venice Biennale

Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.

Urgent Request from Participating Artists and Curators of the 61st Venice Biennale

第61回ヴェネツィア・ビエンナーレ参加アーティストおよびキュレーターによる緊急要請

A group of 73 artists and curators participating in the 61st Venice Biennale, including Yoshiko Shimada and Bubu de la Madeleine, have issued an urgent demand to the Biennale's board to revoke Israel's participation. The collective specifically objects to the decision to relocate the Israeli pavilion to the Arsenale, arguing that its presence contradicts the curatorial vision of Artistic Director Koyo Kouoh, which emphasizes the dignity of all life. They contend that the military and police presence required for the pavilion introduces an atmosphere of violence and fear that undermines the exhibition's integrity.

Where to go this weekend?

Wohin am Wochenende?

This week's art tips include Anton Corbijn's birthday exhibition at Fotografiska Berlin, featuring iconic portraits alongside personal favorites; the 25th anniversary of Daniel Libeskind's extension at the Jewish Museum Berlin; Refik Anadol's first Belgian AI-driven installation at Brusk in Bruges; the Schirn Kunsthalle Frankfurt's 40th anniversary weekend with free entry and performances; and a Lee Ufan solo show at Dia Beacon in New York, following his Wolfgang Hahn Prize.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

The art of chaos

The 61st Venice International Art Biennale has opened in Venice, running until November, amid unprecedented turmoil. The main exhibition, "In Minor Keys," was curated by Koyo Kouoh, who died of cancer shortly after presenting her vision featuring 111 artists including Carsten Höller, Alvaro Barrington, and Laurie Anderson. Her death has eliminated the Lifetime Achievement Award this year. Additionally, the Biennale faces a funding crisis as the EU threatens to withdraw its €2 million subsidy over Russia's participation with 38 artists following the invasion of Ukraine. Iran, Nigeria, and Israel are absent from their pavilions, while the US Pavilion, now organized by the American Arts Conservancy under inexperienced leadership, features self-taught artist Alma Allen.

Independent Opens With Solo Presentations, Early Sales and (Most Importantly) Breathing Room

Independent art fair opened on May 14, 2026, at a new location in Lower Manhattan’s Pier 36, offering a larger, less central venue than its previous Tribeca home. The fair emphasizes solo presentations, which make up 70 percent of the booths, and features tightly focused displays. Gallerist Susanne Vielmetter reported early sales and museum reservations for works by Samuel Levi Jones, Robert Pruitt, and Nate Lewis. Brazilian gallery Almeida & Dale shares a booth with David Nolan Gallery, showcasing Chakaia Booker and Miguel Rio Branco, while New York dealer Charles Moffett reported strong interest in late Swiss artist Silvia Heyden’s tapestries.

Peterson Rich Office Designed The Met’s New Condé M. Nast Galleries and its Inaugural Costume Institute Exhibition

The Metropolitan Museum of Art has opened its new Condé M. Nast Galleries, a 12,000-square-foot exhibition space designed by Brooklyn-based architecture firm Peterson Rich Office (PRO). The galleries, which debuted with the Costume Institute's exhibition "Costume Art," transform a former interior courtyard and gift shop into five sequential rooms, including named spaces for Thom Browne, Michael Kors, and Lance LePere. PRO also designed the exhibition itself, which pairs 200 garments and accessories with 200 artworks from the Met's collection, creating a dialogue between fashion and fine art.

Koyo Kouoh’s Legacy Shapes the 2026 Venice Biennale

Koyo Kouoh, the first African woman to curate the Venice Biennale, was appointed curator of the 2026 edition and began shaping the main exhibition titled 'In Minor Keys' in October 2024. She died of cancer in May 2025 at age 57, but the Biennale organizers have committed to realizing her vision. The exhibition features 111 artists, collectives, and organizations from cities including Nairobi, New Orleans, Kingston, New Delhi, Beirut, and Bangkok, many of them her longtime collaborators. Kouoh was also the founder of Raw Material Company in Dakar and executive director and chief curator of the Zeitz Museum of Contemporary Art Africa (MOCAA) in Cape Town.

The Holy See Pavilion asks Venice Biennale Visitors to Slow Down and Listen, and Other News.

The Holy See's pavilion at the 61st Venice Biennale presents "The Ear is the Eye of the Soul," a multi-sensory exhibition centered on deep listening and inspired by Hildegard von Bingen, curated by Hans Ulrich Obrist and Ben Vickers with Soundwalk Collective, featuring new commissions by 24 artists including Patti Smith, Brian Eno, FKA twigs, and Dev Hynes across two Venetian sites. Separately, Chanel and the Solomon R. Guggenheim Foundation have launched the Chanel Culture Fund Fellowship, a transatlantic curatorial program for postgraduate scholars at the Guggenheim Museum in New York and the Peggy Guggenheim Collection in Venice. In other news, a father-daughter duo from New Jersey pleaded guilty to a $2 million counterfeit art scheme involving forged works attributed to Andy Warhol, Banksy, and others; Vienna's Burgtheater is offering guided scaffolding tours of Gustav Klimt's early ceiling paintings during restoration; and the sixth edition of the Head Hi Lamp Show opens in New York.

Australian artist Khaled Sabsabi reveals details of presentations in the Australia Pavilion and in the International Exhibition In Minor Keys at Biennale Arte 2026 – News Hub

Australian artist Khaled Sabsabi will present two major installations at the 2026 Venice Biennale. At the Australia Pavilion, he unveils "conference of one’s self," an immersive multisensory work featuring eight monumental canvas paintings, video projections, and a soundscape inspired by a 12th-century Sufi allegory. Simultaneously, he becomes the first Australian artist to also exhibit in the International Exhibition, titled "In Minor Keys" curated by Koyo Kouoh, with a second installation called "khalil" at the Arsenale. Both works explore spirituality, migration, and shared humanity through a framework of Sufi thought.

Khaled Sabsabi Unveils Biennale Arte 2026 Showcase

Khaled Sabsabi will represent Australia at the 61st Venice Biennale in 2026 with two major installations. At the Australia Pavilion, he presents "conference of one's self," an immersive multisensory installation featuring eight monumental canvas paintings, suspended video projectors, and an analogue soundscape, all inspired by the 12th-century Sufi allegory "The Conference of the Birds." In a historic first for an Australian artist, Sabsabi also debuts a second work, "khalil," in the Biennale's main exhibition "In Minor Keys" curated by Koyo Kouoh at the Arsenale. Both works explore spirituality, migration, and shared humanity through a Sufi philosophical framework.

FAD’s Fab Five: 5 Must-See Highlights at the 2026 Venice Biennale

Lee Sharrock selects five must-see highlights at the 61st Venice Biennale, titled "In Minor Keys" and conceived by the late curator Koyo Kouoh, who passed away in 2025. The Biennale runs from May 9 to November 22, 2026, at the Giardini, Arsenale, and various Venetian venues. Featured highlights include Marina Abramović's historic exhibition "Transforming Energy" at the Gallerie dell'Accademia—the first major show for a living woman artist there—the Holy See Pavilion's "The Ear is the Eye of the Soul" with artists like Patti Smith and Brian Eno, and Lubaina Himid's British Pavilion presentation "Predicting History: Testing Translation."

America’s Venice Biennale artist was scorned by tastemakers — he says he’s misunderstood

American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."

Godfried Donkor: It’s a Numbers Game

Ghanaian-British artist Godfried Donkor is set to debut his first UK institutional solo exhibition, "It’s a Numbers Game," at Firstsite in Colchester. The exhibition features a diverse array of media including collage, painting, embroidery, and installation, highlighted by a gallery transformed into a boxing ring to symbolize migration and endurance. Donkor utilizes materials like Financial Times pages and Adinkra symbols to explore the "triangle of commerce" between Britain, West Africa, and the Caribbean, while specifically linking the local history of Boudicca to the resistance of Ashanti leader Yaa Asantewaa.