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Thaddaeus Ropac has announced global representation of the Martha Diamond Trust in collaboration with David Kordansky Gallery. The late New York painter, who passed away in 2023, is known for her expressive, gestural cityscapes of Manhattan that balance abstraction and figuration. The partnership aims to elevate Diamond’s international profile, beginning with her first European museum survey at the Sara Hildén Art Museum in Finland in 2026, followed by a solo exhibition at Ropac’s Paris gallery in 2027.

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German artist Cosima von Bonin collaborated with Loewe for its Fall/Winter 2026-2027 womenswear show at the Château de Vincennes during Paris Fashion Week. The artist’s signature plush sculptures, including oversized octopuses and bug-eyed scallops, occupied front-row seats and populated the runway set. Beyond the scenography, von Bonin’s zoomorphic motifs were integrated directly into the collection as jewelry, charms, and minaudières.

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Artist Nick Cave and his partner Bob Faust have transformed an abandoned Chicago textile factory into a vast live-work-gallery complex called Facility. The space houses their apartment, studios for themselves and ten assistants, and a street-facing gallery for emerging artists. Cave is preparing for a major exhibition, "Mammoth," at the Smithsonian American Art Museum, while also working on large-scale public commissions, including a sculpture for Princeton University Art Museum and a collaborative installation for the Obama Presidential Center.

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This article from ARTnews reports on recent industry moves in the art world, including gallery roster additions and appointments. Jack Shainman Gallery added Brooklyn-based interdisciplinary artist Donyel Ivy-Royal, Esther Schipper now represents Tuan Andrew Nguyen in collaboration with James Cohan, Emalin took on Ghanaian artist Jonathan Okoronkwo, and Victoria Miro and Olney Gleason will jointly represent Emil Sands. Additionally, the Bass Museum of Art appointed Jasa McKenzie as associate curator. The piece also highlights a record-breaking $84.1 million sale of William I. Koch's Western art collection at Christie's, which set five new artist records, including Frederic Remington's reset twice.

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The Winter Show returns to New York's Park Avenue Armory from January 23 to February 1, 2026, blending blue-chip modernism with decorative arts, design, jewelry, and antiques. The fair features a special presentation titled 'Study of a Young Collector,' curated by Patrick Monahan in collaboration with executive director Helen Allen, which imagines the private study of a next-generation collector using works from 11 international dealers exhibiting for the first time. Notable highlights include Jonathan Boos's presentation of Christo and Jeanne-Claude's early work 'Wrapped Toy Horse' (1963), priced at $450,000, and a rare copper and gilt mask by Harlem Renaissance artist Sargent Claude Johnson from 1933, priced at $245,000. Boccara Gallery also showcases modern and contemporary tapestries by artists like Man Ray and Alexander Calder.

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The article investigates the rising cost of art shipping, which has become a major issue for the art industry since the Covid-19 pandemic. Industry figures including Fritz Dietl of Dietl logistics, Belgian collector Alain Servais, art advisor Michaela Neumeister de Pury, New York collector Jonathan Travis, dealer Jack Shainman, and OCS Art Services owner Nicole Scuderi describe shipping as a 'necessary evil' and a 'major stumbling block' that affects galleries, collectors, fairs, auction houses, and museums. Costs surged during Covid due to inflation in labor, materials, and insurance, and have not come down, while complications from Brexit, U.S. trade policies, and New York State tax laws have added further layers of expense and confusion.

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Berlin’s Galerie Mehdi Chouakri announced a temporary pause from exhibitions after nearly thirty years and around 250 shows. Owner Mehdi Chouakri cited personal reasons and the increasing demands of the traditional primary market model. The gallery will continue to represent its estates and living artists through collaborations, and may mount a new exhibition as soon as fall 2025. The pause follows a difficult year for galleries globally, with several high-profile closures and retrenchments.

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Artnet News recaps the defining trends of 2025 in the art world, highlighting five key stories. These include the resurgence of elaborate frames in contemporary art ("Bordercore"), the rise of "red-chip art" favored by a new breed of flashy collectors, a "para-pastoral" movement that twists idyllic rural scenes into unsettling visions, and the growing popularity of small-scale paintings driven by intimacy and market shifts.

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High Art, a Parisian gallery known for launching the careers of artists like Lucy Bull and Julien Creuzet, is closing its physical space after 12 years. The gallery announced on Instagram that its last exhibition closed in July and that it will transition toward collaborations, offsite exhibitions, and individual artworks. Founded in 2013 by Romain Chenais, Jason Hwang, and Philippe Joppin, High Art became a tastemaker in Paris's gallery scene, known for its challenging and often unconventional program. Many artists who showed there early, including Rachel Rose, Matt Copson, and Frieda Toranzo Jaeger, later achieved international recognition.

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Maggie Harrison, head winemaker at Antica Terra in Oregon's Willamette Valley, has collaborated with artists Julie Mehretu, Paul Pfeiffer, and Jessica Rankin to create a limited-edition box set of wines. Each set includes wines blended collaboratively and individual artworks packaged with the bottles, described as a “Museum in a Box.” Proceeds from the 150 sets benefit Denniston Hill, the artist residency founded by Mehretu and Pfeiffer. Harrison also opened an Art Meadow at Antica Terra this past summer, featuring a site-specific installation by Lily Clark, with plans for another exhibition next year.

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Machteld Rullens, a Dutch artist based in The Hague, is presenting her second solo exhibition with Page (NYC) titled “Beacon Road,” jointly staged at Andrew Kreps Gallery in New York. The show features works created during a residency at the Josef and Anni Albers Foundation in Connecticut, using discarded cardboard boxes that Rullens collects from recycling bins and other sources. Her sculptures, which initially appear ceramic or metallic, are actually intricate assemblages of cardboard, exploring form, commodity, and waste. The exhibition marks a departure from her earlier work, with crushed and folded forms and exposed bolts conveying a sense of restrained energy.

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The article describes a weekend stay at the Hotel Cipriani, a Belmond hotel in Venice, highlighting its role as a luxurious oasis amid the city's cultural offerings. It details visits to the Peggy Guggenheim Collection, including the exhibition "Manu-Facture: The Ceramics of Lucio Fontana," and the Gallerie dell'Accademia, while focusing on the hotel's upcoming redesign by architect Peter Marino, set to debut in 2025 with new suites and a lobby. The hotel's art program, including past collaborations like Daniel Buren's pavilion and future activations tied to the 2026 Venice Biennale, is also emphasized.

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On November 11, the Paul Taylor Dance Foundation will honor painter Alex Katz at Lincoln Center’s David H. Koch Theater, celebrating a decades-long creative partnership between Katz and the late choreographer Paul Taylor. The collaboration began in 1960 when poet Edwin Denby introduced them for a commission at the Spoleto Festival, leading to 16 works together including "Meridian," "Scudorama," "Private Domain," "Diggity," and "Sunset." At the gala, the company will perform "Sunset," which Katz conceived after observing soldiers in Madrid’s Retiro Park. Katz is also showing new paintings at Gladstone Gallery in New York, while the Museum of Contemporary Art San Diego hosts "Alex Katz: Theater and Dance," the first major survey of his stage work.

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Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.

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Olney Gleason, a new gallery founded by former Kasmin senior staff Nick Olney and Eric Gleason, has been appointed as the exclusive representative for the estates of Jackson Pollock and Lee Krasner through the Pollock-Krasner Foundation. The gallery, which opened earlier this year, succeeds Kasmin in handling the artists' work; Kasmin had represented Pollock since 2024 and Krasner since 2017. Olney and Gleason previously organized multiple Krasner exhibitions at Kasmin and supported major museum shows, including a 2019 Krasner retrospective at the Barbican Centre and a 2024 Pollock exhibition at the Picasso Museum in Paris.

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Luke Agada, a Nigerian painter who completed his MFA at the School of the Art Institute of Chicago in 2023, chose to remain in Chicago rather than move to New York or Los Angeles, citing the city's balance of opportunities. He opened his solo exhibition "To Translate Is to Move Across" at Monique Meloche Gallery during the third edition of Chicago Exhibition Weekend (CXW), a four-day event involving over 70 galleries, talks, studio visits, and a tennis mixer. CXW was founded by Abby Pucker of the consultancy firm Gertie and co-organized with Expo Chicago, expanding this year to include the Chicago Architecture Biennial and a curated exhibition of conceptual art.

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Consuelo Jimenez Underwood, a textile artist born in 1949 in Sacramento, has spent decades creating works that confront the US-Mexico border. In 2009, she was invited to participate in the group exhibition “Xicana: Spiritual Reflections/Reflexiones Espirituales” at the Triton Museum of Art in Santa Clara, California. Faced with a blank museum wall, she decided to “blow up the border,” creating her first large-scale installation, *Undocumented Border Flowers* (2010), which features a red gash representing the border surrounded by paper flowers of the four border states. This work launched her ongoing “BORDERLINES” series, which she has produced some 15 times across the country, often collaborating with schoolchildren or recently incarcerated women. Her practice is deeply personal: her father was an undocumented immigrant from Mexico of Huichol ancestry, and she spent her childhood as a migrant farmworker, following harvests along Highway 99. Her first woven artwork, *C.C. Huelga* (1974), was inspired by the United Farm Workers flag and leader César Chávez.

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During New York Fashion Week, Canadian designer Jason Wu unveiled his latest collection in a Brooklyn Navy Yard warehouse, but the runway show was preceded by a ten-piece installation of screen prints by American artist Robert Rauschenberg, on loan from the Rauschenberg Foundation. Wu spent months researching the artist's archive, focusing on the little-studied Hoarfrost series, and incorporated image transfers from 1970s newspapers and magazines into his garments. The show also featured other designer-art crossovers, including Proenza Schouler's debut under Rachel Scott at Olney Gleason gallery and Ashlynn Park's presentation at the International Center of Photography alongside works by Iranian artist Sheida Soleimani.

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A group of 50 artists and cultural figures has sent a letter to Judy Chicago and Pussy Riot founding member Nadya Tolokonnikova, accusing them of “artwashing” for their collaborative exhibition “What If Women Ruled the World?” scheduled to open September 25 at the Tel Aviv Museum of Art. The letter calls for the exhibition’s cancellation, arguing that it is hypocritical to present a feminist show at an Israeli institution while Israel’s military actions in Gaza have killed over 28,000 women and girls since October 2023, according to UN Women. Tolokonnikova has stated she is not involved in decisions about the work’s current venue, while museum director Tania Coen-Uzzielli rejected the idea that canceling exhibitions is a meaningful response to the conflict.

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Independent 20th Century, a New York art fair held September 4–7 at Casa Cipriani, reported that 74% of buyers were new clients of participating dealers, with 100 works sold—up from 87 in 2024. The highest sale was Ilya Kabakov's *Colourful Noise #2* for $650,000 at Galerie Brigitte Schenk, a 65% increase over last year's top sale. Nine of 30 exhibitors sold out their booths, and institutions acquired 18 works, compared to three in 2024. The fair also announced its 2026 edition will move to Sotheby's new headquarters in the Breuer building, marking a first-of-its-kind collaboration between a contemporary art fair and an auction house.

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Dyani White Hawk, a prominent Native American artist known for her beaded abstract works, has joined Alexander Gray Associates in New York while maintaining her long-standing representation with Bockley Gallery in Minneapolis. White Hawk, who gained widespread recognition at the 2022 Whitney Biennial, creates paintings that incorporate beadwork and emphasize the contributions of Native women to abstraction. Her recent achievements include a MacArthur "genius" fellowship in 2023, a Guggenheim Fellowship in 2024, and a site-specific ceramic mosaic installation titled "Nourish" currently on view at the Whitney Museum.

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A major survey of Donald Locke's work, titled "Resistant Forms," has opened at Spike Island in Bristol, England, in collaboration with Ikon Gallery in Birmingham and Camden Art Centre in London. Featuring over 80 works spanning five decades, the exhibition includes early biomorphic ceramics, monochromatic black paintings from the 1970s, collage paintings, mixed-media sculptures, and personal writings and photographs. Highlights include the black paintings series addressing colonial subjugation, such as "The Cage" (1976–79), and later whimsical works like "Reconstructed Bottle with Pearls #11 (Pearls for Mahalia)" (2008). The show traces Locke's journey from his birth in Guyana, his time in the UK as part of the Windrush Generation, and his eventual move to the US, where he lived until his death in 2010.

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Art Collaboration Kyoto announced 72 exhibitors for its fifth edition, with 25 first-time participants. Patti Wong, former Sotheby's executive, launched New Perspectives Art Partners with Ed Dolman, Brett Gorvy, and others. Art Fair Tokyo's 20th edition saw sales of ¥2.86 billion, down 10% from last year. Lisa Horikawa and Mizuki Takahashi were appointed co-curators of Japan's pavilion at the Venice Biennale. The Sharjah Art Foundation named Angela Harutyunyan and Paula Nascimento curators of the 17th Sharjah Biennial. YDP, a new non-profit space in London, will open with a solo show by Duan Jianyu. At Sotheby's London, Yu Nishimura's painting sold for £292,100. Hong Kong collector Adrian Cheng resigned from New World Development's board.

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Audemars Piguet Contemporary (APC) and the Aspen Art Museum have co-commissioned a new sculpture by Argentinian artist Adrián Villar Rojas, titled (Untitled) The Language of the Enemy. The work will debut in November in the Jura Mountains, near APC's hometown in the Vallée de Joux, before traveling to the Aspen Art Museum for a multi-floor exhibition in 2026. The sculpture draws a parallel between paleontology and speculative memory, imagining that an encounter with fossilized dinosaur remains might have sparked the earliest act of art-making. APC curator Audrey Teichmann emphasized the organization's role in supporting the artist through inception, research, fabrication, and project management, as well as providing continuous support for a second exhibition and storage of the work between shows.

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Playboy founder Hugh Hefner died at age 91, and this article highlights seven visual artworks inspired by Hefner and his magazine empire. Featured artists include Andy Warhol, who designed a 1986 Playboy anniversary cover; Marisol Escobar, who created a 1966 sculpture of Hefner with two pipes; Sigmar Polke, whose 1966 painting 'Bunnies' uses benday dots to depict a Playboy Bunny; and Richard Hamilton, whose 1961 work 'Pin-up' references Playboy's centerfold. The list also includes Burt Glinn's photograph of Hefner at the Playboy Mansion, Simon Claridge's 2016 series of Playboy covers, and Richard Phillips's 2013 painting 'Playboy Marfa.'

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Nicole Wittenberg's new painting series "Ain't Misbehavin'" is on view at Maison La Roche in Paris through July 19, 2025. The exhibition, a collaboration between Massimo De Carlo and Fondation Le Corbusier, features large floral works that eliminate depth and press blossoms against the picture plane, creating a dialogue with Le Corbusier's purist modernist architecture. Wittenberg, a San Francisco-born artist who studied at the San Francisco Art Institute, has work in the collections of the Solomon R. Guggenheim Museum, the Boston Museum of Fine Art, and the Albertina.

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The article details the career of artist Grace Hartigan, who by 1954 had overcome self-doubt and gained critical and commercial success with her bold, figurative-abstraction paintings. It recounts her solo exhibitions at Tibor de Nagy, acquisitions by MoMA and the Whitney, and her defiance of critic Clement Greenberg. The piece then focuses on a new exhibition at the North Carolina Museum of Art, "Grace Hartigan: The Gift of Attention," curated by Jared Ledesma, which explores how her relationships with avant-garde poets like Frank O'Hara and Barbara Guest shaped her work and provided a sense of belonging in the downtown New York scene.

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Marley Freeman is preparing for her new exhibition "no when" at Karma's Chelsea gallery, running through July 18, 2025. The article delves into her background as the daughter of a textile dealer, which deeply influences her abstract paintings made from gesso, acrylic, and oil. Freeman's career includes breakout shows with Karma in 2019 and 2022, and her works are held by LACMA, the Hammer Museum, and the Whitney Museum. She has collaborated with artists Lukas Geronimas and Jared Buckhiester, and her current show features collaborative pieces.

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Gordon Robichaux, a gallery located on the ninth floor of a high-rise in New York's Union Square, has opened two exhibitions dedicated to the late artist and curator Jenni Crain, who died suddenly from Covid-19 in 2021 at age 30. The shows feature an unrealized floor sculpture by Crain, completed by her foundation and collaborators, and an untitled exhibition including works by artists who influenced her, such as Tee Corinne, March Avery, and Kate Millett. The gallery is also dedicating its booth at Frieze New York to Crain, highlighting her role as a friend, curator, and salesperson during the gallery's early years.

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Artist Harry Gould Harvey IV and others are reclaiming the frame as an integral part of the artwork, using found wood and elaborate designs to embed narrative, memory, and place. Harvey, represented by P.P.O.W., began making frames from a fallen black walnut tree, while artists like Jenna Rothstein create ceramic frames with spiky thorns. The New Museum Los Gatos recently honored Holly Lane, a pioneer who milled Renaissance-style frames in the 1980s, challenging the minimalist norm.